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Children Novel Quotes & Sayings

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Top Children Novel Quotes

One of the things I've thought about 'Midnight's Children' is that it is a novel which puts a Muslim family at the centre of the Indian experience. — Salman Rushdie

Just as we all like love tales because there is an instinct of sex, we all like astonishing tales because they touch the nerve of the ancient instinct of astonishment. This is proved by the fact that when we are very young children we do not need fairy tales: we only need tales. Mere life is interesting enough. A child of seven is excited by being told that Tommy opened a door and saw a dragon. But a child of three is excited by being told that Tommy opened a door. Boys like romantic tales; but babies like realistic tales -- because they find them romantic. In fact, a baby is about the only person, I should think, to whom a modern realistic novel could be read without boring him. — G.K. Chesterton

I found myself wondering, what would it be like to have a strange woman living in your home, nursing your child? My resulting research into the private lives of women in the 18th and 19th centuries inspired me and provided the backbone for [Lady of Milkweed Manor] novel. — Julie Klassen

I am writing my second novel for children for Simon and Schuster. — Marlee Matlin

I'm going to tell you something that no magazine or novel or television show will ever let on. Love wears you down. We think of it as hearts and flowers and happily ever after but in real life, the things you have to do in the name of love kill you ... You end up doing a thousand things in a day in the name of love that you wouldn't ask a dog to do.
Sex is the most powerful weapon in your arsenal
innocence is attractive in children, but it makes brittle, disappointed adults.
Someone liking you is just the beginning; it always starts nicely but before you know it it's like Persephone being dragged into the Underworld.
Romantic love is an illusion Hughie,. It can be manupulated, twisted, piled up like a bunch of fun-house mirrors. The very nature of it is deceptive. It promises closeness but the only thing is ever really reveals is the dreams and fears of the person with the obsessions. That's why it's so easy to control — Kathleen Tessaro

We walk into each other and discover that there's something about our edges that fit. Her points fit into my cracks and my cracks smooth her points. It sounds like one helluva romance novel, but that's the only way I can describe it. We just happen to fall into the same hole. A couple of weeks later we have the names of our children picked out. — John David California

Certainly, we do not need to be soothed and entertained always like children. He who resorts to the easy novel, because he is languid, does no better than if he took a nap. — Henry David Thoreau

They put exclusively black history in the syllabus. Is there a difference between a black history of the world and a proper history? They say children must read black novels. Does a novel have a skin colour? — Imraan Coovadia

I always tell people, if a young girl read "Beloved" as her first novel, she'd have to kill either herself or her mother, because in "Beloved" you have a mother killing their children. This is not something a child would accept very easily. And would never understand. — Walter Mosley

When our children are old enough, and if we can afford to, we send them to college, where despite the recent proliferation of courses on 'happiness' and 'positive psychology,' the point is to acquire the skills not of positive thinking but of *critical* thinking, and critical thinking is inherently skeptical. The best students
and in good colleges, also the most successful
are the ones who raise sharp questions, even at the risk of making a professor momentarily uncomfortable. Whether the subject is literature or engineering, graduates should be capable of challenging authority figures, going against the views of their classmates, and defending novel points of view. — Barbara Ehrenreich

I visit my assistant mistress. "Well, Azalea," I say, sitting in the best chair, "what has happened to you since my last visit?" Azalea tells me what happened to her. She has covered a sofa, and written a novel. Jack has behaved badly. Roger has lost his job (replaced by an electric eye). Gigi's children are in the hospital being detoxified, all three. Azalea herself is dying of love. I stroke her buttocks, which are perfection, if you can have perfection, under the capitalistic system. "It is better to marry that to burn," St. Paul says, but St. Paul is largely discredited now, for the toughness of his views does not accord with the experience of advanced industrial societies. — Donald Barthelme

For children: I'm writing a picture book about the Big Dipper and a novel about a cricket, a firefly and a vole. For grownups: I'm writing poems. — Kate DiCamillo

The action of the child inventing a new game with his playmates; Einstein formulating a theory of relativity; the housewife devising a new sauce for the meat, a young author writing his first novel; all of these are in terms of definition, Creative, and there is no attempt to set them in some order of more or less Creative. — Carl Rogers

The Collector [John Fowles book] does such a good job of capturing the mindset of a capturer, and also that's become a banal trope of every second crime novel: the weirdo, fetishistic watcher/stalker/kidnapper/kidnapper of women or children. — Emma Donoghue

Margaret Fuller Slack I WOULD have been as great as George Eliot But for an untoward fate. For look at the photograph of me made by Penniwit, Chin resting on hand, and deep - set eyes - Gray, too, and far-searching. But there was the old, old problem: Should it be celibacy, matrimony or unchastity? Then John Slack, the rich druggist, wooed me, Luring me with the promise of leisure for my novel, And I married him, giving birth to eight children, And had no time to write. It was all over with me, anyway, When I ran the needle in my hand While washing the baby's things, And died from lock - jaw, an ironical death. Hear me, ambitious souls, Sex is the curse of life. — Edgar Lee Masters

In the usual way I submitted manuscripts to publishers. This was not so much a feeling that I should be published as a wish to escape the feared and hated drudgery of "normal" work. In my twenties some of my work for children was published by Macmillan. However, I was twenty-seven before my adult novel, The Birthgrave, was taken by DAW Books in the USA. This enabled me finally to stop doing stupid and soul-killing jobs, and start working day and night as a professional writer. It felt like a rescue from damnation, and still does. — Tanith Lee

I know California isn't a real destination. You can't get there from New Jersey, not simply by following a line drawn on a map. The process of arrival is more subtle and complex. It involves acts of contrition. You must appease the gods. You must find novel forms of penance. You must tattoo your children and look at the wonder. It's about conjuring and awakening and intuitions you wish you never had. — Kate Braverman

My first novel - the novel I wrote before 'Midnight's Children' - feels, to me, now, very - I mean, I get embarrassed when I see people reading it. You know, there are some people who, bizarrely, like it. Which I'm, you know, I'm happy for. — Salman Rushdie

But life is beautiful, Sariel!' Gabriel said, trying to convince him. 'Watch the sunrise sometime lying in the scented flowers of the field, or the shooting stars at the end of summer! Read a couple of really exciting books or lose yourself in the unselfconscious smiles of children. Have a swim in a clear mountain lake or take a run among trees clothed in autumn colours. If you can see the good in Earth, your own existence will become the richer for it!'
'That all sounds very well and good, but you haven't convinced me,' the deep-voiced angel murmured and Ariel laughed.
'My friend, Gabriel was very gently trying to suggest that you should fall in love and that will better dispose you to the world! — A.O. Esther

The God Factor Saga is a complex blockbuster in genre of This Present Darkness meets Anne of Green Gables. This saga is a romantic, suspenseful, apocalyptic, and inspirational novel tucked into the stories of children who grow up to be men and women with Divine purpose. — J. Nell Brown

I have no favourite genre or style but treat each novel with the same care, imagination and craftsmanship. It's as difficult to write a crime or a children's novel with a touch of style and grace as it is a literary novel. — Garry Disher

Even if only the people in your writing group read your memoirs or stories or novel, even if you only wrote your story so that one day your children would know what life was like when you were a child and you knew the name of every dog in town - still, to have written your version is an honorable thing to have done. — Anne Lamott

I've published over 100 books - and that is divided about 50/50 adult and young adult. Lately, I have been writing more YA, which is such a great genre to write it. I don't have a favourite (I usually say it's the last book I've written), but certain books do stick in the mind. My very first YA novel, The Children of Lir, will always be special to me, and, of course The Alchemyst because it was a series I'd wanted to write for ages. — Michael Scott

She dreamed of Venice. However, it wasn't a city alive with stars dripping like liquid gold into canals, or Bougainvillea spilling from flowerpots like overfilled glasses of wine. In this dream, Venice was without color. Where pastel palazzi once lined emerald lagoons, now, gray, shadowy mounds of rubble paralleled murky canals. Lovers could no longer share a kiss under the Bridge of Sighs; it had been the target of an obsessive Allied bomb in search of German troops. The only sign of life was in Piazza San Marco, where the infamous pigeons continued to feed. However, these pigeons fed not on seeds handed out by children, but on corpses rotting under the elongated shadow of the Campanile. — Pamela Allegretto

From the freedom to explore comes the joy of learning. From knowledge acquired by personal initiative arises the desire for more knowledge. And from mastery of the novel and beautiful world awaiting every child comes self-confidence. — E. O. Wilson

Children, Hadley thinks to herself, children are more civilised than this gang on the sauce. — Naomi Wood

Seriously, I think what all the puzzling over parenthood I had to do to write [a novel]ROOM taught me is that children can thrive in a remarkable range of situations. — Emma Donoghue

Except now everything is digital even murder. There is a record for everything under the sun from the moon and back whether we like it or not. The image that I have of the future is that it is very bleak. It is darkness visible. The black dog of depression will hang us all in the end. Considering the life we live, the values we teach our children, what we believe in everything is a movement for change and every pause between words is a revolutionary act. The 'struggle' was like a painful mental illness. The liberation in retrospect was either the exit from our slavery ushering us into a novel, brave, bold and brilliant world or a mass hallucination. The political climate in post-apartheid South Africa has gone as far as corrupting liberty. — Abigail George

We passed a bill in 1997, signed by Democratic Gov. Lawton Chiles, which created a pilot program for a novel experiment called Florida Virtual School. The notion of children using a computer for a classroom and reporting to virtual teachers wasn't exactly mainstream thinking in those days. — Dan Webster

'The Accursed' is very much a novel about social injustice as the consequence of the terrible, tragic division of classes - the exploitation not only of poor and immigrant workers but of their young children in factories and mills - and as the consequence of race hatred in the aftermath of the Civil War and the freeing of the slaves. — Joyce Carol Oates

I read Claire Messud's 'The Emperor's Children,' I read Joseph O'Neill's 'Netherland' - but to me, they're not 9/11 novels. In 'The Emperor's Children,' 9/11 felt to me like a piece of the plot; the novel wasn't wrestling with what 9/11 meant. And 'Netherland' felt the same way. I liked both books a lot but I don't see them as 9/11 novels. — Amy Waldman

I believe that humans are on an evolutionary path where brain usage will escalate beyond the current 10% standard, and as we evolve, so will our "ESP" abilities. Today, more and more children are born already possessing these abilities, and it's appropriate we adjust to the new world reality already happening. — Tessie Jayme

We were afraid of so many things: Of our children, who lived in their own world of casually lurid pleasures, zombies and cartoon killers and thuggish music. Of our neighbors, who were buying gold and ammunition and great quantities of freeze-dried food, and who were organizing themselves into angry tribes recognizable to one another by bumper stickers. — Jean Thompson

Each time I write a new piece, whether a novel, a picture book, a speech or anything, really, it has so much to do with what I'm going through personally or a problem I'm trying to work out. When I wrote my novel 'Baby,' my three children had all just gone out the door. — Patricia MacLachlan

Sick children inevitably become arrested: You are fated to live out your days as the child you were when diagnosed, the child who believes there is a life after a novel ends. — John Green

There is a change coming I think in the lives of girls and women. Yes. But it is up to us to make it come. All women have had up till now has been their connection with men. All we have had. No more lives of our own, really, than domestic animals. He shall hold thee, when his passion shall have spent its novel force, a little closer than his dog, a little dearer than his horse. Tennyson wrote that. It's true. Was true. You will want to have children, though. — Alice Munro

If you die without agency as a child, but you have agency in your body [in the novel], how is it to be enacted unless it is being reimagined by a writer? — Fred D'Aguiar

A certain critic
for such men, I regret to say, do exist
made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have out-generalled the man this time by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy. — P.G. Wodehouse

I read Butterfly's Child in one day, totally hooked. It is a captivating novel of love, guilt, sin, justice - and how all these things are, in time, transformed surprisingly and inevitably. — Josephine Humphreys

I worked for many years as a writer for children and then wrote two adult novels of the kind they call 'literary' without any very great disturbance to this kind of life. Then, something went wrong. My third adult novel was rejected by the publisher of the first two. And I could not understand the criticism offered. — Jill Paton Walsh

Philip Galanes makes his debut with a novel that is both heartbreaking and deftly comic, the story of a young man struggling with his most primitive desires
wanting and needing. It is a novel about the complex relationships between parents and children, a story of loss and of our unrelenting need for acknowledgment, to be seen as who we are. And in the end it is simply a love story for our time. — A.M. Homes

In 1911, Edgar Rice Burroughs, having failed at everything else, decided to write a novel. He was then in his mid-thirties, married with two children, barely supporting his family as the agent for a pencil-sharpener business. — Michael Dirda

Motherhood was a twenty-four-hour-a-day, all-encompassing job. It was the hardest job I ever had. Everything that happened to you [her child] happened to me. I had once heard children described in a novel as "hostages to fortune" and certainly my happiness depended on yours. — Amy Poehler

I like working in children's books because it gives rise to such a variety of jobs. One month it may be a picture book, the next a retelling, the next a play, a short story or the start of the next novel. — Geraldine McCaughrean

Olive Ann describes Sanna as 'a perfectionist and a worrier.' She is obsessed with the idea of finding happiness, and for her, as Olive ann wrote in her notes for the novel, 'happiness means being first with somebody, having perfect, loving children ... The theme of Sanna is disillusionment,' Olive Ann wrote. 'Her life is the pursuit of happiness and perfection, but she finds happiness and perfection impossible to obtain-her idea of happiness is constant joy, no changes. — Olive Ann Burns

Thomas Hardy's Tess of the d'Urbervilles is a novel that I have read over and over and over again. Tess is a pure child who has an inner glow none of the others in the book possess. They reject her because she is different, and they try in every possible manner to destroy her, because they are jealous. It is an extraordinary love story. — Laetitia Casta

When I was young I longed to write a great novel that should win me fame. Now that I am getting old my first book is written to amuse children — L. Frank Baum

It wasn't raindrops at all. It was a great solid mass of water that might have been a lake or a whole ocean dropping out of the sky on top of them, and down it came, down and down and down, crashing first onto the seagulls and then onto the peach itself, while the poor travelers shrieked with fear and groped around frantically for something to catch hold of- the peach stem, the silk strings, anything they could find- and all the time the water came pouring and roaring down upon them, bouncing and smashing and sloshing and slashing and swashing and swirling and surging and whirling and gurgling and gushing and rushing and rushing, and it was like being pinned down underneath the biggest waterfall in the world and not being able to get out. — Roald Dahl

The end of a novel, like the end of children's dinner-party, must be made up of sweetmeats and sugar-plum — Anthony Trollope

What is it you do, then? I'll tell you: You leave out whatever doesn't suit you. As the author himself has done before you. Just as you leave things out of your dreams and fantasies. By leaving things out, we bring beauty and excitement into the world. We evidently handle our reality by effecting some sort of compromise with it, an in-between state where the emotions prevent each other from reaching their fullest intensity, graying the colors somewhat. Children who haven't yet reached that point of control are both happier and unhappier than adults who have. And yes, stupid people also leave things out, which is why ignorance is bliss. So I propose, to begin with, that we try to love each other as if we were characters in a novel who have met in the pages of a book. Let's in any case leave off all the fatty tissue that plumps up reality. — Robert Musil

There were many tomorrows to be lived through his children. He could only hope that they would face them more courageously than he had, that his mistakes would serve as warning signs rather than crutches to lean on. — Roy L. Pickering Jr.

My father read Charles Dickens to us as children, and at the end of virtually every novel he would choke up and start to cry - and my father NEVER cried. It always made me love him all the more. — Malcolm Gladwell

In the middle of a novel, a kind of magical thinking takes over. To clarify, the middle of the novel may not happen in the actual geographical centre of the novel. By middle of the novel I mean whatever page you are on when you stop being part of your household and your family and your partner and children and food shopping and dog feeding and reading the post - I mean when there is nothing in the world except your book, and even as your wife tells you she's sleeping with your brother her face is a gigantic semi-colon, her arms are parentheses and you are wondering whether rummage is a better verb than rifle. The middle of a novel is a state of mind. Strange things happen in it. Time collapses. — Zadie Smith

I am persuaded that not a novel in ten thousand is of any use to a child to fit him for life. The most are of use only to unfit him
to blunt his senses and infect him with the writers' poor silly sentiments. Nine out of ten novelists deserve to be prosecuted under an Adulterated Emotions Act. — Storm Jameson

The audience
the book's actual cast
quickly realized what had happened. The reason the movie dropped everything that made the novel real was because there was no way the parents who ran the studio would ever expose their children in the same black light the book did. The movie was begging for our sympathy whereas the book didn't give a shit. And attitudes about drugs and sex had shifted quickly from 1985 to 1987 (and a regime change at the studio didn't help) so the source material
surprisingly conservative despite its surface immorality
had to be reshaped. — Bret Easton Ellis

I've always felt as if writing a novel is like giving birth. After the process is over, I am emotionally exhausted. But then the work's not done. I have to then raise the book to adulthood, through marketing and giveaways and pandhandling for reviews (its college education). And even while I'm nurturing it into something that is well adjusted and lovable, I've got other "kids" that need equal attention. It truly is work. My hat is off to real parents everywhere, who raise human children and novel ones at the same time. You are amazing. — Ash Gray

I try to keep up with what's being done in every field, and most children's books are ten times more enjoyable than the average American novel right now. — Ray Bradbury

Rooms, corridors, bookcases, shelves, filing cards, and computerized catalogues assume that the subjects on which our thoughts dwell are actual entities, and through this assumption a certain book may be lent a particular tone and value. Filed under Fiction, Jonathon Swift's Gulliver's Travels is a humorous novel of adventure; under Sociology, a satirical study of England in the eighteenth century; under Children's Literature, an entertaining fable about dwarfs and giants and talking horses; under Fantasy, a precursor of science fiction; under Travel, an imaginary voyage; under Classics, a part of the Western literary canon. Categories are exclusive; reading is not--or should not be. Whatever classifications have been chosen, every library tyrannizes the act of reading, and forces the reader--the curious reader, the alert reader--to rescue the book from the category to which it has been condemned. — Alberto Manguel

I suggest you apply whatever wisdom you have."
-Shevata, "Children of Discord" (upcoming novel) — C.C. Cole

The men were smashing windows and aiming their weapons through them. The driver had opened the door and was shouting for the women and children to get out and run and hide. But Ilina realized in some vague way that he never managed to actually say the word "hide." He really said, "Women and children, get out, get out, get out! Run and ... " The clerk's wife thought it was odd that he had stopped in the middle of a sentence, and even stranger that she herself knew the word, heard the word "hide" in her head when the driver stopped talking. — Clark Zlotchew

I am not only the person who wrote and sold a novel while raising a houseful of biological and foster children; I am also the person who wrote a horrific young adult novel that never sold and gave up on a foster child I couldn't handle - an experience that still haunts me. — Vanessa Diffenbaugh

THE CHAMP A novel by Daniel Martin Eckhart Dedicated to my wife Nathalie and our children Nick, Milo and Eliza for all their love, laughter and patience. Thank you for letting me be part of your journeys. Copyright — Daniel Martin Eckhart

I seek to trace the novel features under which despotism may appear in the world. The first thing that strikes the observation is an innumerable multitude of men, all equal and alike, incessantly endeavoring to procure the petty and paltry pleasures with which they glut their lives. Each of them, living apart, is as a stranger to the fate of all the rest; his children and his private friends constitute to him the whole of mankind. As for the rest of his fellow citizens, he is close to them, but he does not see them; he touches them, but he does not feel them; he exists only in himself and for himself alone; and if his kindred still remain to him, he may be said at any rate to have lost his country. — Alexis De Tocqueville

If this were a proper world, beautiful faces would belong to beautiful people. Good people with kind hearts and clever minds would always have bright eyes and dazzling smiles, and bad people would have scraggly hair and warty noses. That way if you saw one of them coming, you could cross to the other side of the street and avoid them altogether.
But this is not a proper world. In our world, many bad people look quite nice, and many good people are not beautiful at all. Many good people aren't pretty or cute or even interesting-looking. — Brit Trogen

For me 'Oliver Twist' is a political novel. It is a furious critique of the treatment of orphans and poor children who were forced to spend their early lives in ghastly institutions. — Henning Mankell

I'd written my first novel for adults, which was called Basic Eight and was set in a high school, and we were having a devil of a time selling it. It ended up in the hands of an editor of a children's publishing house, for which it was entirely inappropriate. She said, "Well, we can't publish this, but I think you should write something for children," which I thought was a really terrible idea. — Daniel Handler

Nabokov calls every great novel a fairy tale, I said. Well, I would agree. First, let me remind you that fairy tales abound with frightening witches who eat children and wicked stepmothers who poison their beautiful stepdaughters and weak fathers who leave their children behind in forests. But the magic comes from the power of good, that force which tells us we need not give in to the limitations and restrictions imposed on us by McFate, as Nabokov called it.
Every fairy tale offers the potential to surpass present limits, so in a sense the fairy tale offers you freedoms that reality denies. In all great works of fiction, regardless of the grim reality they present, there is an affirmation of life against the transience of that life, an essential defiance. — Azar Nafisi

Experts recommend two hours of unstructured play for every hour of structured play. While your child is playing take half that time for your own play - a craft project, a good novel (or a bad one), looking at catalogs, sitting outside, dancing. If the very idea of "playing" as an adult confuses you, think back to your own childhood and the things that you spent time on and enjoyed doing. Try them again. As with everything else about children's behavior, there's nothing like a good role model. If you value play, your child will, too. — Madeline Levine

Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write. — Lee Child

When you saw the movie "The Curious Case of Benjamin Button," that was Michael [Jackson]'s story write large. Born as an elderly person, Benjamin Button was, in the F. Scott Fitzgerald novel and in the film starring Brad Pitt, he dies as a newborn child. Michael Jackson's childhood was one of enormous, prodigious production.He was a child prodigy, he was a wunderkind. — Michael Eric Dyson

Authors often say that their novels are like their children, and you want your novel, just like your children, to reflect well on you. When it goes out into the world, you hope that it will make you proud. But like a parent, an author must learn that her novel has needs of its own, and they are not the same as the author's.
Yes, you want your son's behavior toward women to reflect a loving relationship with his mother. However, if a woman is compelled to think about that relationship whenever they're in bed together, something has gone very very wrong. — Howard Mittelmark

When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book. — Salman Rushdie

I have long admired the visceral storytelling and moral complexity of John Vaillant's brilliant non-fiction about humankind's tragically ambivalent relationship with the natural world. Now he brings his abundant literary gifts to a debut novel set in a very real borderland in which human beings are themselves treated like animals. The Jaguar's Children is a beautifully rendered lament for an imperiled culture and the brave lives that would preserve it. You should read it. — John Burnham Schwartz

Fpr ome aftermppm a week leading up to the formal, the entire senior school body would pile into our massive gymnasium and learn dances that we would NEVER DANCE AGAIN, except at our own children's formals, perhaps. Nevertheless, we threw ourselves into the task as if we were living in a Jane Austen novel and this was the only way we would ever fit into society. (from How to Be Happy: A Memoir of Love, Sex and Teenage Confusion) — David Burton

We have been created as recipients. I look at the stars, at the grass, at my fat-faced children, at my fingernails, and I am oppressed by gratitude
I have been given a belly so that I might hunger. I have been given hunger so that I might be fed.
I look in the atheist's mirror. I look at his faith in the nonexistence of meaning. I look at his preaching and painting. I see nothing but a shit-storm.
Why would I walk through that door? Why would I live in your novel? — N.D. Wilson

She lay on the bed to read a novel; she wanted to forget that bitter conversation and be carried along by the plot, but it was impossible, because the book was about parents who abandoned their children or children who abandoned their parents. Ultimately, that's what all books are about, she thought. — Alejandro Zambra

I'm boggled by the idea of being an only child. I know nothing at all (I'm happy to say) about having had a cold and withholding mother, about being divorced. The more I've been writing novels, each novel I've written has become successively less grounded in anything approaching autobiography. — Anna Quindlen

I think that books for young people should have serious and important themes, they shouldn't be trivial. So the books I write, they would be the kind of stories you would write in an adult novel only they just happen to feature a child at the center of them. — John Boyne

I love to read about anger. A "feel bad" book always makes me feel good. And no other novel in the history of literature is more depressing than Christina Stead's The Man Who Loved Children. — John Waters

Laywers, I suppose, were children once. — Jane Gardam

My first novel, 'Leaving Atlanta,' took at look at my hometown in the late 1970s, when the city was terrorized by a serial murderer that left at least 29 African-American children dead. — Tayari Jones

The green painted concrete out in front of the house, which at first seemed like a novel way to save money on lawn-moving, was now just plain depressing. The hot water came reluctantly to the kitchen sink as if from miles away, and even then without conviction, and sometimes a pale brownish color. Many of the windows wouldn't open properly to let flies out. Others wouldn't shut properly to stop them getting in. The newly planted fruit trees died in the sandy soil of a too-bright backyard and were left like grave-markers under the slack laundry lines, a small cemetery of disappointment. It appeared to be impossible to find the right kinds of food, or learn the right way to say even simple things. The children said very little that wasn't a complaint. — Shaun Tan

Your characters are always your children. And while you are writing, you're keeping them safe. Now they're ready to go into the world and it's sad. I'm happy with the way the novel came out but all the characters' ending really saddened me. — Yiyun Li

As adults we choose our own reading material. Depending on our moods and needs we might read the newspaper, a blockbuster novel, an academic article, a women's magazine, a comic, a children's book, or the latest book that just about everyone is reading. No one chastises us for our choice. No one says, 'That's too short for you to read.' No one says, 'That's too easy for you, put it back.' No one says 'You couldn't read that if you tried
it's much too difficult.'
Yet if we take a peek into classrooms, libraries, and bookshops we will notice that children's choices are often mocked, censured, and denied as valid by idiotic, interfering teachers, librarians, and parents. Choice is a personal matter that changes with experience, changes with mood, and changes with need. We should let it be. — Mem Fox

The embryo of my second novel, Bobby's Diner, came to life because of my husband's ex-wives. Let's just say, they inspired the writing. — Susan Wingate

There are hours when I must force the novel out of my mind and be interested in the children. — Zane Grey

When English author Anna Sewell wrote Black Beauty, in the late nineteenth century, she said that her aim was to "induce kindness, sympathy, and an understanding treatment of horses." Though now considered a children's classic, the book was originally intended for an adult audience. Narrated from the horse's point of view, the novel describes Black Beauty's life, from his earliest memory, of "a large pleasant meadow with a pond of clear water in it" to his wretched existence pulling a heavy load for a cruel peddler. The sentimental and emotionally wrenching book was wildly popular, quickly becoming a bestseller first in England and then in the United States, where it became a favorite of the progressive movement. Sewell's book was the first to popularize interest in the plight of the horse and to generate widespread concern about the beast of burden's treatment. — Elizabeth Letts

I move between the two: I write an adult novel, and then I write a children's book. I quite enjoy that. It's a nice change of pace each time. — John Boyne

No one is treated with more patronizing condescension than the unpublished author or, in general, the would-be artist. At best he is commiserated. At worst mocked. He has presumed to rise above others and failed. I still recall a conversation around my father's deathbed when the visiting doctor asked him what his three children were doing. When he arrived at the last and said young Timothy was writing a novel and wanted to become a writer, the good lady, unaware that I was entering the room, told my father not to worry, I would soon change my mind and find something sensible to do. Many years later, the same woman shook my hand with genuine respect and congratulated me on my career. She had not read my books. — Tim Parks

Winner of the "Booker of Bookers," Midnight's Children is the novel that can be said to have done for Indian literature what One Hundred Years of Solitude did for the literature of the Americas, exciting a boom whose echoes have yet to fade. — Salman Rushdie

Magical, yes, but THE SNOW CHILD is also satisfyingly realistic in its depiction of 1920s homestead-era Alaska and the people who settled there, including an older couple bound together by resilient love. Eowyn Ivey's poignant debut novel grabbed me from the very first pages and made me wish we had more genre-defying Alaska novels like this one. Inspired by a fairy tale, it nonetheless contains more depth and truth than so many books set in this land of extremes. — Andromeda Romano-Lax

I guess one of the most magnificent things a novel can do is to change your perspective on the world, and to give it some sense of wonder, and that's what I find so exciting in writing fantasy, especially fantasy for children. Because already, I think children have a very special and unusual way of seeing the world. — Marie Rutkoski

Every now and then, I need a little spark of inspiration. It could be from reading (a novel, poetry, story, news article, a blog) or it could be attending an event (play, musical performance, poetry reading, writers conference). Something to wake up the drowsy Artist that lives within. For the past seven months, I have done all of these things and I noticed that my Artist has been up writing articles, a children's story, and most recently, working on new poems. After several years of hibernation, it is good to see my Artist so active. I must continue to give her a jolt to inspire her to do much more. — Sandra Proto

Of these death-white realms I formed an idea of my own: shadowy, like all the half-comprehended notions that float dim through children's brains, but strangely impressive. — Charlotte Bronte