Famous Quotes & Sayings

Claudine Auger Quotes & Sayings

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Top Claudine Auger Quotes

Claudine Auger Quotes By Fernando Flores

Hope is the raw material of losers. — Fernando Flores

Claudine Auger Quotes By Stephen Fry

You've just had the most imponderable joy of watching charlieissocoollike, which makes you, like, cool. — Stephen Fry

Claudine Auger Quotes By Colleen Houck

I picked up the statue and looked at it from different angles. The eight arms were fearsome. Note to self: in a battle against Durga, run the other direction. — Colleen Houck

Claudine Auger Quotes By Jeff Greenfield

In early 1961 a new president, John F. Kennedy, was told by military leaders and civilian officials that the Kingdom of Laos - of no conceivable strategic importance to the U.S. - required the presence of American troops and perhaps even tactical nuclear weapons. Why? Because if Laos fell, Asia would go red from Thailand to Indonesia. — Jeff Greenfield

Claudine Auger Quotes By Johnny Vander Meer

I have always been a firm believer that the game has never belonged to the owners. It has never belonged to the ballplayers. It belongs to the guy who puts his money up on the window and says, 'How much does it cost to sit in the bleachers?' That is who owns baseball. And it has got to be kept that way. — Johnny Vander Meer

Claudine Auger Quotes By Sophia Loren

I was not intrigued with the accouterments of success and fame, the furs, jewels, expensive automobiles and mansions ... I can assure you that these things were not on my mind when I sat spellbound in that Pozzuoli movie house. It was what these performers on the screen were doing, not what they received for doing it. — Sophia Loren

Claudine Auger Quotes By Philip Kitcher

Sometime during the 1990s, when I was teaching philosophy at UCSD, my friend, colleague, and music teacher, Carol Plantamura, discussed the possibility of teaching a course together looking at ways in which various literary works (plays, stories, novels) had been treated as operas, and how different themes emerged in the opera and in its original. One of the pairings we planned to use was Mann's great novella and Britten's opera. Unfortunately, the course was never taught, but the idea remained with me. — Philip Kitcher