Characters In Stories Quotes & Sayings

Who hurts the most? In the world you have invented, who suffers the most? Chances are that it is among the characters who are in pain that you will find your main character, partly because your readers' sympathy will be drawn toward a suffering character and partly because a character in pain is a character who wants things to change. He's likely to act. Of course, a character who suffers a lot and then dies won't be a productive main character unless your story is about life after death. But your eye should be drawn toward pain. Stories about contented people are miserably dull. — Orson Scott Card

There are no new stories. It all depends on how you handle them. In romances the characters are going to fall in love with each other; you know that when you see the syrupy cover. It's how get there that's the fun. — Jude Deveraux

The characters in my stories all have quite loud lives in my head. It's a relief to get them on the page. Often they come from people I've noticed or overheard - but that is only a part of them. It's only by writing that I discover who these people really are. — Rachel Joyce

Okies who had just stepped into the corridor long enough to get a tin can of water for our boiling radiator. There are other stories, other dilemmas, but the characters never change. We're always standing around, unwashed, uncurled, harried, penniless, memory gone, no lipstick, no hose, unmatched shoes, and using the dirtiest cloth in the house to bind our wounds. Makes — Erma Bombeck

Tolkien was such a brilliant writer in so many ways. He was truly an inspiration. Many people don't realize just how much he researched and how much he based his stories and characters on mythology of various types. He was very deep and in many ways a genius. — Raymond Buckland

Writers write because they cannot allow the characters that inhabit them to suffocate them. These characters want to get out, to breathe fresh air and partake of the wine of friendship; were they to remain locked in, they would forcibly break down the walls. It is they who force the writer to tell their stories. — Elie Wiesel

The Pixar people continuously amaze me. They come up with something that actually looks as though it takes place in this happy, real-world. Every plot line is not just plausible, but oddly authentic. The stories are full of adventure, humor and love. The characters are written with great human dimension. I don't know how they do it but they astound me. — Tom Hanks

They were waiting for me in the books and in stories, after all, hiding inside the twenty six characters and a handful of punctuation marks. These letters and words, when placed in the right order, would conjure all manner of exotic beasts and people from the shadows, would reveal the motives and minds of insects and of cats. They were spells, spelled with words to make worlds, waiting for me, in the pages of books. — Neil Gaiman

Not only these were new kinds of stories, they were being told with a new kind of formal structure. [...] The result was a storytelling architecture you could picture as a colonnade - each episode a brick with its own solid, satisfying shape, but also part of a season-long arc that, in turn, would stand linked to other seasons to form a coherent, freestanding work of art. [...] The new structure allowed huge creative freedom: to develop characters over long stretches of time, to tell stories over the course of fifty hours or more, the equivalent of countless movies. — Brett Martin

With indies, all they have is their script and it's very important to them. The characters are better drawn, the stories more precise and the experience greater than with studio films where sometimes they fill in the script as they're shooting. — Mark Ruffalo

When we own our stories, we avoid being trapped as characters in stories someone else is telling. — Brene Brown

In terms of writing characters or stories, at least initially, there's no difference between live-action and animation. A good story is a good story, whatever the medium. — Michael Arndt

The characters in my stories, whether historical or fictional, usually prove to be a compilation of influences taken from differing sources, but never drawn from one model. — Thomas Steinbeck

Most of these wild animals depart in autumn when the sun changes their behavior and they feel the urge to migrate or go off alone. While they are with us, however, they become characters in my books, articles, and stories. — Jean Craighead George

The Artist's impressions of a walk in the woods. The Artist's view on viewing. The Artist on Art. How do you get your ideas for stories, Mr. Valentine? Well, I simply exploit everything I come into contact with. One ended, of course, by losing all spontaneity. You saw people as characters, sunsets as an excuse for similes - — David Sedaris

'Knockemstiff' is a collection of short stories set in the holler of the same name in southern Ohio where I grew up. I tried to link the stories together through the place and some recurring characters. — Donald Ray Pollock

Getting to share the stories in my head with other people and have them enjoy those stories, and having them come to see my characters as real. That's so cool. — Gail Z. Martin

The writer that you are, I guess you're used to being a kind of dictator, telling the characters in your stories what to do. — Dean Koontz

The mere existence of 'Buffy' proves the declinists wrong about one thing: Hollywood commercialism can produce great art. Complex and evolving characters. Playful language. Joy and sorrow, pathos and elation. Episodes that dare to be different - to tell stories in silence or in song. Big themes and terrible choices. — Virginia Postrel

A great thing is happening on cable TV. You see characters change in stories over years, like in Tolstoy. That's a whole, thrilling new form that I really enjoy. They are Tolstoy-an in their endless character development and narrative changes ... a show like 'Breaking Bad' is astonishing. — Mike Nichols

At one point, I animated villains in our stories, a bear or a giant, then on The Little Mermaid Ariel just called to me and I started to fall in love with characters who had that burning desire inside of them, this hope. — Glen Keane

I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr. — John Green

There's something in psychology called the narrative paradigm, which essentially means that we think of our lives as stories in which we are the main characters. — Aleksandar Hemon

The inimitable stories of Tong-King never have any real ending, and this one, being in his most elevated style, has even less end than most of them. But the whole narrative is permeated with the odour of joss-sticks and honourable high-mindedness, and the two characters are both of noble birth. — Ernest Bramah

Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story. — Charlie Jane Anders

I love telling stories. I love the intimacy between the writer and reader. When you write sketches it's over in two minutes. When you write a book the characters have to have a bit of emotional depth. — David Walliams

Time is what makes good stories. Much has been cooking for a long time, and at last finds an out in narration one day. That's a supreme joy. And why the characters keep showing up. — Barry Hannah

It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well. — Cameron Crowe

Hindered characters / seldom have mothers / in Irish stories, but they all have grandmothers. — Marianne Moore

First, I would find an object which I would think is suitable for my characters and stories, then write about it, and in the end, I ended up with a house full of thousands of objects. — Orhan Pamuk

Many novelists take well-defined, precise characters, whose stories are sometimes of mediocre interest, and place them in an important historical context, which remains secondary in spite of everything. — Raymond Queneau

I've always been drawn to writing historical characters. The best stories are the ones you find in history. — Tony Kushner

Have fun, entertain yourself with your work, make yourself laugh and cry with your own stories, make yourself shiver in suspense along with your characters. If you can do that, then you will most likely find a large audience; but even if a large audience is never found, you'll have a happy life. — Dean Koontz

For me, the attraction of TV is that you continue to get to tell those stories and refine those characters. The other thing is that TV, in the last years, got really, really, really good. — Jonathan Nolan

We probably read Shakespeare in the first place for his stories, afterwards for his characters ... To become intimate with Shakespeare in this way is a great enrichment of mind and instruction of conscience. Then, by degrees, as we go on reading this world-teacher, lines of insight and beauty take possession of us, and unconsciously mould our judgments of men and things and of the great issues of life. — Charlotte M. Mason

In my world," said Posy, "authors write stories, and the characters do whatever the author tells them. It's not like this--the characters don't have minds and lives of their own."
"How do you know this?" was Caris' surprising reply. The corner of her mouth turned up in a playful smile. "You do not see the characters when the pages of the book are shut. Is there never a time when you read a book for the second time and you notice something that you didn't remember from the first time? Or hear a story told, and every time it is told it grows and changes in the telling? Change is the nature of everything. — Ashlee Willis

I bring this up because in writing some thoughts about a father, or not having a father, I feel as though I'm writing a book about a troll under a bridge or a dragon. For me, a father was nothing more than a character in a fairy tale. I know fathers are not like dragons because fathers actually exist. I have seen them on television and sliding their arms around their wives in grocery stores, and I have seen them in the malls and in the coffee shops, but these were characters in other people's stories. The sad thing is, as a kid, I wondered why I couldn't have a dragon, but I never wondered why I didn't have a father. (page 20) — Donald Miller

She will be busy writing novels. As soon as she had has gotten far enough away from this frighteningly puritanical country, her mind will be set free, and she will be able to turn all of her observations in richly drawn characters and intricately themed stories."
"But what will she eat, dear Grass?" Barnard leaned against the wall, his arms crossing his chest skeptically.
"Baguette and red wine, pure art, filthy air. Look at her, she is made of rose petals, and the world will take good care of her. And if it does not, we will have our hearts moved by such an exquisitely gorgeous tragedy. — Anna Godbersen

I'm always drawn to stories about characters who are somewhat isolated inside themselves by their inability to communicate in some way. That's what interested me about 'Children of a Lesser God.' — Randa Haines

One of the things that bugs me about the Western Literary Tradition is that the conventions of narrative in particular seem to confine the stories you can tell about characters to tropes of bone-headed action and old models of psychological realism. And as readers, too, we have been conditioned to understand characters as - and forgive me for saying it out loud - what the market says they should be. Namely, safe, clean, proper. — Lidia Yuknavitch

Rob; you could have been someone I wanted to be with. But you're not; you never spoke to Niall, not really. You joked and you danced, but how often did you really talk? You never even told him you loved him until it was already too late. What was he to you? A friend? A lover? Or was he just some set piece in Rob Sardan's great story? Is that what everyone is to you? Can't we have our own story? — Joel Cornah

Start dating someone who is funny, someone who has what in high school you called a "really great sense of humor" and what now your creative writing class calls "self-contempt giving rise to comic form." Write down all of his jokes, but don't tell him you are doing this. Make up anagrams of his old girlfriend's name and name all of your socially handicapped characters with them. Tell him his old girlfriend is in all of your stories and then watch how funny he can be, see what a really great sense of humor he can have. — Lorrie Moore

With every book I write, I give the Hera Leick Promise. I will never weave into my stories: cheating; sex outside the main characters; sexual abuse; cliffhangars; years of separation; man whores; and lastly my worst pet peeve, insta-love. If one sneaks in, I give you permission to shoot me. Please make note, however, guns are not legal in England. Neither is murder. I hope. — Hera Leick

Though in this genre we write about the fantastic, the stories work best when there is solid grounding in our world. Magic works best for me when it aligns with scientific principles. Worldbuilding works best when it draws from sources in our world. Characters work best when they're grounded in solid human emotion and experience. — Brandon Sanderson

We do need to bring to our writing, over and over again, all the abundance we possess. To be able, to be ready, to enter into the minds and hearts of our own people, all of them, to comprehend them (us) and then to make characters and plots in stories that in honesty and with honesty reveal them (ourselves) to us, in whatever situation we live through in our own times: this is the continuing job, and it's no harder now than it ever was, I suppose. Every writer, like everybody else, thinks he's living through the crisis of the ages. To write honestly and with all our powers is the least we can do, and the most — Eudora Welty

Fiction brings salvation to characters in stories that would otherwise have no salvation at all. — Hiromu Arakawa

Truth is stranger than fiction," as the old saying goes. When I watch a documentary, I can't help crying and then I think to myself, "Fiction can't compete with this."
But when I mentioned this to a veteran manga artist friend of mine he said that "fiction brings salvation to characters in stories that would otherwise have no salvation at all."
His words strengthened the conviction of my manga spirit. — Hiromu Arakawa

I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful. — Randall Wallace

The number 1 thing that I don't want to see in a story is when characters exist simply to be proven wrong. — Brandon Sanderson

A story is never about one person. It has a full cast of characters, connected by blood or love or jealousy. There's nothing small or inconsequential about our stories. There is, in fact, nothing bigger. And when we tell the truth about our lives - the broken parts, the secret parts, the beautiful parts - then the gospel comes to life, an actual story about redemption, instead of abstraction and theory — Shauna Niequist

I'm usually working on my own mythology, my own realm of created characters. Stories in mythology inspire me, though I may not be conscious of it. — Anne Rice

When I was younger, I loved math. Everything about math. But in school, math now has letters. Like what does x equal? There are also long stories with characters, and although the story is supposed to end with some number, all the words block my path to getting there. — Lynda Mullaly Hunt

Each painting is its own world, but a lot of times I do see the paintings as one page from a story. You can imagine what has happened before or after. Sometimes they are worded as being a part of a story, especially the paintings where characters are in conversation. — Neil Farber

In Gothic fiction, characters must contend with the dead, with active hauntings or with hallucinations of hauntings, as well as whatever other trying circumstances they might find themselves in: orphanhood, lunacy, imprisonment, inheritances that go astray, troubling romantic situations. The Gothic novel does not strive for subtlety, and it isn't to everyone's taste. It can seem adolescent, an immature version of the stately, measured, grown-up realist novel, except that the line between Gothic and the realist is never clear. A disdain for the Gothic is limiting, since this literature, in all its flagrancy, has something to say about emotional as well as physical death, and a tale of a haunting can have a narrative vitality that is far from conclusive. Gothic stories linger especially in the mind. — Brenda Walker

Then you are a poet?' she asked, fingering the flyer in her pocket.
'No not at all,' he waved his hand. 'I am merely a character in a poem. — Karen Tei Yamashita

I hadn't really thought about this until 'The Lake of Dreams,' but I've set all my stories in places that are familiar to me. It frees me up to spend more imaginative time on the characters. — Kim Edwards

In New York, the street adventures are incredible. There are a thousand stories in a single block. You see the stories in the people's faces. You hear the songs immediately. Here in Los Angeles, there are less characters because they're all inside automobiles. — Joni Mitchell

In particular, I'm drawn to the stories that have big, high concepts and real characters at their heart. And I love where those two worlds meet, and 'Edge of Tomorrow' is the perfect canvas to explore that. — Doug Liman

I would say that many of the characters in my stories do not live in true poverty - they are not out on the street; they are not wondering if there will be anything to eat in the next week. They are people who are at the lower echelons of the economic strata. — Robin Hobb

It only took Alexis a day to read a five-hundred page book. Fiction stories took her to another world where she could lose herself for a while in someone else's life.
Its funny how things like loans to pay back, a broken home and family, and a future to worry about meant nothing to characters who only had to worry about things like boys, beaches and fun. — Lindsay Chamberlin

They'll want to know if I've written about them. Or, even as the title indicates with the names changed and such, they'll want to see if they can recognize any of the situations or characters laid out in the dozen stories. And that is just a small subset of a larger potential market. — Rich Siegel

I confess I am a romantic. I love romance, and I think it's really fun and delicious and some of my favorite films are love stories. I think that you just get a chance to fall in love with the characters so much and you get to explore their lives so deeply. — Rachel McAdams

I always look for good stories and good characters, and if they're placed in a whodunit, then I'm interested. — Joel Kinnaman

When you're guest-starring on another show, it really requires you to jump through hoops in a way, because you're servicing the stories of the main characters. You have to be able to portray a lot of different elements. You show up and get on board and get on their journey; you have to be flexible as to what they need for the role. — Kim Dickens

I am thrilled when I read about fans using my stories as springboards to read about either the historical characters or the myths and legends in the books. — Michael Scott

With a novel, which takes perhaps years to write, the author is not the same man he was at the end of the book as he was at the beginning. It is not only that his characters have developed
he has developed with them, and this nearly always gives a sense of roughness to the work: a novel can seldom have the sense of perfection which you find in Chekhov's story, The Lady with the Dog. — Graham Greene

Fairy tales are much more than silly bedtime stories," the teacher continued. "The solution to almost every problem imaginable can be found in the outcome of a fairy tale. Fairy tales are life lessons disguised with colorful characters and situations. "'The — Chris Colfer

My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down. — Leigh Bardugo

To figure out what people think, look at the stories that they tell. We might never get away from the image of Sheldon from 'The Big Bang Theory' breaking down in the middle of the store, not knowing which console to buy, but we can see in TV and movies how regular characters are more and more starting to play games. — Rob Manuel

It's difficult from one story to jump in another story, 2 stories are okay for one hour. But more and more characters you start losing the link. (Thriller 2) — Deyth Banger

TV is a big business. In some ways, it's surpassed films, in terms of the way people invest in these shows and invest in these characters, and give up so much of their time to follow these people's stories. — Jamie Bell

A lot of the challenge with TV, as opposed to making movies, is that you have to leave room for the characters in the story to tell themselves. Sometimes you don't know where a character is going to go and what's going to happen to them until you've seen the actor take that part and make it their own. — Bruno Heller

I never write my stories as a wake-up call as such. I simply explore the kinds of situations that I find personally challenging by placing characters into situations that challenge them in similar ways. — Ted Dekker

I'm just an entertainer. In a way crime stories are boring. A crime's been committed and at the end you know it will be solved. So you've got to make the story interesting besides it just being a plot. And that's why character matters, why you've got to make the characters interesting. — Jo Nesbo

All the stories we've been telling about the presence of an evil power in the world, all the dark characters that have sent chills down our spines and given us restless nights - they are spoken to us as warnings.
There is evil cast around us ... there is an evil force in this world. — John Eldredge

In older science fiction stories, they had to rely on storytelling as opposed to spectacle. The old run of the 'Twilight Zone,' the star was the writing and the storytelling, and the characters and the twists and the cleverness in the setup and payoff and execution. — Josh Trank

The landscape of childhood shapes us as it shapes the characters in our stories. You never forget the sacred places of your childhood. — John Dufresne

In my head, at least, the business of spinning stories has no closing time. Twists in my characters' lives, glimpses of their secrets, obstacles to their dreams ... all arrive unbidden when I'm getting cash at the ATM, walking my son to camp, singing a hymn at a wedding. — Julia Glass

My books are love stories at core, really. But I am interested in manifestations of love beyond the traditional romantic notion. In fact, I seem not particularly inclined to write romantic love as a narrative motive or as an easy source of happiness for my characters. — Khaled Hosseini

But keep characters in propinquity long enough and a story will always develop a plot. — Keith Miller

Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn't care to sit next to in a train, people that don't exist, places you've never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader's creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive. — Ben Okri

These stories are about the defining moment, no matter how seemingly insignificant, from which point, things are never quite the same again. For the characters, random events come together marking a point in their lives which has an impact maybe well into the future. No matter how well you plan, you never really know what will happen tomorrow or in a few years from now. — Jan Merry

I find that following sympathetic characters on the secular pilgrimages they make - and we all must make - is the fun of storytelling. Most of the time we are quite content to live in the protective cocoons we have spun, but these stories, and the cover I chose are a reminder that when the butterfly emerges it is fully capable of taking wing. — Millicent Vetterlein

I set out to write a series of grand stories starring queer people. My vision has always been to let that "queerness" exist organically without it being the focus of the story. Growing up, I got sick of "tragedy porn" slice of life novels being the only LGBT literature in existence. Here I hope that I captured the idea that queer people can own a high fantasy adventure without the story being reliant solely on the characters' "queerness" alone. — Hazel Blackthorn

His soul is in his stories. I once asked him who inspired him to create his characters, and his answer was no one. That all his characters were himself. — Carlos Ruiz Zafon

When the radio was on, music has stimulated memory of times and places, complete with characters and stage sets, memories so exact that every word of dialogue is recreated. And I have projected future scenes, just as complete and convincing
scenes that will never take place. I've written short stories in my mind, chuckling at my own humor, saddened or stimulated by structure or content. — John Steinbeck

Dear God,
Reveal to me through stories something of what it is like to walk around in someone else's shoes.
Show me something about myself in the stories I read, something that needs changing, a thought, a feeling or attitude.
Deliver me from myself, O God, and from the parachial and sometimes prejudiced views I have of other people, other nations, other races, other religions.
Enlarge by heart with a story, and change me by the characters I meet there.
May some of the light from their lives spill over into mine, giving me illumination where there was once ignorance, compassion where there was once contempt. — Ken Gire

In the old days, I just could not leave characters alone. Now I just try to keep the ones that still have something in the way of stories to tell. — Gilbert Hernandez

For people who are invested in these characters and the back-story of the
universe and everything, all of these things come to a resolution in
Mass Effect 3. And they are resolved in a way that's very different
based on what you would do in those situations. — Casey Hudson

At their core, Tiger Eyes, Forever ... , and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) — Jennifer O'Connell

The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. — Geraldine Brooks

There is a common theme, though, in the stories I have told, which are usually associations of characters or families that are formed outside of a family circle. — Gus Van Sant

We maintain, therefore, that the first essential, the life and soul, so to speak, of Tragedy is the Plot; and that the Characters come second - compare the parallel in painting, where the most beautiful colours laid on without order will not give one the same pleasure as a simple black-and-white sketch of a portrait. — Aristotle.

Even though more and more of his stories, as he went on, are set in autumn, one of the main occupations of his characters is to see how far they've come, or fallen rather, since the spring. Yet insofar as spring - youth - is visible, there's always the possibility of vicarious renewal or hopefulness, and the mixed feelings of seeing someone else's perhaps too-innocent illusions. — Pico Iyer

For the past few years my fans have made it very clear that they would like to read my novels and revisit my family of characters faster than I can write them. For them, I am willing to make a change to my working methods so the stories in my head can reach the page more frequently. — Wilbur Smith

I like making stories and characters that people can relate to. I also like giving the audience a departure from whatever they're thinking about in their life and enjoying a show or a movie. — Haylie Duff

Like most modern people, we no longer bothered to make the distinction between events in real life and the dramas of fictional worlds, and so the cliff-hanger that inevitably, reliably ended the hour held just as much or more importance to us as the newspaper that usually went from doorstep to garbage bin unread, and we speculated about the future lives of the characters that populated decayed mansions or desert isles as if they weren't inventions of other human minds. — Dexter Palmer

We're all just in the muck trying to believe we're capable of greatness, but closer to breaking than we want to admit. And we tell ourselves stories
about ourselves,but maybe also all these stories about other people, about characters
as a way to hide from how small we are. — Doug Dorst

'Avatar' was gorgeous. There are good stories in there, but when used in other movies they're similar to those violent video games. Characters using deadly weapons. The children follow these movies. — Louis Gossett Jr.

I'm a strong believer in telling stories through a limited but very tight third person point of view. I have used other techniques during my career, like the first person or the omniscient view point, but I actually hate the omniscient viewpoint. None of us have an omniscient viewpoint; we are alone in the universe. We hear what we can hear ... we are very limited. If a plane crashes behind you I would see it but you wouldn't. That's the way we perceive the world and I want to put my readers in the head of my characters. — George R R Martin