Characters And Real Life Quotes & Sayings

I sometimes get asked: 'How come the men in your stories don't have such strong characters?' And I'm like: 'I don't care.' I just want to find out about all the different lives a woman can live. But my feminism has never been against men. It's not erasure; it's just they're not the focus. In real life, they're quite nice. — Helen Oyeyemi

When your characters are not white hats or black hats but something in between, you do have to be very careful about your details. So, that takes a while. I'm not interested in white hats and black hats. I don't think that's how people are in real life. — Victor Levin

I just want to keep finding special characters that I feel like I can bring to life and characters that are real and not superficial. — Aubrey Plaza

Fourteen, fifteen, sixteen, seventeen, lemme tell you. Those are big years. Everybody always thinks of it as a time of adolescence - just getting through to the real part of your life - but it's more than that. Sometimes your whole life happens in those years, and the rest of your life it's just the same story playing out with different characters. I could die tomorrow and have lived the main ups and downs of life. Pain. Loss. Love. And what you all so fondly refer to as wisdom. Wanna know the difference between adult wisdom and young adult wisdom? You have the ability to look back at your past and interpret it. I have the ability to look at my present and live it with my whole body. — Lidia Yuknavitch

Clifford paints true-to-life characters with the same gritty touch as the best of Dennis Lehane. Straightforward and edgy, Lamentation gnaws with nail-biting tension on every page. A must-read for contemporary hardboiled mystery fans who appreciate the type of terse dialogue and real life conflicts and settings Elmore Leonard so richly brought to life. — Robert Dugoni

If I'd learned anything from writing this book, it was that no matter how you might read characters in a book, real life was always different. It was easy for a writer to spin a story to make the hero or heroine seem smart and intelligent, for them to make the right moves, take the correct steps toward their future, but when it came to real life, it didn't quite happen that easily. People were constantly making mistakes and showing insecurities, even when they didn't realize it, and being so imperfect that it actually made them perfect . . . because they were human. Those — Meghan Quinn

Education is not confined to books, and the finest characters often graduate from no college, but make experience their master, and life their book. [Some care] only for the mental culture, and [are] in danger of over-studying, under the delusion ... that learning must be had at all costs, forgetting that health and real wisdom are better. — Louisa May Alcott

I am a close friend of Robert Loggia. And I just love how, with actors, there's the screen persona. Here is Robert, known for his portrayal of many characters, including gangsters. But in real life, he is elegant and erudite. He sits in the garden reading the sonnets of William Shakespeare. — Luanne Rice

I'm mostly a historical romance reader, but I never miss a Susan Elizabeth Phillips book. Her characters are larger than life and heartbreakingly real at the same time. I don't know how she does it. — Julia Quinn

There will always be a slight difference between the reel and the real. Even my family might know 99 per cent about me, but there will be this one per cent about me that nobody will ever know. Being in this profession, I am fine with biopics or movies inspired by real-life-characters. — Vidya Balan

I wish we could sometimes love the characters in real life as we love the characters in romances. There are a great many human souls whom we should accept more kindly, and even appreciate more clearly, if we simply thought of them as people in a story. — G.K. Chesterton

Real life this fdar had taught me that in the adult world, fate was chaotic and uncertain. Guidelines for success were arbitrary. But in the world of D&D, at least there was a rule book ... By role-playing, we were in control, and our characters ... wandered through places of danger, their destinies, ostensibly, within our grasp. — Ethan Gilsdorf

All of the trickster, rascal characters that I write have the voice I aspire to. In real life, you can't be that obnoxious and get away with it. — Christopher Moore

We all have to show up and do our job regardless of our life circumstances or situations. We don't have to do it with an attitude or whatever but maybe we do that day. Everyone understands that life happens and we have to create a whole other life where our life doesn't even exist. You know, our real life doesn't exist, these characters exist. And that is our life. And that's who we are. — Queen Latifah

The drive of the story is sort of hinted at the beginning, is Joy and Sadness and those two characters. Especially Joy starting to understand that there's more to life than being happy. And so that's based on real life observations and things that we've learned as adults. — Pete Docter

Life in a small town is like an intricately plotted novel, and even though I had read every book in the public library by the time I was fourteen, I found the real people around me saying and doing far more interesting things than did the imaginary book characters. — Maxine Cheshire

Speaking of love, one problem that recurs more and more frequently these days, in books and plays and movies, is the inability of people to communicate with the people they love; husbands and wives who can't communicate, children who can't communicate with their parents, and so on. And the characters in these books and plays and so on (and in real life, I might add) spend hours bemoaning the fact that they can't communicate. I feel that if a person can't communicate, the very least he can do is to shut up. — Tom Lehrer

You definitely do not do films for that particular reason. You do them for yourself, for your satisfaction of creating this thing with characters and watching these characters take on real life - that's all you care about. — Clint Eastwood

If you were to bother to read my books, to behave as any educated person would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life. Especially soldiers and hardworking men speak coarsely, and even our most sheltered children know that. And we all know, too, that those words really don't damage children much. They didn't damage us when we were young. It was evil deeds and lying that hurt us. — Kurt Vonnegut

I enjoy playing real human beings after playing a lot of larger than life characters. I love playing true to life characters and that is what I intend to do for the majority of my career. — Michael Jai White

In movies and TV, we tend to fall into tropes about how characters might get out of problems. But when you look at real life, you realize that there is a lot of drama of not being able to get out of the problems. — Matthew Weiner

I'm a nice middle-class girl in real life, and I'm a mom and a grandma, and I usually play sweet characters. — Jacki Weaver

Reality television paints a simple black-and-white world of good characters and bad characters; people we want to root for and people we want to see ruined. There is none of the gray ambiguity that colors real life. I no longer watch a lot of reality television, but sometimes I can't look away from 'Honey Boo Boo.' I just can't. — Molly O'Keefe

In real life, people are integrated into society. That's what happens in my books as well. Minor characters don't just walk in and spout lines, they interact and have an effect on the events. It's not an isolated universe. — Stieg Larsson

Life is too short to be anything but real with the cast of characters God has placed in the story of your life. Love well, laugh often, and find your life in Christ. Don't hide away or be a follower. Be the wonderful unique person God made you to be, and know that your purpose will always be best when defined by your faith in him — Karen Kingsbury

Life is better than any movie or TV show. In real life there is no plot and there are billions of characters. — Marc Pamittan

I think of writing now as a long, tiring, pleasant seduction. The stories that you tell, the words that you use and refine, the characters you try to give life to are merely tools with which you circle around the elusive, unnamed, shapeless thing that belongs to you alone, and which nevertheless is a sort of key to all the doors, the real reason that you spend so much of your life sitting at a table tapping away, filling pages. — Elena Ferrante

I like characters. I like spirited characters whether they exist in fiction or real life. Whether they're the invention of artistic people or directors, musicians. I think music and art and fashion designers inspire me and I like characters. — Marc Jacobs

That's what great books are about, revealing our life in a way stories only can. We see ourselves in the characters, our own struggles and short comings in a way that's non threatening and non judgmental. We learn from the characters we take those lessons and inspirations back to the real world I believe that a good book leaves its readers better then they were before. — A.G. Riddle

The value of experience, real or imagined, is that is shows us how to - or how NOT to - live. In reading about different characters and the consequences of their choices, I was finding myself changed. I was discovering new and distinct ways of undergoing life's sorrows and joys ...
and all the great books I was reading - were about the complexity and entirety of the human experience. About the things we wish to forget and those we want more and more of. About how we react and how we wish we could react. Books ARE experience, the words of authors proving the solace of love, the fulfillment of family, the torment of war, and the wisdom of memory. Joy and tears, pleasure and pain: everything came to me while I read in my purple chair. i had never sat so still, and yet experienced so much. — Nina Sankovitch

If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea (coffee) and hold her. You may lose her for a couple of hours but she will always come back to you. She'll talk as if the characters in the book are real, because for a while, they always are. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. — Robert Pattinson

I think real humans are so complicated, and often [characters] are written more one-dimensional without maybe even the writer knowing it. I've felt numerous moments in my life where my most confident moment and my most insecure moment were exactly the same time. There's nothing funny or interesting about perfection. — Kristen Bell

Instead, I read books in the library, huddling on a bean bag in a corner and getting lost in somebody else's victories and troubles. I never had much time for fiction before. I preferred real life. Mathematics. Solutions. Things that actually have a bearing on my life. But I can understand now why people read, why they like to get lost in somebody else's life. Sometimes I'll read a sentence and it will make me sit up, jolt me, because it is something that I have recently felt but never said out loud. I want to reach into the page and tell the characters that I understand them, that they are not alone, that I'm not alone, that it's okay to feel like this. And then the lunch bell rings the book closes and I'm plunged back into reality. — Cecelia Ahern

I believed in fictional characters as if they were a part of real life. Poetry was important, too. My parents had memorized poems from their days attending school in New York City and loved reciting them. We all enjoyed listening to these poems and to music as well. — Alice McDermott

The synopsis looked good,
the cover looked nice,
you opened the book,
and began a new life.
You found a new home,
you met some new friends,
you kept on reading,
hoping it would never end.
You danced through the pages,
you sang out the words,
you felt all their joy,
and all their pain and hurt.

The pages cut your fingers,
the words cut your heart,
like the author had a knife,
and was tearing your soul apart.
You laughed with the characters,
and with them you cried,
you fell in love with them, too,
and with them you died,
and when the book reached its end,
and your broken heart couldn't heal,
you suddenly realized that
It's not real — Unknown

You must create the character's internal life. What do I mean by internal life? I mean the thoughts, feelings, memories, and inner decisions that may not be spoken. When we look into the eyes of actors giving fully realized performances, we can see them thinking. We're interested in what they're experiencing that may never be spoken, that quality of nonverbal expression - which is as much a part of the characters as breathing and as real as what they say and do. This is their internal life. It helps us believe in the characters and care about them. — Larry Moss

Heavy is the head that holds the pen of creation. We construct these characters from nothing, molding them from our imaginations. We give them hopes and dreams and unique personalities until they feel so real you're mind believes it must be so. We watch them grow by our hands, not always knowing the paths they will choose with the obstacles we throw at them. They take on a life of their own and often surprise even us by their actions we couldn't have imagined before it poured out of us onto the paper. We could change it if we really wanted to, but it would be forced and not be true to the characters. And when something tragic happens and one is lost, we feel that loss even though we know they were not a friend, a family member or even ourselves. It can be a hard thing to voice sometimes, to give tribute to the one's left behind with the real sadness over something not so real. But we find the words and press on to the next challenge, because that's what good writers do. — Jennifer A. Marsh

When writing fiction, you learn to only put things and characters in, that are going to progress your story. There is something to be learned about that approach in real life — Carl Henegan

The lovely thing about writing is, well, two things. One, writing fiction allows us to bring an order to our lives that doesn't exist in real life. And two, it allows us to create human characters that we know better than we will ever know anyone in real life. — Octavia E. Butler

People are much more complicated in real life, but my characters are as subtle and nuanced as I can make them. But if you say my characters are too black and white, you've missed the point. Villains are meant to be black-hearted in popular novels. If you say I have a grey-hearted villain, then I've failed. — Ken Follett

A Dickens character to me is a theatrical projection of a character. Not that it isn't real. It's real, but in that removed sense. But Sherlock Holmes is simply there. I would be astonished if I went to 221 1/2 B Baker Street and didn't find him.
[An Invitation to Learning, January 1942] — Rex Stout

If people ever look down upon you for crying for fictional characters, you should give them a gentle, pitying look and feel bad for them. If they've never cried for a fictional character, then they've never loved one (and what a joy that is). If they've never cried at a book, a movie, a piece of music, then they've missed one of the great pleasures life has to offer. Just because fiction does not contain things that are real doesn't mean it doesn't contain truth, and we find it through the alchemy of our tears. — Cassandra Clare

The result is a picture that represents so much of what I want and rarely get from a movie - a couple of hours filled with characters who are as exciting as the people I know in real life. — Gene Siskel

When you're traveling constantly, every day you become inspired, and it shows in my work, sonically, lyrically, visually. Conversations with women with different accents and stories told in those accents. I like to create characters based on different people I've met, and relationships. I like to tell stories loosely based on real-life events. — The Weeknd

If you're a cartoon character or most TV characters, sure, you'll fight, because the punches are juicy-sounding and they don't leave marks. But in real life, if somebody punches you in the eye, it doesn't make any noise and your eye is swollen for, like, six months. It's a nightmare to get punched in the eye. — Louis C.K.

I expect that any day now, I will have said all I have to say; I'll have used up all my characters, and then I'll be free to get on with my real life. — Anne Tyler

The female characters in my books tend to be independent, frisky, spunky, witty, emotionally strong, erotically daring, spiritually oriented and intellectually generous; in short, the kind of women I admire in real life. — Tom Robbins

In my stories, I controlled what happened in a way I couldn't in real life. My characters lived through the horror and degradation of the cruelty of others and they not only survived, they thrived. They gave me hope and laughter, and they kept me going in spite of everything else. They were my heroes. — Sherrilyn Kenyon

I want to try and portray characters that are in real life, that you see day-to-day. If I were to just stay in my little village in Wales, I would have gotten a very small taste of a very big plate. — Joshua Sasse

I have a lot of real life experience that I can draw on. And I think that shows in the characters that I play because I'm always trying to find somebody - or find characters to play that I can identify with on a personal level or relate to. And I think it makes for a little bit more of an honest portrayal. — Mark Wahlberg

Austen's works have endured because she had a superb narrative technique and a gift for creating characters who feel as real as life itself. She didn't just write about romance. She observed subjects and social and emotional struggles that are struggles that are still very relevant today. She could pull at your heartstrings, but she could also make you laugh and cry. At the end of her books, if you're paying attention, you come away feeling a little wiser about yourself and what's important in life. — Syrie James

I take stuff from real life and try to make a character out of it. And I try to live the world of the characters a little bit. — John Searles

One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed. — Graham Greene

Is grey, and I like that about all the characters, the killer, the driver ... the movie has a very unlikely Hollywood ending, at the same time it helps you for a sequel too. Those are the things that I think are attractive, it's more, its real life, and people can identify with it and it just grounds it to a certain degree. That's the reason why. — George Tillman Jr.

What's remarkable about fiction is that it places you in the unusual position of having no trajectory. You stand aside, motives abandoned for the duration. The characters have the trajectories now, while you just observe. And this stirs compassion that, in real life, is so often obscured by our own motives. — Tom Rachman

I have lived so long within the circle of this book and with these characters that often it seems to me that the real world does not exist but that only these characters exist, and however pretentious that remark sounds ... it is an absolute fact
so much so that their glees and woes are just exactly as important to me as what happens in life. — F Scott Fitzgerald

When I use people I know, all of my instincts seem to go dead, and if I'm getting anywhere near myself then I can't do it. It's actually a real weakness! I hate writing personal essays, I don't think I'm especially good at it. I like just encountering [my characters], discovering them. I love the escape of just being surrounded by all these people who are nothing like people I know. But I don't find it hard to be in the middle of a different life, with a different set of habits and way of thinking and talking. That seems to come easily to me. — Jennifer Egan

Feminist narrative theory notes that for most of literary history there's been an imbalance between men's and women's stories. Male characters go out into a world of infinite possibilities. Female characters either get married or die. This makes enlightened female readers such as ourselves pissed off. But however much we deconstruct the narrative, however vigilantly we plow and apply the theory and read with our skeptical, over-educated eyes, still some lessons are hard to fully internalize, and the dream of happily-ever-after love, in real life and in literature, dies hardest of all. — Laurie Frankel

It isn't as if a writer merely records life as it unfurls. Reality does not automatically transcribe as literature; real people are not shapely, compelling characters to be harvested. Charming facts and sharp observations rarely slide seamlessly into whatever narrative is at hand. — Michelle Huneven

In real life, people are constantly saying one thing and doing another, but if you write your characters that way, the story becomes too hard to follow. — Jessica Cutler

It is given to all of Dostoevsky's characters to "think and seek higher things"; in each of them there is a "great and unresolved thought"; all of them must, before all else, "get a thought straight." And in this resolution of a thought (an idea) lies their entire real life and their own personal unfinalizability. If — Mikhail Bakhtin

More than any other contemporary British playwright, Tom Stoppard populates his plays
from Rosencrantz and Guildenstern Are Dead to The Invention of Love (his portrait of the poet and scholar A. E. Housman)
with characters from life and literature. But one cannot always tell the difference between those who are real and those who are imaginary. — Mel Gussow

I'm not making a movie about the real people. I'm making a movie about what they did, and what happened to them. But I will create characters so that I can have the freedom to make them say and do what I want. The real-life journalists were fine with that. — Richard Shepard

I've never written a fiction before about real people ... I read everything that I could find by people who met them and tried to get some impression of them, but as always when you write fiction, even if you have completely fictitious characters, you start by thinking of what is plausible, what would they say, what would they be likely to do, what would they be likely to think. At some point, if it is every going to come to life, the characters seem to take over and start speaking themselves, and it happened with [COPENHAGEN]. — Michael Frayn

I think "honest" sometimes gets used to describe a real depiction of real life. I don't think that's necessarily what we're doing. We created these fake characters and we're just trying to figure out what they would do in situations they enter into. — Paul Rust

Like most modern people, we no longer bothered to make the distinction between events in real life and the dramas of fictional worlds, and so the cliff-hanger that inevitably, reliably ended the hour held just as much or more importance to us as the newspaper that usually went from doorstep to garbage bin unread, and we speculated about the future lives of the characters that populated decayed mansions or desert isles as if they weren't inventions of other human minds. — Dexter Palmer

One of the things that makes characters real is details. Life offers a lot of details. You just have to choose and use them wisely. When you give them to fictional people and a fictional story, their purpose and their meaning changes, so it's best to see the version in the book as fiction entirely, wherever it started out. — Nick Earls

In fiction, characters could punch their bosses and get away with it.
In real life, you lost your job, and then you were dining on Cup-a-Soup seven nights a week instead of four. — Sarah Morgan

Authors may have very good reasons for staying out of character's minds. What is in their mind ought to be out in the world of their action anyway, just as in Real Life. Inside is already out there, and visible. It is also a reader's responsibility to imaginatively project the inner-lives of characters just as we have to imaginatively project the inner-lives of those most dear to us in Real Life. — Nathan "N.R." Gaddis

In a book, even the real bastards can't hurt you. And you can never loose a friend you make in a book. When you get to a sad part, no one's there to see you cry. Or wonder why you don't cry when you should. — Dean Koontz

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

Real-life teens wish they could live like the teens Hollywood promotes. Everyone has sex, and relationships are deep and meaningful, even if they only last a couple episodes. There are never any consequences to any action, except for experiencing the angst of teenage life alongside the characters. When a generation becomes desensitized to the ramifications of the culture around them, it's natural to seek out any sort of feeling, even angst. — Ben Shapiro

In all my songs, I take on roles and play characters. It's a unique way to explore ideas and decisions I might not think or make in real life. — Jack White

I liked the push and pull of that, between the outer political world and the inner personal lives of the characters. It's also real life ... Many of us are keenly aware of world events, but break your nose and I bet that's the main thing you'd be focused on. — Said Sayrafiezadeh

Real people, smart or otherwise, sometimes make stupid choices, and despite judgment, whether from other writers, readers, or haters, books with outwardly stupid characters making stupid choices will continue to sell, because if you dig a little deeper, you'll find a reason for a character's moment of idiocy; and more notably, this moment of idiocy amidst the chaos of life is real and relatable. — Shona Moyce

Dictators are ludicrous characters, and, you know, in my career and in my life, I've always enjoyed sort of inhabiting these ludicrous, larger-than-life characters that somehow exist in the real world. — Sacha Baron Cohen

With a click, my novel would be born; it would come out into the light suddenly transformed from the hypothetical text composed in my imagination into finished, tangible thing with a real and independent existence. The moment of clicking on the print button always gave rise to strange and powerful ambivalence
a combination of self-satisfaction, gloom and anxiety. Self-satisfaction for having finished writing the book. Gloom because taking my leave of the characters has the same effect on me as when a group of friends have to depart. And anxiety, perhaps because I am on the verge of delivering up into other people's hands something that I treasure. — Alaa Al Aswany

I always get role models, people from real life who've lived the lives of the characters, and talk it through together, me, them and the actor, a lot. That helps. We certainly have our disagreements. But in the end we trust each other. — Tony Scott

Writing isn't about creating perfect characters. There's no such thing. It's about creating characters that are real; flawed
yet beautiful, in that they know they need another person. Needing someone else doesn't make them weak; if they believed all they needed was them self, they would be. A strong heroine isn't afraid to admit that a best friend, or soul mate, is exactly what they need at one moment or another. A strong heroine never stands alone. They stand tall; they believe in who they are. They are perfect in every human flaw, because as humans we are flawed. And in every flaw, I see the perfection of their souls. Writers breath life into simple words and create beings
flaws and all. — Cassandra Giovanni

I love the whole kind of notion of transformation for me is (what) excites me about not only acting, but storytelling. I love, I love that notion of a slightly larger-than-life artistic truth, you know, magnifying real emotional truth (or) finding something about human condition (which), you wouldn't necessarily think you can learn from characters such as Kong or Gollum, but actually they are, you know, these huge amplifications of a human psyche and I suppose those kind of roles have always attracted me definitely. — Andy Serkis

With mockumentaries, the conceit is that the characters are being interviewed, so you can start a scene and cut to a character looking at the camera and saying, "I'm working on this project," instead of having to figure out ways for people to talk naturally about what they're doing. You see this problem in pilots - people end up explaining things to each other that they'd never explain in real life. — Michael Schur

Nothing (at least that can be done by humans) immortalizes anyone. The Fault in Our Stars will hopefully have a long and wonderful life, but it will eventually go out of print, and eventually the last person ever to read it will die, and then the characters will no longer live in any consciousness.Also, that is okay. That is good, actually. That is how it should be. One of the things the characters in this novel have to grapple with is the reality of temporaryness. What Gus in particular must reconcile himself to is that being temporary does not mean being unimportant or meaningless. — John Green

I've asked myself that a thousand times over and I'm no closer to an answer now than I was when it began. I think that's why I always loved movies so much. In a movie, everything has to make sense. The characters always have to have motivation. Good, solid motivation for everything they do. They can't be a dickhead without reason. If someone turns on a character, they have to have a hardcore, believable reason for it. Unfortunately, in real life you don't. People turn on each other for anything from catching a constipated look on your face when you had gas and thinking it was directed at them, to not liking the brand of shoes you're wearing. People are sick. (Aiden) — Sherrilyn Kenyon

Very rarely am I attracted to characters that are 'woe is me.' I'm not a big fan of women that have to be the victim and need to be saved, at all times. I don't necessarily think that's how it is, in real life, and I don't think that's how it should be in films. — Mila Kunis

I haven't personally in my real life had many people close to me die, but my characters have, and I've had to live that as though it's real. And it can take a really big emotional toll on someone. — Nina Dobrev

I think I've been good at getting into lonely and troubled characters because, not to brag, but I'm the complete opposite in real life. — Kodi Smit-McPhee

Writing (and reading) is a sort of exercise in empathy, I think. In life, when you encounter people, you and they have separate trajectories, each person pushing in a different direction. What's remarkable about fiction is that it places you in the uncommon position of having no trajectory. You stand aside, motives abandoned for the duration. The characters have the trajectories now, while you just observe. And this stirs compassion that, in real life, is so often obscured by our own motives. What — Tom Rachman

We referenced fictional characters as if they were people to learn from. As if real-life people were too nebulous, too private and unreal for us to understand. — Miguel Syjuco

I craved a form of naive realism. I paid special attention, I craned my readerly neck whenever a London street I knew was mentioned, or a style of frock, a real public person, even a make of car. Then, I thought, I had a measure, I could guage the quality of the writing by its accuracy, by the extent to which it aligned with my own impressions, or improved upon them. I was fortunate that most English writing of the time was in the form of undemanding social documentary. I wasn't impressed by those writers (they were spread between South and North America) who infiltrated their own pages as part of the cast, determined to remind poor reader that all the characters and even they themselves were pure inventions and the there was a difference between fiction and life. Or, to the contrary, to insist that life was a fiction anyway. Only writers, I thought, were ever in danger of confusing the two. — Ian McEwan

It is the case that, albeit to a lesser extent, all fictions make their readers live "the impossible", taking them out of themselves, breaking down barriers, and making them share, by identifying with the characters of the illusion, a life that is richer, more intense, or more abject and violent, or simply different from the one that they are confined to by the high-security prison that is real life. Fictions exist because of this fact. Because we have only one life, and our desires and fantasies demand a thousand lives. Because the abyss between what we are and what we would like to be has to be bridged somehow. That was why fictions were born: so that, through living this vicarious, transient, precarious, but also passionate and fascinating life that fiction transports us to, we can incorporate the impossible into the possible and our existence can be both reality and unreality, history and fable, concrete life and marvellous adventure. — Mario Vargas-Llosa

Careful not to blur the lines between what belongs to characters, and what does not belong to you. Even 'reality tv' is scripted. Don't get it twisted. ~T.F. Hodge — T.F. Hodge

I plot the first 5 or 6 chapters quite minutely, and also the end. So I know where I am going but not how I'm going to get there, which gives characters the chance to develop organically, as happens in real life as you get to know a person. — Joanna Trollope

In any case, the time has come when I must start a new book. This is not a trivial matter. Characters parade before me; some I like and admire, others I find not useful. The ones I use become very real, and many stay with me always: Cugel, Madouc, Navarth the Mad Poet, Howard Alan Treesong and Wayness Tamm, for instance. Beside characters to be interviewed, there are a dozen concepts to be pieced together, a locale selected, perhaps a whole new way of life to be studied and evaluated; and every story has, or should have, a mood: the connective tissue which holds the story together. In this regard some writers are adroit, others don't have a clue. — Jack Vance

It's funny, when I lived in Ohio, I would read about extraordinary, eccentric characters in books and plays, but I couldn't imagine them in real life. Then I came to New York. — Fiona Davis

That thicket gave me my first thought of what a long poem should be. Its unpeopled, life-filled stillness, its silence held by the crash of breaking waves below. I thought of a poem as a place into which one could wander, away from the cares of life. I realized its characters should be as unreal, and as utterly real, as the shadows that people this thicket. — Orna Ross

My indie work is mostly reality-based, focused on real life and characters. — Jeff Lemire

The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue. — Wallace Stegner

In the books, I meet characters which I really like and I think that they are like me... but so far I haven't met them in real life! — Deyth Banger

We're not going to make it, I said.
The words caught in my throat, choking me. What was it Leslie had said to me when we were discussing Shannon's and Antoinetta's disappearance? 'You're beginning to sound like one of the characters in your books, Adam.' She'd been right. If this were a novel my heroes would have arrived just in the nick of time and saved the day. But real life didn't work like that. Real life had no happy endings. Despite our best efforts, despite my love for Tara [his wife] and my determination to protect her, and after everything we'd been through at the LeHorn house, fate conspired against us. We were still nine or ten miles from home, and night was almost upon us. By the time we got there it would already be too late. I fought back tears. I had the urge just to lie down in the middle of the road and let the next car run over me. — Brian Keene

I write - and read - for the sake of the story ... My basic test for any story is: 'Would I want to meet these characters and observe these events in real life? Is this story an experience worth living through for its own sake? Is the pleasure of contemplating these characters an end itself? — Ayn Rand