Characters Their Eyes Quotes & Sayings

With my physicality and my face, I don't think I could pull off a completely righteous guy. There's something devious about my eyes. I like characters with flaws and to see how they overcome those flaws. I want to play real people, and they're flawed, not perfect. — Emraan Hashmi

In the end, I listen to my fear. It keeps me awake, resounding through the frantic beating in my breast. It is there in the dry terror in my throat, in the pricking of the rats' nervous feet in the darkness. Christian has not come home all the night long. I know, for I have lain in this darkness for hours now with my eyes stretched wide, yearning for my son's return. — Ned Hayes

Don't think about how your characters sound, but how they see. Watch the world through their eyes - study the extraordinary and the mundane through their particular perspective. Walk around the block with them, stroll the rooms they live in, figure out what objects on the cluttered dining room table they would inevitably stare at the longest, and then learn why. — Dinaw Mengestu

I have always been drawn to young characters and seeing big tapestries through the eyes of a child. It probably comes from being a father myself and having a young son and seeing the world through his eyes. I write stories that are sort of the exaggerated version of that. — Jeff Lemire

There are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.' Katin looked toward the front of the car.
The captain gazed through the curving plate that lapped the roof. His yellow eyes fixed Her consumptive light that pulsed fire-spots in a giant cinder. The light was so weak he did not squint at all.
I am confounded, Katin admitted to his jeweled box, 'nevertheless. The mirror of my observation turns and what first seemed gratuitous I see enough times to realize it is a habit. What I suspected as habit now seems part of a great design. While what I originally took as purpose explodes into gratuitousness. The mirror turns again, and the character I thought obsessed by purpose reveals his obsession is only habit; his habits are gratuitously meaningless; while those actions i construed as gratuitous now reveal a most demonic end. — Samuel R. Delany

we have a palpable sense that Tolstoy as a novelist tests his characters' muscles and trains his reader to track their spasms so that by the time we come to the meeting between Kitty and Levin we are able to share the latter's understanding that what was inexpressible in words was given meaning in 'every movement of her lips, her eyes, and her hands'. So Kitty's nervousness at the outcome of her meeting with Levin is expressed in and heightened by the failure of her fork to spear a slippery pickled mushroom on her plate. A slight muscular reflex, such as Kitty's hand in — Leo Tolstoy

Watching, I could feel again the stirrings of my characters - the faint, as yet inaudible, suggestion of their voices, and their movements close around me, in the way someone can sense another's presence in a darkened room. I didn't need to shut my eyes. They were already fixed, not truly seeing, on the window glass, in that strange writer's trance that stole upon me when my characters began to speak, and I tried hard to listen. — Susanna Kearsley

It's not a disability, it's life. We are complicated creatures with larger matters on our plate than tip calculation. I grew up watching TV with my mother while she diagnosed the characters as having hyperactivity or attention-deficit disorder. I rolled my eyes and wondered why there weren't any stupid kids anymore. Why did there have to be something to explain everyone? Were the cave people on Ritalin? I didn't think so. — Sloane Crosley

I think all writers are always collecting characters as we go along. Not just characters of course, we're collecting EVERYTHING. Bits and pieces of story. An interesting dynamic between people. A theme. A great character back story. A cool occupation. The look of someone's eyes. A burning ambition. Hundreds of thousands of bits of flotsam and jetsam that we stick in the back of our minds like the shelves full of buttons and ribbons and fabrics and threads and beads in a costumer's shop. — Alexandra Sokoloff

We are fonder of visiting our friends in health than in sickness. We judge less favorably of their characters when any misfortune happens to them; and a lucky hit, either in business or reputation, improves even their personal appearance in our eyes. — William Hazlitt

It is the task of the scenarist to invent little pieces of business that are so characteristic and give so deep an insight into his creatures, that their personalities clearly and organically unfold before the eyes of the audience so that the latter feel that the actions of these people are contingent upon their characters, that there exists some kind of a logical fate, and that nothing is left to mere accident or coincidence. — Ernst Lubitsch

Joey glanced at his alarm clock and saw it was just before midnight. His eyes drifted to his bookshelf. Lined up in a row, in the order of their publication, were all of the Spook Boys books, a series of kids' books about two adventurous brothers who were constantly getting into mischief as they explored haunted houses and spooky old castles, or tried to solve mysteries involving missing diamonds or stolen paintings. Joey envied the characters in those books - he wanted his own life to be made up of such exciting, implausible adventures. But maybe his imagination had gotten carried away. Maybe his mind, saturated with such fictional tales, was more than willing to play tricks on him when it came to houses like the one on Creep Street. — The Blood Brothers

Characters begin as voices, then gain presence by being viewed in others' eyes. Characters define one another in dramatic contexts. It is often very exciting, when characters meet - out of their encounters, unanticipated stories can spring. — Joyce Carol Oates

Felicia nodded. "Sometimes I have that problem. I know nearly everything you can learn in a book and very little that you learn in life. Like my fear of spiders. It's silly, really. I've studied arachnids in an effort to get over my ridiculous overreaction, but still, every time I see one ... " She shuddered. "It's not pretty. I simply can't control myself. A flaw - one of many." "If you're not perfect, then you came to the right place," Charlie told her. "Fool's Gold is a lively town with plenty of characters. You'll get a crash course in how the little people live." "I hope I can fit in." Patience saw the concern in Felicia's eyes and touched her arm. "You're going to do just fine. — Susan Mallery

Novels and stories are renderings of life; they cannot only keep us company, but admonish us, point us in new directions, or give us the courage to stay a given course. They can offer us kinsmen, kinswomen, comrades, advisors - offer us other eyes through which we might see ... Every ... student ... will all too quickly be beyond schooling, will be out there making a living and, too, just plain living - that is, trying to find and offer to others the affection and love that give purpose to our time spent here ... [Characters] can be cautionary figures ... who give us pause and help us in the private moments when we try to find our own bearings — Robert Coles

I would like to be a D.H. Lawrence character, living in one of his novels. The people I meet don't even seem to have characters. And life seems so rich, when I look at it through his eyes, yet my own life very often appears sterile, like a bad patch of earth, as if nothing will grow there however hard I try. — Rachel Cusk

Isabel's infamous tweets ranged from the cartoonish and impossible:
Im going to pull ur tongue out of ur mouth wrap it around ur neck n strangle u w it so hard ur eyes will pop out. i will pee in the sockets.
To the quaint:
Get ur fcking hands off him bitch i will cut u. #RupertLIsMine
To the cryptically disturbing:
I watch u in your sleep.
I would never condone Isabel's scary tweets, but you had to give the girl credit for managing to stay under 140 characters every time. — Goldy Moldavsky

Is he my competition?" I asked.
"Everyone is your competition." Peter lifted his hand to his
eyes and began lowering it incrementally. "It goes normal human
beings, crazies, republicans, my hand, imaginary characters,
corpses and then, in a moment of lustful psychosis, you." By the
time he was done, his hand was below the table.
Ouch. — Dani Alexander

The writer is a kind of hawk; he goes round in the skies, constantly looking with his sharp eyes for the character that he can pick up with his claws. Sometimes he goes round hungry for a week, he cannot catch any characters; and sometimes characters rain on him like heavy rain. — Mehmet Murat Ildan

I like to do movies, because I love becoming different characters, and telling different stories through different eyes, and affecting someone's life in one way or another. — Lindsay Lohan

Most people just half-watch TV. They watch TV while they are doing many other things in the environment of their home. So, what they are doing goes through their ears as much as through their eyes. In television, the narrative and characters are in the foreground of everything, because you are watching TV as you do other stuff. — Alfonso Cuaron

Seven o'clock and you watched it and then you turned it off. The Fifties. It's like that in movies and television programs, but its plot there. The characters get some information from the newscaster and then they turn it off so they can speak. But we were the characters then. We still are, I guess, so it's only a matter of time before we start seeing television shows where the people turn on the news to get some information and then, instead of turning it off so they can speak, they leave it on, and we get swept into some endless video vortex, some film loop, which has us by the eyes and won't let us go. — Alberto Alvaro Rios

You must create the character's internal life. What do I mean by internal life? I mean the thoughts, feelings, memories, and inner decisions that may not be spoken. When we look into the eyes of actors giving fully realized performances, we can see them thinking. We're interested in what they're experiencing that may never be spoken, that quality of nonverbal expression - which is as much a part of the characters as breathing and as real as what they say and do. This is their internal life. It helps us believe in the characters and care about them. — Larry Moss

Among the older records, we find chapter after chapter of which we can read the characters, and make out their meaning: and as we approach the period of man's creation, our book becomes more clear, and nature seems to speak to us in language so like our own, that we easily comprehend it. But just as we begin to enter on the history of physical changes going on before our eyes, and in which we ourselves bear a part, our chronicle seems to fail us-a leaf has been torn out from nature's record, and the succession of events is almost hidden from our eyes. — Adam Sedgwick

Television series always have a lot of characters because you want people to identify with someone on the show, who will be your eyes. — Robert Rodriguez

I often play characters on TV shows that are more sweet and naive and just kind of puppy-dog eyes, and I don't think I am like that as a person. — Lauren Lapkus

As for others whose lives are not so ordered, he reminds himself constantly of the characters they exhibit daily and nightly at home and abroad, and of the sort of society they frequent; and the approval of such men, who do not even stand well in their own eyes, has no value for him. — Marcus Aurelius

How can we judge fairly of the characters and merits of men, of the wisdom or folly of actions, unless we have ... an accurate knowledge of all particulars, so that we may live as it were in the times, and among the persons, of whom we read, see with their eyes, and reason and decide on their premises? — William Wilberforce

Movie or no, you should never put pictures of the book's characters on the cover. That only cramps the reader's fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind's eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that's three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it's pretty tough to remember that imaginary face after seeing the actor on the screen. Two — Herman Koch

Whenever I get distracted or bored, my eyes wander over to that chalkboard and I read the words. Some of them grow on me, and others annoy me. I attack the latter with eraser and chalk, and keep nudging at them until I like the way they look and sound. Others never make the cut at all and simply get erased. Perhaps one day I will sell these on eBay to RPG players who need names for characters or alien races. — Neal Stephenson

Page and page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters yet. — Carlos Ruiz Zafon

I don't write 'romance' stories, but character love stories, like the short story fiction published at Romantic4Ever and at WeddingNight, with romance of the heart and of adventure, in its many, many human varieties, as seen through the eyes and hearts and bodies of realist characters; whether about military special forces regiments, mail order brides in the outback, class-crossed samurai lovers, wealthy Victorian 'minorities,' or luscious vampires of another color. — Neale Sourna

American and Vietnamese characters alike leap to life through the voice and eyes of a tenyearold girl-a protagonist so strong, loving, and vivid I longed to hand her a wedge of freshly cut papaya. — Mitali Perkins

A novel can do something that films and TV usually can't - a glimpse inside the characters' heads. I write very tight third person point of view, so the reader is right behind the eyes of each character, seeing what they see and feeling what they feel. — Karen Traviss

One of the main reasons I write fiction is to try to understand what life is like for people other than myself, to try to see the world through my characters' eyes. I often find that I'm able to understand certain emotional truths about my own life by exploring things from different vantages. — Molly Antopol

I turned to the window. A single raindrop fell against it, and seeing my reflection in the glass, I suddenly knew why Finn's eyes were familiar.
They were exactly like mine. — Pamela Nicole

The primary reason people watch television is you want to see the world through somebody else's eyes, and learn what that's like. You can only live one life, and so you get to see other lives through these characters. — Frank Spotnitz

Say something, Jess. Say anything.
And just when I'm about to think of what I should say next, my mouth goes into whacked overdrive like I'm possessed. "The graphic art in Clone Wars is my favorite," I say. "I love how they drew the characters. You know - how everything looks so angular and - "
My words tangle and freeze when my brain finally arrives to shut it down.
Say something but NOT THAT, you psycho!
"Clone Wars. Love it, do I? Yesss." He's actually responded in a Yoda voice!
I blink.
His eyes are kind, sparkling with laughter and still, all too green. Yoda green! — Anne Eliot

Time of course has showed the question up in all its young illogic. We can justify any apologia simply by calling life a successive rejection of personalities. No apologia I s any more than a romance - half a fiction - in which all the successive identities are taken on and rejected by the writer as a function of linear time are treated as separate characters. The writing itself even constitutes another rejection, another "character" added to the past. So we do sell our souls: paying them away to history in little installments. It isn't so much to pay for eyes clear enough to see past the fiction of continuity, the fiction of cause and effect, the fiction of a humanized history endowed with "reason. — Thomas Pynchon

We stand in need of such reflections to comfort us for the loss of some illustrious characters, which in our eyes might have seemed the most worthy of the heavenly present. The names of Seneca, of the elder and the younger Pliny, of Tacitus, of Plutarch, of Galen, of the slave Epictetus, and of the emperor Marcus Antoninus, adorn the age in which they flourished, and exalt the dignity of human natures. — Edward Gibbon

I truly believe the book of philosophy to be that which stands perpetually open before our eyes, though since it is written in characters different from those of our alphabet it cannot be read by everyone. — Galileo Galilei

At their core, Tiger Eyes, Forever ... , and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) — Jennifer O'Connell

The first day was memorable for me. I walked into this studio with these giant eyes, slowly met everybody and got to see the story boards and sketches of our characters. I got the see the sets and was just amazed that all this was to be something we all were going to be part of for almost a year. — Kyle Schmid

(Novelists, when their characters drive cars, never feel compelled to describe precisely what the physical actions are of hands, feet, eyes, knees, elbows. Yet many of these same novelists, when their characters copulate, get into such detailed physical description you'd think they were writing an exercise book. We all know the interrelation between the right ankle and the accelerator when driving a car, and we needn't be told. — Donald E. Westlake

I kept my eyes closed until I felt my resolve to be who I wanted to be come back. I couldn't stay this desperate. It wouldn't look good to people watching from the outside. — Natalie Bina

It often horrified the English community that she spent her time with local farmers and horse traders, eccentrics and mystics, but she valued expertise over convention and had long believed if you were going to make discoveries in the world you must first quit your Englishness and open your eyes. — Sara Sheridan

Realisation danced across his face; she saw the hurt in his eyes. And a twisted, darker piece of her almost enjoyed it. The air in the room, stale with blood and sweat, and pure horror, hummed in the aftermath of her words. And finally, Ella knew what had to be done. — Shona Moyce

For god sake, open your eyes...the truth is crimes are real... the trouble is real... the horror is real... OPEN THE FUCKING EYES, you have freedom of speech, freedom do go to jail... My favourite characters are this in the jail!

If you ask me with what I will open my eyes, my answer is with the critical edition

The Leuchter Reports: Critical Edition
by Fred A. Leuchter, The Age of Reason by Thomas Paine, The Common Sense by Thomas Paine — Deyth Banger

An armchair is always an armchair, to the modern child, never a ship, never a desert island. The pattern on the wall are patterns; not characters whose faces change at dusk ... The trouble is, the children have no imagination. They are sweet, and have carefree, honest eyes; but they have not any magic in their day. The magic has all gone ... — Daphne Du Maurier

I feel like a lot of the portrayals of, in particular, younger minority ethnic characters on television, a lot of their dialogue, a lot of their characteristics, a lot of their personality in a writer's eyes, is kind of propelled through their ethnicity. — Corey Reynolds

Do you see that kitten chasing so prettily her own tail? If you could look with her eyes, you might see her surrounded with hundreds of figures performing complex dramas, with tragic and comic issues, long conversations, many characters, many ups and downs of fate. — Ralph Waldo Emerson

It's also possible to have two third person singular points of view, as represented by two characters through whose eyes the story is told in alternating chapters, say. — Arthur Herzog

The people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping ... something runs among them, an exchange of glances like lines that connect one figure with another and draw arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene ... — Italo Calvino

Tessa craned her head back to look at Will. "You know that feeling," she said, "when you are reading a book, and you know that it is going to be a tragedy; you can feel the cold and darkness coming, see the net drawing tight around the characters who live and breathe on the pages. But you are tied to the story as if being dragged behind a carriage and you cannot let go or turn the course aside." His blue eyes were dark with understanding - of course Will would understand - and she hurried on. "I feel now as if the same is happening, only not to characters on a page but to my own beloved friends and companions. I do not want to sit by while tragedy comes for us. I would turn it aside, only I struggle to discover how that might be done."
"You fear for Jem," Will said.
"Yes," she said. "And I fear for you, too."
"No," Will said, hoarsely. "Don't waste that on me, Tess. — Cassandra Clare

Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables. — C.S. Lewis

Martin heaved a heavy sigh, settling deeper into the cushions of the couch. "Like I said, everyone is the main character in their own story. Even villains."
I shook my head. "I don't know ... Not necessarily. I mean, sometimes the story is bigger than the characters, like Jurassic Park. The Park was really the central focus of the story, and all the characters were secondary to the Park. Their only purpose was to react to the Park."
Martin yawned, set his now empty beer on the coffee table, and closed his eyes. "That's because dinosaurs are awesome. We're all sidekicks to dinosaurs."
"Or dinner. — Penny Reid

Under the warm light cast by the reading lamp, I was plunged into a new world of images and sensations peopled by characters who seemed as real to me as my surroundings. Page after page I let the spell of the story and its world take me over, until the breath of dawn touched my window and my tired eyes slid over the last page. I lay in the bluish half-light with the book on my chest and listened to the murmur of the sleeping city. My eyes began to close, but I resisted. I did not want to lose the story's spell or bid farewell to its characters just yet. — Carlos Ruiz Zafon

When we first sat down and talked about how much of the show we were going to do based on the movie, there are certainly things you can see right away, but we wanted to make sure that the audience who maybe never saw the movie or has maybe never seen any of the Marvel characters before - and I know there's three of them left on the planet - could have someone that could be their eyes and take them in. — Jeph Loeb

Feminist narrative theory notes that for most of literary history there's been an imbalance between men's and women's stories. Male characters go out into a world of infinite possibilities. Female characters either get married or die. This makes enlightened female readers such as ourselves pissed off. But however much we deconstruct the narrative, however vigilantly we plow and apply the theory and read with our skeptical, over-educated eyes, still some lessons are hard to fully internalize, and the dream of happily-ever-after love, in real life and in literature, dies hardest of all. — Laurie Frankel

When you use single character viewpoint, you tell the main character's story - and only his or her story. Every single thing in the plot - whether it's an event, problem, emotion, or consequence - should be revealed through that main character's eyes. Your main character needs to be on center stage throughout the entire story, acting and reacting to what is happening in the plot. To do that effectively, reveal only your main character's emotions and thoughts. Tell your reader only what your main character is feeling, not the feelings of other characters. — Tracey E. Dils

I had tears coming out of my eyes. And it was the characters that got me there. — Jean M. Auel