Quotes & Sayings About Classical Art
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Top Classical Art Quotes

Bob Dylan's one of the greatest blues singers of the western world; ancient art, on-the-spot improvisation, mind quickness, endless variation, classical formulae, prophetic vision, mighty wind-horse. — Allen Ginsberg

Across the broken apses and shattered naves of a hundred ruined Byzantine churches, the same smooth, cold, neo-classical faces of the saints and apostles stare down like a gallery of deaf mutes; and through this thundering silence the everyday reality of life in the Byzantine provinces remains persistently difficult to visualise. The sacred and aristocratic nature of Byzantine art means that we have very little idea of what the early Byzantine peasant or shopkeeper looked like; we have even less idea of what he thought, what he longed for, what he loved or what he hated.
Yet through the pages of The Spiritual Meadow one can come closer to the ordinary Byzantine than is possible through virtually any other single source.
Dalrymple, William (2012-06-21). From the Holy Mountain: A Journey in the Shadow of Byzantium (Text Only) (Kindle Location 248). HarperCollins Publishers. Kindle Edition. — William Dalrymple

Did he ever ask you . . . or suggest to you . . . that he might want to pull some kind of dirty trick on Senator Smalls?" "Oh, no, he would never have done that," Fey said. "I mean, he might have tried to pull a dirty trick, but he wouldn't have spoken to me about it. I like Senator Smalls and Robert knew that. The senator and I have common interests. He likes classical piano and he likes Postimpressionist art. If Robert had asked me to do a dirty trick on Senator Smalls, I would have refused and I would have told Senator Smalls. Robert teased me about that. About me being loyal. — John Sandford

Being a former dancer, classical dancer, it informed me as a human being just in terms of the grace I guess. Ballet is a very graceful form of art. You also become very aware of your body and your mind and your body is working in conjunction. That kind of helps you in acting as well. It's not only using your mind, it's like making your mind communicate this character into your body so that you can bring it to life and physicalize it. — Zoe Saldana

Marina Warner's Monuments and Maidens explains how it comes about that individual men's names and faces are enshrined in monuments, supported by identical, anonymous (and "beautiful") stone women. — Naomi Wolf

My whole family is in the arts some way or the other. My father was a cellist in a symphony outside Chicago that was a side-job, he was a scientist. My mother was a dancer in New York. She was next-door neighbors with Dorothy Loudon and they moved to New York together. Mom was a dancer in New York for several years before she got married. My sister was a classical pianist. And my brother was a partier. So it all just seemed to work. — Jason Graae

The golden section was discovered by the Egyptians, and has been used in art and architecture, most commonly, during the classical ages of Egypt and Greece. — Steven L. Griffing

You Christians studied them," Settembrini exclaimed, "studied the classical poets and philosophers until you broke out in a sweat, attempted to make their precious heritage your own, just as you used the stones of their ancient edifices for your meeting houses. Because you were well aware that no new art could come from your own proletarian souls and hoped to defeat antiquity with its own weapon. And so it will be again, so it will always be. And you with your crude visions of a new morning will likewise have to be taught by those whom - so at least you would like to persuade yourselves, and others - you despise. For without education you cannot prevail before humanity, and there is only one kind of education - you call it bourgeois, but in fact it is human. — Thomas Mann

The political independence of a nation must not be confused with any intellectual isolation. The spiritual freedom, indeed, your own generous lives and liberal air will give you. From us you will learn the classical restraint of form. For all great art is delicate art, roughness having very little to do with strength, and harshness very little to do with power. 'The artist,' as Mr. Swinburne says, 'must be perfectly articulate.' This limitation is for the artist perfect freedom: it is at once the origin and the sign of his strength. So that all the supreme masters of style - Dante, Sophocles, Shakespeare - are the supreme masters of spiritual and intellectual vision also. Love art for its own sake, and then all things that you need will be added to you. — Oscar Wilde

We want to answer this classical question, who am I? So I think that most of our works are for art, or whatever we do, including science or religion, tried to answer that question. — Paulo Coelho

Classical art stands for form; romantic art for content. — Robin G. Collingwood

A Classical style ... is the syllogism of art, the only legitimate process from one world to another. Classicism is not the manner of any fixed age or of any fixed country; it is a constant state of the artistic mind. It is a temper of security and satisfaction and patience. — James Joyce

All architecture, classical or not, must have some sense of order, and order is much harder to achieve without the straight lines and right angles that have dominated the building art from time immemorial. — Martin Filler

We are at home here. Alienation is unnecessary. Contact with reality at a deep level is part of the Christian's life. He enters into reality, rather than escaping from it. The flight from reality is a mark of Eastern and classical mysticism, not of Christianity. — Hans Rookmaaker

Degas was obsessed by the art of classical ballet, because to him it said something about the human condition. He was not a balletomane looking for an alternative world to escape into. Dance offered him a display in which he could find, after much searching, certain human secrets. — John Berger

I think there's a kind of built-in arrogance to anyone who considers themself an artist. They want to feel as though like they can run the whole spectrum. "I can do it all. I can do minimalism, and I can do classical art." Well, that's not true. — Sylvester Stallone

Helen's era was quite different from what most people think of when they hear the words ancient Greece. The Parthenon, the graceful statues, the works of Sophocles, Euripides, Socrates, Aristotle, and Plato, all came nearly a thousand years after Helen's time, during the classical era. In the Bronze Age, no one yet knew how to make brittle iron flexible enough to use for tools and weapons. Art, especially sculpture of the human form, was stiffer and more stylized. Few people could read or write. Instead of signing important papers, you would use a stone seal to leave an impression on clay tablets. The design on the seal would be as unique as a signature. There was a kind of writing in Bronze Age Greece, but it was mostly used to keep track of financial matters, such as royal tax records. Messages, poems, songs, and stories were not written down but were memorized and passed along by word of mouth. — Esther M. Friesner

I would like my work to be recognized as being in the classical tradition (Coptic, Egyptian, Greek, Chinese), as representing the Ideal in the mind. Classical art cannot possibly be eclectic. One must see the ideal in one's own mind. It is like a memory - an awareness -of perfection. — Agnes Martin

Dance means different things to different people". It is a blend of Nritta, Nritya and Natya. It is a poetic expression which tells stories to people, a subtle interfusion of drama in an otherwise classical pattern. — Shallu Jindal

A Haydn symphony had a meaning for the social group that listened to it. A Mahler symphony had a meaning for the man who composed it. Here is the difference between the classical and romantic attitudes to art. — Anthony Burgess

All these poses of classical torture ruined my mind like a snake in the orchard. I did go from wanting to be someone, now I'm drunk and wearing flip-flops on Fifth Avenue. — Rufus Wainwright

In a timepiece, a sweep of a second hand is so slim in a way that it doesn't wait for no man, and that's why we choose to conceive things from the heart. — Shawn Lukas

As if it were the equal of Western classical or art music. The recordings were given respect, thoughtful presentation, and technical attention that was all too rare for non-Western music. I had grown up on Folkways's Nonesuch field recordings and the stuff Lomax had done for the Library of Congress, but the production values on the Ocora releases were on a whole other level. Eno and I realized that music from elsewhere didn't need to sound distant, scratchy, or "primitive." These recordings were as well produced as any contemporary recording in any genre. You were made to feel, for example, that this music wasn't a ghostly remnant from some lost culture, soon — David Byrne

Farber says (in my recollection, anyway) the European (or classical) art, including film, is culturally assumed to be a monumental slab. It's about that slab, and how it's been shaped, or what's been carved on it. In "termite art" though, your slab has been wormholed countless times, and its meaning is really taking place in the resulting interstices. The actual art of the piece, in other words, and your enjoyment of it, is taking place in the cracks, and the shape of the slab is coincidental and ultimately meaningless. — William Gibson

He then expounded a remarkable theory, which had occurred to him while he was playing the clarinet during one of the power cuts that the French electricity board arranges at regular intervals. Electricity, he said, is a matter of science and logic. Classical music is a matter of art and logic. Vous voyez? Already one sees a common factor. And when you listen to the disciplined and logical progression of some of Mozart's work, the conclusion is inescapable: Mozart would have made a formidable electrician. — Peter Mayle

I'd always wanted to tell people that when I work on my body I'm thinking about classical sculpture, so I jumped at the chance to show off body building as an art form. — Arnold Schwarzenegger

My Mom played violin and piano when she was growing up and she insisted, and I don't know if you can imagine how uncool it is to play the violin when you're eight and ten years old, but I told my Mom that I would quit every day until I went to high school and I met these other gentlemen who would become Yellowcard, and my friends, and I really fell in love with music and it wasn't just classical music, just submerged in the arts in the school I was in. — Sean Mackin

A sous-chef with dreams of her own restaurant empire may have mastered the art of classical French sauce making, but not yet have developed the signature cooking style she imagines as the cornerstone of her own chain of restaurants. She gauges her progress not only by whether she is moving toward her aspirations, but also by her improving skills. Our chef may not yet have the stature of Chef Auguste Escoffier or Emeril Lagasse, but she can remember a time when she could not name the five French mother sauces, let alone execute them. She's made progress. Appreciating the skills she has developed is a marker along the path toward her culinary aspirations. The sense of accomplishment that accompanies improved skills is one of the rewards we reap when we dedicate ourselves to mastery. — Marian Deegan

The usual consolations of life, friendship and sex included, appealed to Newton hardly at all. Art, literature, and music had scarcely more allure. He dismissed the classical sculptures in the Earl of Pembroke's renowned collection as "stone dolls." He waved poetry aside as "a kind of ingenious nonsense." He rejected opera after a single encounter. "The first Act I heard with pleasure, the 2d stretch'd my patience, at the 3d I ran away. — Edward Dolnick

Suddenly I've got an overwhelming desire to surround myself with the aura of classical and Romantic art. — Sylvester Stallone

A love of classical music is only partially a natural response to hearing the works performed, it also must come about by a decision to listen carefully, to pay close attention, a decision inevitably motivated by the cultural and social prestige of the art. — Charles Rosen

Although in society in general, the idea of an Irish composer of 'classical music', or whatever you want to call it, is still a strange item, generally speaking. Even in the arts, among our fellow creative artists in other disciplines, you still feel slightly out of it. — John Kinsella

The realm of classical music is so vast - not only in terms of style but of era, age and the purposes for which it was composed - it is an enormous art form. — David Finckel

Part of my mission is simply that: to bring the world of the arts, particularly classical music, closer to people so they don't feel that it is something remote that they have to specially prepare themselves for, or dress up for. — Michael Tilson Thomas

I enjoy practicing law too much to even contemplate retiring, but I often think about engaging in serious study of the history of art, of the intricacies of classical music. I could write a fugue, or perhaps learn to play the cello. — Karen DeCrow

I'd like to explode a few myths about what we call classical music. It's not high art for the titillation of a chosen few. — Charles Hazlewood

When dancing is right, the movement possesss a logic common to us all, an inevitability that takes it beyond the personal and egocentric and makes of it classical art. — Twyla Tharp

It was around this time that I'd begun trying to perfect the art of fucking with people's minds. I'd figured out that when someone else was hogging the limelight, you could cut him down to size by bringing up a subject he didn't know anything about. If the other person knew a lot about literature, I'd talk about the Velvet Underground; if he knew a lot about rock, I'd talk about Messiaen; if he knew a lot about classical music, I'd talk about Roy Lichtenstein; if he knew a lot about pop art, I'd talk about Jean Genet; and so on. Do that in a small provincial city and you never lose an argument. — Ryu Murakami

I have loads of issues with the way classical music is presented. It has been too reverential, too 'high art' - if you're not in the club, they're not going to let you join. It's like The Turin Shroud: don't touch it because it might fall apart. — Charles Hazlewood

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art.
Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.)
The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have. — Susan Sontag

As for the author, he is profoundly unaware of what the classical or romantic genre might consist of ... In literature, as in allthings, there is only the good and the bad, the beautiful and the ugly, the true and the false. — Victor Hugo

education and money. I go to church with the kids for the same reason Genie and I play our grandchildren classical music and litter the floors and chairs all over our home with open art books. Jack, age three, eats his lunch with a big Goya book propped in front of him asking for the — Frank Schaeffer

I'm never really sure what that word means, but however inaccurately I use it, 'classical' was always my ideal, as long as I can remember, and something of that has always stayed with me, to this day. Of course, there were difficulties, because in comparison to my ideal, I didn't even come close. — Gerhard Richter

All good art has contained both abstract and surrealist elements, just as it has contained both classical and romantic elements - order and surprise, intellect and imagination, conscious and unconscious. BOTH SIDES of the artist's personality must play their part. — Henry Moore

In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art. — Susan Sontag

The extension of the moral-historical perspective makes the meaning of the thesis of the athletic and somatic renaissance apparent. At the transition from the nineteenth to the twentieth century, the phenomenon labelled the 'rebirth of antiquity' in the language regulations of art history entered a phase that fundamentally modified the motives of our identification with cultural relics from antiquity, even from the early classical period. Here, as we have seen, one finds a regression to a time in which the changing of life had not yet fallen under the command of life-denying asceticisms. This 'supra-epochal' time could just as easily be called the future, and what seems like a regression towards it could also be conceived of as a leap forwards. — Peter Sloterdijk

The history of music is nothing more than the history of art-music or classical music, the music that was commissioned by aristocrats. — Frank Fairfield

I love art, I love music. I can listen to Stockhausen and a very experimental, avant-garde approach, and I can listen to Beethoven and have a more classical, traditional approach. Why not be able to do that with film performance? — Nicolas Cage

The objective of the Classical Art of Riding is to train the horse not only to be brilliant in the movements and the exercises of the High School but also to be quiet, supple and obedient and by his smooth movements to make riding a true pleasure — Alois Podhajsky

I've worked with some great orchestras and amazing classical musicians, but I don't like the conceptualization of classical music as an elitist form of art. — Serj Tankian

What is important is that our optical awareness rids itself of classical notions of beauty and opens itself more and more to the beauty of the instant and of these surprising points of view that appear for a brief moment and never return; those are what make photography an art. — Raoul Hausmann

Just as experience dictates to the ballet teacher the length of time necessary to train his students, so the horse, too, needs time to mature into a great four legged dancer. This fact cannot be obliterated by seeming successes that supposedly prove the opposite. For, even if someone should succeed in training a horse to high school level by the age of eight, this individual occurrence cannot shake the foundations of the classical art of riding, if this dressage horse is completely unsound and unusable by the age of ten. — Alois Podhajsky

Those who like to interpret historical facts symbolically may recognize in this the spirit of a specifically "modern" conception of the world which permits the subject to assert itself against the object as something independent and equal; whereas classical antiquity did not as yet permit the explicit formulation of this contrast; and whereas the Middle Ages believed the subject as well as the object to be submerged in a higher unity. — Erwin Panofsky

Who Am I?
I'm a creator, a visionary, a poet. I approach the world with the eyes of an artist, the ears of a musician, and the soul of a writer. I see rainbows where others see only rain, and possibilities when others see only problems. I love spring flowers, summer's heat on my body, and the beauty of the dying leaves in the fall. Classical music, art museums, and ballet are sources of inspiration, as well as blues music and dim cafes. I love to write; words flow easily from my fingertips, and my heart beats rapidly with excitement as an idea becomes a reality on the paper in front of me. I smile often, laugh easily, and I weep at pain and cruelty. I'm a learner and a seeker of knowledge, and I try to take my readers along on my journey. I am passionate about what I do. I learned to dream through reading, learned to create dreams through writing, and learned to develop dreamers through teaching. I shall always be a dreamer. Come dream with me. — Sharon M. Draper

I've making videos since I was seventeen I was originally discollecting vintage hmmm ... footages from different archives and setting moving pictures to classical music clips that meant a lot to me. Maybe there were places I have been where nice things have happened. I had a vision of making my life a work of art and I was looking for people who also felt that way. — Lana Del Rey

The most important thing to do as an artist is to get out of your comfort zone and work with different people: people who can't read a note of music, people who have incredible classical skills, blues and jazz musicians, pop artists, visual artists, dancers and actors. Learn from people who are creative in a different way to you and you'll keep evolving. — Katie Noonan