Character Writing Quotes & Sayings

Place is character. And all writing is regional. — John Dufresne

No writing is effortless. I'm not saying you can't have a good day where the words just kind of flow, but even those words have to be edited. Probably more than once. And I'm not saying a character hasn't somehow gone in a different direction that I wanted her to go, but that was me, not her. I let her get away from me. I let her roam free and nine times out of ten, the result is not good. I have to go back and start over because she veered off the path of my book. She changed the vision. And I did that. Not her. — Darynda Jones

For me, it's important that I experience and feel what the characters are feeling. So I put myself in those moments, in their thoughts, and let it happen naturally. I write what I feel. — Chevy Stevens

I talk to myself on paper about my characters - sometimes writing in first person ... I keep lists of unanswered questions that I can always turn to in order to get myself going. — Phyllis A. Whitney

For me, the short story is not a character sketch, a mouse trap, an epiphany, a slice of suburban life. It is the flowering of a symbol center. It is a poem grafted onto sturdier stock. — William H Gass

I do play all the characters, when I write them, one after another. If they actually had to film me, the only one I could play would be Samwell Tarly or Hot Pie. — George R R Martin

I have always been drawn to characters, and this was true for my feature-writing career as well, where there is a tension between rule-breaking and rule-following. — Matt Nix

After writing for TV for a while, I got sort of fed up with all of the cancellations and the volatility in that industry. Also, you're always writing for someone else's character and story, and I really wanted to develop my own. — Kristin Gore

Chris Claremont once said of Alan Moore, "if he could plot, we'd all have to get together and kill him." Which utterly misses the most compelling part of Alan's writing, the way he develops and expresses ideas and character. Plot does not define story. Plot is the framework within which ideas are explored and personalities and relationships are unfolded. — Warren Ellis

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

Do remember, though, that unless you're a playwright, the result [dialogue] isn't what you want; it's only an element of what you want. Actors embody and re-create the words of drama. In fiction, a tremendous amount of story and character may be given through the dialogue, but the story-world and its people have to be created by the storyteller. If there's nothing in it but disembodied voices, too much is missing. — Ursula K. Le Guin

I write 1,000 words a day first thing in the morning but I cannot write 240 characters to describe a piece that I spent six weeks working on with a producer. — Daniel Alarcon

I love writing from enclosed spaces: you really learn about your characters when they have tight walls to push against. — Lauren Groff

Workshop Hermeticism, fiction for which the highest praise involves the words 'competent,' 'finished,' 'problem-free,' fiction over which Writing-Program pre- and proscriptions loom with the enclosing force of horizons: no character without Freudian trauma in accessible past, without near-diagnostic physical description; no image undissolved into regulation Updikean metaphor; no overture without a dramatized scene to 'show' what's 'told'; no denouement prior to an epiphany whose approach can be charted by and Freitag on any Macintosh. — David Foster Wallace

'Divergent' was my utopian world. I mean, that wasn't the plan. I never even set out to write dystopian fiction, that's just what I had when I was finished. At the beginning, I was just writing about a place I found interesting and a character with a compelling story, and as I began to build the world, I realized that it was my utopia. — Veronica Roth

Character development is vital when writing a strong story. Weak characters make for weak stories. — Beem Weeks

I imagine them very clearly and then attempt to describe what I can see. Sometimes I draw them for my own amusement! (talking about her characters and scenes) — J.K. Rowling

I do not allow fan-fiction. The characters are copyrighted. It upsets me terribly to even think about fan-fiction with my characters. I advise my readers to write your own original stories with your own characters. It is absolutely essential that you respect my wishes. — Anne Rice

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

There are a couple of strategies for writing about an absence or writing about a loss. One can create the person that was lost, develop the character of the fiancee. There's another strategy that one can employ, maybe riskier ... Make the reader suffer the loss of the character in a more literal way. — Junot Diaz

Choice betrays character," I said.
"That's not true." Loring moved his finger along the
sheet as if writing his name in cursive. "Eliza, you can't judge a man solely on his actions. Sometimes actions are nothing more than reactions. — Tiffanie DeBartolo

Laura thought Bell would have a few things to say to Pynchon. And Laura had a few things to say to Bell, like, How the hell was a writer supposed to know when she was one-fifth through her novel-writing, so she could cut a door into the wall and shove her character out into the forest? — L.L. Barkat

To me I don't deal with stress well at all, and it is stressful enough for me to deal with my own one character. So if I had to deal with all the characters and the special effects, and the editing and make the writing tweaks and do everything the director does, that would drive me to an early grave, and I just can't do it. — Doug Jones

Men have external genitalia, while women have internal genitalia. This simple difference makes a lot of difference in how they write about themselves - and how you might write about your characters. Male writers don't often address internal sensation in a character, because they don't experience it (and probably often don't realize consciously that it's there). This accounts for a lot of Really Terrible sex scenes written by men (if you look at the "Bad Sex-Scene Awards" in any given year, you'll see that the vast majority are done by male writers). — Diana Gabaldon

I think that the way that I write stories is by instinct. You have some basic ideas - a character, or an image, or a situation that sounds compelling - and then you just feel your way around until you find the edges of your story. It's like going into a dark room ... you stumble around until you find the walls and then inch your way to the light switch. — Dan Chaon

I've always been drawn to writing historical characters. The best stories are the ones you find in history. — Tony Kushner

It's usually easier for me to begin writing in a character's voice if that person is different from me in some significant way. — Nell Freudenberger

This story ["The Depressed Person"] was the most painful thing I ever wrote. It's about narcissism, which is a part of depression. The character has traits of myself. I really lost friends while writing on that story, I became ugly and unhappy and just yelled at people. The cruel thing with depression is that it's such a self-centered illness - Dostoevsky shows that pretty good in his "Notes from Underground". The depression is painful, you're sapped/consumed by yourself; the worse the depression, the more you just think about yourself and the stranger and repellent you appear to others. — David Foster Wallace

On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like. — David Bazan

With six weeks' worth of recuperation time, you'll also be able to see any glaring holes in the plot or character development. And listen
if you spot a few of these big holes, you are forbidden to feel depressed about them or to beat up on yourself. Screw-ups happen to the best of us. — Stephen King

All of a sudden, I sort of started to feel that I was constrained by the characters as opposed to enjoying them. And that remains for me to this day the line that I know where it's like, OK, you're not writing fan fiction anymore. — Naomi Novik

You're allowed to manipulate the environment, but not the character. — Sean Platt

My stories usually begin with the characters and some elements of how power (personal, political, magical) functions in the world. The rest develops as I write, and research helps a great deal with that. If you're going to write about an agrarian economy, research agrarian economies. If your main character is starving, then you should know what it means for a malnourished body to break down. — Leigh Bardugo

I want to be an animated character. I'm also doing more writing and directing. — Illeana Douglas

I once made the mistake of writing a story with David Corbett. The man smoked me. He can delineate the character and personality of an accordion in three strokes. I didn't even know accordions had character. This act of generosity and wisdom from a very good writer will help anyone who is staring at a blank page, any day, any time. Highly recommended. — Luis Alberto Urrea

A moment later the scowling face of Admiral Jellico appeared on the screen. He looked as ill-humored as ever. Privately, Calhoun felt that somebody should send an away team into Jellico's ass, to determine just what had crawled up there and died years ago. — Peter David

It's one of the most liberating things I experience in writing - letting yourself get rid of a gesture or character or plot point that always nagged, even if you couldn't admit to yourself that it did. — Leslie Jamison

Perhaps this is what Henry James meant when he talked about the "irresponsibility" of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life. — James Wood

There's just a deeper level of sophistication in the writing of female characters on TV. — Vera Farmiga

The American critic Dale Peck, author of Hatchet Jobs (2004), argues that reviewing finds its true character in critical GBH such as Fischer's [review of Martin Amis's Yellow Dog]. It represents a return to the prehistoric origins of reviewing in Zoilism - a kind of pelting of pretentious literature with dung, lest the writers get above themselves; it is to the novelist what the gown of humiliation was to the Roman politician - a salutary ordeal. Less grandly, bad reviews are fun, so long as you are not the author. There is, it must be admitted, a kind of furtive blood sport pleasure in seeing a novelist suffer. You read on. Whereas most of us stop reading at the first use of the word 'splendid' or 'marvellous' in a review. — John Sutherland

Reading books makes us more attentive to our personage and the aesthetic world that we live in. Writers that we idolize use language, logic, and nuance to paint physical and emotional scenes with refined precision. A writer's use of vivid language creates lingering aftereffects that work their wonder on the reader's malleable mind. A stirred mind resurrects our semiconscious memories; it causes us to summon up enduring images of our family, friends, and acquaintances. Just as importantly, inspirational writing makes us recognize our own telling character traits and identify our formerly unexpressed thoughts and feelings. — Kilroy J. Oldster

To hear one talk is better than to see one. — George MacDonald

I love this book! Cathy Malkasian's Percy Gloom swirls with echoes of cartoon landscapes from the past and present. You can almost hear Percy Gloom's meek, docile little voice. Her writing is so full of wit and charm that we, like the title character, walk dutifully to the edge and fall in. And like Percy, we are rewarded equally with night terrors and secret treasures. — Jeff Smith

Real novelists, those we admire, those we consider timeless in their language and character and scene, those who receive accolades for inventive language and form, have writing lives we imagine in specific ways. — Susan Straight

All the characters on the album are inside me, though none are me. They are sides of me or who I was. — David Berman

As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are. — Quentin Tarantino

You can't wait for someone to give you a show. That can't be the first time you're writing and drawing a character. — Rebecca Sugar

When you're writing TV or movies your vernacular is time, it's all based on rhythms, a character takes a beat or two characters have a moment, like everything is about time. And when you're writing a comic, everything is about space. It's how many panels to put on a page, when should you do a full page splash, what is the detail that you see in any particular image. — Eric Kripke

Whether your characters journey daily to a distant moon or just down the street to the corner bar, what matters to the reader is the singular event that distinguishes one such voyage from all the others and makes for a story worth telling. — Peter Selgin

You know how sometimes you hear a chord played on an organ and you can feel it vibrating in your bones? Sometimes when I'm writing, I can feel my bones vibrating because I'll have a thought or I'll have a character's voice in my head, and that's when I know I'm on the right track. — Laurie Halse Anderson

When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex. — Jaco Van Dormael

Any time two characters are talking about a third, the scene is a crock of s***. — David Mamet

Good fiction is trawling back into the past and digging up the real characters who've influenced your entire being. — Ken Scott

Although I'm very lazy when it comes to writing, I'm not that lazy when it comes to thinking. I like to develop the plan of a short story, then cut it as short as possible, try to evolve all the necessary details. I know far more about the characters than what actually comes out of the writing. — Jorge Luis Borges

That's where everything starts, as an actor: you've gotta have great writing and great character development, and then you have really great materials to work from. — Matt Lauria

Action is the pulse of any good story, but the character is the heart. If the action has no consequence to the character, the story loses heart. — Linda W. Yezak

When I write songs, I try to remove myself a little bit. Obviously they're very personal to me, but it feels easier if I feel like I'm writing characters. — Hozier

Writing is really freeing because it's the only part of the process where it's just you and the characters and you are by yourself in a room and you can just hash it out. There are no limitations. — Dee Rees

For me, the main inspiration to write a story or novel is the voice of its central character, or the narrative voice of the story itself. — Scott Bradfield

When I was writing my first draft, and feeling grandiose, I e-mailed an artist/clothing designer I know and suggested we collaborate on a fashion line inspired by the outfits my characters wore. I regret that we never did that. — Heidi Julavits

When I'm in the studio, I write the music, I play the different instruments, I produce it, I arrange it, and it's a self-indulgent exercise. It's the way I make my music. And when I'm acting, I get to leave myself behind, which is a relief. I get to collaborate with a director; I respect the director's medium and all the actors and actresses. So at the end of the day, it's about a character and it's about a director's vision. It's a really good balance for being so intense and alone in my personal process of making music. — Lenny Kravitz

I work sometimes from outlines, which are immediately abandoned. Sometimes, when I'm trying to find the characters, I'll sketch things out a bit. Sometimes, outlines help me aim a little bit, but I tend to find it's usually much more interesting, especially with the first draft, to spew it onto the page. I used to get very nervous that, if I write this first rough draft and I die that night, whoever finds it might think that I thought it was good. For me, it's much more important to get some general shape onto the page and later take all the time I need to refine it, fix it, and rewrite it. — Paul Rudnick

To sum up: all nature-spirits are not the same as fairies; nor are all fairies nature-spirits. The same applies to the relationship of nature-spirits and the dead. But we may safely say that a large proportion of nature-spirits became fairies, while quite a number of the dead in some areas seem to take on the character of nature-spirits. We cannot expect any fixity of rule in dealing with barbaric thought. We must take it as it comes. It bears the same relationship to "civilized" or folk-lore theory as does the growth of the jungle to a carefully designed and meticulously labelled botanical garden. As Victor Hugo once exclaimed when writing of the barbaric confusion which underlies the creative function in poetry: 'What do you expect? You are among savages! — Lewis Spence

Any great character is the combination of a brilliant actor and the right writing. — Brad Falchuk

Another strand of my writing is the importance of the idea. If you think about fiction writing as a spectrum, where at one end of the spectrum in the infrared, are the story tellers, and the people for whom creation of wonderful characters and telling a good story is the most important thing. — Alan Lightman

He must shape simultaneously (in an expanding creative moment) his characters, plot, and setting, each inextricably connected to the others; he must make his whole world in a single, coherent gesture, as a potter makes a pot ... — John Gardner

So much of the writing is not conscious, in the sense that it's not calculated. I remember in film school we had so many studies with big fancy words where you could dissect a movie and make charts of all of the characters' complicated inner relations and themes and what does this mean? And it's overwhelming as a student. It's great for a student, but as a writer, it's paralyzing. — Don Hertzfeldt

But being able to talk to so many patients from so many walks of life gives a tremendous window into people's lives. This is not to say I want to write about individual patients, but I think that after listening to the concerns of people who are so different from me, I can more realistically portray characters who are so different from me. — Daniel Mason

For TV I don't think I could have gotten a better part than Uncle Junior because of the intimacy of the character based on David Chase's brilliant writing. — Dominic Chianese

Despite my vast interest in other universes and new ideas and space, travel and time travel, which by the way I think is impossible, the basic thing is human character, which is the main thing of most writers. — Philip Jose Farmer

You have to write a song around this specific character or to enhance a specific scene. A lot of other craft goes on. — Mick Jagger

Required for good fiction: character, conflict, change through time. And if you're really blessed, you get resolution. But life doesn't usually work out that way. — Ted Conover

When I use people I know, all of my instincts seem to go dead, and if I'm getting anywhere near myself then I can't do it. It's actually a real weakness! I hate writing personal essays, I don't think I'm especially good at it. I like just encountering [my characters], discovering them. I love the escape of just being surrounded by all these people who are nothing like people I know. But I don't find it hard to be in the middle of a different life, with a different set of habits and way of thinking and talking. That seems to come easily to me. — Jennifer Egan

I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do. — Rufus Wainwright

I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. — Stephen Sommers

I'm not much of a believer in the so-called character story; I think that in the end, the story should always be the boss. — Stephen King

Noah Baumbach writing is really wonderful. I think the way he plays out each character with a unique voice is really impressive, and rhythmically his dialogue works. — Naomi Watts

When I'm writing, I'm creating the story and its character with words. I'm thinking about what the pictures will be like, but I never begin to sketch. The pictures are all in my head. — Kevin Henkes

{Y}ou make do with what you're given, and I've spent a good many years learning to write fine-sounding sentences so that I can hide behind them. It's the way of the hermit crab, with nothing to recommend it but the pretty shell it annexes for its own. — Norman Lock

The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter ... I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book. — Sandra Dallas

I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters. — Roger Zelazny

I'm a blank canvas that I can paint however I desire. For the first time ever, I get to be the character in my own fantasy land. — E.K. Blair

So here I am writing my zombie story and my lead character decides to betray me. — Steven Ramirez

Well,the fun part of being a writer is that it's like making a wonderful film, with no limit on my budget. I can design the sets, the costume, the lightings, I write the script, and then I get to perform all the roles as I step into each character's skin, zip up, and adopt that point of view. So, to me, they are all compelling and fascinating. — Robin Hobb

I make up names for people all the time - it's part of writing. Very often, the name comes with the character, along with of a sense of who they are and what they do. — Nick Harkaway

When I'm writing a woman character, I don't think, 'What would a woman do?' I just think, 'What would this character do in this situation?' — Ken Follett

Consider yourself a functional character in someone else's novel - a background character - a person on the street - that's the perspective ... — John Geddes

The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head. — Martin Amis

Real people, smart or otherwise, sometimes make stupid choices, and despite judgment, whether from other writers, readers, or haters, books with outwardly stupid characters making stupid choices will continue to sell, because if you dig a little deeper, you'll find a reason for a character's moment of idiocy; and more notably, this moment of idiocy amidst the chaos of life is real and relatable. — Shona Moyce

I started writing morning pages just to keep my hand in, you know, just because I was a writer and I didn't know what else to do but write. And then one day as I was writing, a character came sort of strolling in and I realized, Oh my God, I don't have to be just a screenwriter. I can write novels. — Julia Cameron

Writing fiction means putting a lot of what you believe about the world at risk, because you have to follow your characters. — Phil Klay

I enjoy the writing process and producing; I enjoy seeing an idea come to fruition. I'm driven by very complex characters. You look at the pilot of 'Breaking Bad,' where there's so much depth to the character, you can't help but be invested when you watch. — Sasha Roiz

Once you're into a story everything seems to apply- what you overhear on a city bus is exactly what your character would say on the page you're writing. Wherever you go, you meet a part of your story. I guess you're tuned in for it, and the right things are sort of magnetized. — Eudora Welty

Honestly, when you're writing you try to stay on the story, on the character's mind, trying to throw stuff at them. There is danger, and the scares have to kick in the right places with the drama. And you try not to do too much to try to create those moments. Those moments create themselves. — Fede Alvarez

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

The characters tell their story - I am merely the tool used to record it — Marti Melville

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

What a writer does is to try to make sense of life. I think that's what writing is, I think that's what painting is. It's seeking that thread of order and logic in the disorder, and the incredible waste and marvelous profligate character of life. What all artists are trying to do is to make sense of life. — Nadine Gordimer

In real life people do occasionally act out of character or do things we wouldn't normally expect them to do. In fiction, there should be a good reason for a character to do something outside of the ordinary. — Craig Hart

Being an author means, almost by definition, that you make up characters and then complicate their lives. That's it, really. You make up characters and give them problem after problem after problem. — Maureen Johnson