Character Insight Quotes & Sayings
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Top Character Insight Quotes

A good character today is shaped by greatness, greatness in vision, greatness in courage, greatness in insight, greatness in purpose and devotion. — A. Powell Davies

But true mastery in The Martial Way involves more than mere physical prowess and expertise. The master warrior is a man of character, a man of wisdom and insight. These goals are far more elusive than those regarding technical expertise. Elusive they may be, but you can begin the long road towards character development by learning to recognize and pursue internal versus external objectives. — Forrest E. Morgan

Don't allow yourself to be fooled by how "nice" a person appears to be, measure a person's virtuousness by the way in which they treat others with their words and actions . — Miya Yamanouchi

I am an intellectual thug who has been slowly accumulating a private arsenal with every intention of using it. In a mindless age every insight takes on the character of a lethal weapon. Every man of good will is the enemy of society. — Marshall McLuhan

To know a person's character you must at least have talked with him, and unless you are gifted with remarkable intuitive insight you are not likely to know much about him unless you have seen him living and acting over a considerable period of time. — Aldous Huxley

Most portraits are lies. People are rarely what they appear to be, especially in front of a camera. You might know me your entire lifetime and never reveal yourself to me. To interpret wrinkles as character is insult not insight. — Duane Michals

Plants grow most in the darkest hours preceding dawn; so do human souls. Nature always pays for a brave fight. Sometimes she pays in strengthened moral muscle, sometimes in deepened spiritual insight, sometimes in a broadening, mellowing, sweetening of the fibres of character, - but she always pays. — William George Jordan

History thus becomes largely a study of character. Insight into temperament is hardly less important than the probing of "original materials." — Charles Francis Adams Jr.

Foch never for a moment thought about the easy ways of bringing his name before the public and the political world, or even about acquiring a reputation for military insight among the chiefs of the French army. He never posed as a central figure at public functions; he was never interviewed by the press; he made no use of the professional reviews to bring his name before military readers. Ile never published a line until his chiefs suggested the publication of his lectures at the Staff College. From the day when he received his first commission he was a hard-working student of war, patiently preparing himself to do his duty when the opportunity came, and meanwhile content to put all his energies into the work assigned to him. Success in the career of arms is not always associated with high personal character or with this modest pursuit of duty for its own sake. — Andrew Hilliard Atteridge

When one is rising, standing, walking, doing something, stopping, one should constantly concentrate one's mind on the act and the doing of it, not one ones' relation to the act or its character or value ... One should simply practice concentration of the mind on the act itself, understanding it to be an expedient means for attaining tranquility of mind, realization, insight, and wisdom. — Asvaghosa

Nor do piecemeal steps however well intended, even partially resolve problems that have reached a universal, global and catastrophic character. If anything, partial 'solutions' serve merely as cosmetics to conceal the deep seated nature of the ecological crisis. They thereby deflect public attention and theoretical insight from an adequate understanding of the depth and scope of the necessary changes. — Murray Bookchin

How we perceive the world and how we act in it are products of how and what we remember ... No lasting joke, invention, insight, or work of art was ever produced by an external memory ... Our ability to find humor in the world, to make connections between previously unconnected notions, to create new ideas, to share in a common culture: All these essentially human acts depend on memory. Now more than ever, as the role of memory in our culture erodes at a faster pace than ever before, we need to cultivate our ability to remember. Our memories make us who we are. They are the seat of our values and source of our character. Competing to see who can memorize more pages of poetry might seem beside the point, but it's about taking a stand against forgetfulness, and embracing primal capacities from which too many of us have became estranged ... memory training is not just for the sake of performing party tricks; it's about nurturing something profoundly and essentially human. — Joshua Foer

If I want to understand an individual human being, I must lay aside all scientific knowledge of the average man and discard all theories in order to adopt a completely new and unprejudiced attitude. I can only approach the task of understanding with a free and open mind, whereas knowledge of man, or insight into human character, presupposes all sorts of knowledge about mankind in general. — C. G. Jung

Bob Harras' personal and creative integrity is respected and renowned throughout the comic book industry. As an editor, he provides invaluable insight into storytelling and character. — Jim Lee

But when you get to know a character so well, you start to have insights that you can't show because you're confined to your script of your hit show. — John Lloyd Young

It is the task of the scenarist to invent little pieces of business that are so characteristic and give so deep an insight into his creatures, that their personalities clearly and organically unfold before the eyes of the audience so that the latter feel that the actions of these people are contingent upon their characters, that there exists some kind of a logical fate, and that nothing is left to mere accident or coincidence. — Ernst Lubitsch

The character is everything that I felt strongly against - she's superficial, materialistic, vain, amoral. She's all of these things and I realized that I hated her. How do you play someone you hate? But I found it really interesting, and it gave me a whole new insight into what my job, or my role as an actress, could be. — Emma Watson

Madame Bovary is timeless. It is not just about the female condition in France in the 1840s. It's not a simple cautionary tale. Emma is more than a character; she gives us an insight into human nature. With Emma, we are diving into the complexities of Flaubert's psyche. — Sophie Barthes

Adolescence is the time to enlarge the natural sentiments of pity, friendship, and generosity, the time to develop an understanding of human nature and the varieties of human character, the time to gain insight into the strengths and weaknesses of all men and to study the history of mankind. — Louise J. Kaplan

I collect names for characters. Names are valuable; they can be your first source of insight into a character. — Spike Lee

Sometimes insight into character and dialogue means being silent. — Jeff VanderMeer

Beautiful writing is more than pretty prose. It creates resonance in readers' minds with parallels, reversals, and symbols. It conjures a story world that is unique, highly detailed, and brought alive by the characters that dwell there. It offers moments of breath-catching surprise, heart-gripping insight, revelation, and self-understanding. It engages the reader's mind with an urgent point, which we might call theme. — Donald Maass

The great writers like Chekhov know that tragedy and laughter are just a few steps from each other ... but it took me a long time as an actress to learn that. Actually Arthur Miller taught me in the Seventies. We were making a CBS TV drama of his play Playing for Time about Auschwitz but the characters were laughing. It was a big insight for me to realise that that was what's called gallows humour, in this case worse than the gallows, that humans need to laugh and make jokes in order to survive. — Vanessa Redgrave

First person allows deeper insight into the protagonist's character. It allows the reader to identify more fully with the protagonist and to share her world quite intimately. So it suits a story focused on one character's personal journey. However, first person shuts out insights into other characters. — Juliet Marillier

I have long admired Caroline Leavitt's probing insight into people, her wit and compassion, her ability to find humor in dark situations, and conversely, her tenderness towards characters. — Dan Chaon

To know what you want to say is not the best condition for writing a novel. Novels go happiest when you discover something you did not know you knew: an insight into one of your opaque characters, a metaphor that startles you ... a truth ... that used to elude you. — Norman Mailer

It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth. — James Hillman

Prolific libraries take on an independent existence, and become living things ... We may have chosen its themes, and the general pathways along which it will develop, but we can only stand and watch as it invades all the walls of the room, climbs to the ceiling, annexes the other rooms one by one, expelling anything that gets in the way. It eliminates pictures hanging on the walls, or ornaments that obstruct its advance; it moves on with its necessary but cumbersome acolytes
stools and ladders
and forces its owner into constant reorganization since its progress is not linear and calls for ever new kinds of diviion. At the same time, it is undeniably the reflection, the twin image of its master. To anyone with the insight to decode it, the fundamental character of the librarian will emerge as one's eye travels along the bookshelves. indeed no library of any size is like another, none has the same personality. (pp. 30-31) — Jacques Bonnet

With more insight into the English character, I poured out a stiff whisky and soda and placed it in front of the gloomy inspector. — Agatha Christie

My dear Watson, you as a medical man are continually gaining light as to the tendencies of a child by the study of the parents. Don't you see that the converse is equally valid. I have frequently gained my first real insight into the character of parents by studying their children."
- Sherlock Holmes, "The Adventure of the Copper Beeches — Arthur Conan Doyle

What changed at the end of the eighteenth century, therefore, was not so much the discovery of a fundamentally new concept in human relations but the emergence of a political movement universalizing what until then had been largely a local and territorial impulse. This insight helps to explain the speed of change. What is notable for our purposes is the dualistic or two-sided character of the free-air principle. On the one hand, it reflected views about what was proper in human relationships, a sense of the wrongness of enslavement. But on the other hand, it had an exclusivist side, a statement of pride in national identity, coupled with a determination to prevent established relationships from being disrupted by the — Gavin Wright

You are always working towards the moments in which characters experience reckonings or insight or change. I like to track them past those moments. — Dana Spiotta

Sure, but real life's not actually like that," Quentin went on, fumbling after what he was sure was an important insight. "You don't just go on fun adventures for good causes and have happy endings. You're not going to be a character in a story, there's nobody arranging everything for you. The real world just doesn't work like that. — Lev Grossman

If it were possible for us to have so deep an insight into a man's character as shown both in inner and in outer actions, that every, even the least, incentive to these actions and all external occasions which affect them were so known to us that his future conduct could be predicted with as great a certainty as the occurrence of a solar or lunar eclipse, we could nevertheless still assert that the man is free. — Immanuel Kant

Insight into character comes from listening intently to the spoken word. The physical person, their charisma, charm and dramatic flair is more often used to persuade audiences, as they use these stealth tools of disguise and deception. — Maximillian Degenerez

I have frequently gained my first real insight into the character of parents by studying their children. — Arthur Conan Doyle

Such is the strange situation in which modern philosophy finds itself. No former age was ever in such a favourable position with regard to the sources of our knowledge of human nature. Psychology, ethnology, anthropology, and history have amassed an astoundingly rich and constantly increasing body of facts. Our technical instruments for observation and experimentation have been immensely improved, and our analyses have become sharper and more penetrating.
We appear, nonetheless, not yet to have found a method for the mastery and organization of this material. When compared with our own abundance the past may seem very poor. But our wealth of facts is not necessarily a wealth of thoughts. Unless we succeed in finding a clue of Ariadne to lead us out of this labyrinth, we can have no real insight into the general character of human culture; we shall remain lost in a mass of disconnected and disintegrated data which seem to lack all conceptual unity. — Ernst Cassirer

Characterization requires self-knowledge, insight into human nature ... it is more than impersonation. — Leon Surmelian

The casting of any film is around 60% of the film, but it's also about the right casting insight. It's a bit like a house of cards, everyone has to match up in a certain way so the whole structure is grounded. So that's essential, and yes, it's about finding the right people and the right constellation around the lead character. — Nicolas Winding Refn

She's one you *really* care about, isn't she?"
Eliot shook his head. "How can you read other people so well, and completely misread me?"
Frowning, Sophie asked, "What do you mean?"
Looking right into her eyes, Eliot said, "I care about *all* of them. — Keith R.A. DeCandido

The purpose of a short story is ... that the reader shall come away with the satisfactory feeling that a particular insight into human character has been gained, or that his (or her) knowledge of life has been deepened, or that pity, love or sympathy for a human being is awakened. — Lin Yutang

To fall down is to face the weakness of my humanity, test the mettle of my character, and push the limits of my strength. Therefore, falling down will tell me who I am far more clearly than most things I might learn when I'm standing up. — Craig D. Lounsbrough

When you start digging into things like character, though, the notion that people have high character or low character is very strong. What's crazy is that my thinking is not a new insight. The very first large-scale study of character, still one of the largest ever, was done in the early 1900s by Hugh Hartshorne, an ordained minister and a scientist. — L. Todd Rose

No one ever developed their character by arranging their experiences in such a way that only 'good' things are allowed to happen to them. Character is not purchased with a dance in the street. It is not cheap, and it's hard to come by, owing partly to the fact that it is the heir of disappointment, frustration, betrayal and deceit. However, it is not the inheritance that matters so much as what you do with it. In the face of seemingly insurmountable problems what do you do, and why do you do it? The same holds for dramatic characters whose strength, courage, insight and wisdom have to be earned. — Billy Marshall Stoneking

And as for the vague something
was it a sinister or a sorrowful, a designing or a desponding expression?
that opened upon a careful observer, now and then, in his eye, and closed again before one could fathom the strange depth partially disclosed; that something which used to make me fear and shrink, as if I had been wandering amongst volcanic-looking hills, and had suddenly felt the ground quiver, and seen it gape: that something, I, at intervals, beheld still; and with throbbing heart, but not with palsied nerves. Instead of wishing to shun, I longed only to dare
to divine it; and I thought Miss Ingram happy, because one day she might look into the abyss at her leisure, explore its secrets and analyse their nature. — Charlotte Bronte

No, the secret is that there's no reward and we have to endure our characters and our natures as best we can, because no amount of experience or insight is going to rectify our deficiencies, our self-regard, or our cupidity. We have to learn that our desires do not find any real echo in the world. We have to accept that the people we love do not love us, or not in the way we hope. We have to accept betrayal and disloyalty, and, hardest of all, that someone is finer than we are in character or intelligence. — Sandor Marai