Cleereman Quotes & Sayings

There should be a science of discontent. People need hard times to develop psychic muscles.
Muad'Dib — Frank Herbert

It is believed that physiognomy is only a simple development of the features already marked out by nature. It is my opinion, however, that in addition to this development, the features come insensibly to be formed and assume their shape from the frequent and habitual expression of certain affections of the soul. These affections are marked on the countenance; nothing is more certain than this; and when they turn into habits, they must leave on it durable impressions. — Jean-Jacques Rousseau

Jump in a hole without looking, and there'll be a snake in it every time. — Robert Jordan

All things are transitory. All things must pass. Attachments whether to material possessions, to people, to places to name, are futile. Despite your clinging, these things will fade away. — Hari Kunzru

Lady Underhill, having said all she had to say, recovered her breath and began to say it again. Frequent iteration was one of her strongest weapons. As her brother Edwin, who was fond of homely imagery, had often observed, she could talk the hind-leg off a donkey. "You — P.G. Wodehouse

At the end of the day, saving money is really about efficiency. You simplify your life, and its overall quality inevitably gets better. — Elizabeth Rogers

'Who's been repeating all that hard stuff to you?' 'I read it in a book,' said Alice. 'But I had some poetry repeated to me, much easier than that, by - Tweedledee, I think it was.' 'As to poetry, you know,' said Humpty Dumpty, stretching out one of his great hands, 'I can repeat poetry as well as other folk, if it comes to that - ' 'Oh, it needn't come to that!' Alice hastily said, hoping to keep him from beginning. — Lewis Carroll

It often happens that the real tragedies of life occur in such
an inartistic manner that they hurt us by their crude violence, their
absolute incoherence, their absurd want of meaning, their entire lack
of style. They affect us just as vulgarity affects us. They give us
an impression of sheer brute force, and we revolt against that.
Sometimes, however, a tragedy that possesses artistic elements of
beauty crosses our lives. If these elements of beauty are real, the
whole thing simply appeals to our sense of dramatic effect. Suddenly
we find that we are no longer the actors, but the spectators of the
play. Or rather we are both. We watch ourselves, and the mere wonder
of the spectacle enthralls us. — Oscar Wilde

On his thirteenth birthday he had seen a film in which the central character was a painter who, unable to sell his work, grew cold and hungry as he went from one unsuccessful interview to the next; eventually he had become a vagrant, sleeping in the streets of the city where once he had walked in hope. Hawksmoor left the cinema in a mood of profound, terrified apprehension and, from that time, he was filled with a sense of time passing and with the fear that he might be left discarded on its banks. The fear had not left him, although now he could no longer remember from where it came: he looked back on his earlier life without curiosity, since it seemed to lack intrinsic interest, and when he looked forward he saw the same steady attainment of goals without any joy in their attainment. For him, the state of happiness was simply the state of not suffering and, if he cared for anything, it was for oblivion. — Peter Ackroyd

Ash pulled me back against him, brushing my hair from my neck. His mouth skimmed my shoulder, up my neck, sending butterflies swarming through my insides. "If you want to rest, then do so," he murmured against my skin. "The rain will not touch you, I promise. — Julie Kagawa

Don't settle: Don't finish crappy books. If you don't like the menu, leave the restaurant. If you're not on the right path, get off it. — Chris Brogan