Characters Not Quotes & Sayings

When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. So, that takes a while. I'm not interested in white hats and black hats. I don't think that's how people are in real life. — Victor Levin

The septons preach about the seven hells. What do they know? Only a man who's been burned knows what hell is truly like"
... She was sad for him, she realized. Somehow, the fear had gone away.
The silence went on and on, so long that she began to grow afraid once more, but she was afraid for him now, not for herself. She found his massive shoulder with her hand. "He was no true knight," she whispered to him. — George R R Martin

The way I saw the characters these things just happened naturally. At the same time - and I know it's probably not apparent when you read the book - but I really tried to hold back because I didn't want it to become a cartoon. — Donald Ray Pollock

A writer can't just be well-educated or good at research; to build a living, breathing world with interesting characters, you have to write from the gut. I'm not saying you have to live your life like a fantasy adventure. The trick is the ability to synthesize your own everyday experiences into your fiction. Infuse your characters with believable emotions and motivations. Infuse your world with rich sensory detail. For that you have to be in touch with your own existence and your own soul, the dark and the light of it. — Lynn Flewelling

For certainly old age has a great sense of calm and freedom; when the passions relax their hold, then, as Sophocles says, we are freed from the grasp not of one mad master only, but of many. The truth is, Socrates, that these regrets, and also the complaints about relations, are to be attributed to the same cause, which is not old age, but men's characters and tempers; for he who is of a calm and happy nature will hardly feel the pressure of age, but to him who is of an opposite disposition youth and age are equally a burden. I — Plato

I love playing these characters that are crazy tough, though. Because I am not in real life. Not at all. — Katee Sackhoff

I hope that I can get people to read it without having to change it. Especially now that the strip has more different kinds of characters. It's really not all lesbians any more. — Alison Bechdel

Playing characters who are wonderful and beautiful is hard because you don't feel like that most of the time ... well, I don't. It's like this whole heart-throb nonsense. It's flattering, but that's not how I feel in the morning. It's something that goes with the job. — Hans Matheson

We live today amid ritualized anithumanisms. Among those intelligent enough to feel despair, some seek salvation in the literary artist. Artists love flattery; and the scam doesn't work without mystifying the process.

The weather is unpredictable, but it is not mysterious.

Wall Street is unpredictable, but it is not mysterious.

Writing is unpredictable, (like street and sky, there are too many variables.) Its mystery vanishes, like a shadow, the moment the light aimed at your characters turns back upon yourself. — Doran Larson

It's always hard, when introducing readers to a new world/set of rules, not to lay it all out manual-style in the opening chapters but make sure to put the action and the characters at the front. If people don't become invested in them and in the story, the world in which it's set will become a burden. — V.E Schwab

I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes. — Anne Rice

You definitely do not do films for that particular reason. You do them for yourself, for your satisfaction of creating this thing with characters and watching these characters take on real life - that's all you care about. — Clint Eastwood

You travel life has the aspect of a dream. It is something outside the normal, yet you are in it. It is peopled with characters you have never seen before and in all probability will never see again. It brings occasional homesickness, and loneliness, and pangs of longing ... But you are like the Vikings who have gone into a world of adventure, and home is not home until you return. — Agatha Christie

When people say to me, 'Why are you so good at writing at women?' I say, 'Why isn't everybody?' Obviously there are differences between men and women - that's what makes it all fun. But we're all people. There's a lot of good writers who are very humanist, but still manage to kind of skip fifty-five per cent of the race. And I just don't get that. Not to be able to write an entire gender? To me, the question isn't how do you do it? It's how can you possibly avoid doing it? — Joss Whedon

I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr. — John Green

We lead more interesting lives than we think. We are characters in plots, without the compression and numinous sheen. Our lives, examined carefully in all their affinities and links, abound with suggestive meaning, with themes and involute turnings we have not allowed ourselves to see completely. — Don DeLillo

I am not concerned with simply surviving. I am very concerned about improving. I start each day by examining yesterday's work and looking for areas where I can improve. I am always trying to draw the characters better, and trying to design each panel somewhat in the manner a painter would treat his canvas. — Charles M. Schulz

Shakespeare is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirrour of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakespeare it is commonly a species. — Samuel Johnson

I disappear for twenty minutes into Ford Maddox Ford's The Good Soldier while John does the dishes, fighting past my initial irritation all the class nonsense and how no one will say anything of significance because it's simply not done to be explicit. Like in James or Wharton. Those novels where you're screaming at characters to go ahead already and blurt it out, save us a hundred pages of prevarication. — Adam Haslett

Boredom is a form of evil; perhaps one of Kierkegaard's characters was more correct when he said, "Boredom is the root of all evil." Boredom is a preview of death, if not itself a form of death, and when trapped in prolonged boredom, even the most saintly of us will hope for, pray for, or even engineer relief, however demonic. — Fred B. Craddock

Comedy always works better when you're tracking the story and you care about the characters. That's why there's a lot of movies where there's not a ton of jokes, but you get huge laughs because there's a moment of relief. — Andy Samberg

I don't know what I was looking for . . . I felt empty. I guess. Not hearing from you made it all seem surreal, like you were never there, a dream, a figment of my imagination.

I went to your site that day to . . . I guess, double-check.

I thought. . . maybe you wrote something, a new story . . . a message . . . anything.

I did find a new story . . .

It wasn't about us . . .

And I ended up feeling even emptier. — Stjepan Sejic

Proust, who did not greatly admire Flaubert, except perhaps in his narrow sense as a stylist - or perhaps only did not care very much for his work - nevertheless owed him a great deal, without realizing how much. From Flaubert he obtained the art of expressing his characters indirectly, through a monologue interieur. This method of characterization is one of Flaubert's greatest contributions to the art of fiction and, as we have seen in Madame Bovary, it is very different from the direct method of characterization practised by Balzac and Stendhal. — Enid Starkie

Amity Gaige has written a flawless book. It does not contain a single false note. Playful and inventive, SCHRODER movingly depicts the ways we confound our own hearts
how even with the best intentions, we fail to love those closest to us as well as we wish we could. Eric Schroder should take his place among the most charismatic and memorable characters in contemporary fiction, and Amity Gaige her place among the most talented and impressive writers working today. — David Bezmozgis

sometimes it's not so much what the characters saying, but what they r feeling,thinking or doing that is important to an animated feature. — Don Hahn

It is hard work to give life to new characters every single day. It is not as if I am God. I am just a tired, middle-aged woman trying to keep going. — Karin Fossum

Felicia nodded. "Sometimes I have that problem. I know nearly everything you can learn in a book and very little that you learn in life. Like my fear of spiders. It's silly, really. I've studied arachnids in an effort to get over my ridiculous overreaction, but still, every time I see one ... " She shuddered. "It's not pretty. I simply can't control myself. A flaw - one of many." "If you're not perfect, then you came to the right place," Charlie told her. "Fool's Gold is a lively town with plenty of characters. You'll get a crash course in how the little people live." "I hope I can fit in." Patience saw the concern in Felicia's eyes and touched her arm. "You're going to do just fine. — Susan Mallery

The value for me being in a mainline tradition is history and memory, which is not just Christian tradition but denominational tradition, and characters, you know, with real distinct flavors of ways to be Christian. — Barbara Brown Taylor

They are young, full of ambition and dreams; they are still unable to imagine that there might be a story in the world in which they are not the main characters. — Juan Gomez Barcena

You draw characters speaking loud and clear but you're not hearing them. — Basma Salem

You're not just looking for laughs, but you're trying to do the characters first, and then the laughs come afterwards. — Harry Shearer

Some entertainers have tried to make art of coarseness, but in their public crudeness they have merely revealed their own vast senses of personal inferiority. When they heap mud upon themselves and allow their tongues to wag with vulgarity, they expose their belief that they are not worth loving and in fact are unlovable. When we as an audience indulge then in their profanity, we are like the audience at the Roman Colosseum being thrilled as the raging lions kill the unarmed Christians. We not only participate in the humiliation of the entertainers, but we are brought low by sharing in the obscenity. We need to have the courage to say obesity is not funny and vulgarity is not amusing. Insolent children and submissive parents are not the characters we want to admire and emulate. Flippancy and sarcasm are not qualities which we need to include in our daily conversations. — Maya Angelou

The fact is that at different stages of your life, and under the influence of different inspirations, you write different things. The point is not necessarily to find your voice, which grinds out the same sort of thing again and again, but to find a vehicle for people who are far more important than the author: the characters. — Vikram Seth

My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend. — Adam Rapp

I love to write about sex. You just have to make it idiosyncratic. You have to have a strong comprehension of your characters, and write it from their point of view. It's really fun. It's not erotic. — Jane Smiley

The books take a year just to do the drawing. I will travel to a country to do the research and get ideas. Sometimes I don't travel to do research, but mostly I do. It takes a long time, but do I ever get tired of it? Not really. The characters kind of grow and evolve. — Jan Brett

Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation. — George R R Martin

MirkerLurker: I thought the characters were the reason anyone read Monstrous Sea.

rainmaker: You mean like, shipping?

MirkerLurker: No, not shipping - shipping's great, and I do it all the time, but I mean... the characters themselves. The struggles they have to go through, and when you really love them, how much they affect you. When the characters are good, they make you care about everything else. That's why I draw them. It probably sounds dumb, but they're like real people to me. And this will probably sound worse, but sometimes I like them better than real people. I can empathize with characters. Real people are harder. — Francesca Zappia

Outside Styx's apartment was not the first time Rochester and I had met, or would it be the last. We first encountered each other at Haworth House in Yorkshire when my mind was young and the barrier between reality and make-believe had not yet hardened into the shell that cocoons us in adult life. The barrier was soft, pliable and, for a moment, thanks to the kindness of a stranger and the power of a good storytelling voice, I made the short journey
and returned. — Jasper Fforde

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

You get all of your neuroses worked out on stage. I haven't actually played very many nice characters, certainly not on stage. It's not a quality that attracts me. — Patrick Stewart

I wasn't into fairytales when I was little. I was of the generation of the earlier Disney films where many of the female characters, with the exception of the Maleficent's, were not little girls that I admired ... the little princesses. They weren't characters that I identified with. I think that's very different now for my girls and more recent films. — Angelina Jolie

It doesn't do to get attached to these secondary characters. It's not their story. They come and go, and when they go, they're gone for good. — Diane Setterfield

We can no longer assume that our preaching takes place within a more or less 'Christian culture,' " Craig Loscalzo says. "The great narratives of Judeo-Christian belief, the pivotal stories of the Bible's characters, the epoch of the life and ministry of Jesus Christ, either are not known or do not carry the meaning-making significance they did to previous generations. — Graham M. Johnston

I like to put my characters through a lot, so, in 'Talon,' my fans will find familiar themes of bravery and sacrifice, and what it means to be human ... even if you're not human. — Julie Kagawa

Christ does not dress up a moral picture, and ask you to observe its beauty. He only tells you how to live; and the most beautiful characters the world has ever seen, have been those who received and lived these precepts without once conceiving their beauty. — Horace Bushnell

I have always thought that art is not a category, not a realm covering innumerable concepts and derivative phenomena, but that, on the contrary, it is something concentrated, strictly limited. It is a principle that is present in every work of art, a force applied to it and a truth worked out in it. And I have never seen art as form but rather as a hidden, secret part of content ... A literary creation can appeal to us in all sorts of ways - by its theme, subject, situations, characters. But above all it appeals to us by the presence in it of art ... You can call it an idea, a statement about life, so all-embracing that it can't be split up into separate words; and if there is so much as a particle of it in any work that includes other things as well, it outweighs all the other ingredients in significance and turns out to be the essence, the heart and soul of the work. — Boris Pasternak

Sejal had not thought of her home, or of India as a whole, as cool. She was dimly aware, however, of a white Westerner habit of wearing other cultures like T-shirts - the sticker bindis on club kids, sindoor in the hair of an unmarried pop star, Hindi characters inked carelessly on tight tank tops and pale flesh. She knew Americans liked to flash a little Indian or Japanese or African. They were always looking for a little pepper to put in their dish. — Adam Rex

Was happiness (which was perhaps achieved not by getting what you wanted, but rather, by obtaining what you didn't know you wished for until it was in hand) a hologram that would continually change appearance with the slightest shift of perspective? Or maybe happiness by definition was a temporary state of being recognizable only in hindsight. It was impossible to catch what always managed to be overrun and end up in the rear view mirror. — Roy L. Pickering Jr.

A sensible person does not read a novel as a task. He reads it as a diversion. He is prepared to interest himself in the characters and is concerned to see how they act in given circumstances, and what happens to them; he sympathizes with their troubles and is gladdened by their joys; he puts himself in their place and, to an extent, lives their lives. Their view of life, their attitude to the great subjects of human speculation, whether stated in words or shown in action, call forth in him a reaction of surprise, of pleasure or of indignation. But he knows instinctively where his interest lies and he follows it as surely as a hound follows the scent of a fox. Sometimes, through the author's failure, he loses the scent. Then he flounders about till he finds it again. He skips. — W. Somerset Maugham

I love the characters not knowing everything and the reader knowing more than them. There's more mischief in that and more room for seriousness, too. — Anne Enright

My characters are quite as real to me as so-called real people; which is one reason why I'm not subject to what is known as loneliness. I have plenty of company. — William S. Burroughs

Never jeopardize who you are for a role. Now, I'm not saying you should never change for a role, because the fun of being different characters is adapting different nuances and different parts of the character, but never jeopardize your moral compass or anything like that to have a role. — Yara Shahidi

I'm not that much of a researcher. I'm good at channeling characters, and I'm good at structure. — Jami Attenberg

Picking one of your favorite creation or character is like picking the best one of your children! I'm not sure it really works. My very favorite characters tend to be ones I can go back to and look at, and have no idea how they popped out of my head. — Neil Gaiman

I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene. — Mary-Louise Parker

I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time. — Patrick Rothfuss

They say a writer is not a single person, it is a bunch of characters. What I learned from life is that everyone is a bunch of characters, characters who live and die within us. The moment I was raped, many characters in me died. I lost most of my characteristics. Several new characters were born, one was rage, second was a lifelong unhappiness and third was the fear of helplessness. — Himanshu Chhabra

When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something interesting about them, and this is even more true in children's books. — Roald Dahl

I want to be able to create characters for as long as I can and I want to tell stories for as long as I can but unfortunately I'm not given those opportunities because I'm often boxed into the former category. — Amber Heard

Arthur was not one of those interesting characters whose subtle motives can be dissected. He was only a simple and affectionate man, because Merlyn had believed that love and simplicity were worth having. — T.H. White

I watched 'Iron Man 3' the other night, and my chin was on the floor. 'Vikingdom' is a different type of movie, because it's rooted in reality. The characters are more real; they're not these superhuman people who can fly and do things. — Craig Fairbrass

It's good netiquette to judge others by the the intent of their words not content of characters. — David Chiles

How wonderfully beautiful is the delineation of the characters of the three patriarchs in Genesis! To be sure if ever man could, without impropriety, be called, or supposed to be, "the friend of God," Abraham was that man. We are not surprised that Abimelech and Ephron seem to reverence him so profoundly. He was peaceful, because of his conscious relation to God. — Samuel Taylor Coleridge

joy is a product not of whether characters live or die but of what they've realized and achieved, or how they are remembered. — Will Schwalbe

To be true to life, a novel must have an ending that is inevitable given the specific personalities of the characters involved. The novelist must not impose an ending upon them. — Joyce Carol Oates

The only form of fiction in which real characters do not seem out of place is history. In novels they are detestable. — Oscar Wilde

And I found a statement by Hawthorne which helped to explain his method: "I have sometimes produced a singular and not unpleasing effect, so far as my own mind was concerned, by imagining a train of incidents in which the spiritual mechanism of the faery legend should be combined with the characters and manners of everyday life. — Peter Straub

My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters. — Khaled Hosseini

This is the difference between an ordinary scribe and a literary writer. The highest level of literary creation is when the characters in a novel possess life in the mind of the writer. The writer is unable to control them, and might not even be able to predict the next action they will take. We can only follow them in wonder to observe and record the minute details of their lives like a voyeur. — Liu Cixin

Always when I directed the play, I was always trying to cast people not who were necessarily like the characters, but people who I felt had the essential component that the character had, some kind of soul for it. — Patrick Marber

I have a lot of people in my life who are truly ridiculous characters, and they're very, very funny people, but they don't really try to be. They're not cracking jokes. — Emile Hirsch

But being able to talk to so many patients from so many walks of life gives a tremendous window into people's lives. This is not to say I want to write about individual patients, but I think that after listening to the concerns of people who are so different from me, I can more realistically portray characters who are so different from me. — Daniel Mason

Writers tend to hate recurring characters; there's this writer snob thing about it. But I don't have that. I feel like the challenge is always to find a cool and innovative way to do it and, obviously, to not repeat your jokes. — Ana Gasteyer

I don't know if directors go, 'Hey! We've got another suicide-let's call Robin Tunney! It's weird, but they're all different, and I guess it gives the characters some kind of power ... At least I play women who are strong enough to take the power into their own hands! And kill themselves! So many women in films just shoot themselves in the head anyway, because they're not really there for any reason. — Robin Tunney

I'm interested in gay characters - not trying to sensationalize gay characters, just [representing] who are in my personal life. I'm interested in exploring my world and my friends, and a lot of them happen to be gay. — Jamie Babbit

I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. — Stephen Sommers

What I think is wonderful is that women are not just avengers or victims in films. They are people. They are characters. It's so refreshing. They're playing different kinds of characters, and they aren't being typecast. — Madhuri Dixit

Women are always murdered and maimed, and they're never given their rightful place as lead characters! And I think [creator Michael Hirst] has just written what should have been written a long time ago. There shouldn't be anything that different about Vikings, but there is, because there've just been so many shows that have not stepped up to the plate and given female actors and female characters equal footing. — Clive Standen

For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in. — Ali Larter

I like the idea of having a film that is choreographic in all its aspects, not only in the dancing scenes, but also in the way the camera and the characters move in order to have that feeling that it's always musical. — Pascal Chaumeil

I like the idea of bringing cartoon characters to life ... and although the Americans have already attempted this, their culture is not sufficiently humane to make it work. — Gerard Depardieu

If you compare the violence in 'Happy Valley' to the violence in something like 'Game of Thrones,' it's nothing. But it is shocking because it's so real and grounded. The characters could live next door to you - they're not in a remote fantasy world. — James Norton

I am not sure how much Dudley will feature just because of the grand scale of the film and the fact that there are so many stories and characters to tie up. I haven't seen the film yet but I think it will be a blink-and-you'll-miss-it moment, but it was nice just to round it off and give it some closure. — Harry Melling

I didn't set out to write a book with no real male characters, but men were not important to my narrator, who was much more interested in maternal and pseudo-maternal love, so they were unimportant to me. I didn't even notice the lack of men in the story until I finished it. But once I did notice it, I was kind of delighted. Apparently, my subconscious is totally sexist. — Janice Erlbaum

Me, i'm going to write ass-kicking trans* characters. I think I might end up writing not a single thing that is "pure" by some people's standards. Just because, and because I can. — Aleksandr Voinov

I think almost always that what gets me going with a story is the atmosphere, the visual imagery, and then I people it with characters, not the other way around. — Ann Beattie

It is commonplace to say that silent films are more "dreamlike," but what does that mean? In Nosferatu, it means that the characters are confronted with alarming images and denied the freedom to talk them away. There is no repartee in nightmares. Human speech dissipates the shadows and makes a room seem normal. Those things that live only at night do not need to talk, for their victims are asleep, waiting. — Roger Ebert

In the music industry, you meet some not very nice people, some very strange characters. — Midge Ure

The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter ... I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book. — Sandra Dallas

With every book I write, I give the Hera Leick Promise. I will never weave into my stories: cheating; sex outside the main characters; sexual abuse; cliffhangars; years of separation; man whores; and lastly my worst pet peeve, insta-love. If one sneaks in, I give you permission to shoot me. Please make note, however, guns are not legal in England. Neither is murder. I hope. — Hera Leick

As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells. — Carlos Ruiz Zafon

Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that. — Jeff Lemire

Somehow, I realized I could write books about black characters who reflected my own experiences or otherworldly experiences - not just stories of history, poverty and oppression. — Tananarive Due

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous? — Jeff Lemire

Characters in animation do not cheat. They do not let you go for another. Animation is on certain points, very close to the pornography industry. All your physical needs are met. You can watch different animations and find anything you desire. — Hideaki Anno

It's all sort of dreams and it's all illusion. It's theater; it's not real. We're making up stories, you know, and people tend to run into you and believe you are your characters. And I suppose the funny thing is the longer you go, you do become sort of some version of [your characters]. You both diverge from them - you know - you live, but you also permanently inhabit that geography and that mental space - and so you do morph a little bit. We do become what we imagine. — Bruce Springsteen

So much of the writing is not conscious, in the sense that it's not calculated. I remember in film school we had so many studies with big fancy words where you could dissect a movie and make charts of all of the characters' complicated inner relations and themes and what does this mean? And it's overwhelming as a student. It's great for a student, but as a writer, it's paralyzing. — Don Hertzfeldt

Interestingly, the word 'person' did not originally refer to the individual in the way we tend to use it today. Instead, 'person' came, via french, from the Latin word 'persona', which referred to the mask worn by tan actor to protray a particular character. In this theatrical sense, personality has to do with the role or character that the person plays in life's drama. The person's individuality, in this sense, is a matter of the roles or characters that he or she assumes. — Nick Haslam