Character Theatre Quotes & Sayings
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Top Character Theatre Quotes

Whatever may be the pros and cons of going to the public theatre, it is a patent fact that it has undermined the morals and ruined the character of many a youth in his country. — Mahatma Gandhi

In fact the "mask" theme has come up several times in my background reading. Richard Sennett, for example, in "The Corrosion of Character: The Personal Consequences of Work in the New Capitalism", and Robert Jackall, in "Moral Mazes: The World of Corporate managers", refer repeatedly to the "masks" that corporate functionaries are required to wear, like actors in an ancient Greek drama. According to Jackall, corporate managers stress the need to exercise iron self-control and to mask all emotion and intention behind bland, smiling, and agreeable public faces.
Kimberly seems to have perfected the requisite phoniness and even as I dislike her, my whole aim is to be welcomed into the same corporate culture that she seems to have mastered, meaning that I need to "get in the face" of my revulsion and overcome it. But until I reach that transcendent point, I seem to be stuck in an emotional space left over from my midteen years: I hate you; please love me. — Barbara Ehrenreich

What the music offers in a good opera is something that comes from a region that precedes the concrete concept of drama and, strictly speaking, stands outside the world of drama. Opera does not permit men to appear in nakedly logical acts, for the music dissolves feelings and thoughts into melodies and rhythms, harmonies and counterpoints, which in themselves have no conceptual meaning. Thus in opera objective situations may very well become entirely subjective expressions. Because of its paradoxical nature opera is capable of paradoxical effects; it can express purely sensuously the most profound abstractions, and the musical drama, exerting a mass effect far more than does the spoken drama, is much more primitive as drama than the spoken theatre; it must render conflict and character in immediate symbols. — Paul Henry Lang

And if Henry Higgins is not the most reprehensible character ever written for the stage, that's only because somewhere, somehow, someone is composing a musical biography of Ronald Reagan — Steve Kluger

I think about entrance and exits. I think about dialogue. But most of all I think about voice - all character development in theatre is done through voice. And as I wrote my debut novel "The Big Fear", I thought about narrative voice with every line. — Andrew Case

In theatre, once you've got the character and you've got things together, you can relax into it. Film has a different feel - you don't get that through line of not stopping. Theatre is like a snowball gathering momentum and getting bigger, whereas in film, it's a bit stop and start - but you do tend to adjust to that quite easily. — Sean Bean

A good actor makes clear the meaning of the words. A better actor gives also the emotion of the part. The best actor adds emotion of which the character is unconscious. — Clare Eames

Avant-garde theatre, with its distrust of the individual (that bourgeois invention), tends to go beyond [character] and the psychological approach in search of a syntax of types and characters which are deconstructed and post-individual. — Patrice Pavis

There are a lot of pros to doing a film, as far as it helping your film career, and it is completely different financially. But theatre is the only place where you get to actually be the character, and nobody is going to come around and change it later. — Jimmi Simpson

The theatre has built a whole art round the actor, based on the man and his double - the actor and his character. — Jean-Louis Barrault

The poetics of the oppressed is essentially the poetics of liberation: the spectator no longer delegates power to the characters either to think or to act in his place. The spectator frees himself; he thinks and acts for himself! Theatre is action! — Augusto Boal

Many of my short fictions use theatre as a metaphor for situations in which characters find themselves estranged from the larger, uncontrollable world that may or may not lie beyond the proscenium arch. — Norman Lock

What I like about theatre is the responsibility you have with your character. — Audrey Tautou

In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the right on the cut. In IMAX, suddenly that's like 20 feet. So I would love to do something. I think I would really want to take the massive screen into consideration so that it would be done properly. — Pete Docter

I'd like to make character-based dramas. I end up writing thrillers a lot - these psychological character-based things with weird people doing horrible things to each other - coming to a theatre near you! — Joseph Mazzello

Small boys often produce their own plays; but usually the parts are not written out. They hardly need to be, for the main line of each character is always "Stick 'em up!" In these plays the curtain is always rung down on a set of corpses, for small boys are by nature through and uncompromising. — A.S. Neill

When I came on the scene, there was The Nualas, who were doing character comedy, but there weren't any other women doing stand-up because Michelle Read had gone more into theatre. — Deirdre O'Kane

Theatre should be a taxing experience: the greatest achievement of a writer is to produce a character who creates anxiety. — Howard Barker

There's this thing in TV that I find hysterical where the writers and creators will ask us if you want to know what happens to your character or if you want to experience it episode by episode. In the theatre, we always know the ending; we always know where the character is going. — Carrie Coon

I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23. — David Suchet

What justifies a character singing one idea for 3 minutes on the screen? I get impatient and want the story to carry on. I don't get impatient in the theatre. — Stephen Sondheim

I hadn't studied theatre and I hadn't studied actor training or anything, but I did have a sense of movement and composition, and what the final product would be like, but luckily I had friends who were good actors, who would help me get them, who would get themselves to the place where a good director should get them to build characters. — Rob Urbinati

Because I like theatre and I love a challenge. With 'ZEBRA!' I've found a new Australian play where I can create a character first - that's what I live to do. — Bryan Brown

Amy Rapp, my producing partner, and I are drawn to character-driven material. We're developing and producing movies and TV, fiction and non-fiction, studio and independent, broadcast and cable, theatre, and web so our slate is really diverse. — Meredith Vieira

I would love to do anything involving a good strong character, whether it's in film, TV or theatre. My dream role's already been taken by Keira Knightley in 'Pride and Prejudice.' Growing up, I really wanted to be Lizzie Bennett. — Roxanne McKee

I have a strong and strange character, and I've rarely met directors who knew what to do with this character. One of the few who did was my father, and in the theatre, Arthur Nauzyciel. — Lou Doillon

I've been acting my whole life. I have this huge imagination! I'm a dancer and my mom's a dance teacher, and I was always performing and entertaining people. I'd go to see live theatre or a movie, and I'd become the main character for a few days afterwards. I loved being somebody new for a temporary amount of time. — Natasha Calis

I recently did a play, Athol Fugard's 'Coming Home' at Long Wharf Theatre, where I played one character throughout - I sat at a table and didn't have any costume changes. Following one character's arc from beginning to end is a whole different mindset. — Colman Domingo

The play is on top of me all the time, and I am constantly thinking about it. Even when I leave the theatre, I'll mumble the lines to myself or think about the way the character walks or holds himself. — Donald Pleasence

In the forensics novels the contents of a victim's pockets on the night of her death Say Something about her character. My Ford's Theatre ticket stub and Jimmy Carter key chain say that I am the corniest, goody-goody person in town. Luckily, I survived the evening unscathed so no one will ever find out about that losery Jimmy Carter key chain. — Sarah Vowell

The great lesson in theatre is that you live the story every night, and that is a wonderful vehicle for getting to the richest places in a performance or investing a character with the richest life. — Celia Weston

Every character is a part of you and a part of the character that you are going to evolve into that you are not yet. — Angelina Jolie

Nobody "becomes" a character. You can't act unless you are who you are. — Marlon Brando

I think theatre is by far the most rewarding experience for an actor. You get 4 weeks to rehearse your character and then at 7:30 pm you start acting and nobody stops you, acting with your entire soul. — Christopher Eccleston

Music has the power of producing a certain effect on the moral character of the soul, and if it has the power to do this, it is clear that the young must be directed to music and must be educated in it. — Aristotle.

Even though I had a great deal of respect for children's TV and theatre, it wasn't my intent to specialize solely in that area. I did indeed want to work on shows like "Sesame Street" and I am honored to be even a small part of that legacy, but I also wanted to do characters that had wider vocabulary and satirical humor. — Stephanie D'Abruzzo

What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home. — Megan Follows

The Greeks already understood that there was more interest in portraying an unusual character than a usual character - that is the purpose of films and theatre. — Isabelle Huppert

Don't write stage directions. If it is not apparent what the character is trying to accomplish by saying the line, tell us how the character said it or whether or not she moved to the couch isn't going to aid the case. — David Mamet

I started in theatre, and for me, it was all about transformation. You transform into the character that you're playing. — Rainn Wilson