Close Up Photo Quotes & Sayings

I'm actually writing a short story about a photographer who went completely insane trying to take a close up photo of the horizon. — Steven Wright

The whole reason I wanted to take Owen to Disney World is that I fear that someday he's going to look through his childhood photo album and wonder why all his vacations with his aunt took pace at places like the McKinley Memorial and Wounded Knee. And yet here we are. Powell's cemetery was just too close to Cinderella's Castle for me to pass up. — Sarah Vowell

The Cherokee used to fear that taking a photo would make them lose their souls. Over exposure and desensitization is pretty close to losing one's soul. So they were right to quite an extent. — Sabine Shah

After we've been dancing awhile and need a breather, we walk off the dance floor. I whip out my cell and say, "Pose for me."
The first picture I take is of him trying to pose like a cool bad boy. It makes me laugh. I take another one before he can strike a pose this time.
"Let's take one of the both of us," he says, pulling me close. I press my cheek against his while he takes my cell and puts it as far away as he can reach, then freezes this perfect moment with a click. After the picture is taken, he pulls me into his arms and kisses me. — Simone Elkeles

The funny thing was that the sisters were hardly nubile, creamy-skinned Lolitas blushing on the bough. In fact, one of them looked like she'd beaten herself with a tire iron during a smallpox-induced hallucination, and the other looked like a close-up photo of a wolf spider. — Diablo Cody

Calling home a close finish - And the judge has called for a photo, appropriately for the Bonusprint Sirenia Stakes. — Graham Goode

The windows next to her is open a crack, spitting in rain
'Close the windows Rosa'
She slides a small book out of her backpack, turning it so i can see the front
An Australian passport. She opens it to the photo page: the horrible drunk from the plane.
I lunge as Rosa pushes it out the window
'I win,' Rosa says. — Justine Larbalestier

seems to have been somewhat glowing white (ionizing the atmosphere directly next to it), but was close enough to the lunar surface to cast its equally elongated shadow. (NASA photo No. 16-19238.) Even after the two Earthside superpowers did not return to the — Ingo Swann

Georgie took out her phone. 'I want to take a picture of you two.' She held up her phone and motioned for us to get together.
Darcy and I lined up against the railing. 'No, I need you closer together to get you both in the photo,' she instructed.
I had taken countless pictures on the waterfront and I knew that if you were getting the skyline in the background, you didn't need to be that close.
Darcy put his arm around my shoulder and we leaned in. I slipped my arm around his waist and I noticed how easily I fit into the little nook on his side.
'Oh, hold on, I'm having problems.' Georgie played with her phone for a few moments while we just stood there in our posed embrace.
'Georgie ... '
She looked up at her brother and blushed. 'Um, I think it works now. — Elizabeth Eulberg

Stop there, Breathe.
For a while you need to leave, live.
Stop pushing your face into that photo called
past, stuck in the photo frame of time. Stop
scratching your heart, give the wound time to
heal. For i know, when the photo frame falls
down, the broken pieces of glass fall apart,
just like memories. But no, you want to keep
it to the chest, close to your heart. You know
you shouldn't but you're too coward to let go.
It keep sucking your heart, into a black hole
of muddy memories. Making you a dark
shattered soul, incapable of finding solace.
So stop. For a while let's just live. Let's just
breathe. Let's just love ourselves, for it's you
who need it the most. — Sameer Khan

In the end, the photographer shot a close-up of Troy holding a photo of himself waiting in a much more interesting line fifteen years ago.
It was a humiliating setback for them as individuals and for the line as a whole. — Rainbow Rowell

I know for a fact that no matter where I go, the memory and the suffering of not being with you will cripple me. I will go to work, fire up my PC, only to check if you're online. I will hover the pointer to your name, it will pop your contact details
just the contact details, no photo, no one-liners, no sign of what we used to have
but I shall linger and stare at it for hours. I will attempt to start a chat, but will close it without even a word to type. I will try to divert my thoughts back to work. But will fail. I will always go back to you. One hour to another, it's 5 PM. I pack my things, unproductive for the day and smile. I'm doing that again tomorrow and the next. — CSTPimentel

To see in a thousandth of a second what indifferent people come close to without noticing - that is the principle of photographic reportage. And in the thousandth of a second that follows, to take the photo of what one has seen - that is the practical side of reportage. — Martin Munkacsi

Then there were the negatives. How he missed negatives. They were the actual rays of light, bounced straight off a landscape, an object, a person, and scarred on to the film. Photographic negatives were the hardest evidence you could get of your memories. They were the char left by the fire, the bruise left on your skin. The same light that carried to your eyes, on the day of your photograph, that image of your mother, or your father, or your close friend, had recorded itself on the film. And now, staring at the photo on the wall of Ida's transparent toes against the bed sheets, he thought how similar her feet were to negatives: both subjects of that half-world between memory and the present. These were not real, flexible, treading toes, but a play of light that showed where toes had been. — Ali Shaw

The public never appears to tire of endless courses of strawberries and cream, and the theory that you run the risk of boring people with endless photo montages of the Chelsea Pensioners in their dress reds, or close-ups of a Pimm's Cup sprouting all kinda of flora, has yet to be proven. People like Wimbledon in the same way they like blue jeans or even their own spouses: for the pleasure yielded by their reliable sameness. — Peter Bodo

Knowing what I do now, I think about shame and worthiness in this way: 'It's the album, not the picture.' If you imagine opening up a photo album, and many of the pages are full eight-by-ten photos of shaming events, you'll close that album and walk away thinking, Shame defines that story. If, on the other hand, you open that album and see a few small photos of shame experiences, but each one is surrounded by pictures of worthiness, hope, struggle, resilience, courage, failure, success, and vulnerability, the shame experience are only a part of a larger story. They don't define the album. — Brene Brown