Characters In Writing Quotes & Sayings

No writing is effortless. I'm not saying you can't have a good day where the words just kind of flow, but even those words have to be edited. Probably more than once. And I'm not saying a character hasn't somehow gone in a different direction that I wanted her to go, but that was me, not her. I let her get away from me. I let her roam free and nine times out of ten, the result is not good. I have to go back and start over because she veered off the path of my book. She changed the vision. And I did that. Not her. — Darynda Jones

The characters in my stories all have quite loud lives in my head. It's a relief to get them on the page. Often they come from people I've noticed or overheard - but that is only a part of them. It's only by writing that I discover who these people really are. — Rachel Joyce

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel. — Chevy Stevens

I love writing, and I love the solitude of the writing, in that you're just sitting there creating something from nothing, or a new story for characters you love and care about. — John Wells

I talk to myself on paper about my characters - sometimes writing in first person ... I keep lists of unanswered questions that I can always turn to in order to get myself going. — Phyllis A. Whitney

I think I've been very lucky. The readers who write to me say they like the characters and the sense of a real world, often one they don't otherwise know about. And usually there's a funny bit in there somewhere. — Sophie Weston

If I'd learned anything from writing this book, it was that no matter how you might read characters in a book, real life was always different. It was easy for a writer to spin a story to make the hero or heroine seem smart and intelligent, for them to make the right moves, take the correct steps toward their future, but when it came to real life, it didn't quite happen that easily. People were constantly making mistakes and showing insecurities, even when they didn't realize it, and being so imperfect that it actually made them perfect . . . because they were human. Those — Meghan Quinn

I'm 20 years old. I spend my days in a dictionary and half my mind in Fantasy. — Almney King

Is the writer cruel that makes his characters suffer only to bring them to triumph or tragedy in the end? — Johnny Rich

I have no problem in moving a date one way or another or coming up with a subplot that gets my characters in (or out) of a fix more rambunctiously than the extant records show. — Sara Sheridan

Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital. — Sara Sheridan

I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular. — Orhan Pamuk

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

I write 1,000 words a day first thing in the morning but I cannot write 240 characters to describe a piece that I spent six weeks working on with a producer. — Daniel Alarcon

We live today amid ritualized anithumanisms. Among those intelligent enough to feel despair, some seek salvation in the literary artist. Artists love flattery; and the scam doesn't work without mystifying the process.

The weather is unpredictable, but it is not mysterious.

Wall Street is unpredictable, but it is not mysterious.

Writing is unpredictable, (like street and sky, there are too many variables.) Its mystery vanishes, like a shadow, the moment the light aimed at your characters turns back upon yourself. — Doran Larson

But the reason that writers like Harlan and Lee don't outline is that they enjoy the serendipity, the surprises that arise when they're not constricted by the steel girdle of an outline. And I get that too. Some of the best plot twists in my work have been ones that I didn't plan on, including the ending to PARANOIA. One of the great pleasures of writing fiction is living in the story so that you "experience" it the way your characters do. — Joseph Finder

When I am writing a novel, the setting, the characters, the action is clear in mind when I start -- so I believe. But it is only when these imaginings are written down, passing it seems almost physically from my brain down the arm to my moving hand that they begin to live and move and have their being and assume a different kind of truth. — P.D. James

The test of any good fiction is that you should care something for the characters; the good to succeed, the bad to fail. The trouble with most fiction is that you want them all to land in hell together, as quickly as possible. — Mark Twain

The worst part of writing is meeting all these great new characters and having no one to talk about (the adventures you share with) them. — Claudia Bakker

The unlikely group that resulted from the union of five diverse characters in their late twenties operated with surprising harmony. This cohesiveness could be attributed to two factors: 1) everyone's issues and embarrassing pasts were plainly disclosed prior to the gang's formation and 2) the clan had been expressly conceived as a male support group. — Zack Love

I often feel like that with the way I portray myself I come off as looking much worse than any of the other characters. I guess it might also be worth noting that anyone I've had as a main character in a story I've written has had full knowledge that I am a writer who writes about the people in her life. — Marie Calloway

Brandon: How does the character fit into the story, how will people expect them to fit into the story, and how, therefore, can I make them incongruous for those expectations? I'm looking for incongruity. Ask yourself why this character cannot fill the role in the plot that they are expected to fulfill. Ask yourself who would be perfect for this role. I'm not going to use that person. — Brandon Sanderson

In general there should be gay characters in YA because a) surprise, there are gay folks everywhere and b) in my opinion as a father, there's not a damn thing wrong with my child encountering gay folks in her literature, because see point a). — John Scalzi

Men have external genitalia, while women have internal genitalia. This simple difference makes a lot of difference in how they write about themselves - and how you might write about your characters. Male writers don't often address internal sensation in a character, because they don't experience it (and probably often don't realize consciously that it's there). This accounts for a lot of Really Terrible sex scenes written by men (if you look at the "Bad Sex-Scene Awards" in any given year, you'll see that the vast majority are done by male writers). — Diana Gabaldon

I never knew what an extraordinary thing it could be to write a book. In the first place, the characters take the bit between their jaws and canter off with you into places you don't want and never catered for. I had smugly intended my book to be about a family rather like ours, but, lud love you! it's already turned into an account of a barmaid's career in an Edgware Road pub, and I can't squeeze us in anywhere!

Odd things happen, too. I had called my pub, 'The Three Feathers,' and counted on there being heaps of pubs in Edgware Road, not called that, but looking a bit like my description. Before we left home, I went down Edgware Road to investigate, and found my pub, even down to the old-fashioned phonograph on the table in the upstairs sitting-room. And I thought, 'I built that place. — Rachel Ferguson

I've always been drawn to writing historical characters. The best stories are the ones you find in history. — Tony Kushner

In fiction, I tend to write fairly realistic dialogue-not always, and it tends to vary
from book to book. But in many books, there is a colloquialism of address. The characters will speak in a quite idiosyncratic way sometimes. — Don DeLillo

Just me, my music, and the voices in my head. — Christie Silvers

I just want to keep writing characters who are interesting and complicated people and interesting roles for women, in TV or film or in theater. I think that's like my 'Blues Brothers' mission. — Elizabeth Meriwether

Time of course has showed the question up in all its young illogic. We can justify any apologia simply by calling life a successive rejection of personalities. No apologia I s any more than a romance - half a fiction - in which all the successive identities are taken on and rejected by the writer as a function of linear time are treated as separate characters. The writing itself even constitutes another rejection, another "character" added to the past. So we do sell our souls: paying them away to history in little installments. It isn't so much to pay for eyes clear enough to see past the fiction of continuity, the fiction of cause and effect, the fiction of a humanized history endowed with "reason. — Thomas Pynchon

He had a book to finish. Ten-thousand words. The other ninety thousand had been difficult. This last tenth seemed impossible. His plot had become derailed. He was unable to see his way through the smoke and coke dust of a mythical railway track that should stretch ahead. Yes, the characters were there, good and solid. Indeed, the story's engine was strong and had shunted yet forward and forward, with only one or two sharp halts. But six weeks ago he met the bumpers. R. was now stuck in a deserted station, his progress blocked. ("Out Back") — Garry Douglas Kilworth

It is a wonderful thing in the process of writing when such paper characters are first sketched, and, when one is doing good work, from a certain point in time they come alive and start contradicting the author as well. — Gunter Grass

When I started writing fiction it always seemed in retrospect (I didn't realise at the time) that it was always caused by environments rather than by incidents and characters. — Jonathan Meades

The pleasures of being a novelist are many. But the greatest by far is the manner in which I live through my characters; experiencing every detail of their story as it unfolds gradually and personally within my own creative psyche. I'm like a cat with untold lives, because each new book is my rebirth. — Richelle E. Goodrich

I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college. — Jeffrey Eugenides

When I think about [characters], I like to think of them in their relationships to each other. In the same way, I think that's how humans are ultimately defined. We are our relationships to one another. And a lot of what's interesting about us happens in the context of other people. — John Green

The best time to write is when your life is in the toilet. Writing offers an escape from your problems, so if you force yourself to write when you're in the doldrums, it will have the perverse effect of cheering you up. At the very least, it allows you to inflict your pain on your characters, which has the dual effect of giving them more depth while relieving your own tension. — Sabrina Jeffries

My characters still talk the way normal people talk. They argue, they are sarcastic with each other, they joke around. I usually end up with one outrageous minor character in each book that people just rave about. We all have that one friend who says and does things that are a riot. A character like that is the salt in the soup: you want just enough to bring everything to life. — Dan Alatorre

When I use people I know, all of my instincts seem to go dead, and if I'm getting anywhere near myself then I can't do it. It's actually a real weakness! I hate writing personal essays, I don't think I'm especially good at it. I like just encountering [my characters], discovering them. I love the escape of just being surrounded by all these people who are nothing like people I know. But I don't find it hard to be in the middle of a different life, with a different set of habits and way of thinking and talking. That seems to come easily to me. — Jennifer Egan

What must novel dialogue ... really be and do? It must be pointed, intentional, relevant. It must crystallize situation. It must express character. It must advance plot. During dialogue, the characters confront one another. The confrontation is in itself an occasion. Each one of these occasions, throughout the novel, is unique. — Elizabeth Bowen

Making playlists can kill a whole afternoon for me. I like building very specific playlists for new writing projects. In a strange way, choosing certain songs is part of the process of plotting the book out. I pick songs that I think with resonate with characters, their personality quirks, relationship dynamics, action scenes, and so on. — Jonathan Maberry

Settings are obviously important - and as a writer, you have to respect what was real at the time of the story you're writing. But the real key to success lies in finding the right characters to carry that story. — Joan Lingard

You can't write good characters if you can't imagine what it's like being in another person's skin. And if you can imagine that, you naturally want other people's lives to be better. You want to make that happen. — Patrick Rothfuss

There's a very interesting thing that Scott Fitzgerald said [about creating characters], 'If you start with a person, you end up with a type, but if you start with a type you wind up with nothing.' You set out to discover something in your writing and it is through the attempt to discover that you reflect. If you have your mind made up about something you'll reflect nothing. — John McGahern

Writing for me is not a premeditated act. It just happens - characters keep coming out of nowhere and doing things I never expected them to do. The most persistent and most productive of these has been Paul Christopher, whom I didn't expect to see again after he appeared in 'The Miernik Dossier.' — Charles McCarry

Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn't care to sit next to in a train, people that don't exist, places you've never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader's creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive. — Ben Okri

The hardest part about writing fiction is finding long stretches of time to do it: for me, this means writing mostly on Saturdays and Sundays. But I am always thinking about my characters, jotting down ideas in stolen moments and hoping I'll be able to make sense of them when the weekend rolls around. — J. Courtney Sullivan

I intend to see that justice is done by presiding, in the manner of the omnipotent Walter Mitty, as chief justice of a tribunal trying the case of those plotting further advances for the Chinese characters on an international scale. Emulating the operatic Mikado's "object all sublime... to let the punishment fit the crime," I hand down the following dread decree:

Anyone who believes Chinese characters to be a superior system of writing that can function as a universal script is condemned to complete the task of rendering the whole of Lincoln's Gettysburg Address into Singlish.
— John DeFrancis

Someone from the Internet Writing Workshop sent me a link to the Gender Genie, where you paste in a section of text and it uses an algorithm to detect whether the author is male or female. Or, if you're an author, you can tell whether you're really nailing your opposite-sex characters. I mean, nailing their dialog. — Max Barry

Two kinds of reading can be distinguished. I call them reading like a reader and reading like a writer ... when you read like a reader, you identify with the characters in the story. The story is what you learn about. When you read like a writer, you identify with the author and learn about writing. — Frank Smith

Star Wars was a total piece of shit that had spawned billions of dollars in merchandise and sequels and books and games and pajama bottoms. It was an infinite reservoir, it was an endless void. It was responsible for a cornucopia of made up words like Jedi, the Force and lightsaber.

A lightsaber was a sword made of light. A sword was a weapon used to murder people.

A Jedi was a knight who believed in an idea of relative good and performed supernatural feats using the Force. A Jedi used supernatural feats and his lightsaber to murder people with opposing ideas of relative good.

The Force was an ill-explained mystical energy which ran throughout the fictional universe of Star Wars. It was a device which allowed characters to perform supernatural feats whenever a lull was created by poor writing in the screenplay.

As might be imagined, the Force was used with great frequency. — Jarett Kobek

We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second - compare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait. — Aristotle.

I always love writing the third book in a series because you get to tie up all the threads that you put out in the first two books. You finally let people know what really happens and reveal all the secrets and bring certain characters together. — Trudi Canavan

In television writing, you want to hear what the characters say as opposed to giving them something to say. It's the same with the cartoons. — Bruce Eric Kaplan

The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter ... I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book. — Sandra Dallas

When I write fiction, I create characters whose views are not my own, and I allow them to be eloquent in defense of their, not my, views. — Orson Scott Card

Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen. — James Cameron

I write for the kid in me ... Often when I'm working on a story, I'll find myself laughing at something my characters have done, or even being surprised at where they've taken the story. It's as if they have a life all their own. What I do is create them and then let them go on to entertain me ... — Elvira Woodruff

Who were my fictitious witches and what did they mean? Never ask that of yourself while writing. It may stop you cold. Just trust that if you believe in your characters, others will too. ... Whenever I thought too critically about my work, I couldn't write. — Erica Jong

The hardest part about writing is falling in love with your characters. I can't even tell you how many times I've wanted to take one of them out for a beer, but I can't, because I made them up in my head. It's heart breaking, but it also means you created someone real, and there's no equivalent for that feeling. — Quinn Anderson

I am a creator, writing like the wind, I carry the weight of a future world in the barrel of a pen, etching my characters into the paper with life giving ink so my dreams and reality might finally meet. — L.M. Fields

When you're writing a book, with people in it as opposed to animals, it is no good having people who are ordinary, because they are not going to interest your readers at all. Every writer in the world has to use the characters that have something interesting about them, and this is even more true in children's books. — Roald Dahl

I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves. — Karen Traviss

Advice to a new writer: There are no rules in this profession. Do what is good for you. Read books and watch films that stimulate your writing. In your writing, go where the pain is; go where the pleasure is; go where the excitement is. Believe in your own original approach, voice, characters, story. Ignore critics. Have nerve. Be stubborn. — Anne Rice

When I'm writing a novel, I'm dealing with a double life. I live in the present at the same time that I live in the past with my characters. It is this that makes a novelist so eccentric and unpleasant. — John Phillips Marquand

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

If you have a story to tell, put it out there. Get the thing done. No excuses. No procrastinating. No apologies. It will never be as good as you want it to be, so forget about perfection. Just be satisfied that you've done the best work you can do at this stage in your life as an author. Then roll the rocket onto the launch pad and fire it off. After that, write another story. Always keep going. Move fast. Stay one step ahead of the forces of distraction and self-doubt. Love your characters enough to give them a good home. Love your readers enough to give them a place of refuge from life's tragedies, big and small. And love the world you live in enough to make it the world of your dreams. — James Hampton

With a click, my novel would be born; it would come out into the light suddenly transformed from the hypothetical text composed in my imagination into finished, tangible thing with a real and independent existence. The moment of clicking on the print button always gave rise to strange and powerful ambivalence
a combination of self-satisfaction, gloom and anxiety. Self-satisfaction for having finished writing the book. Gloom because taking my leave of the characters has the same effect on me as when a group of friends have to depart. And anxiety, perhaps because I am on the verge of delivering up into other people's hands something that I treasure. — Alaa Al Aswany

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

One of the things I find in writing about people who are dead is that, after a short or long time, no matter how close the relationship was, they become like characters in fiction. — Michael Lindsay-Hogg

I started a novel back in high school. It wasn't very good. It was the opposite of good. The writing itself wasn't too bad, and the characters were interesting. But the story was a mess, and it was full of fantasy cliches. Dwarf with an axe. Barbarian warrior. I don't ever think I'd bother finishing that. It's just not worth my time. — Patrick Rothfuss

I didn't set out to write a book with no real male characters, but men were not important to my narrator, who was much more interested in maternal and pseudo-maternal love, so they were unimportant to me. I didn't even notice the lack of men in the story until I finished it. But once I did notice it, I was kind of delighted. Apparently, my subconscious is totally sexist. — Janice Erlbaum

In older science fiction stories, they had to rely on storytelling as opposed to spectacle. The old run of the 'Twilight Zone,' the star was the writing and the storytelling, and the characters and the twists and the cleverness in the setup and payoff and execution. — Josh Trank

That's the whole point of writing to me - I put my characters under incredible duress, and from that comes their truth. In a way, I'm using them to try to find my own answers in life. — R.A. Salvatore

Fiction, like sculpture or painting, begins with a rough
sketch. One gets down the characters and their behavior any
way one can, knowing the sentences will have to be revised,knowing the characters' actions may change. It makes no difference
how clumsy the sketch is - sketches are not supposed
to be polished and elegant. All that matters is that, going over
and over the sketch as if one had all eternity for finishing one's
story, one improves now this sentence, now that, noticing
what changes the new sentences urge, and in the process one
gets the characters and their behavior clearer in one's head,
gradually discovering deeper and deeper implications of the
characters' problems and hopes. — John Gardner

Another strand of my writing is the importance of the idea. If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing. — Alan Lightman

He must shape simultaneously (in an expanding creative moment) his characters, plot, and setting, each inextricably connected to the others; he must make his whole world in a single, coherent gesture, as a potter makes a pot ... — John Gardner

So much of the writing is not conscious, in the sense that it's not calculated. I remember in film school we had so many studies with big fancy words where you could dissect a movie and make charts of all of the characters' complicated inner relations and themes and what does this mean? And it's overwhelming as a student. It's great for a student, but as a writer, it's paralyzing. — Don Hertzfeldt

Writing isn't about creating perfect characters. There's no such thing. It's about creating characters that are real; flawed
yet beautiful, in that they know they need another person. Needing someone else doesn't make them weak; if they believed all they needed was them self, they would be. A strong heroine isn't afraid to admit that a best friend, or soul mate, is exactly what they need at one moment or another. A strong heroine never stands alone. They stand tall; they believe in who they are. They are perfect in every human flaw, because as humans we are flawed. And in every flaw, I see the perfection of their souls. Writers breath life into simple words and create beings
flaws and all. — Cassandra Giovanni

In the final exam in the Chaucer course we were asked why he used certain verbal devices, certain adjectives, why he had certain characters behave in certain ways. And I wrote, 'I don't think Chaucer had any idea why he did any of these things. That isn't the way people write.'
I believe this as strongly now as I did then. Most of what is best in writing isn't done deliberately. — Madeleine L'Engle

My most important goal as a romance writer is to satisfy readers by creating memorable characters, offering insights on life, and, most of all, touching hearts.
I derive the greatest satisfaction when I hear from readers who have been genuinely moved by my books and/or who identify with the characters or situation. I also confess to reveling in the feeling I get when I type "The End" on a manuscript. — Laura Abbot

As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are. — Quentin Tarantino

When writing about Edinburgh, I place my characters in the parts of the city that I myself have lived in, or else know well, those being the Southside, Marchmont in particular, where I lived as a student, and the New Town/Stockbridge area where I live now and have done for the past 30 years. — Joan Lingard

When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image. — Eric Kripke

For the vision of a novelist is both complex and specialised; complex, because behind his characters and apart from them must stand something stable to which he relates them; specialised because since he is a single person with one sensibility the aspects of life in which he can believe with conviction are strictly limited — Virginia Woolf

I need to have some depth in my characters. That's why they are all Bengalis. I can't imagine writing a book with someone called Saxena as the hero. — Upamanyu Chatterjee

Writing is really freeing because it's the only part of the process where it's just you and the characters and you are by yourself in a room and you can just hash it out. There are no limitations. — Dee Rees

I believe it's incredibly important to write against [racial] stereotypes. If we give in and make sure that all black women characters are asexual, gentle, and kind we wind up with another set of stereotypes. — Justine Larbalestier

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

Good characters in fiction are the very devil. Not only because most authors have too little material to make them of, but because we as readers have a strong subconscious wish to find them incredible. — C.S. Lewis

I'm a strong believer in telling stories through a limited but very tight third person point of view. I have used other techniques during my career, like the first person or the omniscient view point, but I actually hate the omniscient viewpoint. None of us have an omniscient viewpoint; we are alone in the universe. We hear what we can hear ... we are very limited. If a plane crashes behind you I would see it but you wouldn't. That's the way we perceive the world and I want to put my readers in the head of my characters. — George R R Martin

I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. — Stephen Sommers

My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down. — Leigh Bardugo

When writers stop to sharpen pencils or get up and make coffee to procrastinate, they still stay in their heads with their characters. But when you zip over to read email or check your Facebook page, you get zapped out of the fictive dream. It's brutal on my writing. — M.J. Rose

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

There's just a deeper level of sophistication in the writing of female characters on TV. — Vera Farmiga

I'm a blank canvas that I can paint however I desire. For the first time ever, I get to be the character in my own fantasy land. — E.K. Blair

I am not in control of how my characters live their lives, only in writing it down. — Kim Iverson

The art of reading, it occupies your mind no matter at any situation or mood you're in..bringing you to completely different world, the enchanting world of the characters..giving you the best feeling after reading it..the art of writing, it shows who you are, what are your real passions, what you've been through..inviting other people to see and experience your own world..hoping they have the best feeling that you have when writing it. As much as the feeling you always have when you read the books you've read before.. — Asrie Budiasriati

That's what novels are: They're amalgams of archetypes, collections of random traits one observes in other people through life, blended into fresh characters. — Michael Callahan