Quotes & Sayings About Cholly

You had to give, uh, a lot of consideration to the fact that, uh, the artist had to come back into the mike area and start singing, especially the background singers, you know. And you had to make sure they had a couple of bars of music in order to catch their breath. And uh, in many cases a lot of choreographers didn't give that, uh, the proper thought. — Cholly Atkins

I am reminded of the importance of small kindnesses. — Kay Redfield Jamison

Why did men worship in churches, locking themselves away in the dark, when the world lay beyond its doors in all its real glory? — Charles De Lint

Not less than two hours a day should be devoted to exercise. — Thomas Jefferson

Without a Sabbath, no worship; without worship, no religion; and without religion, no permanent freedom. — Charles Forbes Rene De Montalembert

Mrs. Breedlove considered herself an upright and Christian woman, burdened with a no-count man, whom God wanted her to punish. (Cholly was beyond redemption, of course, and redemption was hardly the point - Mrs. Breedlove was not interested in Christ the Redeemer, but rather Christ the Judge.) Often she could be heard discoursing with Jesus about Cholly, pleading with Him to help her "strike the bastard down from his pea-knuckle of pride." And once when a drunken gesture catapulted Cholly into the red-hot stove, she screamed, "Get him, Jesus! Get him!" If Cholly had stopped drinking, she would have never forgiven Jesus. — Toni Morrison

Well, the difference in working with the Supremes and the other girl groups like Martha and the Vandellas, and the Marvelettes, you let the material dictate to you, uh, really, how you worked with the group, and with the talent, and the personalities. All of these things was instrumental in having all of the groups, uh, retain their own identity. Uh, and, and the material had a lot to do with it, you know. — Cholly Atkins

Your background has a lot to do with your approach to movement. — Cholly Atkins

So it would be a happy marriage between the movement and the vocal and uh, this is the thing that you give a lot of consideration to. — Cholly Atkins

Everyone is a creative agent ... The tools are your imagination and your imagination is limitless. — Oliver Herring

There's a lot that goes into training, singers to eventually become performers. There's, projection, uh, which in many cases the artist was never concerned about. — Cholly Atkins

Growing up in Mississippi, I realized that it was separate and unequal and all that, but it was still a safe place. — Morgan Freeman

Speaking with, uh, about the vocal choreography, one of the first groups that I worked with was a group called the Cadillacs, which was uh, an exceptionally talented group. They all moved well and they sort of established Cholly Atkins's style. In other words they basically put me on the map, and everybody would look at them and see their choreography and they wanted to know who did it, so they would tell them. — Cholly Atkins

When I first seed Cholly, I want you to know it was like all the bits of color from that time down home when all us chil'ren went berry picking after a funeral and I put some in the pocket of my Sunday dress, and they mashed up and stained my hips. My whole dress was messed with purple, and it never did wash out. Not the dress nor me. I could feel that purple deep inside me. And that lemonade Mama used to make when Pap came in out the fields. It be cool and yellowish, with seeds floating near the bottom. And that streak of green them june bugs made on the trees the night we left from down home. All of them colors was in me. Just sitting there. So when Cholly come up and tickled my foot, it was like them berries, that lemonade, them streaks of green the june bugs made, all come together. Cholly was thin then, with real light eyes. He used to whistle, and when I heerd him, shivers come on my skin. — Toni Morrison

Oh, some of us "loved" her. The Maginot Line. And Cholly loved her. I'm sure he did. He, at any rate, was the one who loved her enough to touch her, envelope her, give something of her filled the matrix of her agony with death. Love is never any better than the lover. Wicked people love wickedly, violent people love violently, weak people love weakly, stupid people love stupidly, but the love of a free man is never safe. There is no gift for the beloved. The lover alone possesses his gift of love. The loved one is shorn, neutralized, frozen in the glare of the lover's inward eye. — Toni Morrison

What I like about The Sims is that I don't have a normal life at all, so I play this game where these people have these really boring, mundane lives. It's fun. My Sims family is called the Cholly family. I don't know why I picked that name; it's kind of random. The teenage daughter is my favourite, because I just had her go through this Goth phase. She's really kind of nerdy and she just became a concert violinist, which is pretty huge for the family. And she got into private school. But she started wearing black lipstick and she dyed her hair purple. It's pretty huge. — Gerard Way

Well, the most important thing in choreographing for a specific tune is to get the story line and try to make your movements, rather than just actual movements, let them become more or less a physical drama to, to what they were singing about. And uh, also, uh, honor the beat and the rhythmic pattern of the musical track. — Cholly Atkins

For me, it's all I've wanted to do. I did local plays and productions, local theater groups and anything that involved it. And then, I went and studied it, attended drama school and got my first lucky break in the theater in London, and just went from there. — Colin Morgan

[It's] the lens through which your brain views the world that shapes your reality. And if we can change the lens, not only can we change your happiness, we can change every single educational and business outcome at the same time. — Shawn Achor

I don't care what straight people do, I don't care what gay people do. I don't care what nobody do. That's they business. I just care about what I do. You know what I'm saying? — ASAP Rocky

She needed Cholly's sins desperately. The lower he sank, the wilder and more irresponsible he became, the more splendid she and her task became. In the name of Jesus. — Jim Morrison

Every man is bound to answer these questions to himself, according to the best of his conscience and understanding, and to act agreeably to the genuine and sober dictates of his judgment. This is a duty from which nothing can give him a dispensation. 'Tis one that he is called upon, nay, constrained by all the obligations that form the bands of society, to discharge sincerely and honestly. No partial motive, no particular interest, no pride of opinion, no temporary passion or prejudice, will justify to himself, to his country, or to his posterity, an improper election of the part he is to act. Let him beware of an obstinate adherence to party; let him reflect that the object upon which he is to decide is not a particular interest of the community, but the very existence of the nation ... — Alexander Hamilton

My Sims family is called the Cholly family. I don't know why I picked that name, it's kinda of random. — Gerard Way

My dad never graduated high school. He was a printing salesman. We lived in a two-bedroom, one-bath house in St. Louis Park, Minnesota. We weren't rich - but we felt secure. — Al Franken

In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying. — Cholly Atkins

Stuyvesants and Vanderbilts and Roosevelts and staid, respectable Washington Square. Trinity Church. Mrs. Astor's famous ballroom, the Four Hundred, snobby Ward McAllister, that traitor Edith Wharton, Delmonico's. Zany Zelda and Scott in the Plaza fountain, the Algonquin Round Table, Dottie Parker and her razor tongue and pen, the Follies. Cholly Knickerbocker, 21, Lucky Strike dances at the Stork, El Morocco. The incomparable Hildegarde playing the Persian Room at the Plaza, Cary Grant kneeling at her feet in awe. Fifth Avenue: Henri Bendel, Bergdorf's, Tiffany's. — Melanie Benjamin