Quotes & Sayings About Characters In Novels

The scholar explained, very neatly, that a play might well have something interesting about it, but no literary value. He demonstrated, without wasting words, that a playwright had to do more than throw in some of the complications found in all novels, and perpetually attractive to theater audiences. Playwrights had to be novel without being bizarre, frequently sublime but never unnatural; they had to understand the human heart had let it speak for itself; they had to be great poets but never let any of their characters sound like poets; they had to perfectly understand language and use it purely, with continuous harmony, never disjointing it with forced rhyme. — Voltaire

When I began writing, I did not realize that the Holocaust would become a critical part of the story. During and after WWII, neither the survivors of the Holocaust nor the combat solders were diagnosed or treated for what is now known as PTSD (Post-traumatic Stress Disorder). Many of the characters in this book were victims of this now well-known disorder. — Helene Uhlfelder

He sits at the table and reads novels, old favorites of his, the words and plots and characters comforting and lived-in and unchanged. — Hanya Yanagihara

I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go. — Ann Brashares

I think, above all, the characters in my novels feel universal to the readers. — Nicholas Sparks

The characters in my novels, from the very first one, are always on some quixotic effort of attempting to control something that is uncontrollable - some element of the world that is essentially random and out of control. — John Irving

Fantasy novels reveal "emergency escape routes" from reality. Romance novels dish out a banquet of Eye Candy. Otherworldly passion erupts when the two collide in an epic novel of unforgettable characters and dire circumstances. — Sarah J. Pepper

Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital. — Sara Sheridan

In daily life we never understand each other, neither complete clairvoyance nor complete confessional exists. We know each other approximately, by external signs, and these serve well enough as a basis for society and even for intimacy. But people in a novel can be understood completely by the reader, if the novelist wishes; their inner as well as their outer life can be exposed. And this is why they often seem more definite than characters in history, or even our own friends; we have been told all about them that can be told; even if they are imperfect or unreal they do not contain any secrets, whereas our friends do and must, mutual secrecy being one of the conditions of life upon this globe. — E. M. Forster

...when I die I'll meet my characters in heaven. And they won't be made at me . . ." Nick Cole

Probably the coolest quote from an author I have ever heard! — Nick Cole

I lived through those books, songs, television shows, and movies - the way the characters talked, looked, acted. I thought that could translate over into reality, that I could make their world my world. I wanted so badly to run away from my life. But you can't bury yourself in other people's pages and scenes. You aren't David Copperfield or Tom Sawyer. Those love songs on the radio might speak to you, but they're not about you or the person you pine for. Life is not a John Hughes film. — Jason Diamond

I strongly believe that the art of the novel works best when the writer identifies with whoever he or she is writing about. Novels in the end are based on the human capacity, compassion, and I can show more compassion to my characters if I write in a first person singular. — Orhan Pamuk

I try to widen the horizons of every child I meet, and part of that is promoting diverse forms, be it graphic novels, stories told in a narrative voice, or more translated books, as well as more diverse writers and more diverse characters. — Malorie Blackman

The worst part of writing is meeting all these great new characters and having no one to talk about (the adventures you share with) them. — Claudia Bakker

I disappear for twenty minutes into Ford Maddox Ford's The Good Soldier while John does the dishes, fighting past my initial irritation all the class nonsense and how no one will say anything of significance because it's simply not done to be explicit. Like in James or Wharton. Those novels where you're screaming at characters to go ahead already and blurt it out, save us a hundred pages of prevarication. — Adam Haslett

We love fantasy novels in which the characters think that they're peasants but turn out to be princes and kings. — Matthew Tobin Anderson

My novels are never truly finished, even if they're published and sitting on the shelf. While I may no longer be interested in spending time with that particular set of characters, I can't help but think about all the ways the book could be different, the small, insignificant tweaks that no one but me would ever notice. — Jillian Medoff

The novels we read allow us to encounter possible persons, versions of ourselves hat we would never see, never permit ourselves to see, never permit ourselves to become, in places we can never go and might not care to, while assuring that we get to return home again — Thomas C. Foster

I like dialogue in novels. I wanted to avoid laying history on with a trowel - appearing to be lecturing, as opposed to the characters lecturing their children or students. Dialogue can humanise the story and make it go down somewhat more smoothly. — Elliot Perlman

I have tried to create main characters who are drastically different from the types who generally appear in crime novels. Mikael Blomkvist, for instance, doesn't have ulcers or booze problems or an anxiety complex. He doesn't listen to operas, nor does he have an oddball hobby such as making model airplanes. — Stieg Larsson

The best method, I believe, that can be adopted to correct a fondness for novels is to ridicule them; not indiscriminately, for then it would have little effect; but, if a judicious person, with some turn for humour, would read several to a young girl, and point out, both by tones and apt comparisons with pathetic incidents and heroic characters in history, how foolishly and ridiculously they caricatured human nature, just opinions might be substituted instead of romantic sentiments. — Mary Wollstonecraft

Film and novel characters are often stereotyped, but racial stereotyping in many novels or films creates & encourages labelling, discrimination & racism. ~Angelica Hopes — Angelica Hopes

Eliot was scornful of idle women readers who imagined themselves the heroines of French novels, and of self-regarding folk who saw themselves in the most admirable character in a novel, and she hoped for more nuanced engagement from her own readers. Even so, all readers make books over in their own image, and according to their own experience. — Rebecca Mead

Violence is inevitable in crime novels, but there are many different ways to tell a story. I use my characters' reactions to illustrate the worst moments rather than let readers witness them at first hand. — Michael Robotham

Jane Austen's narrative style seems to me to show (especially in the later novels) a curiously chameleon-like faculty; it varies in colour as the habits of expression of the several characters impress themselves on the relation of the episode in which they are involved, and on the description of their situations. — Mary Lascelles

I love you.
He said it simply, quietly. He didn't say those words as she had imagined them said so many times by characters in novels. He didn't say them with desperation, with pleading, with futile rage or florid persuasion. He spoke without lasciviousness; he spoke only with the intention of being understood. — Anna Godbersen

I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors. — Vladimir Putin

Curiously, Laura Warholic is one of those novels in which the characters actually read books.You don't often see this in contemporary fiction. People resent polysyllabic words, find it showing off, never look them up, refuse to play. Words are to a writer what paint is to an artist. I am amazed at how readers refuse to enjoy the out-of-the-way fact, the astonishing detail, the original thought. Style is taken as an affront by stupid and lazy people. Just say it, they say. Sure! Should I die or should I live basically sums up Hamlet's "To Be or Not to Be" soliloquy. Why didn't he just say so!? — Alexander Theroux

His unrivaled genius as an ideological novelist was this capacity to invent actions and situations in which ideas dominate behavior without the latter becoming allegorical. He possessed what I call an eschatological imagination, one that could envision putting ideas into action and then following them out to their ultimate consequences. At the same time, his characters respond to such consequences according to the ordinary moral and social standards prevalent in their milieu, and it is the fusion of these two levels that provides Dostoevsky's novels with both their imaginative range and their realistic grounding in social life. — Joseph Frank

We become attached to certain characters in novels, mostly because they have some mystery attaching to them. We re-read the books, but we're still left wanting to know more. In my own case, it was 'Great Expectations' and Miss Havisham in particular. Luckily, writers have the option of making up the knowledge that reading doesn't supply. — Ronald Frame

People are much more complicated in real life, but my characters are as subtle and nuanced as I can make them. But if you say my characters are too black and white, you've missed the point. Villains are meant to be black-hearted in popular novels. If you say I have a grey-hearted villain, then I've failed. — Ken Follett

Besides it's not as though the prisoner can truly die, any more than a character in a novel can. You can always flip back to the first page, can't you? — Django Wexler

I think one of the few faults in Dickens is that mostly his lead characters are blanks - who is David Copperfield, who is Oliver Twist? And yet he takes such joy in populating the rest of his novels with these fantastic, grotesque people like Pecksmith and so on. — Mark Gatiss

Novels and stories are renderings of life; they cannot only keep us company, but admonish us, point us in new directions, or give us the courage to stay a given course. They can offer us kinsmen, kinswomen, comrades, advisors - offer us other eyes through which we might see ... Every ... student ... will all too quickly be beyond schooling, will be out there making a living and, too, just plain living - that is, trying to find and offer to others the affection and love that give purpose to our time spent here ... [Characters] can be cautionary figures ... who give us pause and help us in the private moments when we try to find our own bearings — Robert Coles

I especially don't like the graphic violence against women and children often depicted in novels such as 'The Girl With the Dragon Tattoo' and others. I'm not sure if it's being done just to entertain or whether it really is necessary for the characters involved. — Ann Cleeves

I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell
and get a job at Taco Bell in the meantime. — Bentley Little

The only form of fiction in which real characters do not seem out of place is history. In novels they are detestable. — Oscar Wilde

There is seldom a physical description of a character or scene in Pride and Prejudice and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone - different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.
The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds. — Azar Nafisi

A Dickens character to me is a theatrical projection of a character. Not that it isn't real. It's real, but in that removed sense. But Sherlock Holmes is simply there. I would be astonished if I went to 221 1/2 B Baker Street and didn't find him.
[An Invitation to Learning, January 1942] — Rex Stout

Literature had taken possession even of her memories. She was matching him, presumably, with certain characters in the old novels ... — Virginia Woolf

Authors, she soon decided, were probably best met within the pages of their novels, and were as much creatures of the reader's imagination as the characters in their books. Nor did they seem to think one had done them a kindness by reading their writings. Rather they had done one the kindness by writing them. — Alan Bennett

I grew up in a community where it was not the exception to be a good girl. It was sort of expected. And all of my friends were good girls too, and my boyfriends were good boys. Everybody was pretty nice. And that affects how I write my characters. There aren't very many bad guys in my novels. — Stephenie Meyer

The world is full of novels in which characters simply say and do. There are certainly legitimate genres in which this is sufficient. But in real and lasting writing the character is. — Ruth Park

Readers of novels often fall into the bad habit of being overly exacting about the characters' moral flaws. They apply to these fictional beings standards that no one they know in real life could possibly meet. — Edmund White

I would like to be a D.H. Lawrence character, living in one of his novels. The people I meet don't even seem to have characters. And life seems so rich, when I look at it through his eyes, yet my own life very often appears sterile, like a bad patch of earth, as if nothing will grow there however hard I try. — Rachel Cusk

My first two novels were set in the past, and that freed me up in a lot of ways; it allowed me to find my way into my story and my characters through research. — Jennifer Gilmore

You're able to do things in novels: introduce subplots, other characters, thematic layers and so on, in a way that you simply can't in a movie. A movie really has to choose its battles. — Walter Kirn

In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated. — Stacey D'Erasmo

Though we run across exceptions, philosophical novels where explanation holds interest, the temptation to explain is one that should almost always be resisted. A good writer can get anything at all across through action and dialogue, and if he can think of no powerful reason to do otherwise, he should probably leave explanation to his reviewers and critics. The writer should especially avoid comment on what his characters are feeling, or at very least should be sure he understands the common objection summed up in the old saw Show, don't tell. — John Gardner

Different narrative forms naturally lend themselves to different aspects of existence. The novel is ideal for presenting the inner lives of its characters, the play is ideal for showing people in a room talking and movies are ideal for showing large metal objects hurtling through the air. — Todd Alcott

I think there have been a lot of writers who've been experimenting lately with really sprawling novels that will deal with a number of different characters and different points on the globe. I understand that as a method of getting at the global culture that we live in, and I understand writers who want to maybe juxtapose very different historical periods to make some larger points about how things have changed over time. I tend to like the sort of idea of the novel as a little village, and the novel as a microcosm, a smaller world standing in for a larger one. — Tom Perrotta

I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it. — Vladimir Nabokov

To a degree that would be astonishing in the United States, Vietnamese in all walks of life could recite long passages from poems, recount folktales and legends, and discuss novels thirty years old as if the characters lived next door. — Neil L. Jamieson

When I think of highly plotted novels I think of detective fiction or mystery fiction, the kind of work that always produces a few dead bodies. But these bodies are basically plot points, not worked-out characters. The book's plot either moves inexorably toward a dead body of flows directly from it, and the more artificial the situation the better. Readers can play off their fears by encountering the death experience in a superficial way. A mystery novel localizes the awesome force of the real death outside the book, winds it tightly in a plot, makes it less fearful by containing it in a kind of game format. [from an interview with DeCurtis] — Don DeLillo

Some TV shows are like really good novels in that there are enough episodes that you start to have your own feelings about how the characters should act. When the scriptwriters go slightly wrong, when they make the character make a left turn that he or she wouldn't do, you know enough about the characters to say, "No, that's not what she would do there. That's wrong." You can actually argue with a TV show in a way that you can't do as much with movie - you inhabit a TV show in the way you inhabit a novel. — Nicholson Baker

One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed. — Graham Greene

There are twenty-four characters in this book named Max. Let there be an end to this silly business of authors never giving their own names to characters in their novels. False modesty, faugh! — Max Shulman

When I start writing these novels, I go into them with a spirit of inquiry rather than to substantiate prejudices I had in the beginning. If you don't do that, you can't write good characters. — Ruth Ozeki

I hope that when the characters in my novels dream beyond their current circumstance, it inspires the reader to do the same. — Kristine Scarrow

She asked me later, half-joking, if the characters stay together for the rest of their lives. I couldn't avoid a flicker of annoyance. I answered no: they see each other again as adults and they get involved for a few weeks, maybe months, but in no way do they stay together. I told her it couldn't be like that, it's never like that.
It's never like that in good novels, but in bad novels, anything is possible. — Alejandro Zambra

I think there's a real connection between acting and writing novels because the way I write characters has a little bit to do with the method acting that I was taught in high school and college. — Jeffrey Eugenides

Sometimes I don't know whether Zelda and I are real or just characters in one of my novels. — F Scott Fitzgerald

I set out to write a series of grand stories starring queer people. My vision has always been to let that "queerness" exist organically without it being the focus of the story. Growing up, I got sick of "tragedy porn" slice of life novels being the only LGBT literature in existence. Here I hope that I captured the idea that queer people can own a high fantasy adventure without the story being reliant solely on the characters' "queerness" alone. — Hazel Blackthorn

Authors also create lovable, friendly characters, then proceed to do terrible things to them, like throw them in unsightly librarian-controlled dungeons. This makes readers feel hurt and worried for the characters. The simple truth is that authors like making people squirm. If this weren't the case, all novels would be filled completely with cute bunnies having birthday parties. — Brandon Sanderson

At their core, Tiger Eyes, Forever ... , and Sally J. Freeman are all books about teenage issues, but to an adult reader, the parents' story lines seem to almost overshadow their daughters. I'm bringing an entirely new set of experiences to these novels now, and my reward is a fresh set of story lines that i missed the first time around. I'm sure that in twenty or thirty years I'll read these books again and completely identify with all the grandparent characteristics. That's the wonderful thing about Judy Blume - you can revisit her stories at any stage in life and find a character who strikes a deep chord of recognition. I've been there, I'm in the middle of this, someday that'll be me. The same characters, yet somehow completely different. (Beth Kendrick) — Jennifer O'Connell

While I've written in the POV (point of view) of adolescent characters before ... I never have had to create novels in which those characters not only drive the plot, but also are instrumental in resolving whatever issue the plot deals with. — Elizabeth George

For the past few years my fans have made it very clear that they would like to read my novels and revisit my family of characters faster than I can write them. For them, I am willing to make a change to my working methods so the stories in my head can reach the page more frequently. — Wilbur Smith

Poorly written novels
no matter how pious and edifying the behavior of the characters
are not good in themselves and are therefore not really edifying. — Flannery O'Connor

Even Clark French's novels exerted a tenacious and combative goodwill: his main characters, lost souls and serial sinners, always found redemption; the act of redeeming usually followed a moral low point; the novels predictably ended in a crescendo of benevolence. — John Irving

I've just finished a series of Olivia Manning novels. She's best known for two trilogies: Balkan Trilogy and Levant Trilogy. The six novels are continuous and contain the same set of characters. They are based on Manning's experiences in Eastern Europe and Egypt during the Second World War. Each novel is a wonderful picture of the peculiar British expatriate culture and what was happening during the war. She's one of those brilliant women who write very well about domestic relationships. All the books are slim, and it's easy to gallop through them. — Sarah Waters

Cinema is a mixed form. L'Avventura has characters, it has social context, and these things are not trivial. Its plot is the disappearance of a disappearance. Possibly the most frightening plot imaginable. Forgetting the dead, whom all of history tells us we must remember. But what makes movies themselves, rather than novels or plays, is something else. What is it if not the film medium itself? The purity of the visual, which lies in the silence of the stilled image. The freeze frame. The deeply, deeply silent image. Like death. The image in itself in its silent purity reaches
it reaches!
for the purity of death. — Frank Lentricchia

The standard heroes and heroines of novels, are personages in whom I could never, from childhood upwards, take an interest, believe to be natural, or wish to imitate: were I obliged to copy these characters, I would simply
not write at all. Were I obliged to copy any former novelist, even the greatest, even Scott, in anything , I would not write
Unless I have something of my own to say, and a way of my own to say it in, I have no business to publish; unless I can look beyond the greatest Masters, and study Nature herself, I have no right to paint; unless I can have the courage to use the language of Truth in preference to the jargon of Conventionality, I ought to be silent. — Charlotte Bronte

A reviewer once commented that my urban fantasy novels were paced more like epic fantasy, in that they relied on complex world-building and a gradual immersion in the lives of the characters. — Laura Anne Gilman

Romance novels have the power to bring love into the lives of readers. Through the characters, we get to fall in love every time we pick up a romance novel. What could be better than that? — Lori Wilde

I don't believe novels should carry an obvious message. I don't want to write characters you can immediately say are good or bad; as in life, most people are a mixture. — Christopher Koch

Characters develop as the book progresses, but any that start to bore me end up in the wastepaper basket. In real life, we may have to put up with tedious people, but not in novels. — Laurie Graham

That's what novels are: They're amalgams of archetypes, collections of random traits one observes in other people through life, blended into fresh characters. — Michael Callahan

I've got a particular way of writing novels, and that carries over into the way I write comics and games, too. I'm a news journalist by background, so I approach everything as reporting - I treat it as real, I ask the questions I'd ask in a real situation, and I let the characters speak for themselves. — Karen Traviss

The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. — Milan Kundera

Most gothics are overplotted novels whose success or failure hinges on the author's ability to make you believe in the characters and partake of the mood. — Stephen King

Romance novels feature nuanced portrayals of female characters having adventures, making choices, and accepting themselves just as they are. When we say these stories are silly and unrealistic, we are telling young girls not to expect to be the heroines in their own real lives. — Maya Rodale

My books are based on emotions, feelings, relationships. In these areas women are experts, so it's not strange that the main characters of my novels are females. — Isabel Allende

Unlike novels with a hero or two heroines, in 'One Amazing Thing,' all the characters tell stories they've never told anyone before, so all the voices become equally important. — Chitra Banerjee Divakaruni

Most of my novels were developped from dreams I had. A dreamer I AM! Literally , at 1 AM. A dream with 140 characters is to dream an impossible dream. Too many characters to develoo from it. But in twitter that worked just fine for me, — Ana Claudia Antunes

It is because these characters depend to such a high degree on their own sense of integrity that for them, victory has nothing to do with happiness. It has more to do with a settling within oneself, a movement inward that makes them whole. Their reward is not happiness - a word that is central in Austen's novels but is seldom used in James's universe. What James's characters gain is self-respect. — Azar Nafisi

As you write your novel, you gradually start thinking like some of your characters in it. And at times the writer may lose himself completely in some character. — Avijeet Das

My own heart is in my characters. My novels are my memories; they are the best part of me. — Gabrielle Dubois

Writing is a vocation and, as in any other calling, a writer should develop his talents for the greater glory of God. Novels should be neither homilies nor apologetics: the author's faith, and the grace he has received, will become apparent in his work even if it does not have Catholic characters or a Catholic theme. — Piers Paul Read

There are lots of authentic, moving characters in so-called systems novels, just as there are certainly deep structural ideas in some character-driven novels. — Dana Spiotta

In this country, we were not into detail. Europe developed detail." "Why do you think that is?" "Weather. The whole history of England consists of finding things to do out of the weather. Which tells you why Russia was even worse. That's why Russian novels have 182 characters: bad weather. — Ken Jennings

I think there should be more black characters, and more of all kinds of characters, in fiction. Almost all of the main characters in my novel Anansi Boys are black. And there are black characters in featured roles in all the other novels except Stardust and Coraline. (Something I was happy to see was not the case in Henry Selick's film.) — Neil Gaiman

I liked 35 and in both my novels that is the age of the lead characters. I tried making them my age but they just seemed to keep moaning about stuff. — Alexei Sayle

I always think that it's wrong to put images of my protagonists on the cover of my novels because readers can identify with characters only if they are given the chance to imagine them independently. — Orhan Pamuk

I do not use profanity in my novels. My characters all go to church. — Nicholas Sparks

No mind ever grew fat on a diet of novels. The pleasure which they occasionally offer is far too heavily paid for: they undermine the finest characters. They teach us to think ourselves into other men's places. Thus we acquire a taste for change. The personality becomes dissolved in pleasing figments of imagination. The reader learns to understand every point of view. Willingly he yields himself to the pursuit of other people's goals and loses sight of his own. Novels are so many wedges which the novelist, an actor with his pen, inserts into the closed personality of the reader. The better he calculates the size of the wedge and the strength of the resistance, so much the more completely does he crack open the personality of the victim. Novels should be prohibited by the State. — Elias Canetti

Utter objectivity ... is not only impossible when judging literature, it's not exactly desirable. Fiction involves trace elements of magic; it works for reasons we can explain and also for reasons we can't. If novels or short-story collections could be weighed strictly in terms of their components (fully developed characters, check; original voice, check; solidly crafted structure, check; serious theme, check) they might satisfy, but they would fail to enchant. A great work of fiction involves a certain frisson that occurs when its various components cohere and then ignite.
(Source: "Letter from the Pulitzer Fiction Jury: What Really Happened This Year" in The New Yorker.) — Michael Cunningham

Well, I think in my first two novels, both the characters are pretty neurotic, which I would say that I am. — Curtis Sittenfeld

By the hairy ass of lord hell. Many characters in the Deverry Cycle Novels — Katharine Kerr

She will be busy writing novels. As soon as she had has gotten far enough away from this frighteningly puritanical country, her mind will be set free, and she will be able to turn all of her observations in richly drawn characters and intricately themed stories."
"But what will she eat, dear Grass?" Barnard leaned against the wall, his arms crossing his chest skeptically.
"Baguette and red wine, pure art, filthy air. Look at her, she is made of rose petals, and the world will take good care of her. And if it does not, we will have our hearts moved by such an exquisitely gorgeous tragedy. — Anna Godbersen

Nowadays I'm really cranky about comics. Because most of them are just really, really poorly written soft-core. And I miss good old storytelling. And you know what else I miss? Super powers. Why is it now that everybody's like "I can reverse the polarity of your ions!" Like in one big flash everybody's Doctor Strange. I like the guys that can stick to walls and change into sand and stuff. I don't understand anything anymore. And all the girls are wearing nothing, and they all look like they have implants. Well, I sound like a very old man, and a cranky one, but it's true. — Joss Whedon