Quotes & Sayings About Classical Beauty

To set the standard for beauty in classical and modem cookery, and attest to the distant future that the French chefs of the 19th century were the most famous in the world. — Marie-Antoine Careme

I love to play a character. If I'm playing Cinderella or Aurora in 'Sleeping Beauty' or something like that, then I enjoy classical a lot. But to do just a two-minute solo, purely to show classical aesthetic, is not my favorite thing to do. — Sarah Hay

The heart of the classical repertory is the Tchaikovsky-Petipa 'Sleeping Beauty,' and no ballet is harder to get right. — Robert Gottlieb

His voice dropped to a low murmur, and he leaned down so that he was almost whispering in her ear. "You see, there's this woman."
She wasn't going to look at him. She wasn't.
"Normally, one might say that there was a beautiful woman - but I don't think she qualifies as a classical beauty. Still, I find that when she's around, I'd rather look at her than anyone else."
He set two fingers against her cheek, and Minnie sucked in a breath. She was not going to look at him. He'd see the longing in her eyes, and then ...
"There's something about her that draws my eye. Something that defies words. Maybe it's her hair, but I tried to tell her that, and she told me I was being ridiculous. I suppose I was. Maybe it's her lips. Maybe it's her eyes, although she so rarely looks at me. — Courtney Milan

By employing classical concepts of idealized beauty and changes in perspective, icons speak to us of reality transformed and transfigured, both in and through God's presence. They speak of transcendence and mystery. As iconographers, we point to a reality that we have never seen with our own eyes. In fact, all our images of God, heaven, the angels, and the saints, whether in poetry, prose, ritual, music, or icons, represent our limited attempts to speak of the unspeakable. — Peter Pearson

We live in a very chaotic world that sometimes we - it just seems like a mess. One of the reasons why we listen to music, and to great classical music in particular, is that everything is in an order and in a place and has a beauty that you see in nature, that you see and that people look for when they look for God. — Joshua Bell

I found a brief piece of by Antonio Vivaldi around this time which became my 'Pinhead Mood Music'. Called Al Santo Sepolcro (At The Holy Sepulchre), it opens more like a piece of modern orchestral music, and although it it moves toward Vivaldi's familiar harmonies, there is always the threat that it will fall back into dissonance. The piece progresses in an exquisite agony, poised on a knife edge between beauty and disfigurement, joy and sorrow, pleasure and pain. Perfect. — Doug Bradley

As a breath of wind or some echo rebounds from smooth, hard surfaces and returns to the source from which it issued, so the stream of beauty passes back into its possessor through his eyes, which is its natural route to the soul; arriving there and setting him all aflutter, it waters the passages of the feathers and causes the wings to grow, and fills the soul of the loved one in his turn with love. — Plato

When most objects are truly functional, this technological age, which is just beginning, will be truly civilised. When all objects in this country are truly functional, Australia will be as beautiful in its own way as classical Greece. — Robin Boyd

Now, if the principle of toleration were once admitted into classical education - if it were admitted that the great object is to read and enjoy a language, and the stress of the teaching were placed on the few things absolutely essential to this result, if the tortoise were allowed time to creep, and the bird permitted to fly, and the fish to swim, towards the enchanted and divine sources of Helicon - all might in their own way arrive there, and rejoice in its flowers, its beauty, and its coolness. — Harriet Beecher Stowe

In the Classical tradition, deriving from ancient Greece and Rome, beauty was perceived as the means by which the artist captured the viewer's eye in order to engage the viewer with truth and so inspire goodness. — John Walford

The Milesians did not model their women after Helen, reported to be the most beautiful woman of their times, & who, reportedly, had five husbands.Nor did they model their women after the Athenian housewives. Instead, Milesians celebrated womanly beauty from the physical endowments of two naked slave girls, Briseis & Chryseis-the bones of contention between Achilles & Agamemnon. Tradition cast Briseis as a tall brunette with a dark complexion & with a very distinguished appearance.Whilst Chryseis was described as fair, slender & small in stature.[INTRO] — Nicholas Chong

My roots are very closely tied to the DNA of the brand. Growing up in Serbia where women are unapologetically very feminine, I came to London and realised that I wanted to keep this feminine element but give it a twist and challenge ideas of classical beauty. — Roksanda Ilincic

Why is it that beautiful women never seem to have curiosity?
Is it because they know they're classical? With classical things the Lord finished the job. Ordinary ugly people know they're deficient and they go on looking for the pieces. — Penelope Gilliatt

'The Sleeping Beauty' is the greatest, most challenging and most vulnerable of classical ballets. Everything can go wrong with it, and all too often, everything does. — Robert Gottlieb

The pulse of India throbs in the music and the dance-drama. It is in the realm of living that India exposes herself, without consciousness. The poetry, the stoicism in the face of aching tragedy...the languishing air of over-rich beauty, the heaviness of joss-stick perfume...all these are India. The plaintive shepherd's flute surging across forbidding Himalayan valleys; a wandering Rajasthani minstrel intoning an hour-long ballad, carrying with him the breath of middle ages... — Peggy Holroyde

In neo-classical economic theory, it is claimed without evidence that people are basically self-seeking, that they want above all the satisfaction of their material desires: what economists call "maximising utility". The ultimate objective of mankind is economic growth, and that is maximized only through raw, and lightly regulated, competition. If the rewards of this system are spread unevenly, that is a necessary price. Others on the planet are to be regarded as either customers, competitors or factors of production. Effects upon the planet itself are mere "externalities" to the model, with no reckoning of the cost - at least for now. Nowhere in this analysis appears factors such as human cooperation, love, trust, compassion or hatred, curiosity or beauty. Nowhere appears the concept of meaning. What cannot be measured is ignored. But the trouble is that once our basic needs for shelter and food have been met, these factors may be the most important of all. — Carne Ross

The principal thing is the question of how our culture views age: that old is ugly. Take a photographer like Mapplethorpe. Every single photograph of his is about classical notions of beauty, of young beautiful black men, young beautiful women, and he selects subjects who are essentially interesting and good-looking and extremely physical. I can't stand them. — John Coplans

The aesthetic dimension of the ideal state comes out in the idea of harmony, which is the classical idea of beauty as "concinnitas" or "unity-in-variety". — Frederick C. Beiser

I just really gravitate towards a nostalgia for a time when things were simpler. When beauty was more classical and glamorous. — Emmy Rossum

I think you should leave [the scar]. [...] It's not as bad as you think. It will look better once it is healed. And besides, you already have a classical beauty. This gives you a romantic beauty as well. — April Adams

Who Am I?
I'm a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer's heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me. — Sharon M. Draper

In this same tradition, beauty is inextricably bound up with the principles of order and harmony believed to underlie the cosmos. Artists in the Classical tradition, inspired by Platonic idealism, strove to create images that represented not the world of particulars-with all its defects-but an ideal image conceived in the mind, which was taken as representing some absolute, pure, ideal form of which all particular, material forms are but a mere shadow. — John Walford

What is important is that our optical awareness rids itself of classical notions of beauty and opens itself more and more to the beauty of the instant and of these surprising points of view that appear for a brief moment and never return; those are what make photography an art. — Raoul Hausmann

Christ, as the ultimate Imago Dei is alluded to in scripture as being without external beauty in the Classical sense, and should better be thought of as one who passed through all the slime and mire of a fallen and sinful creation in order to redeem it. His own body is to be remembered for the marks it bears-even in resurrection-of the scars of his sacrificial death. For the Christian, a theory of beauty might better begin at this point. — John Walford

The classical allusions and the Platonic disquisitions on beauty are no longer a form of cover, but integral to Aschenbach's complex sexuality. Moreover, the wandering around Venice in pursuit of Tadzio isn't a prelude to some sexual contact for which Aschenbach is yearning. — Philip Kitcher

In taking that photograph, I understood something I will never forget: how I wished to arrest all the beauty that came before me. Not the classical beauty of symmetry and exact proportions or the fancy of fashion, which is ever-changing with the seasons, but the beauty of a soul, that inner life that reveals itself so seldom, just for an instant, and only if you look closely and learn to see with an open heart. — Elizabeth Ross