Character What Is Quotes & Sayings

I want here to make three suggestions: first, that the doubts the ordinary man feels about religion are justified, and need not be stifled or concealed; second, that there is no ground for the view that Christianity is the only alternative to communism, or that there can be no sound character training that is not based on religion; and, third, I want to make some practical suggestions to the parents who are not believers, on what they should tell the children about God, and what sort of moral training they should give them. — Margaret E. Knight

When a man puts on a Character he is a stranger to, there's as much difference between what he appears, and what he is really in himself, as there is between a VIzor and a Face. — Jean De La Bruyere

I have my ethics and morals. I have my anchor point of what is right and wrong in real life, but I'm not afraid to entertain any and every aspect of personality in relationship to creating a character. — Corin Nemec

Character is the starting point from which we go on. When I say a man has character, I mean that when you go to that man and say, 'What are the facts in this case?' he will tell you the truth, justly, truly, and wisely as he knows, with the minimum of exhibitionism and the maximum of devotion to the common cause. — Douglas Southall Freeman

The existential attitude is one of involvement in contrast to a merely theoretical or detached attitude. "Existential" in this sense can be defined as participating in a situation, especially a cognitive situation, with the whole of one's existence ... There are realms of reality or - more exactly - of abstraction from reality in which the most complete detachment is the adequate cognitive approach. Everything which can be expressed in terms of quantitative measurement has this character. But it is most inadequate to apply the same approach to reality in its infinite concreteness. A self which has become a matter of calculation and management has ceased to be a self. It has become a thing. You must participate in a self in order to know what it is. But by participating you change it. In all existential knowledge both subject and object are transformed by the very act of knowing. — Paul Tillich

Bob and Maria's kids, now grown and in high school and college, each have a quiet dignity and confidence. They also have an informal charm. [...] It is obvious they'd played the roles in the story their family was living, the roles of foreign dignitaries, traveling with their parents on the important assignment of asking world leaders what they hope in. Their STORY had given them their CHARACTER.

I only say this about the children because I used to believe charming people were charming because they were charming, or confident people were confident because they were confident. But all of this is, of course, circular. The truth is, we are all living out the character of the roles we have played in our stories. — Donald Miller

Reputation is what men say about you on your tombstone;
Character is what the angels say about you before the throne of God — William Hersey Davis

When I go into 'You're the Worst,' I'm very glammed up, and my hair and makeup is va-va-voom. Now what I'm having fun with in 'Grease' is, honestly, I go to rehearsals with zero makeup. When I get pimples, I get excited about it, like 'Yay! It helps the character!' The frumpier and uglier and grosser, the better with Jan. — Kether Donohue

But the throat just kind of falls into line once you realize in your head what it is. You got to remember the musicality of a character you're going to do. — Billy West

Do remember, though, that unless you're a playwright, the result [dialogue] isn't what you want; it's only an element of what you want. Actors embody and re-create the words of drama. In fiction, a tremendous amount of story and character may be given through the dialogue, but the story-world and its people have to be created by the storyteller. If there's nothing in it but disembodied voices, too much is missing. — Ursula K. Le Guin

A chief cause of worry and unhappiness in life is trading what we want most for what we want at the moment. — Maralee McKee

No matter what we say, entertainers are usually quite insecure, wobbly characters underneath, and maybe that bit of glory or that bit of expression or whatever it is compensates in some area. — Robert Plant

Each of us is meant to have a character all our own, to be what no other can exactly be, and do what no other can exactly do. — William Ellery Channing

As a costume designer, I first try to figure out what the character's economic situation is and hit the stores they'd shop. — Patricia Norris

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

A self-confident person isn't boastful or pushy but is secure with herself in a way that inspires confidence in others. She values herself regardless of her physical attributes or individual talents, understanding that honor and character are what really matter. — Peggy Post

I enjoy playing real human beings after playing a lot of larger than life characters. I love playing true to life characters and that is what I intend to do for the majority of my career. — Michael Jai White

I'd say that what I do is like a crack in the mirror. If you go back over the books from Carrie on up, what you see is an observation of ordinary middle-class American life as it's lived at the time that particular book was written. In every life you get to a point where you have to deal with something that's inexplicable to you, whether it's the doctor saying you have cancer or a prank phone call. So whether you talk about ghosts or vampires or Nazi war criminals living down the block, we're still talking about the same thing, which is an intrusion of the extraordinary into ordinary life and how we deal with it. What that shows about our character and our interactions with others and the society we live in interests me a lot more than monsters and vampires and ghouls and ghosts. — Stephen King

Freedom is what we all seek, but it's what we do with that freedom that ultimately defines our character. In the end, a man's character cements his fate, good or bad. — Sonny Barger

What an amazing creative way to magnify, and illuminate the courage of 30 Sheroes whose courage, leadership and character is symbolic of the many unsung Women Sheroes of past and present. — Emory Douglas

What is a human mind? Memories. Memories are data. Character, personality, individual volition. Those are programming. — George R R Martin

Reputation is what people expect us to do next. It's their expectation of the quality and character of the next thing we produce or say or do.
We control our actions (even when it feels like we don't) and our actions over time (especially when we think no one is looking) earn our reputation. — Seth Godin

You never saw Peter Sellers the actor trying to make you laugh. All he was doing was the character. What I'm saying is that I don't think you should know you're in a movie. I don't like it when actors are winking at the audience and saying, 'Right, isn't this funny? Are you with me?' — Steve Carell

A lot of the challenge with TV, as opposed to making movies, is that you have to leave room for the characters in the story to tell themselves. Sometimes you don't know where a character is going to go and what's going to happen to them until you've seen the actor take that part and make it their own. — Bruno Heller

Ours is the only civilization in history which has enshrined mediocrity as its national ideal. Others have been corrupt, but leave it to us to invent the most undistinguished of corruptions. No orgies, no blood running in the street, no babies thrown off cliffs. No, we're sentimental people and we horrify easily. True, our moral fiber is rotten. Our national character stinks to high heaven. But we are kinder than ever. No prostitute ever responded with a quicker spasm of sentiment when our hearts are touched. Nor is there anything new about thievery, lewdness, lying, adultery. What is new is that in our time liars and thieves and whores and adulterers wish also to be congratulated by the great public, if their confession is sufficiently psychological or strikes a sufficiently heartfelt and authentic note of sincerity. Oh, we are sincere. I do not deny it. I don't know anybody nowadays who is not sincere. — Walker Percy

For all my rational Western intellect and education, I was for the moment overwhelmed by a primitive sense of living in a world ordered by a malign and perverted god, and it coloured my view of everything that afternoon - even the coconuts. The villagers sold us some and split them open for us. They are almost perfectly designed. You first make a hole and drink the milk, and then you split open the nut with a machete and slice off a segment of the shell, which forms a perfect implement for scooping out the coconut flesh inside. What makes you wonder about the nature of this god character is that he creates something that is so perfectly designed to be of benefit to human beings and then hangs it twenty feet above their heads on a tree with no branches. — Douglas Adams

There is one way by which a strolling player may be ever secure of success; that is, in our theatrical way of expressing it, to make a great deal of the character. To speak and act as in common life is not playing, nor is it what people come to see; natural speaking, like sweet wine, runs glibly over the palate and scarcely leaves any taste behind it; but being high in a part resembles vinegar, which grates upon the taste, and one feels it while he is drinking. — Oliver Goldsmith

If there is one word that describes the meaning of character, it is the word honor. Without honor, civilization would not long exist. Without honor, there could be no dependable contracts, no lasting marriages, no trust or happiness. What does the word honor mean to you? To me, honor is summarized in this expression by the poet Tennyson, "Man's word [of honor] is God in man." — Ezra Taft Benson

What matters is the character of ... stereotypes, and the gullibility with which we employ them. And these in the end depend upon ... our philosophy of life. If in that philosophy we assume that the world is codified according to a code which we possess, we are likely to make our reports of what is going on describe a world run by our code. But if our philosophy tells us that each man is only a small part of the world, that his intelligence catches at best only phases and aspects in a coarse net of ideas, then, when we use our stereotypes, we tend to know that they are only stereotypes, to hold them lightly, to modify them gladly. We tend, also, to realize more and more clearly when our ideas started, where they started, how they came to us, why we accepted them. All useful history is antiseptic in this fashion. It enables us to know what fairy tale, what school book, what tradition, what novel, play, picture, phrase, planted one preconception in this mind, another in that mind. — Walter Lippmann

When I was developing the [Daredevil] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love. — Melissa Rosenberg

Remember to build each other up, to strengthen and sustain, to keep companionship lovely and alive. Remember dignity and respect; understanding; not expecting perfection; a sense of humor and a sense of what is sacred and serious; common purposes, common convictions, and the character to stay with a bargain, to keep a covenant - in these are the making of a good and solid marriage. — Richard L. Evans

Evil denotes the lack of good. Not every absence of good is an evil, for absence may be taken either in a purely negative or in aprivative sense. Mere negation does not display the character of evil, otherwise nonexistents would be evil and moreover, a thing would be evil for not possessing the goodness of something else, which would mean that man is bad for not having the strength of a lion or the speed of a wild goat. But what is evil is privation; in this sense blindness means the privation of sight. — Thomas Aquinas

I think if you play a character that is fearless, then it's boring. I think that's what was so incredible about Harrison Ford, is that he always seemed like he was never going to survive it, he's always scared, and yet he always does survive it somehow. — Oded Fehr

The lucidity of the battle narratives, the vigor of the prose, the strong feeling for the men from generals to privates who did the fighting, are all controlled by a constant sense of how it happened and what it was all about. Foote has the novelist's feeling for character and situation, without losing the historian's scrupulous regard for recorded fact. The Civil War is likely to stand unequalled. — Walter Millis

So do I wish I was to be king? That is not a question I ask myself. I ask myself, Would I be a good king? Would I be quick witted and generous of spirit and full of that boundless energy? Or would I be clumsy and stupid and dulled by my own prejudices? I try to be a good man, since I am alive at all, and hope that that teaches me what I would need to know if I was ever faced with a higher challenge. — Sharon Shinn

The coincidences turn up down to the smallest details. There is, for instance, a character who has covered the mirrors with handkerchiefs. Apparently this happens somewhere in Ulysses, too. And they said, Ah! This is where he got that. Where I got it was when I was in a hotel in Panama and I had washed my handkerchiefs and spread them on the windows and the mirrors to dry - they almost look pressed when they're peeled away that way - a Panamanian friend came in and said, "All the mirrors are covered. Who's dead? What's happened?" I said, "No, I'm just drying my handkerchiefs." Then I found the same incident in McTeague in what? 1903 or 1905, whenever McTeague was written. This always strikes me as dangerous - finding "sources. — William Gaddis

What changed at the end of the eighteenth century, therefore, was not so much the discovery of a fundamentally new concept in human relations but the emergence of a political movement universalizing what until then had been largely a local and territorial impulse. This insight helps to explain the speed of change. What is notable for our purposes is the dualistic or two-sided character of the free-air principle. On the one hand, it reflected views about what was proper in human relationships, a sense of the wrongness of enslavement. But on the other hand, it had an exclusivist side, a statement of pride in national identity, coupled with a determination to prevent established relationships from being disrupted by the — Gavin Wright

I think what's really the most ideal thing is for the player themselves, within their own imagination, to carve out what they view as being the essence of the character. — Shigeru Miyamoto

She's just this character to you. Both of us are! And we always have been. You don't know what goes on in our heads. You don't know where we come from or who we are . . . Can you even tell the difference anymore between what you've written about her and who she really, truly is? — Kristopher Jansma

No not pigeon holed me as an actor, or as a character, or as to what I could do - but what I would do ... and the fact is the things you don't do are almost as important as as the things that you do. — Dabney Coleman

I think character is very much a product of where you live, who you are, what is happening in that time of your life, and I'm interested in those pressures, those forces. A political context, a social context, really determines if not who people are then how they treat one another and what they say, how they speak. — Rachel Kushner

I've got to get my body back. While I like wearing you, I'd rather wear you as a blanket on top of me and not the skin I'm walking around in. It has this whole Hannibal Lecter aspect that's really creeping me out."Jo
"Hannibal Lecter?" Cadegan
"It's a TV show and book character. Not really important. Like a wombat in a blender." Jo
"I'm not sure what this blender is, but I think I should be feeling bad for that poor wombat." Cadegan — Sherrilyn Kenyon

I think that by now, in the very beginning when I first joined the show, General Landry was like a new kid in school. I was coming into a situation I didn't really know much about, and now, after a couple of years, the character's kind of mellowed and gotten comfortable working at the command center and very comfortable with his troops. What they always do with these shows is they always leave them open-ended. The SG-1 franchise has been so successful for the network, that they always want to keep it open, an option to do it again in some way, whether that's a movie or a series, or whatever. — Beau Bridges

I see myself as a novelist, period. I mean, the material I work with is what is classified as science fiction and fantasy, and I really don't think about these things when I'm writing. I'm just thinking about telling a story and developing my characters. — Roger Zelazny

Too many disciples neglect their thorn-like qualities. For instance: Opting for singleness doesn't count if you can't attract a mate. Patience doesn't count if you are too cowardly to defend what is right. Forgiveness doesn't count if the offender never respected you enough to ask for it. Don't label your character flaws as noble sacrifices.
pg 47 — Michael Ben Zehabe

I've finally recognized my body for what it is: a personality-delivery system, designed expressly to carry my character from place to place, now and in the years to come. — Anna Quindlen

Your character and attitude is what takes the lead in your leadership role and you follow them as a true leader. Poor character and attitude is eventually poor leadership. — Israelmore Ayivor

One of the things I love about books is being able to define and condense certain portions of a character's life into chapters. It's intriguing, because you can't do this with real life. You can't just end a chapter, then skip the things you don't want to live through, only to open it up to a chapter that better suits your mood. Life can't be divided into chapters ... only minutes. The events of your life are all crammed together one minute right after the other without any time lapses or blank pages or chapter breaks because no matter what happens life just keeps going and moving forward and words keep flowing and truths keep spewing whether you like it or not and life never lets you pause and just catch your fucking breath.
I need one of those chapter breaks. I just want to catch my breath, but I have no idea how. — Colleen Hoover

It is the property of things seen for the first time, or for the first time after long, like the flowers in spring, to reawaken in us the sharp edge of sense and that impression of mystic strangeness which otherwise passes out of life with the coming of years; but the sight of a loved face is what renews a man's character from the fountain upwards. — Robert Louis Stevenson

What will matter in the end is not what you bought but what you built; not what you got but what you gave; not what you learned by what you taught. What will matter is not your competence but your character. — Michael Josephson

One day I said to my dad, 'Are you disappointed that I'm working a minimum-wage job and I didn't go to college?' I'll never forget his response. He said, 'It's not about how much money you make or what your job is, but it's more about your character. For that, I'm proud of you.' — Josh Dun

I have to say from an actor's perspective, to work with a director who has been an actor through most of their career is a pleasure. They generally have a very deep understanding of the process of what you're doing, of how you are building and exploring the character. — Karen Allen

As a director and an actor, I encourage improvisation but in character and in the moment of what it is. — Billy Crystal

Once you're into a story everything seems to apply- what you overhear on a city bus is exactly what your character would say on the page you're writing. Wherever you go, you meet a part of your story. I guess you're tuned in for it, and the right things are sort of magnetized. — Eudora Welty

I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on? — Dean Israelite

It was Ernie Haller, who had photographed Bette Davis in Jezebel and Vivien Leigh in Gone with the Wind, who was solely responsible for the visuals in Mildred Pierce, said Crawford. "Ernie was at the rehearsals. And so was Mr. [Anton] de Grot, who did the sets. I recall seeing Ernie's copy of the script and it was filled with notations and diagrams. I asked him if these were for special lights and he said, 'No, they're for special shadows.' Now, that threw me. I was a little apprehensive. I was used to the look of Metro, where everything, including the war pictures, was filmed in blazing white lights. Even if a person was dying there was no darkness. But when I saw the rushes of Mildred Pierce I realized what Ernie was doing. The shadows and half-lights, the way the sets were lit, together with the unusual angles of the camera, added considerably to the psychology of my character and to the mood and psychology of the film. And that, my dear, is film noir." "Mildred — Shaun Considine

I'd like to be the John Wayne of the '90s. Not in terms of being the macho guy, but as a solid male leading character. Making an action-adventure comedy that kids can see with their families is a natural extension of what I did in wrestling. — Hulk Hogan

Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for. — Zoe Kravitz

There's a tendency today to absolve individuals of moral responsibility and treat them as victims of social circumstance. You buy that, you pay with your soul. It's not men who limit women, it's not straights who limit gays, it's not whites who limit blacks. What limits people is lack of character. What limits people is that they don't have the fucking nerve or imagination to star in their own movie, let alone direct it. — Tom Robbins

But first of all he is a woodsman, and you aren't a woodsman unless you have such a feeling for topography that you can look at the earth and see what it would look like without any woods or covering on it. It's something like the gift all men wish for when they or young
or old
of being able to look through a woman's clothes and see her body, possibly even a little of her character. — Norman Maclean

Sometimes I forget what I look like and I do something out of character, such as sing shepherd tunes in Aramaic while I'm waiting in line at Starbucks, but the nice bit about living in urban America is that people tend to either ignore eccentrics or move to the suburbs to escape them. — Kevin Hearne

Usually there is a paradox in what a character wants. A conflict is built deeply within them. And then you put them in motion, throw everything at them until they reveal themselves further. — Dana Spiotta

The Eastern potentate who declared that women were at the bottom of all mischief, should have gone a little further and seen why it is so. It is because women are never lazy. They don't know what it is to be quiet. They are Semiramides, and Cleopatras, and Joan of Arcs, Queen Elizabeths, and Catharine the Seconds, and they riot in battle, and murder, and clamour, and desperation. If they can't agitate the universe and play at ball with hemispheres, they'll make mountains of warfare and vexation out of domestic molehills; and social storms in household teacups. Forbid them to hold forth upon the freedom of nations and the wrongs of mankind, and they'll quarrel with Mrs Jones about the shape of a mantle or the character of a small maid-servant. To call them the weaker sex is to utter a hideous mockery. They are the stronger sex, the nosier, the more persevering, the most self-assertive sex. — Mary Elizabeth Braddon

After all, golf is only a game,' said Millicent. Women say these things without thinking. It does not mean that there is any kink in their character. They simply don't realise what they're saying. — P.G. Wodehouse

The basic idea behind self-signaling is that despite what we tend to think, we don't have a very clear notion of who we are. We generally believe that we have a privileged view of our own preferences and character, but in reality we don't know ourselves that well (and definitely not as well as we think we do). Instead, we observe ourselves in the same way we observe and judge the actions of other people - inferring who we are and what we like from our actions. For — Dan Ariely

What I enjoy most about doing voiceovers is that you can be completely unconscious with the rest of your body and just concentrate on doing something with your voice, creating an entire character with your voice. — Justin Long

The major problem in our lives is to decide and clarify our responsibilities. To truly be committed to a life of honesty, love and discipline, we must be willing to commit ourselves to reality. This commitment, according to Peck, "requires the willingness and the capacity to suffer continual self-examination." Such an ability requires a good relationship with oneself. This is precisely what no shame-based person has. In fact, a toxically shamed person has an adversarial relationship with himself. Toxic shame - the shame that binds us - is a core part of neurotic and character disordered syndromes of behavior. — John Bradshaw

What is to be done with people who can't read a Sunday paper without messing it all up? ... Show me a Sunday paper which has been left in a condition fit only for kite flying, and I will show you an antisocial and dangerous character who has left it that way. — Robert Benchley

The most effective way I know to begin with the end in mind is to develop a personal mission statement or philosophy or creed. It focused on what you want to be (character) and to do (contributions and achievements) and on the values or principles upon which being and doing are based. — Stephen Covey

I want the young people to pay attention because, see, back when I first met Barack, we started dating, he had everything going for him. All right, ladies, listen to this. This is what I want you to be looking for. Yes, he was handsome-still is. I think so. He was charming, talented, and oh-so smart, truly. But that is not why I married him. Now, see, I want the fellas to pay attention to this. You all listening? What truly made me fall in love with Barack Obama was his character. You hear me? It was his character. It was his decency, his honesty, his compassion and conviction. — Michelle Obama

Women are always murdered and maimed, and they're never given their rightful place as lead characters! And I think [creator Michael Hirst] has just written what should have been written a long time ago. There shouldn't be anything that different about Vikings, but there is, because there've just been so many shows that have not stepped up to the plate and given female actors and female characters equal footing. — Clive Standen

I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do. — Rufus Wainwright

Perfection, then, is not a change in the essential character but the completion of a course. This is precisely what Jesus must have meant when he admonished his disciples and us to 'be perfect,' as our Heavenly Father is perfect. — Ravi Zacharias

Do you know that when one who has influence with youth- be he teacher, leader or parent- seriously weakens the foundations upon which a young person has built, by faith-destroying challenges the youngster is not yet equipped to meet, he fashions a disciple who has been effectively cut loose from fundamentals at a time when he needs most to rely on them? The challenger may himself be a moral, educated, well-meaning person of integrity, doing what he does in the name of honesty and truth. His own character may have been formed in an atmosphere of faith and conviction which, through his influence, he may now help to destroy in his young follower. "Disenchanted" himself in his mature years, he turns his powers on an immature mind and leaves it ready prey for nostrums and superstitions and behavior he himself would disdain. — Marion D. Hanks

You really have to take your time; you have to know your character and your scene. The line you are about to say comes from the moment right before. It's not what's said, it's what is in between the spaces, it's what's in between the lines; that is the most important to play. — Sarah Shahi

I love her [Kimberly Peirce]. Incredibly intense is a good way of describing her. Brutally honest. Really sharp. She's a director for actors. That's what she's best at, sitting down with an actor and just getting to the heart of what a scene is. And getting to the heart of not just what the scene is and the character is, but what you are, and how to build that bridge between the "me" and the character, and those emotions. — Joseph Gordon-Levitt

Journeys become very good metaphors. They always have the character put into circumstances that reveal him. If I had based my characters in New York and had them just sitting and thinking about life, it would be like what contemporary U.S. fiction is about. That is very heavy, literally, for me. It doesn't become mainstream enough because the pages don't turn themselves. — Karan Bajaj

If there's anything Trollope novels always take seriously, it is money - how it flows from one character to another, how it is managed, who has it, who deserves it, and what it means to a character, male or female. — Jane Smiley

When I take on a role, all I tend to do is get to know the script and ask millions of questions, and keep fine tuning what I think the character is trying to say. — Sophie Okonedo

The only color we must be cynical about is never skin color but, the color of character for what character can do, skin color may never be able to do. — Ernest Agyemang Yeboah

Sitting at a candidate rally is similar to sitting in a ballyard. Both give you the opportunity to assess the technical metrics and reflect on the intangibles - what baseball calls 'make up' and politics calls 'character' - the leadership, talent and maturity to add value to a venture. — Christine Pelosi

No man could bring himself to reveal his true character, and, above all, his true limitations as a citizen and a Christian, his true meannesses, his true imbecilities, to his friends, or even to his wife. Honest autobiography is therefore a contradiction in terms: the moment a man considers himself, even in petto, he tries to gild and fresco himself. Thus a man's wife, however realistic her view of him, always flatters him in the end, for the worst she sees in him is appreciably better, by the time she sees it, than what is actually there. — H.L. Mencken

What is more important is finding the soul of the character, and making sure it fits well into this story. And that it be dramatic and interesting and captivating, because these people weren't entertainers, you know. — Mary Stuart Masterson

There's so much with my character in 'Dredd' that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength. — Olivia Thirlby

Each speech having its own character, the poetry it engenders will be peculiar to that speech also in its own intrinsic form. The effect is beauty, what in a single object resolves our complex feelings of propriety. — William Carlos Williams

I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else. — Rowan Atkinson

You do not comprehend. It is not the victim who concerns me so much. It is the effect on the character of the slayer."
"What about war?"
"In war you do not exercise the right of private judgement. That is what is so dangerous. Once a man is imbued with the idea that he knows who ought to be allowed to live and who ought not - then he is halfway to becoming the most dangerous killer there is - the arrogant killer who kills not for profit - but for an idea. He has usurped the functions of le bon Dieu. — Agatha Christie

Intensely moving but never sentimental, Academy Street is a profound meditation on what Faulkner called 'the human heart in conflict with itself'. In Tess Lohan, Mary Costello has created one of the most fully realized characters in contemporary fiction. What a marvel of a book. — Ron Rash

That's what he was saying, the civil rights movement - judge me for my character, not how black my skin is, not how yellow my skin is, how short I am, how tall or fat or thin; It's by my character. — Pam Grier

As Plato: What is play and delightful one kind of child is coercion and torture for another, and will not take no matter how much coercion is applied. — Rebecca Goldstein

What a writer does is to try to make sense of life. I think that's what writing is, I think that's what painting is. It's seeking that thread of order and logic in the disorder, and the incredible waste and marvelous profligate character of life. What all artists are trying to do is to make sense of life. — Nadine Gordimer

One of the favorite games I play, when I improv or take on a character, is what I like to call arrogant ignorance. That's the game I enjoy playing most. — Rob Riggle

I've played characters who are dark and have done things I never have experienced, which is why I try to find the reasons why they do what they do. We're all people, and go through similar emotions. — Michael Eklund

We are all disabled, broken parts, lost individuals, trying to find our way. Truth is what you know, here and happening now. There is only love and love is the bravest character of all. — Jacqueline Cioffa

So much of the writing is not conscious, in the sense that it's not calculated. I remember in film school we had so many studies with big fancy words where you could dissect a movie and make charts of all of the characters' complicated inner relations and themes and what does this mean? And it's overwhelming as a student. It's great for a student, but as a writer, it's paralyzing. — Don Hertzfeldt

My way in for photographing people is really their work. I'm always interested in what people make, and then I photograph the person. Sometimes the person is a disappointment. But that's the risk. It informs me a lot about the character of a person if I know their work first. — Anton Corbijn

If you're dealing with a character that actually exists, there's an awful lot of information there. So, you can put together, from the information, motivations, insecurities, reactions. Where does that seed get born, if you like? What I do is put that together. — Michael Fassbender

From what deep springs of character our personal philosophies issue, we cannot be sure. In philosophers themselves we seem always able to notice some deep internal correspondence between the man and his philosophy. Are our philosophies, then, merely the inevitable outcome of the body of fate and personal circumstance that is thrust upon each of us? Or are these beliefs the means by which we freely create ourselves as the persons we become? Here, at the very outset, the question of freedom already hovers in the background. — William Barrett

The last rays of merciful light, the last message of mercy to be given to the world, is a revelation of His character and love. The children of God are to manifest His glory. In their own life and character they are to reveal what the grace of God has done for them. — Ellen G. White

I don't know what the big issue is about a kiss with Neve Campbell in Wild Things. It's a role, and I think a bigger issue is made out of it. It was a part I took and it's what the character did, so I did it. — Denise Richards