Characters No Country Quotes & Sayings

Coordination' occurred with astonishing speed, even in sectors of life not directly targeted by specific laws, as Germans willingly placed themselves under the sway of Nazi rule, a phenomenon that became known as Selbtsgleichschaltung, or 'self-coordination.' Change came to Germany so quickly and across such a wide front that German citizens who left the country for business or travel returned to find everything around them altered, as if they were characters in a horror movie who come back to find that people who once were their friends, clients, patients, and customers have become different in ways hard to discern. — Erik Larson

My longing was for Russia ... Not Soviet Russia. But nineteenth-century Russia, the Russia of Dostoevsky's saintly prostitutes and Alyosha; of Tolstoy's Pierre; and Aksionov, the sufferer in "God Sees the Truth But Waits." A country where the characters in books were allowed to ask one another the questions: How must I live to be happy? What is goodness? Why does man suffer? What is to be done? — Guy Vanderhaeghe

She'd done things to him he thought only happened to characters in country-western songs, laying waste to his car, his dogs, driving him from his home, and making an outlaw of him. It was almost funny. — Joe Hill

For so many of my characters, they were political in their own countries and they risked their lives for certain political beliefs that they had, only to be brought to America where they're not treated like Americans - they're just not really treated like anything. — Molly Antopol

Perhaps I shall take my fortune and retire to the country and read novels where other characters must bother with these sorts of troubles. — Maya Rodale

For the inhabitant of a country has at least nine characters: a professional, a national, a civic, a class, a geographic, a sexual, a conscious, an unconscious, and possibly even a private character to boot. He unites them in himself, but they dissolve him, so that he is really nothing more than a small basin hollowed out by these many streamlets that trickle into it and drain out of it again, to join other such rills in filling some other basin. Which is why every inhabitant of the earth also has a tenth character that is nothing else than the passive fantasy of spaces yet unfilled [ ... ] prevent[ing] precisely what should be his true fulfillment. — Robert Musil

In our country we call this type of mother love teng ai. My son has told me that in men's writing it is composed of two characters. The first means pain; the second means love. That is a mother's love. — Lisa See

Most country songs, certainly all the stuff I've written, are stories driven by characters. — Dolly Parton

So what if she wasn't a pushover? So what if she had some mettle and didn't wear her heart on her sleeve? She had done everything she had done for the best. For king and country. — Sara Sheridan

The way I work: I pick a country. I learn the political history - I mean I really learn it; I read until it sinks in. Once I read the political history, I can project and find the clandestine history. And then I people it with the characters. — Alan Furst

The characters in 'Be Near Me' come from a genuine place, a Britain that is more than one country and more than one ideal. — Andrew O'Hagan

When the first emperor wanted to unify the country, one of the major policies was to create one system of written signs. By force, brutal force, he eliminated all the other scripts. One script became the official script. All the others were banned. And those who used other scripts were punished severely. And then the meanings of all the characters, over the centuries, had to be kept uniform as a part of the political apparatus. So from the very beginning the written word was a powerful political tool. — Ha Jin

I would have sooner believed in fairy tales coming true.
Of course, we all believe in fairy tales now. The Scarlet Varulv has slunk out of the pages and lives with me in this cottage. The Sleeping Prince has woken and sacked Lormere, an army of alchemy-made golems behind him as he murders his way across the country.
Stories are no longer stories; characters run rampant through the world these days. All I'm waiting for is Mully-No-Hands to knock on the window, begging to come in and warm himself, and my life will be complete.
Actually, no, that's not what I'm waiting for. — Melinda Salisbury

You this day, gentlemen, assume new characters, enter into new relations, and consequently incur new duties. You have, by the favor of Providence and the attention of your friends, received a public education, the purpose whereof hath been to qualify you the better to serve your Creator and your country ... — William Samuel Johnson

I still do live concerts all over the country - about four a month - with singing and characters and improv. It keeps me limber. I'll never lose that. And comedy is still the bread and butter. — Martin Short

Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians. — Ben Okri

Say no! I thought. Say you want yourself all for your own self. Say that you have no specific country, say that you are important without any story from above, say that your home is with me and the other girls up in the sky. — Darcey Steinke

Today we have a system where only those individuals with the means of capital and who can both pay the exorbitant application fee and fund a political campaign can vie for the presidency. It would not surprise any close observer to discover that in this inane system, the same unsavory characters who have destroyed the country and looted the treasury and the nation blind are the ones able to run for the presidency! — Chinua Achebe

Angela Carter ... refused to join in rejecting or denouncing fairy tales, but instead embraced the whole stigmatized genre, its stock characters and well-known plots, and with wonderful verve and invention, perverse grace and wicked fun, soaked them in a new fiery liquor that brought them leaping back to life. From her childhood, through her English degree at the University of Bristol where she specialised in Medieval Literature, and her experiences as a young woman on the folk-music circuit in the West Country, Angela Carter was steeped in English and Celtic faerie, in romances of chivalry and the grail, Chaucerian storytelling and Spenserian allegory, and she was to become fairy tale's rescuer, the form's own knight errant, who seized hold of it in its moribund state and plunged it into the fontaine de jouvence itself.
(from "Chamber of Secrets: The Sorcery of Angela Carter") — Marina Warner

The children mingled with the adults, and spoke and were spoken to. Children in these families, at the end of the nineteenth century, were different from children before or after. They were neither dolls nor miniature adults. They were not hidden away in nurseries, but present at family meals, where their developing characters were taken seriously and rationally discussed, over supper or during long country walks. And yet, at the same time, the children in this world had their own separate, largely independent lives, as children. They roamed the woods and fields, built hiding-places and climbed trees, hunted, fished, rode ponies and bicycles, with no other company than that of other children. — A.S. Byatt

(Regarding author Kim Stanley Robinson)
In an era filled with complacent dystopias and escapist apocalypses, Robinson is one of our best, bravest, most moral, and most hopeful storytellers. It's no coincidence that so many of his novels have as their set pieces long, punishing treks through unforgiving country with diminishing provisions, his characters exhausted and despondent but forcing themselves to slog on. What he's telling us over and over, like the voice of the Third Wind whispering when all seems lost, is that it's not too late, don't get scared, don't give up, we're almost there, we can do this, we just have to keep going. — Tim Kreider

The characters aren't the only ones stranded in their country retreat: Huysmans is stranded there, too. It would almost seem that he was trying to go back to Naturalism - the sordid Naturalism of the countryside, where the peasants turn out to be more abject and greedy even than Parisians - if not for the dream sequences, which interrupt and ultimately hobble the story, and make it so impossible to classify. — Michel Houellebecq

The whole Twitter phenomenon is really indicative of what's happening in this country. And I say this in condemnation of myself as much as anyone else - we are growing into a nation that has no time, desire or capacity for truth. All we can handle is 140 characters of knowledge. — Kurt Sutter

The movement for women's liberation was about an emotional transformation, an explosion, a feeling all over the country that things must be different, and ideas about how they should be. I think fiction can capture that kind of thing better than other genres because in fiction you can explore the feelings of your characters - the before and the after. — Alix Kates Shulman

Stories start in all sorts of places. Where they begin often tells the reader of what to expect as they progress. Castles often lead to dragons, country estates to deeds of deepest love (or of hate), and ambiguously presented settings usually lead to equally as ambiguous characters and plot, leaving a reader with an ambiguous feeling of disappointment. That's one of the worst kinds. — Rebecca McKinsey

There were many generations of Latino people coming to this country, coming from difficult political or social situations in their own countries, and they worked very hard to have their kids go to universities. Well, those kids came out and they are now doctors and architects, or they are on the Supreme Court. That has a reflection in Hollywood. So, we are actually very proud that our characters are Latinos, and I think it's good for diversity and cultural interaction. — Antonio Banderas

In many Muslim countries, witchcraft is not only on the books as a crime, but is commonly prosecuted. In 2009, for example, Saudi Arabia convicted a man for carrying a phone booklet with characters in an alphabet from his native Eritrea, which the police interpreted as occult symbols. He was lashed three hundred times and imprisoned for more than three years. — Steven Pinker

Established politicians are also bumping into a new cast of characters within corridors of legislative power. In 2010 parliamentary elections in Brazil, for example, the candidate who won the most votes anywhere in the country (and the second-most-voted congressman in the country's history) was a clown - an actual clown who went by the name of Tiririca and wore his clown costume while he campaigned. His platform was as anti-politician as it gets. "I don't know what a representative in congress does," he told voters in YouTube video that attracted millions of voters, "but if you send me there I will tell you". He also explained that his goal was "to help needy people in this country, but especially my family". — Moises Naim

There's a sense you get from the Coens' work, like 'No Country for Old Men,' where you put these characters in situations, and you just let this painful amount of time take place. Part of the tension is just how long it takes to get out of that scene. — Noah Hawley

In this country, we were not into detail. Europe developed detail." "Why do you think that is?" "Weather. The whole history of England consists of finding things to do out of the weather. Which tells you why Russia was even worse. That's why Russian novels have 182 characters: bad weather. — Ken Jennings

I am not much an advocate for traveling, and I observe that men run away to other countries because they are not good in their own, and run back to their own because they pass for nothing in the new places. For the most part, only the light characters travel. Who are you that have no task to keep you at home? — Ralph Waldo Emerson

I've set the vast majority of my books in New England because that's where I live. I love this part of the country the gentle hills, the lush forests, the cycles of the seasons, the ocean, the quiet lakes and rivers that spread across the region. And, then of course, there's that Yankee spirit, which is a combination of optimism and responsibility, rugged individualism and a strong sense of community. I consider myself and my characters very lucky to live in New England. — Judith Arnold

She will be busy writing novels. As soon as she had has gotten far enough away from this frighteningly puritanical country, her mind will be set free, and she will be able to turn all of her observations in richly drawn characters and intricately themed stories."
"But what will she eat, dear Grass?" Barnard leaned against the wall, his arms crossing his chest skeptically.
"Baguette and red wine, pure art, filthy air. Look at her, she is made of rose petals, and the world will take good care of her. And if it does not, we will have our hearts moved by such an exquisitely gorgeous tragedy. — Anna Godbersen

The naturalistic literature of this country has reached such a state that no family of characters is considered true to life whichdoes not include at least two hypochondriacs, one sadist, and one old man who spills food down the front of his vest. — Robert Benchley

Then with Lucy [Hale], her little thing that I kind of learned from her is her country music because she's obsessed with country and at the beginning, I wasn't a huge fan of it, but I was listening to some songs that she plays in the hair and makeup room and she's also so funny, too. She does these character impersonations and they're just so funny. Made up characters of course, but she can switch into someone else so fast. I'm always laughing at Lucy and she's like a little Polly Pocket, you know? The tiny one. — Shay Mitchell

The books take a year just to do the drawing. I will travel to a country to do the research and get ideas. Sometimes I don't travel to do research, but mostly I do. It takes a long time, but do I ever get tired of it? Not really. The characters kind of grow and evolve. — Jan Brett

One of my favourite kinds of movie is the American picaresque, in which the characters make their way across the country, learning about life against the gorgeous backdrops of that vast land. — Steven Pinker