City Of Shadows Quotes & Sayings

It was a wonderful thing to think for how many thousands of years the dead orb above and the dead city below had gazed thus upon each other, and in the utter solitude of space poured forth each to each the tale of their lost life and long-departed glory. The white light fell, and minute by minute the quiet shadows crept across the grass-grown courts like the spirits of old priests haunting the habitations of their worship
the white light fell, and the long shadows grew till the beauty and grandeur of each scene and the untamed majesty of its present Death seemed to sink into our very souls, and speak more loudly than the shouts of armies concerning the pomp and splendour that the grave had swallowed, and even memory had forgotten. — H. Rider Haggard

And all over the countryside, he knew, on every crest and hill, where once the hedges had interlaced, and cottages, churches, inns, and farmhouses had nestled among their trees, wind wheels similar to those he saw and bearing like vast advertisements, gaunt and distinctive symbols of the new age, cast their whirling shadows and stored incessantly the energy that flowed away incessantly through all the arteries of the city ... The great circular shapes of complaining wind-wheels blotted out the heavens ... — H.G.Wells

That's my Middle West-not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. I am part of that, a little solemn with the feel of those long winters, a little complacent from growing up in the Carraway house in a city where dwellings are still called through decades by a family's name. — F Scott Fitzgerald

Aelin hissed, Need I remind you Captain, that you went to Endovier and did not blink at the slaves and the mass graves? Need I remind you that I was starved and chained and you let Duke Perrington force me to the ground at Dorian's feet while you did nothing? And now you have the nerve to accuse me of not caring, when many of the people in this city have profited off the blood and misery of the very people you ignored? — Sarah J. Maas

I walked down the empty Broad to breakfast, as I often did on Sundays, at a tea-shop opposite Balliol. The air was full of bells from the surrounding spires and the sun, casting long shadows across the open spaces, dispelled the fears of night. The tea-shop was hushed as a library; a few solitary men in bedroom slippers from Balliol and Trinity looked up as I entered, then turned back to their Sunday newspapers. I ate my scrambled eggs and bitter marmalade with the zest which in youth follows a restless night. I lit a cigarette and sat on, while one by one the Balliol and Trinity men paid their bills and shuffled away, slip-slop, across the street to their colleges. It was nearly eleven when I left, and during my walk I heard the change-ringing cease and, all over the town, give place to the single chime which warned the city that service was about to start. — Evelyn Waugh

The city was asleep, and the bookshop felt like a boat adrift in a sea of silence and shadows. — Carlos Ruiz Zafon

Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women. — Tim Winton

You destroy buildings, fight monsters openly in the streets of the city, work with the police, show up in newspapers, advertise in the phone book, and ride zombie dinosaurs down Michigan Avenue, and think that you work in the shadows? Be reasonable. — Jim Butcher

Is there anything, apart from a really good chocolate cream pie and receiving a large unexpected cheque in the post, to beat finding yourself at large in a foreign city on a fair spring evening, loafing along unfamiliar streets in the long shadows of a lazy sunset, pausing to gaze in shop windows or at some church or lovely square or tranquil stretch of quayside, hesitating at street corners to decide whether that cheerful and homy restaurant you will remember fondly for years is likely to lie down this street or that one? I just love it. I could spend my life arriving each evening in a new city. — Bill Bryson

Maybe this city did deserve Aelin Galathynius's flames. Maybe Chaol deserved to burn, too. — Sarah J. Maas

That is true. But nevertheless, you are like the prisoners in the cave, your legs and necks shackled by your maps and your walls so that all you can see is the shadows thrown by the fire on the wall of the cave. You think they are the truth, but they are only a shadow of the truth, which lies - " He gestured to the sky and the plain and the distant spiral curl that was the growing city of Sarai. " - out here, under the gaze of the sun and the moon and the stars. — Kate Elliott

My name is Matthew Swift. I'm a sorcerer, the only one in the city who survived Robert Bakker's purge. I was killed by my teacher's shadow and my body dissolved into telephone static and all they had left to bury was a bit of blood. Then we came back, and I am we and we are me, and we are the blue electric angels, creatures of the phones and the wires, the gods made from the surplus life you miserable excuse for mortals pour into all things electric. I am the Midnight Mayor, the protector of the city, the guardian of the night, the keeper of the gates, the watcher on the walls. We turned back the death of cities, we were there when Lady Neon died, we drove the creature called Blackout into the shadows at the end of the alleys, we are light, we are life, we are fire and, would you believe it, the word that best describes our condition right now is cranky.
Would you like to see what happens when you make us mad? — Kate Griffin

They bear down upon Westminster, the ghost-consecrated Abbey, and the history-crammed Hall, through the arches of the bridge with a rush as the tide swelters round them; the city is buried in a dusky gloom save where the lights begin to gleam and trail with lurid reflections past black velvety- looking hulls - a dusky city of golden gleams. St. Paul's looms up like an immense bowl reversed, squat, un-English, and undignified in spite of its great size; they dart within the sombre shadows of the Bridge of Sighs, and pass the Tower of London, with the rising moon making the sky behind it luminous, and the crowd of shipping in front appear like a dense forest of withered pines, and then mooring their boat at the steps beyond, with a shuddering farewell look at the eel-like shadows and the glittering lights of that writhing river, with its burthen seen and invisible, they plunge into the purlieus of Wapping.
("The Phantom Model") — Hume Nisbet

THE OFFICE FELT SUMPTUOUS EVEN IN NEAR DARKNESS. It reminded me of certain photographs by Edward Steichen: velvet shadows deepening into moody gloom, here and there a form suggested by a reflection of light on a radius of polished wood, the mysterious gleam of Tiffany glass in the pendant shade of a lamp not lit, the room implied rather than revealed, yet known as well as if it had been enraptured by sunshine instead of barely kissed by the ghost light of the haunted city beyond the windows. — Dean Koontz

So Jafar knows I'm in the city- he probably already knew that. He doesn't know where I'll be next. Because... I never stay still. I never sleep in the same place twice. I move like the wind and the shadows. I am sheltered by the good and faithful all over Agrabah, in every neighborhood.
Go crawling back to your master, scum. Tell him that I am the eyes and ears of my people, and they do not want him. — Liz Braswell

I look at her there in the shadows of the shut-down city, her hair falling onto her face, and I can see her trying to figure out if I've lost it. And I have to fight the urge to take her by the shoulders and slam her against a shuttered building until we feel the vibrations ringing through both of us. Because I suddenly want to hear her bones rattle. I want to feel the softness of her flesh give, to hear her gasp as my hip bone jams into her. I want to yank her head back until her neck is exposed. I want to rip my hands through her hair until her breath is labored. I want to make her cry and then lick up the tears. And then I want to take my mouth to hers, to devour her alive, to transmit all the things she can't understand. — Gayle Forman

I dug it, New York City, all-the streets and the snows and the starving and the five-flight walkups and sleeping in rooms with ten people. I dug the trains and the shadows, the way I dug ore mines and coal mines. I just jumped right to the bottom of New York. — Bob Dylan

The three men walked on and were met by ever more new saints. The saints were not exactly moving or even speaking, but the silence and immobility of the dead were not absolute. There was, under the ground, a motion that was not completely usual, and a particular sort of voices rang out without disturbing the sternness and repose. The saints spoke using words from psalms and lines from the lives of saints that Arseny remembered well from childhood. When they drew the candles closer, shadows shifted along dried faces and brown, half-bent hands. The saints seemed to raise their heads, smile, and beckon, barely perceptibly, with their hands. A city of saints, whispered Ambrogio, following the play of the shadow. They present us the illusion of life. No, objected Arseny, also in a whisper. They disprove the illusion of death. — Evgenij Vodolazkin

The same is true of stories and legends that haunt urban space like superfluous or additional inhabitants. They are the object of a witch-hunt, by the very logic of the techno-structure. But [the extermination of proper place names] (like the extermination of trees, forests, and hidden places in which such legends live) makes the city a 'suspended symbolic order.' The habitable city is thereby annulled. Thus, as a woman from Rouen put it, no, here 'there isn't any place special, except for my own home, that's all ... There isn't anything.' Nothing 'special': nothing that is marked, opened up by a memory or a story, signed by something or someone else. Only the cave of the home remains believable, still open for a certain time to legends, still full of shadows. Except for that, according to another city-dweller, there are only 'places in which one can no longer believe in anything. — Michel De Certeau

The life of this alien city was lived under the cathedral dome of the sky. People ate where the birds could share their food and gambled where any cutpurse could steal their winnings, they kissed in full view of strangers and even fucked in the shadows if they wanted to. What did it mean to be a man so completely among men, and women too? When solitude was banished, did one become more oneself, or less? Did the crowd enhance one's selfhood or erase it? — Salman Rushdie

He loved the city most at night. The night hid many of the sorrows. It silenced the city yet brought deep undercurrents to the surface. It was in this dark slipstream that he believed he moved most freely. Behind the cover of shadows. Like a rider in a limousine, he looked out but no one looked in.
There was a random feel to the dark, the quirkiness of chance played out in the blue neon light. So many ways to live. And to die. — Michael Connelly

Aurelia was still on the stoop. The moon was higher and the ivy shadows were deeper. I sat at her side and we watched a little cloud tilt at the drifting moon and go asunder quite pale and discomfited. And then, wonder of wonders and delight of delights! Our hands somehow touched, and our fingers closed together and did not part. After half an hour Aurelia said, with that smile of hers: "Do you know, you haven't spoken a word since you came back!" "That," said I, nodding wisely, "is the Voice of the City. — O. Henry

In the shadows he could just make out a rough, ghostly wall that stood out in the pitch darkness. As if drawn by an irresistible black beacon, he slowly advanced step by step towards that incandescent wall of shale. Far off, the city was vanishing into the air. The fiesta disappeared somewhere beyond his eyelids. The wall was increasing in size, growing amidst a mixture of shadows and sparks. It was a wall of smoke from which sprouted candles that resembled asteroids. In fact, it was not one wall but two. Two tall, crackling walls, silently burning. But it wasn't two walls either. It was, in fact, a street. — Eugenio Fernandez Granell

The sky lay over the city like a map showing the strata of things and the big full moon toppled over in a furrow like the abandoned wheel of a gun carriage on a sunset field of battle and the shadows walked like cats and I looked into the white and ghostly interior of things and thought of you and I looked on their structural outsides and thought of you and was lonesome. — Zelda Fitzgerald

White swan of cities slumbering in thy nest ... White phantom city, whose untrodden streets Are rivers, and whose pavements are the shifting Shadows of the palaces and strips of sky. — Henry Wadsworth Longfellow

Me dad planted that tree,' she said absently, pointing out through the old cracked window.
The great beech filled at least half the sky and shook shadows all over the house.
Its roots clutched the slope like a giant hand, holding the hill in place. Its trunk writhed with power, threw off veils of green dust, rose towering into the air, branched into a thousand shaded alleys, became a city for owls and squirrels. I had thought such trees to be as old as the earth, I never dreamed that a man could make them. Yet it was Granny Trill's dad who had planted this tree, had thrust in the seed with his finger. How old must he have been to leave such a mark? Think of Granny's age, and add his on top, and you were back at the beginning of the world. — Laurie Lee

Leslie inhabited a city of spectacular raids and speculative break-ins yet to occur, a world where criminal opportunities were hidden in the very architecture of the metropolis, just a different way of using its streets and buildings. Lines of sight, potential hiding places, how shadows were cast at different times of day, routes into and out of a bank vault, even the specific order of streets that led to and away from a chosen target: these were the landmarks Leslie looked for and noted. He inhabited a parallel New York, a wire diagram of every potential entrance and connection. Leslie — Geoff Manaugh

APPROACH
Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills.
But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing.
Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other. — Jay Woodman

Think of what it must have been like in the Scholomance for all those years it was closed," said Dru, her eyes gleaming with horror-movie delight. "All the way up in the mountains, totally abandoned and dark, full of spiders and ghosts and shadows ... "
"If you want to think about somewhere scary, think about the Bone City," said Livvy. The City of Bones was where the Silent Brothers lived: It was an underground place of networked tunnels built out of the ashes of dead Shadowhunters.
"I'd like to go to the Scholomance," interrupted Ty.
"I wouldn't," said Livvy. "Centurions aren't allowed to have parabatai."
"I'd like to go anyway," said Ty. "You could come too if you wanted."
"I don't want to go to the Scholomance," said Livvy. "It's in the middle of the Carpathian Mountains. It's freezing there, and there are bears."
Ty's face lit up as it often did at the mention of animals. "There are bears?"
"Enough chatter," said Diana. — Cassandra Clare

London was a city of ghosts, some deader than others.
Thorne knew that in this respect, it wasn't unlike any other major city - New York or Paris or Sydney - but he felt instinctively that London was ... at the extreme. The darker side of that history, as opposed to the parks, palaces and pearly kings' side that made busloads of Japanese and American tourists gawk and jabber. The hidden history of a city where the lonely, the dispossessed, the homeless, wandered the streets, brushing shoulders with the shadows of those that had come before them. A city in which the poor and the plague-ridden, those long-since hanged for stealing a loaf or murdered for a shilling, jostled for position with those seeking a meal, or a score, or a bed for the night.
A city where the dead could stay lost a long time — Mark Billingham

Vidal had his exuberant and stately tower in the most elegant and elevated part of Pedralbes, surrounded by hills, trees, and fairy-tale skies. I would have my sinister tower rising above the oldest, darkest streets of the city, surrounded by the miasmas and the shadows of that necropolis which poets and murderers had once called the Rose of Fire. — Carlos Ruiz Zafon

They sat in companionable silence for a few moments after that, while the sun settled into its downward arc in the west and long shadows began to creep across the face of the city. — Scott Lynch

Once they got there, it wasn't a pretty landing. With the oars damaged and the foresail torn, Leo could barely manage a controlled descent. The others strapped themselves in below - except for Coach Hedge, who insisted on clinging to the forward rail, yelling, "YEAH! Bring it on, lake!" Leo stood astern, alone at the helm, and aimed as best he could. Festus creaked and whirred warning signals, which were relayed through the intercom to the quarterdeck. "I know, I know," Leo said, gritting his teeth. He didn't have much time to take in the scenery. To the southeast, a city was nestled in the foothills of a mountain range, blue and purple in the afternoon shadows. A flat desert landscape spread to the south. Directly beneath them the Great Salt Lake glittered like aluminum foil, the shoreline etched with white salt marshes that reminded Leo of aerial photos of Mars. "Hang on, Coach!" he shouted. "This is going to hurt." "I was born for hurt! — Rick Riordan

Swirled tight, trussed, manic, most trusted. You love hills, swells, waves of sand, waves of water. You love traffic on bridges that might split in two. You love stairs leading to stairs leading to ice cream stands. Shards of pottery as good as a map. You love fractured control towers and the very broken Alaskan Way Viaduct. You love squat corner stores and barber-pole signs. You love the idea of privacy in a city of windows, the idea of light in a city of shadows. — Carol Guess

That autumn, I kept coming back to Hopper's images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as "our most poignant, ceaselessly replicated romantic image of American loneliness" ...
Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs. — Olivia Laing

Are you ashamed of what I've done?" she dared to ask.
His brow creased. "Why would you ever think that?"
She couldn't quite look him in the eye as she ran a finger down the blanket. "Are you?"
Aedion was silent long enough that she lifted her head - but found him gazing toward the door, as though he could see through it, across the city, to the captain. When he turned to her, his handsome face was open - soft in a way she doubted many ever saw. "Never," he said. "I could never be ashamed of you. — Sarah J. Maas

And in that very moment, away behind in some far corner of the city, a cock crowed. Shrill and clear he crowed reckoning nothing of wizardry or war, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. — J.R.R. Tolkien

One morning in April, I woke up a little sick. I lay there looking at shadows on the white plaster ceiling. I remembered a long time ago, when I lay in bed beside my mother, watching lights from the street move across the ceiling and down the walls. I felt the sharp nostalgia of train whistles, piano music down a city street, burning leaves. A mild degree of junk sickness always brought me the magic of childhood. It never fails, I thought, just like a shot; I wonder if all junkies score for this wonderful stuff. — William S. Burroughs

A city finds its life through the humans who inhabit it. When they go, what is truly left? Just silent stones, witnesses to the history but mute in its telling, remaining thus while slowly turning to rubble. It saddens me that life's moments are thus lost, that one cannot experience the past in the same rich vibrancy as the present. You live the moments and then relegate them to memory, now just two-dimensional shadows, pictures without depth, stripped of their purest emotion, their tactile connections no longer accessible. You try to recall, but can bring back only a fraction of the event lived. The rest is gone, never to be as full and complete as it was in that one place at that one time. That was what I thought as I studied these stone remains; that all the tangible things experienced here abide somewhere in time, but can never again be wholly re-animated, now just ghosts imbedded in the crumbling walls and in the fading memories of those who once lived here. — Michael Puttonen

At first we raced through space, like shadows and light; her rants, my raves; her dark hair, my blonde; black dresses, white. She's a purple-black African-violet-dark butterfly and I a white moth. We were two wild ponies, Dawn and Midnight, the wind electrifying our manes and our hooves quaking the city; we were photo negatives of each other, together making the perfect image of a girl. — Francesca Lia Block

The firelight magnified our shadows, glinted off the silver, flickered high upon the walls; its reflection roared orange in the windowpanes as if a city were burning outside. The whoosh of the flames was like a flock of birds, trapped and beating in a whirlwind near the ceiling. And I wouldn't have been at all surprised if the long mahogany banquet table, draped in linen, laden with china and candles and fruit and flowers, had simply vanished into thin air, like a magic casket in a fairy story. — Donna Tartt

She was drowning, pulled under by a froth of limbs and bodies, swept along by currents of voices, music, and car engines. Dark shadows circled her like hungry sharks. She rose up, dragged to the surface by an impatient crowd. Hands and elbows pushed and shoved. Exhaust fumes and food smells clogged her nostrils. This was the old part of the city, where archaic buildings stood side by side, defences pitched against the onslaught of the modern. There were no smooth walls here, no towers made of steel and glass. This was all shadows and sculpture, buttresses and winding alleys; the impenetrable heart of a long ago city, beating to a circadian rhythm. The — Malcolm Richards

The scar, and her indifference to it, did something extraordinary for her, just as damage to some art object threw into relief how beautiful it had once been, tarnishing and tempering her face with the reminder of what humanity did to lovely things and how they bore it. — Ariana Franklin

Continuing up Rennes. Dodging little Saabs and Renaults. Loving walking here. Sun alternately streaming. Obliterating physiognomies. No longer nouns. But movement. Disappearing. Now heavily raining. Sitting out anyway. Over drain smelling of beer. Metro. Sewers. Fetid breath of Paris. Two cold coffees. Watching shadows lengthening. On la Gaite opposite. Where Colette once performing. Having walked in old boots across city. Drawing mole above lip. Rice-powdering delicious arms. Paris a drug. P saying on phone. Yes Paris a drug. A woman. And I waking this a.m. Thinking there must be some way. Of staying. Now my love's silhouette of rooftops eclipsing. Into night. Cold heinous breath. Blowing on privates. Through grille underneath. — Gail Scott

III
But may I, when alone again I have the city's crush
and tangled noise-skein and the furor
of its traffic all around me,
may I above the mindless swirl
recall sky and the gentle mountain rim
on which the far-off herd curved homeward.
May my spirit be hard as rock
and the shepherd's life to me seem possible-
the way he drifts and turns brown in the sun and with a practiced
stone-throw mends his flock, whenever it frays.
Steps slow, not light, his body pensive,
but in his standing there, majestic. Even now a god
might enter this form and not be lessened.
He lingers for a while, then moves on, like the day itself,
and shadows of the clouds
pass through him, as though space were slowly
thinking thoughts for him. — Rainer Maria Rilke

A streak of green fire blasted out of the back of the shed, passed a foot over the heads of the mob, and burned a charred rosette in the woodwork over the door.
Then came a voice that was a honeyed purr of sheer deadly menance.
"This is Lord Mountjoy Quickfang Winterforth IV, the hottest dragon in the city. It could burn your head clean off."
Captain Vimes limped forward from the shadows. A small and extremely frightened golden dragon was clamped firmly under one arm. His other hand held it by the tail. The rioters watched it, hypnotized.
"Now I know what you're thinking," Vimes went on, softly. "You're wondering, after all this excitement, has it got enough flame left? And, y'know, I ain't so sure myself ... "
He leaned forward, sighting between the dragon's ears, and his voice buzzed like a knife blade: "What you've got to ask yourself is: Am I feeling lucky? — Terry Pratchett