City Of Glass Quotes & Sayings

Yet Nathan appreciated being alone as he sipped his cold glass of beer. It gave him time to think. In the next thirty minutes or so, the flight he was waiting for would land and his day would begin. It was autumn in the capital, and the clear skies created an illusion of a city that was at peace with itself. — Marko Phiri

You're a disaster for us, Clary! You're a mundane, you'll always be one, you'll never be a Shadowhunter! You don't know how to think like we do, think about what's best for everyone
all you think about is yourself! But there's a war now, or there will be, and I don't have time or the inclination to follow around after you, trying to make sure you don't get us killed! Go home, Clary. Go home! — Cassandra Clare

In every age someone, looking at Fedora as it was, imagined a way of making it the ideal city, but while he constructed his miniature model, Fedora was already no longer the same as before, and what had been until yesterday a possible future became only a toy in a glass globe. — Italo Calvino

I love you, and I will love you until I die, and if there's a life after that, I'll love you then. — Cassandra Clare

Mexican homes as a rule are closed off to the world by high blank walls of yellowish masonry, topped with broken glass to discourage escaladores, or climbing burglars. The gardens and fountains and other delights are hidden, as in an Arab city. — Charles Portis

Lex surfed wicked, like the devil. He wasn't afraid of anything, seemed like. He grinned at West as the waves came up toward them like towers of green glass, an emerald city. We're off to see the wizard, he shouted. He whooped. His body crouched ready to fly. He shone against the sun. — Francesca Lia Block

A glass poured to air for the one who sits with us unseen; the patron and protector, the Crooked Warden, the Father of Necessary Pretexts.
Thanks for deep pockets poorly guarded.
Thanks for watchmen asleep at their posts.
Thanks for the city to nurture us and the night to hide us.
Thanks for friends to help us spend the loot. — Scott Lynch

Even the kids, behind the slice of streetscape floating in the glass, had mastered the art of pretending not to see. — Garth Risk Hallberg

Aelin hissed, Need I remind you Captain, that you went to Endovier and did not blink at the slaves and the mass graves? Need I remind you that I was starved and chained and you let Duke Perrington force me to the ground at Dorian's feet while you did nothing? And now you have the nerve to accuse me of not caring, when many of the people in this city have profited off the blood and misery of the very people you ignored? — Sarah J. Maas

And quit baring your fangs at me. It's making me nervous."
"Good," Simon said. "if you want to know why, it's because you smell like blood."
"It's my cologne. Eau de Recent Injury." Jace raised his left hand. — Cassandra Clare

But then in March '92, the Rodney King verdict came down... And the city had lost its collective mind and was trying to burn itself to the ground.

Ju had caught one woman climbing out of the shattered glass of a pharmacy, not like she was the only one, just the one Ju had caught... The woman stood there holding her loot, face devoid of expression. In her hands she held two packages of Pampers, a can of roach spray, and a Pepsi.

'They be climbing over the baby when he asleep,' the woman said by way of explanation. 'The cockroaches, I mean.'

Ju took the Pampers and the roach killer. Then she cuffed the lady and out her in the van with the others.
Because that was the job. — Sunil Yapa

Antonio: Will you stay no longer? nor will you not that I go with you?
Sebastian: By your patience, no. My stars shine darkly over me; the malignancy of my fate might, perhaps, distemper yours; therefore I shall crave of you your leave that I may bear my evils alone. It were a bad recompense for your love to lay any of them on you. — William Shakespeare

I know it's wrong - God, it's all kinds of wrong - but I just want to lie down with you and wake up with you, just once, just once ever in my life. — Cassandra Clare

Valentine whirled. Clary, lying half-conscious in the sand, her wrists and arms a screaming agony, stared
defiantly back. For a moment their eyes met - and he looked at her, really looked at her, and she
realized it was the first time her father had ever looked her in the face and seen her. The first and only
time.
"Clarissa," he said. "What have you done?"
Clary stretched out her hand, and with her finger she wrote in the sand at his feet. She didn't draw runes.
She drew words: the words he had said to her the first time he'd seen what she could do, when she'd
drawn the rune that had destroyed his ship.
MENE MENE TEKEL UPSHARIN. — Cassandra Clare

Valentine had wanted to crush the world as Magnus knew it. But this woman had helped crush him instead, and now she was looking at her daughter as if she would make another world, shining and brand new, just for Clary, so Clary would never be touched by any of the darkness of the past. Magnus knew what it was to want to forget as badly as Jocelyn did, knew the passionate urge to protect that came with love.

Perhaps none of the children of the new generation- not this small stubborn red headed scrap, or half-faerie Helen and Mark Blackthorn at the Los Angeles Institute, or even Maryse Lightwood's children growing up in New York far from the Glass City- would ever have to learn the full truth about the ugliness of the past. — Cassandra Clare

At last he reached out and with a gentle hand, closed Valentine's eyes.
"Ave atque vale, Shadowhunter," he said. — Cassandra Clare

There was Babylon and Nineveh; they were built of brick. Athens was gold marble columns. Rome was held up on broad arches of rubble. In Constantinople the minarets flame like great candles round the Golden Horn ... Steel, glass, tile, concrete will be the materials of the skyscraper. Crammed on the narrow island the millionwindowed buildings will just glittering, pyramid on pyramid like the white cloudhead above a thunderstorm. — John Dos Passos

When you visit a foreign city you are in it, but not of it, separated by a glass wall. Once, while a student, I was getting dressed in my ground-floor room when a family of Italians crossed the grass to watch, as if I were laid on for their amusement and instruction. — Simon Hoggart

We can erase everything that caused you pain with its recollection — Cassandra Clare

It was Eric's voice not Simon's, on the recorded message. "Ladies, ladies " he said. Though it was the millionth time she'd heard the recording, Clary couldn't help rolling her eyes. "If you've reached this message that means our boy Simon is out partying. But please don't fight among yourselves. There's always enough Simon to go around." There was a muffled yell, some laughter, and then the long sound of the beep. — Cassandra Clare

If this had been a public-school locker room, there would have been some gray jumbo-sized garbage cans nearby, and I probably could've taken care of cleanup by myself. But apparently the girls of St. Andrew's don't throw anything away, because all they had was a tiny wastebasket and some recycling bins. There were bins for paper, plastic, and glass, but none for rotting corpses. Go figure. — James Ponti

Let men in their madness blast every city on earth into black rubble and envelope the entire planet in a cloud of lethal gas - the canyons and hills, the springs and rocks will still be here, the sunlight will filter through, water will form and warmth shall be upon the land and after sufficient time, no matter how long, somewhere, living things will emerge and join and stand once again, this time perhaps to take a different and better course. I have seen the place called Trinity, in New Mexico, where our wise men exploded the first atomic bomb and the heat of the blast fused sand into a greenish glass - already the grass has returned, and the cactus and the mesquite. — Edward Abbey

There is so much in this store I can picture Magnus wanting," Simon said, picking up a glass bottle of body glitter suspended in some kind of oil.
"Is it against some kind of rule to buy presents for someone who broke up with your friend?"
"I guess it depends.
Is Magnus your closer friend, or Alec?"
"Alec remembers my name," said Simon, and he set the bottle back down. — Cassandra Clare

Rain is the subject of prayer, the kind gesture of saints. Dear City, explain your irreverence: in you, rain is a visitor with nowhere to go. Where is the ground that knows only the love of water? What are the passageways to your heart? Pity the water that stays and rises on the streets, pity the water that floods into houses, so dark and filthy and heavy with rats and dead leaves and plastic. How ashamed water is to be what you have made it. What have you done to its beauty, its graceful body in pictures of oceans, its clear face in a glass? — Conchitina Cruz

The skyscrapers of the city had finished scraping all the sky away, and the clouds overhead were exactly the color of concrete and I was safe and cold in a canyon of glass and steel. — Michael Montoure

I gaze up at the ceiling. Through it. Past Kim and Chip's room on the second floor into the sky, space, heaven, hell. Who says hell is down? It could be up. It could be next door to heaven. Hell could be a subset of heaven, like a ghetto in the middle of a glass city. — Julie Anne Peters

THE OFFICE FELT SUMPTUOUS EVEN IN NEAR DARKNESS. It reminded me of certain photographs by Edward Steichen: velvet shadows deepening into moody gloom, here and there a form suggested by a reflection of light on a radius of polished wood, the mysterious gleam of Tiffany glass in the pendant shade of a lamp not lit, the room implied rather than revealed, yet known as well as if it had been enraptured by sunshine instead of barely kissed by the ghost light of the haunted city beyond the windows. — Dean Koontz

Within my hearing you have spoken of the beauty of this small city. How standing inside the stained-glass confection of the old church was like being imprisoned inside a kaleidoscope of jewels. It was like being in the heart of the sun. — Neil Gaiman

We gotta have a toast." Rocky on her pins, Peabody used the table for balance. She managed to raise her glass without spilling more than half its contents on Eve's head. "To the best fucking cop in the whole stinking city, who's gonna marry the sexiest sumbitch I, personally, have ever laid eyes on, and who, because she's so goddamn smart, has seen to it that I'm perman'ly attached to Homicide. Which is where any half-blind asshole could tell you I belong. So there." She downed the rest of her drink, fell backward into her chair, and grinned foolishly.
"Peabody," Eve said and flicked a finger under her eyes. "I've never been more touched."
"I'm shit faced. Dallas."
"The evidence points to it. — J.D. Robb

I sat back down and poured a glass of wine. I left my door open. The moonlight came in with the sounds of the city: juke boxes, automobiles, curses, dogs barking, radios ... We were all in it together. We were all in one big shit pot together. There was no escape. We were all going to be flushed away. — Charles Bukowski

A baby almost killed me as I walked to work one morning. By passing beneath a bus shelter's roof at the ordained moment I lived to tell my tale. With strangers surrounding me I looked at what remained. Laoughter from heaven made us lift our eyes skyward. The baby's mother lowered her arms and leaned out her window. Without applause her audience drifted off, seeking crumbs in the gutters of this city of God. Xerox shingles covered the shelter's remaining glass pane, and the largest read:
Want to be crucified. Have own nails.
Leave message on machine.
The fringe of numbers along the ad's hem had been stripped away. My shoes crunched glass underfoot; my skirt clung to my legs as I continued down the street. November dawn's seventy-degree bath made my hair lose its set. Mother above appeared ready to take her own bow; I too, as ever, flew on alone. — Jack Womack

I had forgotten how gently time passes in Paris. As lively as the city is, there's a stillness to it, a peace that lures you in. In Paris, with a glass of wine in your hand, you can just be. — Kristin Hannah

I am a man, and men do not drink pink drinks. Now, be gone, woman, and fetch me something brown." Jace said.
"Brown?" said Isabelle.
"Yes. Brown. It's a manly color. See? Alec is wearing it." Jace said.
"Well, it was black but it faded." Alec said.
"Well, I can always fix it up with something sparkly," Magnus said, holding a sparkley headband.
"Resist the urge, Alec, resist the urge." Simon said. — Cassandra Clare

People who try to tell you what the blitz was like in London start with fire and explosion and then almost invariably end up with some very tiny detail which crept in and set and became the symbol of the whole thing for them. . . . "It's the glass," says one man, "the sound in the morning of the broken glass being swept up, the vicious, flat tinkle." ... An old woman was selling little miserable sprays of sweet lavender. The city was rocking under the bombs and the light of burning buildings made it like day. . . . And in one little hole in the roar her voice got in - a squeaky voice. "Lavender!" she said. "Buy Lavender for luck."

The bombing itself grows vague and dreamlike. The little pictures remain as sharp as they were when they were new. — John Steinbeck

Luke rose to his feet. "I'm taking five minutes for some air. I'll be back. " He felt them watching him as he made his way to the front doorsall of them, even Amatis. Senhor Monteverde whispered something to his wife in Portuguese; Luke caught "lobo", the word for "wolf", in the stream of words. They probably think I'm going outside to run in circles and bark at the moon. — Cassandra Clare

She could ask for anything, she thought dizzily, anything
an end to pain or world hunger or disease, or for peace on earth. But then again, perhaps these things weren't in the power of angels to grant, or they would already have been granted. And perhaps people were supposed to find these things for themselves. — Cassandra Clare

People who exist at the margins of society are very much like Alice in Wonderland. They are not required to make the tough decision to risk their lives by embarking on an adventure of self-discovery. They have already been thrust beyond the city's walls that keep ordinary people at a safe distance from the unknown. For at least some outsiders, "alienation" has destroyed traditional presumptions of identity and opened up the mythic hero's path to the possibility of discovery. What outsiders discover in their adventures on the other side of the looking glass is the courage to repudiate self-contempt and recognise their "alienation" as a precious gift of freedom from arbitrary norms that they did not make and did not sanction. At the moment a person questions the validity of the rules, the victim is no longer a victim. — Jamake Highwater

She was looking at Alec instead, watching him as he talked to Jace. There was a kinetic, almost feverish energy to him that hadn't been there before. Something about Jace sharpened him, brought him into focus. If she were going to draw them together, she thought, she would make Jace a little blurry, while Alec stood out, all sharp, clear planes and angles. Jace was looking down as Alec spoke, smiling a little and tapping his water glass with a fingernail. She sensed he was thinking of other things. She felt a sudden flash of sympathy for Alec.
Jace couldn't be an easy person to care about.
I was laughing at you because declarations of love amuse me, especially when unrequited. Jace looked up as the waitress passed. "Are we ever going to get any coffee?" he said aloud, interrupting Alec midsentence. Alec subsided, his energy fading. — Cassandra Clare

Can a mordern city burn,' he asked Tom. 'One made mostly of concrete and metal and glass? Could it burn the way Chicago did after Mrs. O'Leary's cow kicked over the lantern? — Stephen King

Jace set what he was holding down on the windowsill and reached out to her. She came to lean against him, and his hand slid up under her t-shirt and rested caressingly, possessively, on the small of her back. He bent to kiss her, gently at first, but the gentleness went quickly and soon she was pressed up against the glass of the window, his hands at the hem of her shirt - his shirt
"Jace." She moved a little bit away. "I'm pretty sure people down there in the street can see us."
"We could ... " He gestured toward the bed. "Move ... over there."
She grinned. "You said that like it took you a while to come up with the idea."
When he spoke, his voice was muffled against her neck. "What can I say, you make my thought processes slow down. Now I know what it's like to be a normal person."
"How ... is it?" The things he was doing with his hands under the t-shirt were distracting.
"Terrible. I'm already way behind on my quota of witty comments for the day. — Cassandra Clare

For me, it feels like driving from truth into a lie, from adulthood to childhoold. I watch the land of pavement and glass and metal turn into an empty field. The snow is falling softly now, and I can faintly see the city's skyline up ahead, the buildings just a shade darker than the clouds. — Veronica Roth

The city of San Francisco engulfed their view through the front windshield. The dazzling light of the late morning sun transformed every glass and metal surface into a silvery mirage. — Victoria Kahler

There was a numbness in Clary's hands, a hard pressure in her chest. It was lovely, she could see that: the city rising up beside her like a towering forest of silver and glass, the dull gray shimmer of the East River, slicing between Manhattan and the boroughs like a scar. — Cassandra Clare

We all tell the truth as we see it — Cassandra Clare

Not so long ago, I spent a period in New York City, that teeming island of gneiss and concrete and glass, inhabiting loneliness on a daily basis. Though it wasn't by any means a comfortable experience, I began to wonder if Woolf wasn't right, if there wasn't more to the experience than meets the eye -- if, in fact, it didn't drive one to consider some of the larger questions of what it is to be alive. — Olivia Laing

And Emily had yet to shed a single tear. It troubled her all the way back to the city, and she rode with one hand sandwiched between her cheek and the cool, shuddering glass of the limousine window, as if that might help. She tried whispering 'Daddy' to herself, tried closing her eyes and picturing his face, but it didn't work. Then she thought of something that made her throat close up: she might never have been her father's baby, but he had always called her 'little rabbit.' And she was crying easily now, causing her mother to reach over and squeeze her hand; the only trouble was that she couldn't be sure whether she cried for her father or for Warren Maddock, or Maddox, who was back in South Carolina now being shipped out to a division.
But she stopped crying abruptly when she realized that even that was a lie: these tears, as always before in her life, were wholly for herself - for poor, sensitive Emily Grimes whom nobody understood, and who understood nothing. — Richard Yates

I didn't tell him that I grew up in an ugly city that taught me how to look between dust and rubbish and potholes to find a splinter of glass that looked like unmelting ice, beautiful in its defiance of the sun. — Kamila Shamsie

When I started 'City of Bones,' I knew exactly what was going to happen in 'City of Glass.' When I first started the six-book series, I thought of it as a three-book series. — Cassandra Clare

You don't get it, Clary. You don't understand what it's like to live always at war, to grow up with battle and sacrifice. I guess it's not your fault. It's just how you were brought up- — Cassandra Clare

We can withstand a siege for some time," Arin said. "The city walls are strong. They're Valorian-built."
"Which means that we will know how to bring them down."
Arin swirled his glass, watching the water's clear spin. "Care to bet? I have matches. I hear they make very fine stakes." There was the quirk of a smile. — Marie Rutkoski

Every morning I sit at the kitchen table over a tall glass of water swallowing pills. (So my hands won't shake.) (So my heart won't race.) (So my face won't thaw.) (So my blood won't mold.) (So the voices won't scream.) (So I don't reach for knives.) (So I keep out of the oven.) (So I eat every morsel.) (So the wine goes bitter.) (So I remember the laundry.) (So I remember to call.) (So I remember the name of each pill.) (So I remember the name of each sickness.) (So I keep my hands inside my hands.) (So the city won't rattle.) (So I don't weep on the bus.) (So I don't wander the guardrail.) (So the flashbacks go quiet.) (So the insomnia sleeps.) (So I don't jump at car horns.) (So I don't jump at cat-calls.) (So I don't jump a bridge.) (So I don't twitch.) (So I don't riot.) (So I don't slit a strange man's throat.) — Jeanann Verlee

My heart tells me this is the best and greatest feeling I have ever had. But my mind knows the difference between wanting what you can't have and wanting what you shouldn't want. And I shouldn't want you. — Cassandra Clare

It's not funny, Jace," Alec interrupted, starting to his feet. "Are you just going to let her stand there and call me names?"
"Yes," Jace said kindly. "It'll do you good
try to think of it as endurance training. — Cassandra Clare

But-" Maia, still looking at Alec and Magnus, broke off and rasied her eyebrows. Simon turned to see what she was looking at - and stared.
Alec had his arms around Magnus and was kissing him full on the mouth. Magnus, who appeared to be in a state of shock, stood frozen. Several groups of people - Shadowhunters and Downworlders alike - were staring and whispering. Glancing to the side, Simon saw the Lightwoods, their eyes widen, gaping at the display. Maryse had her hand over her mouth.
Maia looked perplexed. "Wait a second," she said. "Do we all have to do that, too? — Cassandra Clare

The Jews are cowering along the wall, eyes wide, palms up, fingers splayed -- a collective posture of submission. Even now, with everything that has happened, with the city in ruins and the dead as thick upon the streets as busted glass, they don't want to believe we are actually going to kill them. We are Germans, after all; the most civilized people in Europe. And we are soldiers, not murderers. Except for today. Today we are both. — Miles Watson

Jon Stone spoke thirteen languages and was fluent in six, French being one. He spoke it so well the girls thought he was a native Parisian pretending to be an American. This ability to blend with the natives was a valuable tool when Jon plied his trade. Jon eased from the bed. Floor-to-ceiling sliding glass doors lined the back of his house, ten-foot-tall, custom-designed monsters so Jon could Zen on the view. Golden lights glittered to the horizon, ruby flashes marked ghetto-bird prowlers, jets descending toward LAX were strung like pearls across a tuxedo black sky. The doors were heavy as trucks, but silent as silk when they slid open. Jon stepped out and went to the pool. Pike was a silhouette cutout, backlit by the city as Jon swaggered close. "What — Robert Crais

Our memories are like a city: we tear some structures down, and we use rubble of the old to raise up new ones. Some memories are bright glass, blindingly beautiful when they catch the sun, but then there are the darker days, when they reflect only the crumbling walls of their derelict neighbours. Some memories are buried under years of patient construction; their echoing halls may never again be seen or walked down, but still they are the foundations for everything that stands above them.

"Glas told me once that that's what people are, mostly: memories, the memories in their own heads, and the memories of them in other people's. And if memories are like a city, and we are our memories, then we are like cities too. I've always taken comfort in that. — Tom Pollock

Patient grasshopper, good things come to those who wait — Cassandra Clare

She didn't remember what airplanes had looked like in flight but she did remember being inside one. The memory was sharper than most of her other memories from the time before, which she thought must mean that this had been very close to the end. She would have been seven or eight years old, and she'd gone to New York City with her mother, though she didn't remember why. She remembered flying back to Toronto at night, her mother drinking a glass of something with ice cubes that clinked and caught the light. She remembered the drink but not her mother's face. She'd pressed her forehead to the window and saw clusters and pinpoints of light in the darkness, scattered constellations linked by roads or alone. The beauty of it, the loneliness, the thought of all those people living out their lives, each porch light marking another house, another family. — Emily St. John Mandel

But Brooklyn, in fact, was the third-largest city in America and had been for some time. It was a major manufacturing center - for glass, steel, tinware, marble mantels, hats, buggy whips, chemicals, cordage, whiskey, beer, glue. It was a larger seaport than New York, a larger city than Boston, Chicago, St. Louis, San Francisco, and growing faster than any of them - faster even than — David McCullough

It was the soul of the machine, the ethological epicentre, the planetary ground zero of their commercial energy. I could almost feel it, shivering down like bomb-blasted rivers of glass from these undreaming towers of dark and light invading the snow-dark sky. — Iain M. Banks

You had a smile like the Mona Lisa...
I had a pocket full of drugs
and nothing much to do that day.

And that night I rode my bike
back downtown from Hells Kitchen
and let go of the handlebars...
And I opened the buttons on my shirt
and it flapped around me like wings...
And the city flew away behind me
in a blur of neon, sirens and shattered glass...

And I swear to God every traffic light turned green for me... — S. Pierce

I walked to the windows and pulled the shades up and opened the windows wide. The night air came drifting in with a kind of stale sweetness that still remembered automobile exhausts and the streets of the city. I reached for my drink and drank it slowly. The apartment house door closed itself down below me. Steps tinkled on the quiet sidewalk. A car started up not far away. It rushed off into the night with a rough clashing of gears. I went back to the bed and looked down at it. The imprint of her head was still in the pillow, of her small corrupt body still on the sheets. I put my empty glass down and tore the bed to pieces savagely. — Raymond Chandler

Here I am of the air, a beautiful thing for the light to shine on. Perhaps you will remember that. I am ... — Paul Auster

Now I sat at the small table in my apartment. There was the hum of the room. The sound of the blade cutting through the chicken. The sound of wine in my throat. Returning the glass to the table. I tried to be perfectly still. I held my breath and imagined myself alone in Paris. In a room in a city holding my breath. — Alexander Maksik

It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something. — Don Cheadle

And maybe I am a monster. I don't know the answer to that. But what I do know is that even if there's demon blood inside me, there is human blood inside me as well. And I couldn't love you like I do if I weren't at least a little bit human. Because demons want. But they don't love. — Cassandra Clare

Look at it,' he said, gesturing. 'This window looks down upon hundreds more panes of glass, and behind those panes live thousands upon thousands of lost souls. When I feel cast down and helpless, scores of other men do as well, and when I am bitterly angry at feeling cast down and helpless, countless other people languish in concert with me. When I'm happy, it's the same. It's a bit like ... I used to play chamber music. It's like a vast orchestra. And so I shan't ever be alone. — Lyndsay Faye

The Law is hard, but it is the Law. — Cassandra Clare

I had a ritual - and having any ritual sounded so mature that I told everyone about it, even the regulars. On my days off I woke up late and went to the coffee shop and had a cappuccino and read. Then around five p.m., when the light was failing, I would take out a bottle of dry sherry and pour myself a glass, take out a jar of green olives, put on Miles Davis, and read the wine atlas. I didn't know why it felt so luxurious, but one day I realized that ritual was why I had moved to New York - to eat olives and get tipsy and read about Nebbiolo while the sun set. I had created a life that was bent in service to all my personal cravings. — Stephanie Danler

Swirls of antique stained glass, blazes of brass, forests of carved wood and waterfalls of crystal combine to make up the city's most fabulously festive interior. — Mimi Sheraton

An evening up on the Empire State roof-the strangest experience. The huge tomb in steel and glass, the ride to the 84th floor and there, under the clouds, a Hawaiian string quartet, lounge, concessions and, a thousand feet below, New York-a garden of golden lights winking on and off, automobiles, trucks winding in and out, and not a sound. All as silent as a dead city-and it looks adagio down there. — Dawn Powell

You are mad to be spending the summer in the country, where the days are too quiet and you have so much time to think. In the city you live on Broadway, where the noise is so thick your scary thoughts can't get a word in edgewise. But here in the county, there is only space. On the stone bridge by the stream. On the mossy rock at the edge of the yard. Behind the abandoned trailer where Art, the old man with the glass eye, used to live. Space, space, space, and you can scare yourself into thinking your thoughts are more like voices. — Lena Dunham

She threw the door open. The room seemed to be a sort of library, the walls lined with books. It was brightly lit, light streaming through a tall picture window. In the middle of the room stood Jace. He wasn't alone, though-not by a long shot. There was a dark-haired girl with him, a girl Clary had never seen before, and the two of them were locked together in a passionate embrace — Cassandra Clare

Intense sunlight rained down on a half-submerged city. Waves crashed between buildings that stood like waterlogged tombstones. Skyscrapers of smashed glass and twisted rusting metal jutted from the churning swell as islands of broken dreams. A familiar tower with a familiar clock face ... Big Ben. London stared back at Blue. What was left of it. A sea-drowned cemetery for a time and a place long dead. — Kev Heritage

She wasn't looking at herself in the glass, but out at a great silver moon hanging beyond a thin metal balcony that looked over the grey towers of a human city. — Denny B. Reese

Kissing Simon was pleasant. It was a gentle sort of pleasant, like lying in a hammock on a summer day with a book and a glass of lemonade — Cassandra Clare

Are you ashamed of what I've done?" she dared to ask.
His brow creased. "Why would you ever think that?"
She couldn't quite look him in the eye as she ran a finger down the blanket. "Are you?"
Aedion was silent long enough that she lifted her head - but found him gazing toward the door, as though he could see through it, across the city, to the captain. When he turned to her, his handsome face was open - soft in a way she doubted many ever saw. "Never," he said. "I could never be ashamed of you. — Sarah J. Maas

That autumn, I kept coming back to Hopper's images, drawn to them as if they were blueprints and I was a prisoner; as if they contained some vital clue about my state. Though I went with my eyes over dozens of rooms, I always returned to the same place: to the New York diner of Nighthawks, a painting that Joyce Carol Oates once described as "our most poignant, ceaselessly replicated romantic image of American loneliness" ...
Green shadows were falling in spikes and diamonds on the sidewalk. There is no colour in existence that so powerfully communicates urban alienation, the atomisation of human beings inside the edifices they create, as this noxious pallid green, which only came into being with the advent of electricity, and which is inextricably associated with the nocturnal city, the city of glass towers, of empty illuminated offices and neon signs. — Olivia Laing

As the serpentine expanse of glass drew open, the city seemed to wrap around them: rooftop gardens with stunted trees in pots, water towers like chunky flying saucers, the spires of distant skyscrapers. — Scott Westerfeld

Why are you doing this?" Clary said. "Sebastian, why are you saying all these things?"
"Because I finally can," Sebastian said. "You've no idea what it's been like, being around the lot of you these past few days, having to pretend I could stand you. That the sight of you didn't make me sick. You," he said to Jace, "every second you're not panting after your own sister, you're whining on and on about how daddy didn't love you. Well, who could blame him? And you, you stupid bitch"-he turned to Clary-"giving that priceless book away to a half-breed warlock; have you got a single brain cell in that tiny head of yours? And you-" He directed his next sneer at Alec. "I think we all know what's wrong with you. They shouldn't let your kind in the Clave. You're disgusting. — Cassandra Clare

It snowed all week. Wheels and footsteps moved soundlessly on the street, as if the business of living continued secretly behind a pale but impenetrable curtain. In the falling quiet there was no sky or earth, only snow lifting in the wind, frosting the window glass, chilling the rooms, deadening and hushing the city. At all hours it was necessary to keep a lamp lighted, and Mrs. Miller lost track of the days: Friday was no different from Saturday and on Sunday she went to the grocery: closed, of course. — Truman Capote

Hodge had given up a long time ago trying to live a better life or a different one;
all he wanted was not to be afraid, and so he was afraid all the time — Cassandra Clare

She was saying she was sorry that she couldn't always hang out when I wanted to, but that "when you get a boyfriend," he becomes the only person you want to spend all your time with. He becomes your best friend, and (this part was not said, but was definitively implied) the only friend that really matters. "You'll know what I mean, when you get one," she said. So that's when I gripped my upper jaw and pulled back the skin and muscle of my face to reveal an alien, like the one in the film Alien, and I jumped through the glass in Leigh's window and ate every boyfriend in the city, and the country, and the world. I swallowed them whole, and many of them cried, and those were the ones I liked best. — Katie Heaney

Anyone who lives in a city will know the feeling of having been there too long. The gorge-vision that the streets imprint on us, the sense of blockage, the longing for surfaces other than glass, brick, concrete and tarmac ... I have lived in Cambridge on and off for a decade, and I imagine I will continue to do so for years to come. And for as long as I stay here, I know I will have to also get to the wild places. — Robert Macfarlane

I'd love a signed first edition of 'City of Glass' by Paul Auster. My favourite book of all time. — Steven Hall

As Luke knelt down beside his corpse, Clary couldn't help but remember what he had said about having loved Valentine once, about having been his closest friend. Luke, she thought with a pang. Surely he couldn't be sad - or even grieved?
But then again, perhaps everyone should have someone to grieve for them, and there was no one else to grieve for Valentine. — Cassandra Clare

But this city is a world of its own, a country within a country. People are used to taking the old and making it news; and used, too, to taking the new and making it old. Every glass of water from its taps, it is said, has passed six times through the kidneys of another, and every scrap of its land has been trodden on, fought over, dug up and broken down for centuries. — Amanda Craig

The only thing that makes a name important, and yours, is that it's given to you by someone who loves you — Cassandra Clare

Before these buildings were buildings, they were just the skeletons of them. Before they were skeletons, they were cross-beams and girders. Metal and glass and concrete. And before that, they were construction plans. Before that, architectural plans. And before that, just an idea someone had for the making of a city. — Nicola Yoon

But I would be happier if my daughter and her friends were crashing through the glass ceiling instead of the sexual ceiling,' Jong continued. 'Being able to have an orgasm with a man you don't love or having Sex and the City on television, that is not liberation. If you start to think about women as if we're all Carrie on Sex and the City, well, the problem is: You're not going to elect Carrie to the Senate or to run your company. Let's see the Senate fifty percent female; let's see women in decision-making positions
that's power. Sexual freedom can be a smokescreen for how far we haven't come. — Ariel Levy

Rainy Nights

I like the town on rainy nights
When everything is wet -
When all the town has magic lights
And streets of shining jet!

When all the rain about the town
Is like a looking-glass,
And all the lights are upside down
Below me as I pass.

In all the pools are velvet skies,
And down the dazzling street
A fairy city gleams and lies
In beauty at my feet. — Irene Thompson

Her mind raced through the dark, throwing open doors, knocking over cabinets, searching for anything it ever remembered seeing. Then the lightning flashed again. Carolina captured it before it even struck land, a jagged scar of silver light suspended over the black chimneys of a sleeping city. She narrowed her eyes at the incomplete bolt until it shimmered and broke. With one sweeping glance, she cast the bits of light across the eastern sky as stars. Thunder roared in her ears and lightning cut the sky again. Her stars held steady over a ghostly desert. Another bolt charged down the night, but she caught it before it could turn the sand to glass, broke it into pieces, and lit the west. — Carey Wallace

I am a man" he told her, "and men do not consume pink beverages. Get thee gone woman, and bring me something brown. — Cassandra Clare

In the months to come, I would look back on this time in my life almost as a kind of out-of-body travel, from which I had returned with nothing but a sense memory of having been somewhere inexpressibly exciting and far away. It wasn't like a dream, exactly, although it had a dream's strange internal logic. It was like looking through the window of an airplane at night, the way the city below appears so near, yet untouchable beyond the glass--a network of lights, flames, stars. — Katha Pollitt

She was drowning, pulled under by a froth of limbs and bodies, swept along by currents of voices, music, and car engines. Dark shadows circled her like hungry sharks. She rose up, dragged to the surface by an impatient crowd. Hands and elbows pushed and shoved. Exhaust fumes and food smells clogged her nostrils. This was the old part of the city, where archaic buildings stood side by side, defences pitched against the onslaught of the modern. There were no smooth walls here, no towers made of steel and glass. This was all shadows and sculpture, buttresses and winding alleys; the impenetrable heart of a long ago city, beating to a circadian rhythm. The — Malcolm Richards

I have a fetish for damsels in distress."
"Don't be sexist."
"Not at all. My services are also available to gentlemen in distress. It's an equal opportunity fetish. — Cassandra Clare

Is this the part where you say if I hurt her, you'll kill me?"
"No" Simon said, "If you hurt Clary she's quite capable of killing you herself. Possibly with a variety of weapons. — Cassandra Clare

the city is humanity intensified - a magnifying glass that brings out the very best and worst of human nature — Timothy J. Keller

Venice took on the feeling of a city paved with black glass, the odd lantern, torch, or candle reflecting in the canals like distant windows into hell, the crescent moon throwing silver scythes across the water where it could find its way between buildings. — Christopher Moore