Class And Character Quotes & Sayings

It would seem probable that the attachment of such a one is of a tender and profound character; indeed, it is possible that in this class of men we have the love sentiment in one of its most perfect forms - a form in which from the necessities of the situation the sensuous element, though present, is exquisitely subordinated to the spiritual. — Edward Carpenter

Sometimes in my class I have people come in and do monologues inspired by people they know and I always find that to be useful to do specifics about somebody and then you're actually doing a character and not doing some random old lady or something. — Amy Poehler

What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim 'You know exactly what I mean!' depend for much of their force on the anonymous character of the intimacy between writer and reader. — Will Self

Can it be, thought I, that my sole mission on earth is to destroy the hopes of others? Ever since I began to live and act, fate has somehow associated me with the last act of other people's tragedies, as if without me no one could either die or give way to despair! I have been the inevitable character who comes in at the final act, involuntarily playing the detestable role of the hangman or the traitor. What has been fate's object in all this? Has it destined me to be the author of middle-class tragedies and family romances
or a purveyor of tales for, say, the Reader's Library? Who knows? Are there not many who begin life by aspiring to end it like Alexander the Great, or Lord Byron, and yet remain petty civil servants all their lives? — Mikhail Lermontov

They are ordinarily men to whom forms are of paramount importance. Their field of action lies among the external phenomena of life. They possess the vast ability in grasping, and arranging, and appropriating to themselves the big, heavy, solid unrealities, such as gold, landed estate, offices of trust and emolument, and public honors. With these materials, and with deeds of goodly aspect, done in the public eye, an individual of this class builds up, as it were, a tall and stately edifice, which, in the view of other people, and ultimately in his own view, is no other than the man's character, or the man himself. — Nathaniel Hawthorne

It is obvious that the aspects of mystery which gather round the word "election" are not confined to it alone. An important class of words, such as "calling," "predestination" "foreknowledge," "purpose," "gift," bears this same character; asserting or connoting, in appropriate contexts, the element of the inscrutable and sovereign in the action of the Divine will upon man, and particularly upon man's will and affection toward God. And it will be felt by careful students of the Bible in its larger and more general teachings that one deep characteristic of the Book, which with all its boundless multiplicity is yet one, is to emphasize on the side of man everything that can humble, convict, reduce to worshipping silence (see for typical passages Job 40:3, 1; Ro 3:19), and on the side of God everything which can bring home to man the transcendence and sovereign claims of his almighty Maker. — James Orr

There are a lot of things that make players really good coaches. Whether you've played in the NBA or not, there are certain things you have to master and be really good at. They just have to be gifted in these areas. You've got to be competent. Secondly, you've got to be able to communicate. You can have a picture in your mind on how to score but if you can't communicate it, if you can't teach it, what good is it? You've got to be brutally honest and be a man of strong character and then you've got to have class. They've got to respect you. — Avery Johnson

For the inhabitant of a country has at least nine characters: a professional, a national, a civic, a class, a geographic, a sexual, a conscious, an unconscious, and possibly even a private character to boot. He unites them in himself, but they dissolve him, so that he is really nothing more than a small basin hollowed out by these many streamlets that trickle into it and drain out of it again, to join other such rills in filling some other basin. Which is why every inhabitant of the earth also has a tenth character that is nothing else than the passive fantasy of spaces yet unfilled [ ... ] prevent[ing] precisely what should be his true fulfillment. — Robert Musil

Of course one's sense of identification with the nation is inflected by all kinds of particulars, including one's class, race, gender, and sexual identification. ... But [regarding] national character ... , aside from references to a national aesthetic - literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both - the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the "trashy, profane and obscene" poems of Whitman and Ginsberg, [and] Martha Graham's expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero. — Barbara Browning

I'd say that what I do is like a crack in the mirror. If you go back over the books from Carrie on up, what you see is an observation of ordinary middle-class American life as it's lived at the time that particular book was written. In every life you get to a point where you have to deal with something that's inexplicable to you, whether it's the doctor saying you have cancer or a prank phone call. So whether you talk about ghosts or vampires or Nazi war criminals living down the block, we're still talking about the same thing, which is an intrusion of the extraordinary into ordinary life and how we deal with it. What that shows about our character and our interactions with others and the society we live in interests me a lot more than monsters and vampires and ghouls and ghosts. — Stephen King

Obama is a man of first-class intellect and first-class temperament. But his character remains highly suspect. — Charles Krauthammer

Chan Ho had a great career and was the exemplification of class, dignity and character. — Tommy Lasorda

The teachers of small children are paid more than they were, but still far less than the importance of their work deserves, and they are still regarded by the unenlightened majority as insignificant compared to those who impart information to older children and adolescents, a class of pupils which, in the nature of things, is vastly more able to protect its own individuality from the character of the teacher. — Dorothy Canfield Fisher

Olly: jesus. is there a girl on this planet who doesn't love mr.darcy
Madeline: All girls love Mr. Darcy?
Olly: are you kidding? even my sister loves darcy and she doesn't love anybody
Madeline: She must love somebody. I'm sure she loves you
Olly: what's so great about darcy?
Madeline: That's not a serious question
Olly: he's a snob
Madeline: But he overcomes it and eventually realizes that character matters more than class! He's a man open to learning life's lessons! Also, he's completely gorgeous and noble and brooding and poetic. Did I mention gorgeous? Also, he loves Elizabeth beyond all reason. — Nicola Yoon

I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do. — Daniel Radcliffe

The Metropolitan Police Service is still, despite what people think, a working-class organisation and as such rejects totally the notion of an officer class. That is why every newly minted constable, regardless of their educational background, has to spend a two-year probationary period as an ordinary plod on the streets. This is because nothing builds character like being abused, spat at and vomited by members of the public. — Ben Aaronovitch

First class in life has nothing to do with the clothes you wear, the car you drive or the house you live in. First class is and always will be about the content of your character, the quality of your ideas and the kindness in your heart. — Cory Booker

I think the ultimate challenge is to have some kind of style and grace, even though you haven't got money, or standing in society, or formal education. I had a very middle, lower-middle class sort of upbringing, but I identify with people who've had, at some point in their lives to struggle to survive. It adds another color to your character. — Madonna Ciccone

Sharpe is my favorite role of all that I've played. He's a very complex character. He knows that he's a good soldier, but he will always have to fight the prejudice of aristocratic officers because of his rough working-class upbringing. On the battlefield, he's full of confidence - but off it, he is unsure, a bit shy and ill at ease. — Sean Bean

In a novel, I think you have a contract with the reader to make the character representative - of a moment in history, a social class ... for instance, I wanted to make the boy in 'A Boy's Own Story' more like other gay men of my generation in their youth and not like me. — Edmund White

It is common to distinguish necessaries, comforts, and luxuries; the first class including all things required to meet wants which must be satisfied, while the latter consist of things that meet wants of a less urgent character. — Alfred Marshall

Conversations about class are resisted in part because there is a tendency to imagine that one's class reflects upon one's character. What is key to America's understanding of class is the persistent belief - despite all evidence to the contrary - that anyone, with the proper discipline and drive, can move from a lower class to a higher class. We recognize that mobility may be difficult, but the key to our collective self-image is the assumption that mobility is always possible, so failure to move up reflects on one's character. By extension, the failure of a race or ethnic group to move up reflects very poorly on the group as a whole. What — Michelle Alexander

The idea that modern labour has an ascetic character is of course not new. Limitation to specialized work, with a renunciation of the Faustian universality of man which it involves, is a condition of any valuable work in the modern world; hence deeds and renunciation inevitably condition each other to-day. This fundamentally ascetic trait of middle-class life, if it attempts to be a way of life at all, and not simply the absence of any, was what Goethe wanted to teach, at the height of his wisdom, in the Wanderjahren, and in the end which he gave to the life of his Faust. For him the realization meant a renunciation, a departure from an age of full and beautiful humanity, which can no more be repeated in the course of our cultural development than can the flower of the Athenian culture of antiquity. — Max Weber

Character halts without aid of the imagination, which our classes in Shakespeare and Browning, music and drawing, recognize not only as amusement and by-play of the mind, but a co-ordinate power. Its work is unhappily styled fiction; for to idealize is to realize. — C. A. Bartol

Most people are middle class. Most people do wish their lives were better than they are. And I think by making my main characters ordinary, average guys, it helps readers identify with their problems. It also helps ground the supernatural events that follow in a recognizable reality and perhaps gives some of my wilder scenarios a little verisimilitude. — Bentley Little

The larger an English industry was, the more likely it was to go bankrupt, because the English were not naturally corporate people; they disliked working for others and they seemed to resent taking orders. On the whole, directors were treated absurdly well, and workers badly, and most industries were weakened by class suspicion and false economies and cynicism. But the same qualities that made English people seem stubborn and secretive made them, face to face, reliable and true to their word. I thought: The English do small things well and big things badly. — Paul Theroux

A memory came to me. One time, in middle school, a famous author came to talk to our class and give a writing workshop. One of the things she told us about writing a novel was that the story should be about what the main character wants. Dorothy wants to go home to Kansas. George Milton wants a farm of his own. Amelia Sedley wants to marry her darling George and live happily ever after. The end of the story, according to the famous author, is when the character either gests what he wants or realizes he's never going to get it. Or sometimes, she said, like Scarlett O'Hara in Gone With the Wind, realizes she doesn't actually want what she thought she wanted all along.
pg. 324 of Bewitching — Alex Flinn

And from mayors to average citizens, we have heard expressed a shared belief in a direct causal relationship between the character of the physical environment and the social health of families and the community at large. For all of the household conveniences, cars, and shopping malls, life seems less satisfying to most Americans, particularly in the ubiquitous middle-class suburbs, where a sprawling, repetitive, and forgettable landscape has supplanted the original promise of suburban life with a hollow imitation. — Andres Duany

Voting in particular is an embarrassment, being a public display of weak character and low intelligence. Let us face the truth: Democracy, like spitting in public or the Roman games, is the proper activity of the lower intellectual and moral classes. It amounts to collusion in one's own suckering. — Fred Reed

The black middle-class in America is a prosperous community that is now larger in absolute terms than the black underclass. Does its existence not suggest that economic adversity is the result of failures of individual character rather than the lingering after-effects of racial discrimination and a slave system that ceased to exist well over a century ago? — David Horowitz

All that we want to do away with is the miserable character of this appropriation, under which the labourer lives merely to increase capital , and allowed to live only so far as the interest to the ruling class requires it. — Karl Marx

Aria: I went to Hollis. Because I was looking for ... you know. Her. She was teaching an art class, so I ran inside, grabbed a paintbrush, and painted a scarlet A across her chest. You know, like that woman in The Scarlet Letter? It was awesome. She didn't know what hit her. And then I said, 'Now everyone will know what you've done'.
Ella: Do you realize that Hester Prynne is supposed to be a sympathetic character? — Sara Shepard

It is clear, from these considerations, that the three methods of classifying mankind-that according to physical characters, according to language, and according to culture-all reflect the historical development of races from different standpoints; and that the results of the three classifications are not comparable, because the historical facts do not affect the three classes of phenomena equally. A consideration of all these classes of facts is needed when we endeavour to reconstruct the early history of the races of mankind. — Franz Boas

Crime seems to change character when it crosses a bridge or a tunnel. In the city, crime is taken as emblematic of class and race. In the suburbs though, it's intimate and psychological, a mystery resist to generalization, a mystery of the individual soul. — Barbara Ehrenreich

Sometimes I'll watch a movie, and it's got some big star in it playing a working-class person, and the character is in a grocery store, and you can kind of tell, from just watching the scene, that this actor doesn't do their own shopping. So you have to have some sense of reality. — Winona Ryder

I don't write 'romance' stories, but character love stories, like the short story fiction published at Romantic4Ever and at WeddingNight, with romance of the heart and of adventure, in its many, many human varieties, as seen through the eyes and hearts and bodies of realist characters; whether about military special forces regiments, mail order brides in the outback, class-crossed samurai lovers, wealthy Victorian 'minorities,' or luscious vampires of another color. — Neale Sourna

But, you will say, we destroy the most hallowed of relations, when we replace home education by social ... The Communists have not invented the intervention of society in education; they do but seek to alter the character of that intervention, and to rescue education from the influence of the ruling class. — Karl Marx

But when I got to SMU and decided to take a playwriting class, I said this isn't a bad idea. IfI write characters, they could be as dumb as me, and I don't have to be very smart. — Beth Henley

Show class, have pride, and display character. If you do, winning takes care of itself. — Paul Bryant

Ben...hadn't known fear or despair or loss of control in his comfortable middle-class family. Bonnie could teach him a lot that was missing from his character. And he could give her a degree of stability and confidence. Knowing it was sentimental, Simmy nonetheless felt that this was a perfect match, which she would do well to safeguard to the best of her ability. Ben would teach Bonnie to tread more carefully and to think more logically. Each would help the other to grow up. — Rebecca Tope

Few of us make any serious effort to remember what we read. When I read a book, what do I hope will stay with me a year later? If it's a work of nonfiction, the thesis, maybe, if the book has one. A few savory details, perhaps. If it's fiction, the broadest outline of the plot, something about the main characters (at least their names), and an overall critical judgment about the book. Even these are likely to fade. Looking up at my shelves, at the books that have drained so many of my waking hours, is always a dispiriting experience. One Hundred Years of Solitude: I remember magical realism and that I enjoyed it. But that's about it. I don't even recall when I read it. About Wuthering Heights I remember exactly two things: that I read it in a high school English class and that there was a character named Heathcliff. I couldn't say whether I liked the book or not. — Joshua Foer

What is key to America's understanding of class is the persistent belief - despite all evidence to the contrary - that anyone, with the proper discipline and drive, can move from a lower class to a higher class. We recognize that mobility may be difficult, but the key to our collective self-image is the assumption that mobility is always possible, so failure to move up reflects on one's character. By extension, the failure of a race or ethnic group to move up reflects very poorly on the group as a whole. — Michelle Alexander

The specific character of [women's] oppression cannot be explained away by equating different situations through superficial and childish simplifications[:]

It is true that both the woman and the male worker are condemned to silence by their exploitation. But under the current system, the worker's wife is also condemned to silence by her worker-husband. In other words, in addition to the class exploitation common to both of them, women must confront a particular set of relations that exist between them and men, relations of conflict and violence that use physical differences as their pretext. — Thomas Sankara

...I would much rather my kids leave my class with the strength of character and courage to fight racism when they find it, than have memorized some facts about the Civil Rights Act of 1964. I'm not saying you can't have both, I'm just pointing out that only one of those things will be measured on the test - and it isn't the most important one. — Dave Burgess

Character is that which reveals moral purpose, exposing the class of things a man chooses and avoids. — Aristotle.

One would think that potential motherhood should make women as a class as sacred as the priesthood. In common parlance we have much fine-spun theorizing on the exalted office of the mother, her immense influence in moulding the character of her sons; "the hand that rocks the cradle moves the world," etc., but in creeds and codes, in constitutions and Scriptures, in prose and verse, we do not see these lofty paeans recorded or verified in living facts. As a class, women were treated among the Jews as an inferior order of beings, just as they are to-day in all civilized nations. And now, as then, men claim to be guided by the will of God. — Elizabeth Cady Stanton

If you have an extreme character, you need normal characters to contrast them. Sherlock Holmes certainly needed a Dr. Watson. And Pippi Longstocking, who supposedly inspired Lisbeth Salander, needed Tommy and Annika, the normal middle-class neighbors. — David Lagercrantz

We got talking about how some people were selfish and some weren't, and the difference between right-wing people and left-wing people. You said it all came down to imagination. Conversative people don't usually have very much, so they find it hard to imagine what life is like for people who aren't just like them. They can only empathise with people just like they are: the same sex, the same age, the same class, the same golf club or nation or race or whatever. Liberals can pretty much empathise with anybody else, no matter how different they are. It's all to do with imagination, empathy and imagination are almost the same thing, and it's why artists, creative people, are almost all liberals, left-leaning. a character in The Steep Approach to Garbadale: Iain Banks. — Iain Banks

It is notable how little empathy is cultivated or valued in our society. I put this down to our traditional racism and obsessive sectarianism. Even so, one would think that we would be encouraged to project ourselves into the character of someone of a different race or class, if only to be able to control him. But no effort is made. — Gore Vidal

The acting background helped a lot when I started writing. I was training for it. In acting class they teach you about the stakes in a scene (and) what motivates characters. When you bring a scene to class - as an actor with your scene partner - you have to do everything. There's no producer, set decorator or anything like that. You and you partner have to do everything and that's kind of like facing the blank page as a writer. — Carol Higgins Clark

Class is an aura of confidence that is being sure without being cocky. Class has nothing to do with money. Class never runs scared. It is self-discipline and self-knowledge. It's the sure-footedness that comes with having proved you can meet life. — Ann Landers

A victim to certain obscure forms of gout, he was in character neither stupid, nor inhuman, but he suffered from the usual drawbacks of his class, - too much money, and too few ideas. — Mary Augusta Ward

I think everybody should act! I would encourage everybody to do one thing, join a theater class or something. It's so good to take a character that you think is wildly different from who you are, and to try to relate to that person and become that person is very helpful. It's hard to articulate what you learn, but you can feel the effect of these characters that you play and take with you. — Ryan Gosling

It's funny because I never studied, I never took a class. So everything I do is very innate and organic; I don't really have words for it. It is a communion with spirit. I don't get in my own way and allow the character to do what it's going to do. — Kimberly Elise

What about my patterns of denial, you ask? Well, you will soon read that once I found myself in repose, in Bordirtoun, for an extended period, certain truths about my character began to assert themselves. Truths I had long ignored, and soon, I would find myself deeper, embedded. You will find that I am similarly skilled at this Pong-ian art of denial. After all, I was the one who came halfway around the world, assuming that my father was telling the truth, knowing full well that he was a world-class liar and cheat. — Leland Cheuk

No substance in nature, as far as yet known, has, when it reaches the brain, such power to induce mental and moral changes of a disastrous character as alcohol. Its transforming power is marvelous, and often appalling. It seems to open a way of entrance into the soul for all classes of foolish, insane or malignant spirits, who, so long as it remains in contact with the brain, are able to hold possession. — Timothy Shay Arthur

You cannot bring about prosperity by discouraging thrift.
You cannot strengthen the weak by weakening the strong.
You cannot help little men by tearing down big men.
You cannot lift the wage earner by pulling down the wage payer.
You cannot help the poor by destroying the rich.
You cannot establish sound security on borrowed money.
You cannot further the brotherhood of man by inciting class hatred.
You cannot keep out of trouble by spending more than you earn.
You cannot build character and courage by destroying men's initiative and independence.
And you cannot help men permanently by doing for them what they can and should do for themselves. — William J.H. Boetcker

It violates right order whenever capital so employs the working or wage-earning classes as to divert business and economic activity entirely to its own arbitrary will and advantage, without any regard to the human dignity of the workers, the social character of economic life, social justice, and the common good. — Pope Pius XI

There would be no need for political power in the Marxist sense of the organized power of one class used to oppress another. Nor, given Marx's idea that communism would come first to the most industrially advanced societies, and would be international in character, would there be any need for the state in the sense of an organization existing to defend the nation against attacks from other nations. Relieved from oppressive conditions that bring their interests into conflict, people would voluntarily co-operate with each other. The political state resting on armed force would become obsolete; its place would be taken by 'an association, in which the free development of each is the condition for the free development of all' (CM 238). — Anonymous

If you ask any ordinary reader which of Dickens's proletarian characters he can remember, the three he is almost certain to mention are Bill Sykes, Sam Weller and Mrs. Gamp. A burglar, a valet and a drunken midwife-not exactly a representative cross-section of the English working class. — George Orwell