Child Labor 1900s Quotes & Sayings

I became an animal painter because I loved to move among animals. I would study an animal and draw it in the position it took, and when it changed to another position I would draw that. — Rosa Bonheur

Birth pushes, death pulls; only you can slow the time between. — Jack Sanger

Things are going so well. We're volleying words back and forth. Everything she says, I have something I can say back. We're sparking, and part of me just wants to sit back and watch. We're clicking. Not because a part of me is fitting into a part of her. But because our words are clicking into each other to form sentences and our sentences are clicking into each other to form dialogue and our dialogue is clicking together to form this scene from this ongoing movie that's as comfortable as it is unrehearsed. — David Levithan

I was born in Newark, New Jersey, and grew up in Summit, an upscale town in north Jersey. There was this tiny area of Summit where most of the black families lived. My parents and I lived in a duplex house on Williams Street. — Ice-T

Evelyn was followed in by a sour-faced woman with long, glamorous dark hair and a stern-looking gentleman in a tuxedo who looked just like Julian, but with less hair. They both looked as though they might buy the auditorium just to burn it to the ground. Even in this crowd they seemed assuredly a cut above the rest. — Kristopher Jansma

Morality is the herd-instinct in the individual. — Friedrich Nietzsche

I hate that word [insane]. All it means is 'you don't think like I do,' and by that standard, everyone is insane. It's a meaningless idea. — Mira Grant

There's something I love about how stark the contrast is between January and June in Sweden. In a way, I feel that time doesn't exist in LA. Sometimes I don't know if it's February or April or October, because you're always sitting outside on the same patio, and it's 70 degrees. — Alexander Skarsgard

Hanns Heinz Ewers tells a short story of a boy who was so unnatural of disposition as to take a special delight in people sick with elephantiasis. Our "European intellectuality" finds itself in an identical condition today which, through Jewish pens, worships the Kokoschka, Chagalls and Pechsteins as the leaders of the Art of the future. Features of degeneracy are already apparent, as, for instance, with Schwalbach, who dares representing Jesus as flat footed and bow legged. — Alfred Rosenberg