Character Images And Quotes & Sayings

I feel like we're looked at as either completely nonsexual characters or overly sexual characters, and I feel like that affects how we're treated in the public space by men. I believe that women of color experience street harassment in a very hyper way. So I wanted to draw these women in their very normal, regular states and put those images out there in the public for people to see, instead of these other, very sexualized, images of women. — Tatyana Fazlalizadeh

Actors always want to know how I come up with interesting and creative takes on characters, characters that aren't like me as I appear in daily life and that aren't like each other. It's simple: I let the lines and images connect with my imagination. I don't worry about consistency; I let myself respond moment by moment, piecemeal, to the character's dialogue and actions. Then I let my responses take me wherever they go, making mistakes and discarding them until choices start repeating themselves on their own no matter how arbitrary they seem at first. Then I know I'm on to something. But I don't try to put the character together. I leave it in pieces. The script and story put the character together so my moment by moment performance seems like a creative take on the whole character. — Harold Guskin

In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings. — Laura Esquivel

The skyscrapers began to rise again, frailly massive, elegantly utilitarian, images in their grace, audacity and inconclusiveness, of the whole character of the people who produces them. — Malcolm Muggeridge

The human experience can almost be summed up in the observation that, whereas all decisions are of the past, all decisions are about the future. The image of the future, therefore, is the key to all choice-oriented behavior. The character and quality of the images of the future which prevail in a society is therefore the most important clue to its overall dynamics. — Kenneth E. Boulding

I was always fascinated by the fact that you could take paper and ink and create worlds, images, characters. It seemed like magic. — Carlos Ruiz Zafon

What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction. — Aaron Siskind

We have good reason to believe that memories of early childhood do not persist in consciousness because of the absence or fragmentary character of language covering this period. Words serve as fixatives for mental images ... Even at the end of the second year of life when word tags exist for a number of objects in the child's life, these words are discrete and do not yet bind together the parts of an experience or organize them in a way that can produce a coherent memory. — Selma Fraiberg

I know the importance of highly trained awareness of the "moment" and the immediate and intuitive response of the photographer. It should be obvious to all that photographers whose images possess character and quality have attained them only by continued practice and total dedication to the medium. — Ansel Adams

The point here is not just that an image represents God as having body and parts, whereas in reality he has neither. But the point really goes much deeper. The heart of the objection to pictures and images is that they inevitably conceal most, if not all, of the truth about the personal nature and character of the divine Being whom they represent. — J.I. Packer

I spent my life folded between the pages of books.
In the absence of human relationships I formed bonds with paper characters. I lived love and loss through stories threaded in history; I experienced adolescence by association. My world is one interwoven web of words, stringing limb to limb, bone to sinew, thoughts and images all together. I am a being comprised of letters, a character created by sentences, a figment of imagination formed through fiction. — Tahereh Mafi

...The happy Warrior... is he... whose powers shed round him in the common strife, or mild concerns of ordinary life, a constant influence, a peculiar grace; but who, if he be called upon to face some awful moment to which Heaven has joined great issues, good or bad for human kind, is happy as a lover; and attired with sudden brightness, like a man inspired; and, through the heat of conflict, keeps the law in calmness made, and sees what he foresaw; or if an unexpected call succeed, come when it will, is equal to the need: he who, though thus endued as with a sense and faculty for storm and turbulence, is yet a soul whose master-bias leans to homefelt pleasures and to gentle scenes; sweet images! which, wheresoe'er he be, are at his heart; and such fidelity it is his darling passion to approve; more brave for this, that he hath much to love:- — William Wordsworth

The art of the writer, like that of the player, is attained by slow degrees. The power of distinguishing and discriminating comick characters, or of filling tragedy with poetical images, must be the gift of nature, which no instruction nor labour can supply; but the art of dramatick disposition, the contexture of the scenes, the involution of the plot, the expedients of suspension, and the strategems of surprise, are to be learned by practice. — Samuel Johnson

Words become low by the occasions to which they are applied, or the general character of them who use them; and the disgust which they produce arises from the revival of those images with which they are commonly united. — Samuel Johnson

The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves itto the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small. — Arthur Schopenhauer

Whenever you want to cheer yourself up, consider the good qualities of your companions, for example, the energy of one, the modesty of another, the generosity of yet another, and some other quality of another; for nothing cheers the heart as much as the images of excellence reflected in the character of our companions, all brought before us as fully as possible. Therefore, keep these images ready at hand. — Marcus Aurelius

I actually take images of things and put them up around the wall and in a room. I set a room aside. It might be colors, it might be animals, or energy and words. And I'll just leave it there, so it begins to work on my subconscious when I think about the character. Which gives me some latitude to be really flexible and spontaneous but within the context of the character and the world of the character without having to think about it. Or I'll look at something or read something and let it work on my subconscious mind. — Wesley Snipes

I've been making films with almost no dialogue (laughs), so sound and music become a very powerful character to tell the story. It's almost like with sound and music and images, it's your tool to tell the story, especially when I decide to structure the film in a way that usually goes against the conventions of the three-act structure which most films are made out of. — Nicolas Winding Refn

Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable. A beautiful heroine is a contradiction in terms, since heroism is about individuality, interesting and ever changing, while "beauty" is generic, boring, and inert. While culture works out moral dilemmas, "beauty" is amoral: If a woman is born resembling an art object, it is an accident of nature, a fickle consensus of mass perception, a peculiar coincidence
but it is not a moral act. From the "beauties" in male culture, women learn a bitter amoral lesson
that the moral lessons of their culture exclude them. — Naomi Wolf

The whole genius of an author consists in describing well, and delineating character well. Homer, Plato, Virgil, Horace only excel other writers by their expressions and images; we must indicate what is true if we mean to write naturally, forcibly and delicately. — Jean De La Bruyere

I knew I wanted to play around with genre-esque imagery, and the identity theft stuff came in the middle, when I was figuring out how the characters were connected to those images. — Dan Chaon

The trouble is that when you read criticisms about the other films that I've made you get the impression that they're all about themes, or problems, or ideas. But those are actually things that develop out of characters, out of images and out of other things. These more abstract things develop while working on the material, and out of it. It's not a theoretical exercise from the outset. — Michael Haneke

Texts on a lifeless strings of facts, but the keys to unlocking the character of human beings, people with likes and dislikes, diocese and foibles, errors and convictions. Words have texture and shape, and it is their almost tactile quality that leads readers to sculpt images of the writers who use them. These images are then interrogated, mocked, congratulated, or dismissed, depending on the context of the reading and the disposition of the reader. — Sam Wineburg

You don't have the slightest idea of what it means to write a scene and a character in the English language, with images and words chock full of received meaning. — Jonathan Lethem

Feminism is a tremendously underestimated force, viewed in the present context primarily as a woman's concern. The understanding has not yet percolated throughout society that the advancement of women is a program vitally connected to the survival of human beings as a species. The reason for this is simply that institutions take on the character of the atoms which compose them, and what we are most menaced by in the twentieth century are dehumanized institutions. If women played a major role in policy formation and execution on the part of these institutions, I think they would have a far more benign and ecologically sensitive kind of character. So I see feminism not as a kind of war between the sexes or any of these stereotypic images, but as actually a kind of effort to shift the ratios of our emphasis that is expressed through our institutions. — Terence McKenna

Magazines wanted Jessica Rabbit - the animated character - not real women. Heck, even supermodels weren't good enough anymore. Real women didn't sell magazines. Unrealistic and unhealthy images of female beauty sold magazines. — Penny Reid

Pointillism takes emotional images, character, etc., and makes them all come together and make a whole that tells a story. — Stephen Sondheim

If I love order, it's not the mark of a character subjected to an inner discipline, a repression of the instincts. In me the idea of an absolutely regular world, symmetrical and methodical, is associated with that first impulse and burgeoning of nature.
The rest of your images that associate passion with disorder, love with intemperate overflow - river fire whirlpool volcano - are for me memories of nothingness and listlessness and boredom. — Italo Calvino

Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place. — Israel Horovitz

Reading books makes us more attentive to our personage and the aesthetic world that we live in. Writers that we idolize use language, logic, and nuance to paint physical and emotional scenes with refined precision. A writer's use of vivid language creates lingering aftereffects that work their wonder on the reader's malleable mind. A stirred mind resurrects our semiconscious memories; it causes us to summon up enduring images of our family, friends, and acquaintances. Just as importantly, inspirational writing makes us recognize our own telling character traits and identify our formerly unexpressed thoughts and feelings. — Kilroy J. Oldster

Most people report dreaming principally in visual images. Freud, however, assumes that dreams start from a dream-thought that is best expressed in words and translate it into a picture-language which is intellectually inferior because it cannot convey logical connections; the analyst restores to the dream its verbal character. — Sigmund Freud

Ultimately, we want to provide people with a unique experience, and an unexpected one as well. We'd like people to leave the theater having questions, being intrigued, wanting to know more, and forming their own opinions about the characters and the world we created. We'd like the film and its images to stick around in people's heads, possibly be recalled every time the letter "H" comes up in everyday life. — Rania Attieh

In short, Beauty is everywhere. It is not that she is lacking to our eye, but our eyes which fail to perceive her. Beauty is character and expression. Well, there is nothing in nature which has more character than the human body. In its strength and its grace it evokes the most varied images. One moment it resembles a flower: the bending torso is the stalk; the breasts, the head, and the splendor of the hair answer to the blossoming of the corolla. The next moment it recalls the pliant creeper, or the proud and upright sapling. — Auguste Rodin

When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex. — Jaco Van Dormael

I work a lot; I love to compose, ponder, and take notes when preparing for a role. I cut all the scenes, collate the images, form the character and shape its personality, then I make meticulous notes and transcribe each scene on my notebook. — Julie Gayet