Character Design Quotes & Sayings

I wonder if any element of interior design is more personal than color? Nothing can more quicly reveal aspect of personality and character than the choice - or absence - of color. — Van Day Truex

We enter upon a stage which we did not design and we find ourselves part of an action that was not of our making. Each of us being a main character in his own drama plays subordinate parts in the dramas of others, and each drama constrains the others. In my drama, perhaps, I am Hamlet or Iago or at least the swineherd who may yet become a prince, but to you I am only A Gentleman or at best Second Murderer, while you are my Polonius or my Gravedigger, but your own hero. Each of our dramas exerts constraints on each other's, making the whole different from the parts, but still dramatic. — Alasdair MacIntyre

True, we can learn much from observation of the failure of others without having to personally suffer the same pain, but the character and memory of the wisdom gained may be more acute and long-lasting from our own personal failures. Even worse is the generational fear of failure prevalent in our culture, resulting from parents carefully programming their offspring as young as three to participate in activities intended to cultivate intellectual and sports prowess which in their design do not allow for failure. Before children can feel the pain of their mistakes, the parents intervene and deflect the taking of personal responsibility by the child. We pay for it so they do not have to. This is the most dangerous thing we can do for them. — Kevin R. Anderson

Once decided in his mind on a given picture of what some aspect of life was like, he objected to any modification of the design. He possessed an absolutely rigid view of human relationships. Into this, imagination scarcely entered, and whatever was lost in grasping the niceties of character was amply offset by a simplification of practical affairs. Occasionally, it was true. I had known Widmerpool involved in situations which were extraordinary chiefly because they were entirely misunderstood, but on the whole he probably gained more than he lost by these limitations; at least in the spheres that attracted him. — Anthony Powell

There are three types of actions: purposeful, habitual, and gratuitous. Characters, to be immediate and apprehensible, must be presented by all three.' Katin looked toward the front of the car.
The captain gazed through the curving plate that lapped the roof. His yellow eyes fixed Her consumptive light that pulsed fire-spots in a giant cinder. The light was so weak he did not squint at all.
I am confounded, Katin admitted to his jeweled box, 'nevertheless. The mirror of my observation turns and what first seemed gratuitous I see enough times to realize it is a habit. What I suspected as habit now seems part of a great design. While what I originally took as purpose explodes into gratuitousness. The mirror turns again, and the character I thought obsessed by purpose reveals his obsession is only habit; his habits are gratuitously meaningless; while those actions i construed as gratuitous now reveal a most demonic end. — Samuel R. Delany

I love to design for women, it's really open and very free. I always think of my friends. I think of both fictitious characters, real people from the past and the present. I am not a woman, but I find women so beautiful and so fascinating. — Marc Jacobs

I'm not the expert on the great gameplay. I come in for the character design, monsters, atmosphere. I'm not the technician. — Clive Barker

You have total control of it, and when you're an actor, you're subject to production design and costumes and directors and studio choices and producer choices, but when you're writing it, you're creating your own little world in your head, peopled with your little characters. No one is in there monkeying with it, at least not at first - though they will. With this and the other projects I'm working on, it'll have to be given away, and it'll have to be someone else's property. — Rainn Wilson

Good Web design is about the character of the content, not the character of the designer. — Jeffrey Zeldman

You know something has really stuck in Tim's head when he's drawn what the character looks like. Weird Girl and Elsa actually switched places, at one point. I may be mis-remembering it, but the original design for Weird Girl was actually Elsa, but then it became Winona Ryder's character, and the new Weird Girl was just fantastic with those giant wide eyes. — John August

The Divine glory is an object only worthy of attention; and to display his holy character, was the design of God in creation' as there were no after beings existing antecedent therto, to attract the mind of Jehovah; and we are sure that God is pursing the same thing still, and always will. — Lemuel Haynes

I've never had a working relationship like I have with them. I developed a lot of the design of this show with them. That conversation was about, "What are your needs? What are you looking for? Will this work for you guys? Will a show work where you've got one episode per character?" They really were a creative partner. — Mitchell Hurwitz

So much of it is the design of the shot or the motion of the character; it's the work you do so that it has the same things that are in the movie. In just a few frames it's got to communicate something clearly and dramatically. — Dennis Muren

Costume design is so important and really helpful, and I really love that aspect of character development, just figuring it out. — Katherine Waterston

When we teach a child to sing or play the flute, we teach her how to listen. When we teach her to draw, we teach her to see. When we teach a child to dance, we teach him about his body and about space, and when he acts on a stage, he learns about character and motivation. When we teach a child design, we reveal the geometry of the world. When we teach children about the folk and traditional arts and the great masterpieces of the world, we teach them to celebrate their roots and find their own place in history. — Jane Alexander

For example, they recently had a piece on a character
I think his name was Ambrosio D'Urbervilles
whose "design statement" was to stuff an entire apartment from floor to ceiling with dark purple cottonballs. He called it "Portrait of a Dead Camel Dancing on the Roof of a Steambath. — Mark Helprin

Graphic designers judge a cover by its book. — Mokokoma Mokhonoana

Holiness is the character of a community observing a comprehensive pattern of life that is healthful... the Priestly vision of holiness emphatically includes the land, the covenanted community of creatures who prosper along with a people living in accordance with the design of the creation -- or, alternatively, who suffer when the intended pattern is violated. — Ellen F. Davis

I think getting something together to showcase your voice is important. You can also watch cartoons and play games and just kinda listen, and try to see how the design of the character matches to the voice. — Ashly Burch

The design is a really flat primary color with all sorts of abstract geometric shapes, just implying something. And then you'd have your characters running from something with guns. It was very expressionistic. — Don Hertzfeldt

Much of the character of everyman may be read in his house. — John Ruskin

I know you do; and it is that which makes the wonder. With your good sense, to be so honestly blind to the follies and nonsense of others! Affectation of candour is common enough - one meets with it everywhere. But to be candid without ostentation or design - to take the good of everybody's character and make it still better, and say nothing of the bad - belongs to you alone. And so you like this man's sisters, too, do you? Their manners are not equal to his. — Jane Austen

By God's design, I believe our hearts and minds are shaped by Story. It's how we learn. It's how we make sense of the world. Characters, situations, moral consequences are all around us. — Liz Curtis Higgs

Sometimes, you start with the drawing and then the gag comes to you in the middle of it. That is when you start working on the solution of the gag, which is composition, placing, equilibrium, and character design. — Sergio Aragones

If you look at Cinderhella, from a production design aspect, I tried to find an interesting, iconic character, having her face wrapped up in bandages. That was funny. On the dream logic level, you'll see the parallels of that interesting connection that I made. There's a reason why she's called Cinderhella. — Joseph M. Kahn

When you look at a photo or realistic drawing of a face, you see it as the face of another . But when you enter the world of the cartoon , you see yourself. — Scott McCloud

Never far from a dining table, the characters in Heather A. Slomski's limpid and elegant debut collection are not given to melodramatics. Civility reigns, voices are not raised, much goes unsaid. But just beneath the sophisticated composure are longing, loss, heartbreak. And how intensely familiar is the table itself, which made this reader suddenly understand how much of our real life takes place there. Heather A. Slomski is truly a fresh voice on the scene, and The Lovers Set Down Their Spoons is that rare thing, a new book as innovative in its design as it is compulsively readable. — Jaimy Gordon

When I saw this Broken Kilometer, it reminded me of these 1,000 Buddhas. That piece is 1,000 one-meter gold rods, and this is 1,000 pieces of gold gilded wooden sculpture. In terms of design, it's up to the space's character. — Hiroshi Sugimoto

I might as well enquire," replied she, "why with so evident a design of offending and insulting me, you chose to tell me that you liked me against your will, against your reason, and even against your character? — Jane Austen

It was not a very prepossessing accessory for all it's serviceability, being both outlandish in design and indifferent in shape. It was a drab slate gray color, with cream ruffle trim, and it had a shaft in the new ancient-Egyptian style that looked rather like an elongated pineapple. Despite it's many advanced attributes, Lady Maccon's most common application of the parasol was through brute force enacted directly upon the cranium of an opponent. It was a crude and perhaps undignified modus operandi to be certain but it had worked so well for her in the past that she was loathe to rely too heavily on any of the newfangled aspects of her parasol's character. — Gail Carriger

First, we think all truth is beautiful, no matter how hideous its face may seem. We accept all of nature, without any repudiation. We believe there is more beauty in a harsh truth than in a pretty lie, more poetry in earthiness than in all the salons of Paris. We think pain is good because it is the most profound of all human feelings. We think sex is beautiful even when portrayed by a harlot and a pimp. We put character above ugliness, pain above prettiness and hard, crude reality above all the wealth in France. We accept life in its entirety without making moral judgments. We think the prostitute is as good as the countess, the concierge as good as the general, the peasant as good as the cabinet minister, for they all fit into the pattern of nature and are woven into the design of life! — Irving Stone

One of my favorite things about the Kung Fu Panda 3 is the look of it. We never go for realism. I think a lot of time when people go for 3D that's the mistake. Because we're never going for full realism - for computer generated live action films like Avatar the goal is realism, to make the audience feel like they are seeing something that is real. Lord of the Rings had character design and environments to make it look real, whereas we aren't going for that, we are going for something that is theatrically, viscerally, and emotionally real. — Jennifer Yuh Nelson

He had a sense of his dignity, which was of the most exquisite nature. He could detect a design upon it when nobody else had any perception of the fact. His life was made an agony by the number of fine scalpels that he felt to be incessantly engaged in dissecting his dignity. — Charles Dickens

Writing, for me, is a little like wood carving. You find the lump of tree (the big central theme that gets you started), and you start cutting the shape that you think you want it to be. But you find, if you do it right, that the wood has a grain of its own (characters develop and present new insights, concentrated thinking about the story opens new avenues). If you're sensible, you work with the grain and, if you come across a knot hole, you incorporate that into the design. This is not the same as 'making it up as you go along'; it's a very careful process of control. — Terry Pratchett

The Telescope, the Fluxions, the invention of Logarithms and the frenzy of multiplication, often for its own sake, that follow'd have for Emerson all been steps of an unarguable approach to God, a growing clarity,- Gravity, the pulse of time, the finite speed of Light present themselves to him as aspect of God's character. It's like becoming friendly with an erratic, powerful, potentially dangerous member of the Aristocracy. He holds no quarrel with the Creator's sovereignty, but is repeatedly appall'd at the lapses in Attention, the flaws in Design, the squand'rings of life and energy, the failures to be reasonable, or to exercise common sense,- first appall'd, then angry. We are taught,- we believe,- that it is love of the Creation which drives the Philosopher in his Studies. Emerson is driven, rather, by a passionate Resentment. — Thomas Pynchon

An author's extraliterary utterance (blunt information), prenovel or postnovel, may infiltrate journalism; it cannot touch the novel itself. Fiction does not invent out of a vacuum, but it invents; and what it invents is, first, the fabric and cadence of language, and then a slant of idea that sails out of these as a fin lifts from the sea. The art of the novel (worn yet opulent phrase) is in the mix of idiosyncratic language - language imprinted in the writer, like the whorl of a fingertip - and an unduplicable design inscribed on the mind by character and image. Invention has little capacity for the true-to-life snapshot. It is true to its own stirrings. — Cynthia Ozick

I'm involved with every single thing that they do as far as just being aware, and then they ask my opinion. I'm involved in the sequence reviews and some of the animation reviews and character designs and things like that. I give my input on that movie as well. — Klay Hall

Coffee and character designs: That's what my night's lookin' like. — Tyler Hojberg

Howard Chaykin was one of the few who dared to make mainstream comics different back in the eighties; it was guys like him, Alan Moore and Frank Miller who made sure there'd be no going back. Howard's work on The Shadow is amongst his very best: razor-sharp character work, sizzling dialogue and an unsurpassed sense of layout and design. — Garth Ennis

Character design, like story design, requires a hook to grab the reader's attention. — Ted Naifeh

Your value lies not in status or title, but in the roots of your character and depth of your compassion. — Mollie Marti

Design is not about decorating functional forms - it is about creating forms that accord with the character of the object and that show new technologies to advantage. — Peter Behrens

Affectation of candour is common enough - one meets with it everywhere. But to be candid without ostentation or design - to take the good of everybody's character and make it still better, and say nothing of the bad - belongs to you alone. — Jane Austen

But actually making pictures to look like my pictures, I've done it for so long, I'm kind of used to it now. So at the beginning of the process, designing and storyboarding everything, I sort of did all that. And then designed the characters, and doing the textures for the characters, and the texture maps to cover all the animated characters and the sets, I did those, because that's where my sort of coloring and textures get imprinted on the film. — Dave McKean

You spend your life training to be an actor, observing people's characteristics so that you can design characters around what you've seen. — Clint Eastwood

One of those strange things that happens in movies is that you need someone to actually say people's names, or else you have no idea who those kids are. This was a way for her to introduce who the important boys were in the story, but then it just was so funny that it became a centerpiece to it. When you look at the character design that Tim did for Weird Girl, and what Catherine [O'Hara] did with the voice, and it's gonna kill. — John August

Driving to see my childhood home was very significant for me. It taught me the importance of home, especially to children. Your home is more than just a shelter. It is more than just a place to showcase your design skills. It is more than just a means to an end (especially if you would rather live somewhere else). It is the most importance place of your life. It provides you solace and refuge from the harsh world. It provides tangible comforts, like your cozy sofa and warm bed. But it also provides other comforts in the energy it gives off. You will have so many memories in this home. There will be many firsts here, and if you have children, they will remember even the smallest details about your home - especially all of its off-beat character. — Jennifer L. Scott

You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at. — Tom Cruise

All obstructions to the execution of the laws, all combinations and associations, under whatever plausible character, with the real design to direct, control, counteract, or awe the regular deliberation and action of the constituted authorities, are destructive of this fundamental principle, and of fatal tendency. They serve to organize faction, to give it an artificial and extraordinary force; to put, in the place of the delegated will of the nation the will of a party, often a small but artful and enterprising minority of the community; and, according to the alternate triumphs of different parties, to make the public administration the mirror of the ill-concerted and incongruous projects of faction, rather than the organ of consistent and wholesome plans digested by common counsels and modified by mutual interests. — George Washington

I don't think you make fans happy by just replicating frames. What they want to see is that you stayed true to the story, true to the characters and true to the design. — Sylvain White

All combinations and associations, under whatever plausible character, with the real design to direct, control, counteract, or awe the regular deliberation and action of the constituted authorities, are destructive of this fundamental principle, and of fatal tendency. They serve to organize faction, to give it an artificial and extraordinary force; to put, in the place of the delegated will of the nation the will of a party, often a small but artful and enterprising minority of the community. — George Washington

I do think that in the near future, if it hasn't happened already, people will be able to use technology to design their own novels, perhaps with individuals themselves as the main character. In other words, everything is being individualized and narrowed. — Don DeLillo

I think hand-drawn animation can be something really special. If the character design is quite simple it has the ability to allow people to easily relate to the characters in a special manner. — Tomm Moore

I design for the movie and the character as well as the person wearing the costume. I show the ideas to the actor, then do fittings for shape and technical things such as movement in the costume. Once the costume in this form is on the actor, you have a sense of their connection with it. I then take it to the next level with the final fit. — Colleen Atwood

I would say it was the directors. We have to give credit to the directors for this, because in the script, we just said, "Gru's Minions do this or do that" in the initial draft. And then, they came up with the characters' design and the philosophical concept of the Minions. And then, we started writing to that. We have to give a lot of credit to them. — Cinco Paul

Well,the fun part of being a writer is that it's like making a wonderful film, with no limit on my budget. I can design the sets, the costume, the lightings, I write the script, and then I get to perform all the roles as I step into each character's skin, zip up, and adopt that point of view. So, to me, they are all compelling and fascinating. — Robin Hobb