Chaucer's Quotes & Sayings
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Top Chaucer's Quotes

In April the sweet showers fall And pierce the drought of March to the root, and all The veins are bathed in liquor of such power As brings about the engendering of the flower. — Geoffrey Chaucer

This world nys but a thurghfare ful of wo, And we been pilgrymes, passynge to and fro. — Geoffrey Chaucer

For many a pasty have you robbed of blood, And many a Jack of Dover have you sold That has been heated twice and twice grown cold. From many a pilgrim have you had Christ's curse, For of your parsley they yet fare the worse, Which they have eaten with your stubble goose; For in your shop full many a fly is loose. — Geoffrey Chaucer

Chaucer's The Canterbury Tales was expected to clock in at anywhere between 100 and 120 chapters. Unfortunately, the dude only managed to finish 24 tales before he suffered an insurmountable and permanent state of writer's block commonly known as death. — Jacopo Della Quercia

One flesh they are; and one flesh, so I'd guess,
Has but one heart, come grief or happiness. — Geoffrey Chaucer

Loke who that is most vertuous alway, Prive and apert, and most entendeth ay To do the gentil dedes that he can, And take him for the gretest gentilman. — Geoffrey Chaucer

Patience is a conquering virtue. The learned say that, if it not desert you, It vanquishes what force can never reach; Why answer back at every angry speech? No, learn forbearance or, I'll tell you what, You will be taught it, whether you will or not. — Geoffrey Chaucer

3440 An hole he fond3440, ful lowe upon a bord, Theras3441 the cat was wont in for to crepe, And at that hole he looked in ful depe3442, And atte laste he hadde of him a sighte. — Geoffrey Chaucer

He kept his tippet stuffed with pins for curls, And pocket-knives, to give to pretty girls. — Geoffrey Chaucer

For oute of olde feldys, as men sey,
Comyth al this newe corn from yer to yere;
And out of olde bokis, in good fey,
Comyth al this newe science that men lere. — Geoffrey Chaucer

He who repeats a tale after a man,
Is bound to say, as nearly as he can,
Each single word, if he remembers it,
However rudely spoken or unfit,
Or else the tale he tells will be untrue,
The things invented and the phrases new. — Geoffrey Chaucer

The Italian prose tale had begun to exercise that influence as early as Chaucer's time: but circumstances and atmosphere were as yet unfavourable for its growth. — George Saintsbury

Why do I feel so exercised about what we think of the people of the Middle Ages? ... I guess it's because so many of their voices are ringing vibrantly in my ears - Chaucer's, Boccaccio's, Henry Knighton's, Thomas Walsingham's, Froissart's, Jean Creton's ... writers and contemporary historians of the period who seem to me just as individual, just as alive as we are today. We need to get to know these folk better in order to know who we are ourselves. — Terry Jones

Natural, hell! What was it Chaucer Said once about the long toil that goes like blood to the poems making? Leave it to nature and the verse sprawls, Limp as bindweed, if it break at all Life's iron crust Man, you must sweat And rhyme your guts taut, if you'd build Your verse a ladder. — R.S. Thomas

What makes Geoffrey Chaucer such compelling reading is his creation of a riveting conversation between the ideal and the everyday. — John Mark Reynolds

In one particular chapter in Ulysses, James Joyce imitates every major writing style that's been used by English and American writers over the last 700 years - starting with Beowulf and Chaucer and working his way up through the Renaissance, the Victorian era and on into the 20th century. — Frederick Lenz

O woman's counsel is so often cold! A woman's counsel brought us first to woe, Made Adam out of Paradise to go Where he had been so merry, so well at ease. — Geoffrey Chaucer

Havna ye heard how the ancient Greeks associated sparrows with Aphrodite, the goddess of love?"...
"Och, 'tis no story. 'Tis the truth I give: When sparrows mated, it was due to their abandoned nature." His head inclined so he could whisper a kiss to her neck, sending shivers from her shoulders to the soles of her feet. "Even Chaucer and Shakespeare wrote about the sparrow's lustful conduct. — Vonnie Davis

I go downstairs and the books blink at me from the shelves. Or stare. In a trick of the light, a row of them seems to shift very slightly, like a curtain blown by the breeze through an open window. Red is next to blue is next to cream is adjacent to beige. But when I look again, cream is next to green is next to black. A tall book shelters a small book, a huge Folio bullies a cowering line of Quartos. A child's nursery rhyme book does not have the language in which to speak to a Latin dictionary. Chaucer does not know the words in which Henry James communicates but here they are forced to live together, forever speechless. — Susan Hill

I used to be in school, like a good boy. Medieval Literature. Von Eschenbach, Chaucer, Milton... Yes, sir, no, sir. Then I had that... Crisis. You know it? Wake up one morning and everything's all wrong? Wake up one morning and it occurs to you the milk's spoiled and the bread is getting moldy. Wake up and it just hits you. Someday you're gonna die. Maybe like that girl last night died. Face down in an alley with a caved in head. Such a terrible thing and what for? Why life? Why This life? Why This soap? Why these hands? What's it all mean? Deep down you fear nothing. But you still hope something. Either way, you're not really sure. That's my crisis. I don't wanna die. But if I'm gonna die, first I'm gonna live. I'm gonna peel life like fruit, and use it up. I'm gonna light up an' burn. I'll burn and burn until I'm snuffed out. Then I'll just fade away. But until then I'm gonna live! I'm ready. I'm gonna do it. Come what may, one hundred percent. — Paul Pope

Yet do not miss the moral, my good men.
For Saint Paul says that all that's written well
Is written down some useful truth to tell.
Then take the wheat and let the chaff lie still. — Geoffrey Chaucer

We have already shown by references to the contemporary drama that the plea of custom is not sufficient to explain Shakespeare's attitude to the lower classes, but if we widen our survey to the entire field of English letters in his day, we shall see that he was running counter to all the best traditions of our literature. From the time of Piers Plowman down, the peasant had stood high with the great writers of poetry and prose alike. Chaucer's famous circle of story-tellers at the Tabard Inn in Southwark was eminently democratic. — William Shakespeare

Until we're rotten, we cannot be ripe. — Geoffrey Chaucer

Pearl introduces an original story, in a form which was to become one of the most frequent in mediaeval literature, the dream-vision. Authors like Chaucer and Langland use this form, in which the narrator describes another world - usually a heavenly paradise - which is compared with the earthly human world. In Pearl, the narrator sees his daughter who died in infancy, 'the ground of all my bliss'. She now has a kind of perfect knowledge, which her father can never comprehend. The whole poem underlines the divide between human comprehension and perfection; these lines show the gap between possible perfection and fallen humanity which, thematically, anticipate many literary examinations of man's fall, the most well known being Milton's late Renaissance epic, Paradise Lost. — Ronald Carter

There's blood pounding through the Duke's head.
Knighthood is glory, he's thinking, not just grace in the saddle and at swordplay, but courage enough to give your life to defend what you hold dear. A noble reward, for noble men. A badge of honour.
He'd never ennoble a merchant. Even Chaucer, whom he admires, but knows to be a fool on a battlefield. Not Chaucer's fault, that; just his merchant blood.
Knighthood's not for the likes of these people; for Madame Perrers' brood. He thought she knew her place. But she's overreached herself; she's as grasping as the rest of them, after all. Do these people think they can buy or steal everything? — Vanora Bennett

Then you compared a woman's love to Hell,
To barren land where water will not dwell,
And you compared it to a quenchless fire,
The more it burns the more is its desire
To burn up everything that burnt can be.
You say that just as worms destroy a tree
A wife destroys her husband and contrives,
As husbands know, the ruin of their lives. — Geoffrey Chaucer

You know what my favourite quotation is? ... It's from Chaucer ... Criseyde says it, I am myne owene woman, wel at ese. — Mary McCarthy

it's like being attacked by a RAT! — Chaucer Geoffrey

The only really detestable character in Chaucer's company of Canterbury pilgrims is the Pardoner with his stringy locks, his eunuch's hairless skin, his glaring eyes like a hare's, and his brazen acknowledgment of the tricks and deceits of his trade. — Barbara W. Tuchman

One shouldn't be too inquisitive in life Either about God's secrets or one's wife. — Geoffrey Chaucer

Certain, when I was born, so long ago, Death drew the tap of life and let it flow; And ever since the tap has done its task, And now there's little but an empty cask. — Geoffrey Chaucer

Certes, they been lye to hounds, for an hound when he cometh by the roses, or by other bushes, though he may nat pisse, yet wole he heve up his leg and make a countenance to pisse. — Geoffrey Chaucer

For God's love, take things patiently, have sense, Think! We are prisoners and shall always be. Fortune has given us this adversity, Some wicked planetary dispensation, Some Saturn's trick or evil constellation Has given us this, and Heaven, though we had sworn The contrary, so stood when we were born. We must endure it, that's the long and short. — Geoffrey Chaucer

earn what you can since everything's for sale — Geoffrey Chaucer

On to the library. And all through his time at the card catalog, combing the shelves, filling out the request cards, he danced a silent, flirtatious minuet of the eyes with a rosy-cheeked redhead in the biology section, pages of notes spread before her. All his life, he had had a yen for women in libraries. In a cerebral setting, the physical becomes irresistible. Also, he figured he was really more likely to meet a better or at least more compatible woman in a library than in a saloon. Ought to have singles libraries, with soups and salads, Bach and Mozart, Montaignes bound in morocco; place to sip, smoke, and seduce in a classical setting, noon to midnight. Chaucer's Salons, call them, franchise chain. — Stephen Minkin

There's no workman, whatsoever he be, That may both work well and hastily. — Geoffrey Chaucer

This backwards journey in the narrating of this 'membering, this remembrance, is a lesson I learned from Geoffrey Chaucer's Canterbury Tales, and which considers how language, in this case, English, the only language I know, is at present of profound interest, when used in a non-traditional manner. I have used this language in The Polished Hoe, and I call it many things, but the most precise definition I have given it is contained in a booklet published by the Giller Prize Foundation, celebrating the tenth anniversary of this literary prize. In that review of the literary problems I faced in the writing of The Polished Hoe in 2002, my main concern was to find a language, or to more strictly use the language I already knew, in such a way that it became, in my manipulation of it, a "new" language. And to explain the result of this experiment, I said that I intended to "creolize Oxford English. — Austin Clarke

Why incentivize laziness? High-school students shouldn't be discouraged from grappling, sometimes unsuccessfully, with challenging books, pictures, and songs. A really, really good work of art doesn't bow down to you; you step up to it, and it rewards you. In the end, kids faced with what Chaucer actually wrote may still dislike him, and I'm fine with that; they will have earned that opinion rather than had it handed to them. For heaven's sake, it's easy for kids to see themselves and their peers in a rap song. When they can start to see themselves in a 14th-century poem, then they're actually learning something. — Jeff Sypeck

We possess the Canon because we are mortal and also rather belated. There is only so much time, and time must have a stop, while there is more to read than there ever was before. From the Yahwist and Homer to Freud, Kafka, and Beckett is a journey of nearly three millennia. Since that voyage goes past harbors as infinite as Dante, Chaucer, Montaigne, Shakespeare, and Tolstoy, all of whom amply compensate a lifetime's rereadings, we are in the pragmatic dilemma of excluding something else each time we read or reread extensively. — Harold Bloom

If we took Chaucer's writings at face value, we'd have to conclude he was a complete drip. — John Hutton

Who then may trust the dice, at Fortune's throw? — Geoffrey Chaucer

Purists behave as if there was a vintage year when language achieved a measure of excellence which we should all strive to maintain. In fact, there was never such a year. The language of Chaucer's or Shakespeare's time was no better and no worse than that of our own - just different. — Jean Aitchison

Chaucer, like Homer, writes about a journey, but as a Christian he has a different goal. Homer wanted to go home, but Chaucer's pilgrims want a place of man's true home: paradise — John Mark Reynolds

I will eviscerate you in fiction. Every pimple, every character flaw. I was naked for a day; you will be naked for eternity.
A Knight's Tale — Geoffrey Chaucer

We plowed through Chaucer, and I learned to assist her using the Middle English dictionary. One year we spent the winter painstakingly noting each instance of symbolism within Pilgrim's Progress on separate recipe cards, and I was delighted to see our pile grow to be thicker than the book itself. She set her hair in curlers while listening to records of Carl Sandburg's poems over and over, and instructed me on how to hear the words differently each time. After discovering Susan Sontag, she explained to me that even meaning itself is a constructed concept, and I learned how to nod and pretend to understand. My — Hope Jahren

The true use of Shakespeare or of Cervantes, of Homer or of Dante, of Chaucer or of Rabelais, is to augment one's own growing inner self. Reading deeply in the Canon will not make one a better or a worse person, a more useful or more harmful citizen. The mind's dialogue with itself is not primarily a social reality. All that the Western Canon can bring one is the proper use of one's own solitude, that solitude whose final form is one's confrontation with one's own mortality. W — Harold Bloom

It's hard. Being 15, 16, 17. You get so angry. You want to do something with that anger. I guess try to find some other way to let it out. Don't kill people. Don't kill yourself. Let yourself grow up a little. Then you might start to think differently about things. You might get new opportunities to do something with your life that you never thought possible as a teenager." -- Thomas Harvey from the upcoming novel, "Nikki White: Polar Extremes" (Nikki, #3) — Jack Chaucer

Mr. Morris's poem is ushered into the world with a very florid birthday speech from the pen of the author of the too famous Poems and Ballads, - a circumstance, we apprehend, in no small degree prejudicial to its success. But we hasten to assure all persons whom the knowledge of Mr. Swinburne's enthusiasm may have led to mistrust the character of the work, that it has to our perception nothing in common with this gentleman's own productions, and that his article proves very little more than that his sympathies are wiser than his performance. If Mr. Morris's poem may be said to remind us of the manner of any other writer, it is simply of that of Chaucer; and to resemble Chaucer is a great safeguard against resembling Swinburne. — Henry James

This posture of skepticism towards the classics displays a profound misjudg- ment. For the great works of Western culture are remarkable for the dis- tance that they maintained from the norms and orthodoxies that gave birth to them. Only a very shallow reading of Chaucer or Shakespeare would see those writers as endorsing the societies in which they lived, or would over- look the far more important fact that their works hold mankind to the light of moral judgment, and examine, with all the love and all the pity that it calls for, the frailty of human nature. It is precisely the aspiration towards universal truth, towards a God's-eye perspective on the human condition, that is the hallmark of Western culture. — Theodore Dalrymple

But Christ's lore and his apostles twelve,
He taught and first he followed it himself. — Geoffrey Chaucer

You shall see rude and sturdy, experienced and wise men, keeping their castles, or teaming up their summer's wood, or chopping alone in the woods, men fuller of talk and rare adventure in the sun and wind and rain, than a chestnut is of meat; who were out not only in '75 and 1812, but have been out every day of their lives; greater men than Homer, or Chaucer, or Shakespeare, only they never got time to say so; they never took to the way of writing. Look at their fields, and imagine what they might write, if ever they should put pen to paper. Or what have they not written on the face of the earth already, clearing, and burning, and scratching, and harrowing, and plowing, and subsoiling, in and in, and out and out, and over and over, again and again, erasing what they had already written for want of parchment. — Henry David Thoreau

I'll die for stifled love, by all that's true. — Geoffrey Chaucer

Look up on high, and thank the God of all. — Geoffrey Chaucer

Eke wonder last but nine deies never in toun. — Geoffrey Chaucer

The proverbe saith that many a smale maketh a grate. — Geoffrey Chaucer

Time lost, as men may see, For nothing may recovered be. — Geoffrey Chaucer

I can imagine the writers of China, England and France, crippled and unsure of themselves when they feel that the ghosts of Confucius, Mencius, Chaucer and Shakespeare and Victor Hugo are looking over their shoulders. — F. Sionil Jose

He is gentle that doeth gentle deeds. — Geoffrey Chaucer

And when a beest is deed, he hath no peyne; But man after his deeth moot wepe and pleyne. — Geoffrey Chaucer

There's never a new fashion but it's old. — Geoffrey Chaucer

You are the cause by which I die. — Geoffrey Chaucer

Everybody wants to go to the Super Bowl. Nobody wants to run laps. — Geoffrey Chaucer

Abstinence is approved of God. — Geoffrey Chaucer

By God," quod he, "for pleynly, at a word,
Thy drasty rymyng is nat worth a toord! — Geoffrey Chaucer

What would Chaucer have written about if men were perfect? — Pete Hamill

But for to telle yow al hir beautee,
It lyth nat in my tonge, n'yn my konnyng;
I dar nat undertake so heigh a thyng.
Myn Englissh eek is insufficient.
It moste been a rethor excellent
That koude his colours longynge for that art,
If he sholde hire discryven every part.
I am noon swich, I moot speke as I kan. — Geoffrey Chaucer

And as for me, though that I konne but lyte,
On bokes for to rede I me delyte,
And to hem yive I feyth and ful credence,
And in myn herte have hem in reverence
So hertely, that ther is game noon
That fro my bokes maketh me to goon,
But yt be seldom on the holyday,
Save, certeynly, whan that the month of May
Is comen, and that I here the foules synge,
And that the floures gynnen for to sprynge,
Farewel my bok and my devocioun! — Geoffrey Chaucer

in describing the various writers of his idolatry he more than once lets fall a phrase that could equally apply to himself. 'To read Spenser,' he says, 'is to grow in mental health.' What he values in Addison is his 'open-mindedness.' The moments of despair chronicled in Scott's diary cannot, he claims, counterpoise 'that ease and good temper, that fine masculine cheerfulness' suffused through the best of the Waverly novels. Most of all it was the chiaroscuro of what Chaucer called 'earnest' and 'game' that attracted him. He found it eminently in the poetry of Dunbar, that late-medieval Scottish maker who wrote the greatest religious poetry and the earthiest satire in the language — Jocelyn Gibb

the guilty think all talk is of themselves. — Geoffrey Chaucer

Drunkenness is the very sepulcher
Of man's wit and his discretion. — Geoffrey Chaucer

If no love is, O God, what fele I so? And if love is, what thing and which is he? If love be good, from whennes cometh my woo? If it be wikke, a wonder thynketh me — Geoffrey Chaucer

In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.'
I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately. — Madeleine L'Engle

all that glitters is not gold, — Geoffrey Chaucer

In the stars is written the death of every man. — Geoffrey Chaucer

Chaucer's world in The Canterbury Tales brings together, for the first time, a diversity of characters, social levels, attitudes, and ways of life. The tales themselves make use of a similarly wide range of forms and styles, which show the diversity of cultural influences which the author had at his disposal. Literature, with Chaucer, has taken on a new role: as well as affirming a developing language, it is a mirror of its times - but a mirror which teases as it reveals, which questions while it narrates, and which opens up a range of issues and questions, instead of providing simple, easy answers. — Ronald Carter

There was the murdered corpse, in covert laid,
And violent death in thousand shapes displayed;
The city to the soldier's rage resigned;
Successless wars, and poverty behind;
Ships burnt in fight, or forced on rocky shores,
And the rash hunter strangled by the boars;
The newborn babe by nurses overlaid;
And the cook caught within the raging fire he made. — Geoffrey Chaucer

The range and variety of Chaucer's English did much to establish English as a national language. Chaucer also contributed much to the formation of a standard English based on the dialect of the East Midlands region which was basically the dialect of London which Chaucer himself spoke. Indeed, by the end of the fourteenth century the educated language of London, bolstered by the economic power of London itself, was beginning to become the standard form of written language throughout the country, although the process was not to be completed for several centuries. The cultural, commercial, administrative and intellectual importance of the East Midlands (one of the two main universities, Cambridge, was also in this region), the agricultural richness of the region and the presence of major cities, Norwich and London, contributed much to the increasing standardisation of the dialect. — Ronald Carter

A kind of wonder takes Chaucer over as he pants up Fleet Street and past the walled orchards and gardens of this lovely riverside suburb for princes of kingdom and Church.
This isn't mob action, not really, even if there were men back there shouting that they were off to break into Newgate Jail and set the prisoners free.
It's something else. Something he's never seen, or imagined.
These men don't loot. They aren't trying to get rich, or even just get fed. They're not remotely interested in picking up a few unconsidered trifles from the palaces they're passing, however lovely the houses are, however manicured the gardens.
They're here to destroy. And they know their targets. — Vanora Bennett

How do you tell your mom you're following your dream when it's the one that warned you to befriend a psychotic boy before he shoots up your school?
-- from the upcoming "Streaks of Blue — Jack Chaucer

There may be little room for the display of this supreme qualification in the retail book business, but there is room for some. Be enterprising. Get good people about you. Make your shop windows and your shops attractive. The fact that so many young men and women enter the teaching profession shows that there are still some people willing to scrape along on comparatively little money for the pleasure of following an occupation in which they delight. It is as true to-day as it was in Chaucer's time that there is a class of men who "gladly learn and gladly teach," and our college trustees and overseers and rich alumni take advantage of this and expect them to live on wages which an expert chauffeur would regard as insufficient. Any bookshop worthy of survival can offer inducements at least as great as the average school or college. Under pleasant conditions you will meet pleasant people, for the most part, whom you can teach and form whom you may learn something. — A. Edward Newton

Mordre wol out, that se we day by day. — Geoffrey Chaucer

I would find a way to save souls while eradicating demons from this world. I'd find a way to save my own soul. I just had to.
Emily Chaucer.
Demon executioner.
Human savior.
I could only hope. — Ketley Allison

First he wrought, and afterwards he taught. — Geoffrey Chaucer

By Pluto sent at the request of Saturn. Arcita's horse in terror danced a pattern And leapt aside and foundered as he leapt, And ere he was aware Arcite was swept Out of the saddle and pitched upon his head Onto the ground, and there he lay for dead; His breast was shattered by the saddle-bow. — Geoffrey Chaucer

We're like two dogs in battle on their own;
They fought all day but neither got the bone,
There came a kite above them, nothing loth,
And while they fought he took it from them both."
From Chaucer's "The Knight's Tale — Geoffrey Chaucer

For in their hearts doth Nature stir them so Then people long on pilgrimage to go And palmers to be seeking foreign strands To distant shrines renowned in sundry lands. — Geoffrey Chaucer

He that loveth God will do diligence to please God by his works, and abandon himself, with all his might, well for to do. — Geoffrey Chaucer

For thogh we slepe, or wake, or rome, or ryde, Ay fleeth the tyme; it nyl no man abyde. — Geoffrey Chaucer

Love will not be constrain'd by mastery.
When mast'ry comes, the god of love anon
Beateth his wings, and, farewell, he is gone.
Love is a thing as any spirit free. — Geoffrey Chaucer

Purity in body and heart
May please some
as for me, I make no boast.
For, as you know, no master of a household
Has all of his utensils made of gold;
Some are wood, and yet they are of use. — Geoffrey Chaucer

Here Greek and Roman find themselves alive along these crowded shelves; and Shakespeare treads again his stage, and Chaucer paints anew his age. — John Greenleaf Whittier

If were not foolish young, were foolish old. — Geoffrey Chaucer

I am not the rose, but I have lived near the rose. — Geoffrey Chaucer