Characters The Great Quotes & Sayings

Even though I don't write about things that come from my life because I'm lucky, and I live in a great place with great kids and, you know, a great husband, I think you can find threads of me in the characters, so that's really what being a writer is, probably. — Jodi Picoult

The only thing that makes me put down a book is if the characters are boring, or the situations aren't fraught with the potential for some great change or I don't mind if an author torments his protagonist, but I do expect a decent payoff in the end. — Michael Boatman

The Pixar people continuously amaze me. They come up with something that actually looks as though it takes place in this happy, real-world. Every plot line is not just plausible, but oddly authentic. The stories are full of adventure, humor and love. The characters are written with great human dimension. I don't know how they do it but they astound me. — Tom Hanks

For certainly old age has a great sense of calm and freedom; when the passions relax their hold, then, as Sophocles says, we are freed from the grasp not of one mad master only, but of many. The truth is, Socrates, that these regrets, and also the complaints about relations, are to be attributed to the same cause, which is not old age, but men's characters and tempers; for he who is of a calm and happy nature will hardly feel the pressure of age, but to him who is of an opposite disposition youth and age are equally a burden. I — Plato

I couldn't stop the snort that escaped me. If he really was friends with Cinder, it was no wonder why. They were two peas in a pod."
He arched a brow at me and folded his arms stiffly over his chest. "I thought you just said Cinder was one of the greatest characters of all time."
I matched his stubbornness. "Every great character makes mistakes. Cinder was wise by the end and able to rule over his people only because Ellamara taught him how to think beyond himself. He was a great character, but - "
"I know, I know," Brian interrupted with an over-the-top sight. "Ellamara was the real hero. — Kelly Oram

Truly great actors carry their characters in silence with them. They communicate without words the relationships that predate the movie. — Sam Mendes

I'm not just saying this because I'm in the movie, but I really would recommend 'Secretariat.' It's fun, inspiring, and it's a great movie to take your little kids, brothers, sisters, or nieces and nephews to see that actually has real people in it and not animated characters. — Kevin Connolly

Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up- they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles. — Naomi Watts

M. de Charlus persisted in not replying. I thought I could see a smile flicker about his lips: the smile of the man who looks down from a great height on the characters and manners of lesser men. — Marcel Proust

For me, if the writing and - by extension - the subject matter and the characters are all good, it doesn't matter if it's film or TV. Each medium has great things going for it. — Adam Croasdell

But at some point it becomes obvious that, ultimately, the adventure of faith is the most sensible thing to do, and in fact the only thing worth doing. As Sam says toward the end of The Two Towers, no one remembers the tales in which the characters give up and turn back. Great and heroic deeds remain undone if no one leaps into the dark to do them. That's true when it comes to faith, too. You can't play a meaningful role in the great story by playing it safe. Once you hit the road, there is no going back to life as it was before. When Jesus asks His disciples if they will leave him to, Peter says, "Lord to whom will we go?" (verse 68). It's either walk with Jesus, unsafe as it seems sometimes, or go home. — Sarah Arthur

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

The worst part of writing is meeting all these great new characters and having no one to talk about (the adventures you share with) them. — Claudia Bakker

These are the times in which a genius would wish to live. It is not in the still calm of life, or the repose of a pacific station, that great characters are formed. The habits of a vigorous mind are formed in contending with difficulties. Great necessities call out great virtues. When a mind is raised, and animated by scenes that engage the heart, then those qualities which would otherwise lay dormant, wake into life and form the character of the hero and the statesman. — Abigail Adams

I found it very easy to transform into creeps and weirdos and losers and goof-balls, and I'm happy to play eccentric kinds of characters, and I have a great affinity for the outsider, but I definitely am about expanding my range as well. — Rainn Wilson

The mere existence of 'Buffy' proves the declinists wrong about one thing: Hollywood commercialism can produce great art. Complex and evolving characters. Playful language. Joy and sorrow, pathos and elation. Episodes that dare to be different - to tell stories in silence or in song. Big themes and terrible choices. — Virginia Postrel

You're writing, you're coasting, and you're thinking, 'This is the best thing I've ever written, and it's coming so easily, and these characters are so great.' You put it aside for whatever reason, and you open it up a week later and the characters have turned to cardboard and the book has completely fallen apart," she says. "That's the moment of truth for every writer: Can I go on from here and make this book into something? I think it separates the writers from the nonwriters. And I think it's the reason a lot of people have that unfinished manuscript around the house, that albatross. — Jacqueline Woodson

All the great writers root their characters in true human behaviour. — Ben Kingsley

I write because I want more than one life; I insist on a wider selection. It's greed, plain and simple. When my characters join the circus, I'm joining the circus. Although I'm happily married, I spent a great deal of time mentally living with incompatible husbands. — Anne Tyler

I love the gothic literature. It always has such great stories with characters bigger than life and the stakes are always high. And because there's always a wolf at the door, the emotions are high; the romance, the sexuality, friendships, and relationships. You don't know if the guy kissing you one minute is going to bite you the next. This heightens all of the sensibilities and emotions, and therefore, it sings to me. And that's where the music comes from. — Frank Wildhorn

There is a great deal of hard lying in the world; especially among people whose characters are above suspicion. — Benjamin Jowett

I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr. — John Green

I'm a great planner, so before I ever write chapter 1, I work out what happens in every chapter and who the characters are. I usually spend a year on the outline. — Ken Follett

The Glittering World is a stunning phantasmagoria drawn from the world just beneath the surface, aswarm with great and memorable characters and a plot that twists and turns as it hurtles forward. A grand debut. One taste, and you'll be addicted. — Keith Donohue

It's seldom that you find great moments in television. Usually you remember - in 'Breaking Bad' or any of these other great shows - you remember situations or characters. Not moments. But I have to say, I can make the same argument for mainstream movies, which have bad narratives and also no memorable moments. — Alfonso Cuaron

What are the characters that I discern most clearly in the so-called Anglo-Saxon type of man? I may answer at once that two stickout above all others. One is his curious and apparently incurable incompetence
his congenital inability to do any difficult thing easily and well, whether it be isolating a bacillus or writing a sonata. The other is his astounding susceptibility to fears and alarms
in short, his hereditary cowardice ... There is no record in history of any Anglo-Saxon nation entering upon any great war without allies. — H.L. Mencken

After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices. — Brittany Snow

Over the years, a number of people have asked me why I tend to write at this great length. I've put some thought into the answer, and it can be boiled down one word: consequences. Well, maybe two words: consequences and characters. Or perhaps, consequences, characters, and the subconscious mind - above all the subconscious mind. — Katharine Kerr

I'm always playing characters with intellects profoundly superior to mine. That's great fun, even though it's as much a fantasy for me as for the people watching me. — Benedict Cumberbatch

Proust, who did not greatly admire Flaubert, except perhaps in his narrow sense as a stylist - or perhaps only did not care very much for his work - nevertheless owed him a great deal, without realizing how much. From Flaubert he obtained the art of expressing his characters indirectly, through a monologue interieur. This method of characterization is one of Flaubert's greatest contributions to the art of fiction and, as we have seen in Madame Bovary, it is very different from the direct method of characterization practised by Balzac and Stendhal. — Enid Starkie

The truth is these characters [of Batman story] evolve, and there's a lot of hands in the supporting of these characters. It's great when everybody can know where everything came from. It's important for the legacy of them. — Zack Snyder

I think the most important technique is to ground everything, to make everything - to make fantasy world grounded and relatable, just great characters. — Timur Bekmambetov

It's a tremendous challenge, because there have been so many characters created over the years. Every time you think you come up with a great name, you find out somebody has already done it. Dreaming up the stories isn't that hard, but coming up with a good title is the toughest part. — Stan Lee

I'm usually a panster and throw ideas down on computer the second they hit my brain. I even had to get off the treadmill to write down my ideas. It's a great place to 'zone out' and think about my plots and characters. — Franny Armstrong

A dark shadow rose from the depth of the watercourse. Forced to crawl out of the oceans rolling waves, it struggled against the pull of the undertow. Rising, it moved further up the white sandy beach away from the cold water. The creature collapsed onto the cool sand as the crescent moon above shone on his sleek gray skin revealing two immense leather-like wings protruding from his back. Exhaustion clouded his mind.
The darkness of night was soothing, refreshing. Somehow he knew it would bring him strength and sustenance. The creature watched as a great rolling storm cloud sunk into the salty water before him and he tried to remember why he had come. — Alaina Stanford

In other words Yates had remembered the lesson of his first great master, Fitzgerald - namely, that people rarely say what they mean, and good dialogue is a matter of catching one's characters "in the very act of giving themselves away. — Blake Bailey

MirkerLurker: I thought the characters were the reason anyone read Monstrous Sea.

rainmaker: You mean like, shipping?

MirkerLurker: No, not shipping - shipping's great, and I do it all the time, but I mean... the characters themselves. The struggles they have to go through, and when you really love them, how much they affect you. When the characters are good, they make you care about everything else. That's why I draw them. It probably sounds dumb, but they're like real people to me. And this will probably sound worse, but sometimes I like them better than real people. I can empathize with characters. Real people are harder. — Francesca Zappia

I think the great thing about characters is the ways that they can be surprising. I mean, sometimes you think you've got a lock on a personality, even just in life, and then they'll shock you by their behavior. — Joel Edgerton

In my opinion, visual effects are great when it compliments a good story, and action is great when it compliments a good story, but just to have them for the sake of having them, it gets a little boring, especially if you're talking a TV series. At least with a movie that's an hour and a half to two hours, you see it and you're impressed, and then you're out. With a series, if it's only that, week after week after week, there's nothing there to bring you back. You have to get invested in the characters and care about them and want to follow them. — Drew Roy

What is absolutely true is that any good [Television] series has a specific voice. And I think that voice is almost exclusively the domain of the executive producer ... As a staff writer you're not being called upon to be the great creative person. You're sort of called upon to understand the characters and their voices and put them through certain paces. — Howard Gordon

Ah's me! if we could be what what we wish to be, instead of being only what we are, there would be a great difference in our characters and knowledge and appearance. One may be rude and coarse and ignorant, and yet happy, if he does not know it; but it is hard to see our own failings in the strongest light, just as we wish to hear the least about them. — James Fenimore Cooper

If they are good characters, they have minds of their owns. If they are great characters, they go stomping off into the sunset and leave you to pick up the trash. — Wendi Kelly

As an actor, you can't judge. A great actress from Spain said, "We, the actors, are lawyers of the characters we play. We have to defend them, no matter what." — Javier Bardem

It's always a challenge bringing a great story classic to the screen. Giving visual form to the characters and places that have only existed in the imagination. But it's the kind of challenge we enjoy. — Walt Disney

The books we love grow dearer as the years go rolling on they are there to comfort us when other joys have gone. Glen Haven will take you on a enchanting journey with dear friends with heart warming thoughts of old times and a great deal of nostalgia you will never want to lose the stories spell or bid farewell to its wonderful characters. — Margaret L. Lauder

After Shakespeare, Dickens is the great creator of characters, multiple characters. — Claire Tomalin

Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great. — Ann Nocenti

Of course it would be great to sell lots and lots of copies of The Beast of Cretacea. But the bottom line for me is to sell enough copies to convince my publisher to let me do a sequel. I spent three years creating the world of Cretacea and the personalities of all the characters who inhabit it. All I want to do now is go back. — Todd Strasser

In comparing these two writers, he [Samuel Johnson] used this expression: "that there was as great a difference between them as between a man who knew how a watch was made, and a man who could tell the hour by looking on the dial-plate." This was a short and a figurative statement of his distinction between drawing characters of nature and characters only of manners, but I cannot help being of opinion, that the neat watches of Fielding are as well constructed as the large clocks of Richardson, and that his dial plates are brighter. — James Boswell

We can no longer assume that our preaching takes place within a more or less 'Christian culture,' " Craig Loscalzo says. "The great narratives of Judeo-Christian belief, the pivotal stories of the Bible's characters, the epoch of the life and ministry of Jesus Christ, either are not known or do not carry the meaning-making significance they did to previous generations. — Graham M. Johnston

I take great pride in the artistic development of cartoons. Our characters are made to go through emotions. — Walt Disney

Great. He was a hottie, a good kisser, and a literature buff. God really must have had a sense of humor, because if I had to name my biggest turn-on, it was literature. And he had just recommended a book that I didn't know, that wasn't taught in school. If I were single, there would be no better pick-up line. Suddenly, I found myself thinking back to Atonement - you know, the scene in the book where the two main characters have sex in the library? Even though Chloe said doing it against bookshelves would be really uncomfortable (and she'd probably know), it was still a fantasy of mine. Like, what's more romantic than a quiet place full of books? But I shouldn't have been thinking about my library fantasies. Especially while I was staring at Cash. In the middle of a library. — Kody Keplinger

I have a vision of artists putting into film, drama, literature, music, and paintings great themes and great characters from the Book of Mormon. — Ezra Taft Benson

We probably read Shakespeare in the first place for his stories, afterwards for his characters ... To become intimate with Shakespeare in this way is a great enrichment of mind and instruction of conscience. Then, by degrees, as we go on reading this world-teacher, lines of insight and beauty take possession of us, and unconsciously mould our judgments of men and things and of the great issues of life. — Charlotte M. Mason

So much of the writing is not conscious, in the sense that it's not calculated. I remember in film school we had so many studies with big fancy words where you could dissect a movie and make charts of all of the characters' complicated inner relations and themes and what does this mean? And it's overwhelming as a student. It's great for a student, but as a writer, it's paralyzing. — Don Hertzfeldt

There's no shortage of orphans in 19th-century literature, but it's hard to find a single happy, communicative, functional parental relationship in the whole of 'Great Expectations,' even among the minor characters. — David Nicholls

Utter objectivity ... is not only impossible when judging literature, it's not exactly desirable. Fiction involves trace elements of magic; it works for reasons we can explain and also for reasons we can't. If novels or short-story collections could be weighed strictly in terms of their components (fully developed characters, check; original voice, check; solidly crafted structure, check; serious theme, check) they might satisfy, but they would fail to enchant. A great work of fiction involves a certain frisson that occurs when its various components cohere and then ignite.
(Source: "Letter from the Pulitzer Fiction Jury: What Really Happened This Year" in The New Yorker.) — Michael Cunningham

For me, where genre ends and literature begins doesn't matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I've ever met, revealed truths I've somehow always known and insights that rock my brain. It's filled me with awe, which is to say it's made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art. — Donald Maass

Health messages are simply overwhelmed, in volume and in effectiveness, by junk-food ads that often deploy celebrities or cartoon characters to great effect. We may know that eating fruits and vegetables is good for us, but the preponderance of the signals we get - and especially the signals children get - push us in the direction of junk food. — Michael Moss

I've just looked for ideas and great characters that I relate to and that I think I can offer something to the audience, and I no longer look at them as experiments or genre exercises at all. — Ron Howard

It was the duty of every thinking man to expose himself to a great range of characters, situations, and points of view. He had read extensively, and although he favored the Romantics above all others, and never tired of discussing the properties of the sublime, he was by no means a strict disciple of that school, or indeed, of any school at all. — Eleanor Catton

Characters are story. And any great plot or subplot is driven
by the characters' wants and desires. — Robert Gregory Browne

A man who has cured himself of all ridiculous prepossessions, and is fully, sincerely, and steadily convinced, from experience as well as philosophy, that the difference of fortune makes less difference in happiness than is vulgarly imagined; such a one does not measure out degrees of esteem according to the rent-rolls of his acquaintance. He may, indeed, externally pay a superior deference to the great lord above the vassal; because riches are the most convenient, being the most fixed and determinate, source of distinction. But his internal sentiments are more regulated by the personal characters of men, than by the accidental and capricious favours of fortune. — David Hume

Surprisingly, it was not an American but a British company that opened an amusement park in 2007 called Dickens World, located in the English county of Kent, complete with an Ebenezer Scrooge Haunted House, a Great Expectations Boat Ride and the as-advertised 'costumed Dickensian characters.' — Matthew Pearl

That's the great thing about a series: you're driving to work, and you have an idea for a story for your characters, and you can go into work, and it's gonna be a television show. I mean that's what's great about the job. — James L. Brooks

I remember the astonishment I felt when I first read Shakespeare. I expected to receive a powerful esthetic pleasure, but having read, one after the other, works regarded as his best: "King Lear," "Romeo and Juliet," "Hamlet" and "Macbeth," not only did I feel no delight, but I felt an irresistible repulsion and tedium ... Shakespeare can not be recognized either as a great genius, or even as an average author ... far from being the height of perfection, [King Lear] is a very bad, carelessly composed production, ... can not evoke among us anything but aversion and weariness ... All his characters speak, not their own, but always one and the same Shakespearian, pretentious, and unnatural language ... — Leo Tolstoy

What I loved about 'Goodfellas' is that it's a film about bad behavior - but told with great energy and without judgment - but it doesn't actually shy away from the consequences of that behavior in the characters' lives, which I think is similar in 'Keep the Lights On.' — Ira Sachs

The representation of gay characters on screen is important for us all to think about because there are sadly too few representations of gay characters on screen in mainstream cinema. If Marvel starts making movies about gay superheroes, then we'll be in a really great place. We're not at that place. — Graham Moore

The discussing the characters and foibles of common friends is a great sweetness and cement of friendship. — William Hazlitt

The great mystery is why robots come off so well in science-fiction films when the human characters are often so astoundingly wooden. — John Podhoretz

I read that they have buried his body like a dog's - without funeral rites, without tribal wail, with no solemn song or act. That is the deed of to-day. That is the best that this generation has to give to this noble historic character, this man who in his person ends the line of aboriginal sanctities older that the religion of Christian or Jew. Very well. So let it stand for the present. But there is a generation coming that shall reverse this judgement of ours. Our children shall build monuments to those whom we stoned, and the great aboriginals whom we killed will be counted by the future American as among the historic characters of the continent. — Bill Yenne

The notion of this universe, its heavens, hells, and everything within it, as a great dream dreamed by a single being in which all the dream characters are dreaming too, has in India enchanted and shaped the entire civilization. — Joseph Campbell

The history of all the great characters of the Bible is summed up in this one sentence: They acquainted themselves with God, and acquiesced His will in all things. — Richard Cecil

I just want the opportunity to continue to do great films, play great characters and work with great people. — Moira Kelly

When our characters show us the full fire of that inner battle, we have the makings of great fiction. For whether the choice is ultimately for honor or dishonor, we will see the consequences and the reader will be instructed without being taught. — James Scott Bell

My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down. — Leigh Bardugo

One of the nice things about books as opposed to television and movies to some extent is it's not a passive entertainment. People really do get involved, and they do create, and they do have their own visions of what different characters look like and what should happen. It's great - it means their brains are working. — James Patterson

The atmosphere and the environment that you get on a Chris Nolan film that he and Emma [Tomson] create is one where you feel very safe and very confident and able to experiment with characters. It's a great place to be as an actor. — Christopher Nolan

(On George Eliot's narrative strategy)
It also forfeits the great game of the omniscient narrator, which is to know secrets which none of the characters involved will ever learn, ironically taking their unhappy ignorance to the grave. — Fredric Jameson

It is one great dream dreamed by a single Being, but in such a way that all the
dream characters dream too. — Arthur Schopenhauer

When you think of a great twist or a red herring or a way of misdirecting the reader, it is good, but you know that they are just tricks at the end of the day, and the way to keep interest is to write characters that people care about. — Mark Billingham

I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to. — Oren Peli

Some of my books sort of have a provocative take. Sometimes you find interesting things about characters that show they weren't necessarily the way people usually see them. It can make for lively conversations, but that's great. Spark a little controversy, get people to think about it. That's what it's all about. — Nathaniel Philbrick

I did a great deal of research to write 'The Irish Duke.' Since all the people in this Lords of the Realm series are real historical characters, everything had to be authentic. I researched Woburn Abbey, where my heroine lived, and everything about Barons Court in Ireland, which was the ancestral home of Abercorn. — Virginia Henley

In theater, there's a lot of work to do to build the characters. It's a great experience. — Tcheky Karyo

I love the chameleon nature of this business [acting]. I always have. Sometimes I'm not as recognizable as somebody else and I may not have gotten a role, but for me, acting is not a competition. I've just kept my head down and kept working, and had the great pleasure of working with some amazing people and playing some extraordinary and extreme characters. — Ray Stevenson

The intimate conversations have its moments, because you have to sell the characters, because there is so much going on. It's so easy to get lost in the special effects and forget about the performances. The dialogue scenes have been great. It's been great working with Bryan and the writers to find where we're going and what's the story. Yeah, it's been really, really interesting. — Eleanor Tomlinson

I care a great deal about LGBT U.S. servicemen and women being able to serve openly and honestly. Since early in my career, I've included realistic LGBT characters in my books. The idea that a gay Navy SEAL had to hide who he was in order to serve was a terrible one - and I made sure my readers knew that! — Suzanne Brockmann

Strong female characters - even if they don't necessarily make the same decisions that we might - make such great narrative material, especially when there's an equally strong male character in the mix. — Meg Cabot

The whole point of having great characters is the opportunity to explore them more deeply with time, re-interpreting them for each new age. — J. Michael Straczynski

We never know how much one loves till we know how much he is willing to endure and suffer for us; and it is the suffering element that measures love. The characters that are great must, of necessity, be characters that shall be willing, patient and strong to endure for others. To hold our nature in the willing service of another is the divine idea of manhood, of the human character. — Henry Ward Beecher

The great thing about 'X-Men' is that it takes characters that are quite firmly established in the comics and puts them in new contexts. — Josh Helman

Among the droves of men with political ambitions in the United States, I found very few with that virile candor, that manly independence of thought, that often distinguished Americans in earlier times and that is invariably the preeminent trait of great characters wherever it exists. — Alexis De Tocqueville

With any good projects, I feel like the off-screen chemistry factors on-screen. It's great when you don't have to force it, but when it's not there you better focus on getting there, because as we live with these characters we spend more time with one another than we do our families at home. — Aldis Hodge

A sensible person does not read a novel as a task. He reads it as a diversion. He is prepared to interest himself in the characters and is concerned to see how they act in given circumstances, and what happens to them; he sympathizes with their troubles and is gladdened by their joys; he puts himself in their place and, to an extent, lives their lives. Their view of life, their attitude to the great subjects of human speculation, whether stated in words or shown in action, call forth in him a reaction of surprise, of pleasure or of indignation. But he knows instinctively where his interest lies and he follows it as surely as a hound follows the scent of a fox. Sometimes, through the author's failure, he loses the scent. Then he flounders about till he finds it again. He skips. — W. Somerset Maugham

Star Wars was a total piece of shit that had spawned billions of dollars in merchandise and sequels and books and games and pajama bottoms. It was an infinite reservoir, it was an endless void. It was responsible for a cornucopia of made up words like Jedi, the Force and lightsaber.

A lightsaber was a sword made of light. A sword was a weapon used to murder people.

A Jedi was a knight who believed in an idea of relative good and performed supernatural feats using the Force. A Jedi used supernatural feats and his lightsaber to murder people with opposing ideas of relative good.

The Force was an ill-explained mystical energy which ran throughout the fictional universe of Star Wars. It was a device which allowed characters to perform supernatural feats whenever a lull was created by poor writing in the screenplay.

As might be imagined, the Force was used with great frequency. — Jarett Kobek

It's very difficult to find the time or the money for people to organize rehearsals for some movies. It staggers me how little preparation often goes into these scenes which are difficult and complicated. You think, "God, it's crazy. I've never met this person before and here I am having to work at how to do a whole performance on the set." It was great to have a few days of just talking to Michael [Caine]and Daniel [Barber] and thinking about the characters and the relationship between them before we started shooting. — Emily Mortimer

I have great editors, and I always have. Somehow, great editors ask the right questions or pose things to you that get you to write better. It's a dance between you, your characters, and your editor. — Patricia MacLachlan

'Into The Wild' had a great sense of wild, unpredictable freedom that I loved, and 'Unforgiven' is just a great western with characters that walked the line between right/wrong with an ambiguity that felt very true to frontier life. — Brendan Fletcher

I remember in the Carpenter version, you got acquainted with the characters and really knew them. It was a real character piece. Each actor was serviced in the movie, and we tried to do that in this movie as well. I like the fact that there was a European, first-time director. I'd known of him because I'm from Europe. I knew him as a commercial director and thought one of his commercials was great. I thought it was an interesting take on such a big-budget cult classic. — Adewale Akinnuoye-Agbaje