Characters Notebook Quotes & Sayings

Mortality, we face by necessity; morality, by virtue. — Esther Mitchell

I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me. — Angelina Jolie

Early on, when you're working in a new area of science, you have to think about all the pitfalls and things that could lead you to believe that you had done something when you hadn't, and, even worse, leading others to believe it. — Craig Venter

WHEN IT IS DONE, WE WILL FLY FAR FROM HERE. FAR FROM THIS SCAB AND ITS POISONED SKY.
WE WILL DANCE IN THE STORMS, YOU AND I. — Jay Kristoff

People are quite frequently eccentric. — Jane Smiley

Yet we choose to remember history very selectively, favoring foresight over failure. — Thomas Rid

As the new work fills my notebooks, I've come to realize that the characters in my stories were so real because I really did want to get close to people, I really did want to know them. It was just easier to do it on paper, one step removed. — Charles De Lint

Soy milk and two sugars." Just this past week, Rachel had become convinced that how people took their coffee gave some secret insight into their characters. Were people who took their coffee black unyielding? Did people who liked their coffee with milk and no sugar have mother issues? She had a notebook behind the coffee counter in which she wrote her findings. Willa decided to keep her on her toes by making up a different request every day.
Rachel walked back to the coffee bar to write that down in her notebook. "Hmm, interesting," she said seriously, as if it made all the sense in the world, as if she'd finally figured Willa out.
"You don't believe in ghosts, but you do believe that how I take my coffee says something about my personality?"
"That's superstition. This is science. — Sarah Addison Allen

The artistic life is a long and lovely suicide precisely because it involves the negation of self; as Highsmith imagined herself as her characters, so Ripley takes on the personae of others and in doing so metamorphoses himself into a 'living' work of art. A return to the 'real life' after a period of creativity resulted in a fall in spirits, an agony Highsmith felt acutely. She voiced this pain in the novel via Bernard's quotation of an excerpt from Derwatt's notebook: 'There is no depression for the artist except that caused by a return to the self'. — Andrew Wilson