Character Death Quotes & Sayings

Who hurts the most? In the world you have invented, who suffers the most? Chances are that it is among the characters who are in pain that you will find your main character, partly because your readers' sympathy will be drawn toward a suffering character and partly because a character in pain is a character who wants things to change. He's likely to act. Of course, a character who suffers a lot and then dies won't be a productive main character unless your story is about life after death. But your eye should be drawn toward pain. Stories about contented people are miserably dull. — Orson Scott Card

The World's a Printing-House, our words, our thoughts,
Our deeds, are characters of several sizes.
Each soul is a Compos'tor, of whose faults
The Levites are Correctors; Heaven Revises.
Death is the common Press, from whence being driven,
We're gather'd, Sheet by Sheet, and bound for Heaven. — Francis Quarles

Look seeker, if you love a character, you give them pain, ruin their lives, make them suffer. Maybe even throw in a heroic death! — Varric Tethras

Dastardly devious, cleverly conceived, and just a whole lot of fun to read, DEATH PERCEPTION is Lee Allen Howard on fire and at his finest. Rife with winsome weirdness, it's like the mutant stepchild of Carl Hiaasen and Stephen King, mixing a truly unique paranormal coming-of-age story with a quirky cast of offbeat noir characters into a novel that's simply unforgettable ... and hilariously original. A supernatural crime story, blazing with creative intrigue ... don't miss it. — Michael Arnzen

And a ride in a hearse tells us we're all close to that final cruise ... when the body dies and we move on. It's just the body, man. It's just the body. The soul's already gone. So don't be afraid of a dead body absent a soul. It's empty, man. No resident. What you need to worry about is a living body that's lost its soul. Now that is scary, man. - Funk N. Wagnalls, owner of the Grim Reapers auto lot, a character in Professor Brown Shoes Teaches the Blues. — David Mutti Clark

No matter how strong you are, you don't just fight any fight at all! When you fight a wrong fight, you die a wrong death! — Ernest Agyemang Yeboah

In the end, Leck should have stuck to his lies. For it was the truth he almost told that killed him. — Kristin Cashore

In this century history stopped paying attention to the old psychological orientation of reality. I mean, these days, character isn't destiny any more. Economy is destiny. Ideology is destiny. Bombs are destiny. What does a famine, a gas chamber, a grenade care how you lived your life? Crisis comes, death comes, and your pathetic individual self doesn't have a thing to do with it, only to suffer the effects. — Salman Rushdie

I was tired of being me. — Rachel Ward

The prospect of an early death sits differently upon each person. In some it gifts maturity far outweighing their age and experience: calm acceptance blossoms into a beautiful nature and soft countenance. In others, however, it leads to the formation of a tiny ice flint in their heart. Ice that, though at times concealed, never properly melts.
Rose, though she would have liked to be one of the former, knew herself deep down to be one of the latter. — Kate Morton

It is possible to move through the drama of our lives without believing so earnestly in the character that we play. That we take ourselves so seriously, that we are so absurdly important in our own minds, is a problem for us. We feel justified in being annoyed with everything. We feel justified in denigrating ourselves or in feeling that we are more clever than other people. Self-importance hurts us, limiting us to the narrow world of our likes and dislikes. We end up bored to death with ourselves and our world. We end up never satisfied. — Pema Chodron

Salvation requires a radical revamping by which we are made inwardly new. J.C. Ryle explains, 'It is a thorough change of heart, will, and character. It is a resurrection. It is a new creation. It is a passing from death to life. It is the implanting of our death hearts of a new principle from above. — Richard D. Phillips

Can a literary character be said to live a life from birth to death or otherwise to undergo a development from beginning to end? Or is a literary character-fixed on the pages of a book, trapped forever in the same few words and actions-the very opposite of a living, developing human being? — Jack Miles

The latter. She had a good run, Sook said, doing a little shrug. It was his usual response to death at Mapleshade, and it was a safe bet that he felt that way about himself. Like most twice-widowed, Korea-vet, nature-loving, gun-enthusiast, bilingual, weed-connoisseur great grandfathers of five, he'd lived a full life. — Lisa Lutz

One day I realized something obvious: In all these movies, there was a similar plot. The hero is always weak at the beginning and strong at the end, or a jerk at the beginning and kind at the end, or cowardly at the beginning and brave at the end. In other words, heroes are almost always screwups. But it hardly mattered. All the hero has to do to make the story great is struggle with doubt, face their demons, and muster enough strength to destroy the Death Star. That said, I noticed another thing. The strongest character in a story isn't the hero, it's the guide. Yoda. Haymitch. It's the guide who gets the hero back on track. The guide gives the hero a plan and enough confidence to enter the fight. The guide has walked the path of the hero and has the advice and wisdom to get the hero through their troubles so they can beat the resistance. The more I studied story, the more I realized I needed a guide. — Donald Miller

Some things are worse than death... If a man lives, he must still live with himself. — Timothy B. Tyson

Shit now is the color white folks are afraid of. Shit is the presence of death, not some abstract-arty character with a scythe but the stiff and rotting corpse inside the whiteman's warm and private own asshole, which is getting pretty intimate. That's what the toilet is for. You see many brown toilets? Nope, toilet's the color of gravestones, classical columns of mausoleums, that white emblems the very emblem of Odorless and Official death. — Thomas Pynchon

Why you choose happiness, so you think that the sad moments like somebody dieing - it's equal to happiness?
!?!?!?!??!
So you think that time crimes like this in auschwitz which don't have proof so far from what they say in the reports from Mr.Death (Documentary film!)... so this is equal to (How to say it???!?!) to happiness??
WTF, crime equal to happiness, sadness also so what's left?
Oh, oh I know the Joker (Note: He is a nice character isn't he?) — Deyth Banger

The character wherewith we sink into the grave at death is the very character wherewith we shall reappear at the resurrection. — Thomas Chalmers

Death stamps the characters and conditions of men for eternity. - As death finds them in this world, so will they be in the next. — Nathanael Emmons

The bourgeoisie has through its exploitation of the world-market given a cosmopolitan character to production and consumption in every country. To the great chagrin of Reactionists, it has drawn from under the feet of industry the national ground on which it stood. All old-established national industries have been destroyed or are daily being destroyed. They are dislodged by new industries, whose introduction becomes a life and death question for all civilised nations, by industries that no longer work up indigenous raw material, but raw material drawn from the remotest zones; industries whose products are consumed, not only at home, but in every quarter of the globe. In place of the old wants, satisfied by the productions of the country, we find new wants, requiring for their satisfaction the products of distant lands and climes. — Friedrich Engels

Because the egoic mind has led us to feel separate from our immortal Ground of Being over the millennia, we have invented a number of immortality symbols to give us a precarious sense of security and identity in life. Traditionally, these have been religious in character, such as the belief in everlasting life after death, in the West, and the belief in reincarnation, in the East. However, today, it is money that provides the primary immortality symbol. It is our obsession for money that is driving humanity to extinction. For when we do not face our fears with full consciousness and intelligence, these fears will eventually come along to haunt us. — Ken Wilber

It is important that we know who Christ is, especially the chief characteristic that is the root and essence of His character as our Redeemer. There can be but one answer: it is His humility. What is the Incarnation but His heavenly humility, His emptying himself and becoming man? What is His life on earth but humility; His taking the form of a servant? And what is His atonement but humility? "He humbled himself and became obedient to death." And what is His ascension and His glory but humility exalted to the throne and crowned with glory? "He humbled himself ... therefore God exalted Him to the highest place. — Andrew Murray

At first, I thought 'this series is going to be all about death and desecration,' but instead became a more complex landscape of human relationships. I hope I put something of these feelings into the portraits that I made of the characters, which were landscapes in themselves. An irony in the subject of crystal meth is how beautifully it resembles the desert sky. — Ralph Steadman

To make sure that my blasphemy is thoroughly expressed, I hereby state my opinion that the notion of a god is a basic superstition, that there is no evidence for the existence of any god(s), that devils, demons, angels and saints are myths, that there is no life after death, heaven nor hell, that the Pope is a dangerous, bigoted, medieval dinosaur, and that the Holy Ghost is a comic-book character worthy of laughter and derision. — James Randi

The day when you shed a tear for the death of a fictional character, you know they have become more than a character. — Ryan J. Alls

Christians often equate holiness with activism and spiritual disciplines. And while it's true that activism is often the outgrowth of holiness and spiritual disciplines are necessary for the cultivation of holiness, the pattern of piety in the Scripture is more explicitly about our character. We put off sin and put on righteousness. We put to death the deeds of the flesh and put on Christ. To use the older language, we pursue mortification of the old man and the vivification of the new. — Kevin DeYoung

To the question, "Why am I old?" the usual answer is, "Because I am becoming dead." But the facts show that I reveal more character as I age, not more death. — James Hillman

We have to keep company with supposedly bad characters if we are to survive and not succumb to mental atrophy. People of good character, so called, are the ones who end up boring us to death. — Thomas Bernhard

But in all His dealings with His creatures God has maintained the principles of righteousness by revealing sin in its true character-by demonstrating that its sure result is misery and death. — Ellen G. White

Without reflecting that this is the only moment in which you can study character," said the count; "on the steps of the scaffold death tears off the mask that has been worn through life, and the real visage is disclosed. — Alexandre Dumas

Death is not one of our social managements; it is a scene with one character. — Michel De Montaigne

Modern thought has transferred the spectral character of Death to the notion of time itself. Time has become Death triumphant over all. — John Berger

It will generally be found that, as soon as the terrors of life reach the point at which they outweigh the terrors of death, a man will put an end to his life. But the terrors of death offer considerable resistance; they stand like a sentinel at the gate leading out of this world. Perhaps there is no man alive who would not have already put an end to his life, if this end had been of a purely negative character, a sudden stoppage of existence. There is something positive about it; it is the destruction of the body; and a man shrinks from that, because his body is the manifestation of the will to live. — Arthur Schopenhauer

It's not hard to read about death abstractly. I do find it tough when a character I love dies, of course. You can truly miss characters. Not like you miss people, but you can still miss them. — Will Schwalbe

IT IS WITH OUR FACES that we face the world, from the moment of birth to the moment of death. Our age and our sex are printed on our faces. Our emotions, the open and instinctive emotions which Darwin wrote about, as well as the hidden or repressed ones which Freud wrote about, are displayed on our faces, along with our thoughts and intentions. Though we may admire arms and legs, breasts and buttocks, it is the face, first and last, which is judged "beautiful" in an aesthetic sense, "fine" or "distinguished" in a moral or intellectual sense. And, crucially, it is by our faces that we can be recognized as individuals. Our faces bear the stamp of our experiences and character; at forty, it is said, a man has the face he deserves. At — Oliver Sacks

We know our skills are insufficient for an activity with such vast consequences. We recognize that our hearts are too lacking in purity to lead others to holiness. Honest evaluation inevitably causes us to conclude that we do not have sufficient eloquence, wisdom, or character to be capable of turning others from spiritual death to eternal life. — Bryan Chapell

The cemetery has ... an inscription: 'Though I walk through the Valley of the Shadow of Death I will Fear No Evil, For Thou Art With Me.' Yes, it does feel deceptively safer with two; but Thou is a slippery character. Every Thou I've known has had a way of going missing. — Margaret Atwood

A pun does not commonly justify a blow in return. But if a blow were given for such cause, and death ensued, the jury would be judges both of the facts and of the pun, and might, if the latter were of an aggravated character, return a verdict of justifiable homicide. — Oliver Wendell Holmes, Sr.

Since the death of Nikola Tesla in 1943, his life has deserved a worthy biography. Bernard Carlson has delivered that in Tesla: Inventor of the Electrical Age, which portrays Tesla as intensely human ... Anyone, whether simply an interested reader or a professional historian, engineer, or physicist, will finish Tesla with a deepened understanding of his world, character, and accomplishments. — Robert Rosenberg

The very dull truth is that writing love scenes is the same as writing other scenes - your job is to be fully engaged in the character's experience. What does this mean to them? How are they changed by it, or not? I remember being a little nervous, as I am when writing any high-stakes, intense scene (death, sex, grief, joy). — Madeline Miller

Worry is the most popular form of suicide. Worry impairs appetite, disturbs sleep, makes respiration irregular, spoils digestion, irritates disposition, warps character, weakens mind, stimulates disease, and saps bodily health. It is the real cause of death in thousands of instances where some other disease is named on the death certificate. — William George Jordan

To get a script like 'Death Proof' and to get cast in it just affirmed that I want to do character work; that's where my heart is. Maybe I will get to it again, maybe I won't, but it's what I like to do is play something a little outside of myself. This solidified the desire certainly for me. — Jordan Ladd

You're still alive. That means you're winning. — Rachel Cotterill

I liked Jim Morrison a lot as a person. He was this very poetic character, and death was always on his mind. And it showed up in his songs - I mean, almost every song he wrote had something to do with dying. He was an American treasure that went way too soon. — Alice Cooper

In its individual manifestation the character of a man's anima is as a rule shaped by his mother. If he feels that his mother had a negative influence on him, his anima will often express itself in irritable, depressed moods, uncertainty, insecurity, and touchiness. (If, however he is able to overcome the negative assaults on himself, they can serve to reinforce his masculinity.) Within the soul of such a man the negative mother-anima figure will endlessly repeat this theme: "I am nothing. Nothing makes any sense. With others it's different, but for me ... I enjoy nothing." These "anima moods" cause a sort of dullness, a fear of disease, of impotence, or of accidents. The whole of life takes on a sad and oppressive aspect. Such dark moods can even lure a man to suicide, in which case the anima becomes a death demon. She appears in this role in Cocteau's film Orphee. — C. G. Jung

... . by the time they have reached the middle of their life's journey, few people remember how they have managed to arrive at themselves, at their amusements, their point of view, their wife, character, occupation and successes, but they cannot help feeling that not much is likely to change anymore. It might even be asserted that they have been cheated, for one can nowhere discover any sufficient reason for everything's coming about as it has. It might just have well as turned out differently. The events of people's lives have, after all, only to the last degree originated in them, having generally depended on all sorts of circumstances such as the moods, the life or death of quite different people, and have, as it were, only at the given point of time come hurrying towards them — Robert Musil

HS is supposedly a story that is also a game. In games, the characters die all the time. How many times did you let Mario fall in the pit before he saved the princess? Who weeps for these Marios. In games your characters die, but you keep trying and trying and rebooting and resetting until finally they make it. When you play a game this process is all very impersonal. Once you finally win, when all is said and done those deaths didn't "count", only the linear path of the final victorious version of the character is considered "real". Mario never actually died, did he? Except the omniscient player knows better. HS seems to combine all the meaningless deaths of a trial-and-error game journey with the way death is treated dramatically in other media, where unlike our oblivious Mario, the characters are aware and afraid of the many deaths they must experience before finally winning the game. — Andrew Hussie

Death is not like going to sleep, it's more like waking up from a dream and realizing the person you were in the dream wasn't you, the problems you had in the dream weren't your problems and waking up from the dream to this world is like going back to sleep again and waking up in a dream world, forgetting who we are again and getting lost in the dream character, the character who we think we are and who has problems. Waking up in a dream and realizing we are not the dream character but the dreamer is enlightenment. — Emmanuel Diogu

How do we know whether we are producing life or death? By whether our lives exhibit the beauty of God's character. When people see the way you live, are they drawn closer to God or are they alienated from God? When they observe the way you treat others, do they find the gospel more credible or less credible? That is the standard by which we should measure our actions. Christians are called to be "life-producing machines, — Nancy Pearcey

The brut first knows death when it dies, but man draws consciously nearer to it every hour that he lives; and this makes his life at times a questionable good even to him who has not recognised this character of constant anaihilation in the whole of life. — Arthur Schopenhauer

A justified person dies and rises in Christ, and so is delivered from sin, death and domination of flesh. Justification is, to introduce my neologism, a "deliverdict," a forensic act, a judicial verdict that in its very forensic character is an act of deliverance. It is a favorable judgement in the form of resurrection. — Peter Leithart

I prefer to doubt everything. Such a disposition does not preclude a resolute character. On the contrary, as far as I am concerned, I always advance more boldly when I don't know what is waiting me for me. After all, nothing worse than death can happen-and death you can't escape! — Mikhail Lermontov

Umar, despite his strong character and impressive personality, had lost control of himself for a short while, his emotions seizing him so strongly that it brought out a heretofore unsuspected fragility, causing him to react like a child refusing the ruling of God, of reality, of life. By contrast, Abu Bakr, who was normally so sensitive, who wept so abundantly and so intensely when he read the Quran, had received the news of the Prophet's death with deep sorrow but also with extraordinary calm and unsuspected inner strength. At that particular moment, the two men's roles were inverted, thus showing that through his departure the Prophet offered us a final teaching: in the bright depths of spirituality, sensitivity can produce a degree of strength of being that nothing can disturb. Conversely, the strongest personality, if it forgets itself for a moment, can become vulnerable and fragile. The — Tariq Ramadan

I think from an actor's point of view, you always want something to play that's dramatic or something that feels like it could be very bold in choice. And of course, the boldest possible choice you could play at the end of a character's life is death. — Owain Yeoman

O sin, how you paint your face! how you flatter us poor mortals on to death! You never appear to the sinner in your true character; you make fair promises, but you never fulfil one; your tongue is smoother than oil, but the poison of asps is under your lip! — Hosea Ballou

Readiness for death is that of character, rather than of occupation. It is right living which prepares for safe or even joyous dying. - Jacques — Jacques-Benigne Bossuet

I enjoy entering the viewpoint of characters who are as different from myself as I can get - children, elderly women, animals, a sexy death row murderess - and to imagine how these disparate individuals see the world's cruelty and beauty and vastness. — Scott Bradfield

When all seems hopeless and all has gone silent, that's Destiny turning down the music so that all may hear our response to life's great storms, giving our response the chance to echo throughout eternity with the level of greatness it deserves. — A.J. Darkholme

A lot of people who read my novel 'Smog City' ask me why I never killed off either of the two main characters. To be honest, it's because I've given them life. Not literally of course, but since I spent so much time developing and creating my characters, they've ended up with complex personalities, in fact they're almost sentient in a way, and to write them off as dead would be like killing a close friend to me. — Rebecca McNutt

Well I mean I think everybody was devastated because my last day on set was my death scene and so it was just sad altogether because my character was taking her last breath and I was kind of taking my last breath of air on set with everybody so it's definitely very sad. — Willow Shields

Today is the anniversary of my husband's death," Maria announced. It was a dramatic statement, but the occasion seemed to demand it. "And I am going to leave. — Sara Sheridan

Perfection of character is this: to live each day as if it were your last, without frenzy, without apathy, without pretence. — Marcus Aurelius

The number one reason for the death of young actors' careers is people get so used to seeing them playing that one character that they can't accept them as anyone else. — Denzel Whitaker

There is a widespread notion that just passing through death transforms human character. Discipleship is not needed. Just believe enough to "make it." But I have never been able to find any basis in scriptural tradition or psychological reality to think this might be so. What if death only forever fixes us as the kind of person we are at death? What would one do in heaven with a debauched character or a hate-filled heart? — Dallas Willard

Have suggested throughout this book that the New Testament itself answers the first half of each of these prayers in terms, primarily, of a clear list of character traits whose radical novelty is generated from within the life, vision, achievement, death, and resurrection of Jesus himself. These events, taken together, constitute Jesus's followers as the true, image-bearing human beings, the royal priesthood. I have proposed, further, that according to the New Testament the way God the Holy Spirit answers the second half of the prayer is by renewing the individual heart and mind so that we can freely and consciously choose to practice those habits of behavior which, awkward and clumsy at first, will gradually become second nature. — N. T. Wright

Positively, he [Heidegger] shows that the prospect of death doesn't of itself destroy all possibilities of meaning but calls instead for these to be relocated from fantasies about a future post-mortem life. However, I don't think he does enough in this work to show that this relocation has - I believe - a primarily ethical character (in Levinas's sense of 'ethical'). — George Pattison

In the forensics novels the contents of a victim's pockets on the night of her death Say Something about her character. My Ford's Theatre ticket stub and Jimmy Carter key chain say that I am the corniest, goody-goody person in town. Luckily, I survived the evening unscathed so no one will ever find out about that losery Jimmy Carter key chain. — Sarah Vowell

Death didn't happen like I expected it to. There was no Grim Reaper, no chorus of angels, no army of demons. And my life didn't flash before my eyes. Death was the color of softness, a delicate green under a thin film of baby powder. There was nothing but soft random thoughts and picture, drifting through me like a child's breath blowing through a dandelion after making a wish. And as I died, I was held by my love. I wanted to soak up her love and smuggle it with me to wherever my soul was headed.
-character Ron (Broken) — J. Matthew Nespoli

I have always wanted to do a book about actors because I think that the death of a character is a tremendously emotional experience. — Scott Cohen

Thus, even after 1888 and Ellen White's strong counsel regarding the once-for-all, all-sufficiency of Christ's death for our sins, one finds from time to time attempts to add to the simple gospel. These efforts sometimes run along the lines of Uriah Smith's argument quoted above - that Christ's death justified us, but after that our works are necessary to live the sanctified life. Another position, one that goes back as far as the late M. L. Andreassen, emphasizes the righteousness that must be had by those redeemed from the earth when Jesus returns. This "last generation" theology focuses on perfection of character rather than righteousness by faith. In doing so it falls into the error that Paul addressed in his letter to the Galatians, namely, adding something to the gospel, which declares that Christ has done it all for us. — William G. Johnsson

To me, it's the kiss of death when you start winking at the audience as an actor. I just never liked it. I don't like it when we do monologues, looking into the character. — Thomas Jane

Indeed, she often wondered if she were dead, or dying from the inside out, and that was the root of her calm, the reason she could surrender her character. — Gregory Maguire

People seem unable to admit this principle of chance. Our spirits are not strong enough to stand the idea of life being a mere succession of chances - the idea, that is, of infinity. Each of us in his individual existence, which is contained between the chance of his birth and the chance of his death, identifies those few incidents that have arisen through what he styles his "will"; and the thing that emerges consistently from this he calls his "character" or again his "life." Thus we contrive to comfort ourselves; there is, in fact, no other way for us to think. — Shohei Ooka

I would prefer to believe that things possess the power of recall, of recollection. That things are memoirs of the existences that once were theirs, if only we knew how to read them. — Norman Lock

Acting has made me embrace my childhood. It's become some weird form of therapy. It's like I have a place where I can release all of these emotions. When I was playing Ira Hayes, I didn't have to think about the death of my parents directly. It's just there. I can blend it into Ira's character. I can use Ira's emotions as an outlet. — Adam Beach

All writing is by the grace of God. People do not deserve to have good writing, they are so pleased with bad. In these sentences that you show me, I can find no beauty, for I see death in every clause and every word. There is a fossil or a mummy character which pervades this book. The best sepulchers, the vastest catacombs, Thebes and Cairo, Pyramids, are sepulchers to me. I like gardens and nurseries. Give me initiative, spermatic, prophesying, man-making words. — Ralph Waldo Emerson

He faces the burdens of belittlement a third time as he grows older, and settles into an existence that he has embraced, or that has been forced upon him. A carapace of routine, of compromise, of silent surrenders, of half-term solutions, and of diminished consciousness begins to form around him. He turns himself over to the rigidified version of the self: the character. He begins to die small deaths, many times over. He fails to die only once, which is what he would desire if he were able fully to recognize the value of life. This third encounter with belittlement reveals belittlement for what it in fact is: death by installments. — Roberto Mangabeira Unger

A man who takes into consideration the feelings of others even when arranging the manner of his own death shows a nobility of character which compels the admiration of all classes. — Flann O'Brien

My character and good name are in my own keeping. Life with disgrace is dreadful. A glorious death is to be envied. — Horatio Nelson

One cannot run from a challenge without losing. To flee is signing a death warrant to dignity and character, and, having run, there is no return; one is a weakling forever. Meeting a challenge, though one may be defeated, gives strength, character, and a certain assurance that regardless of outcome, one will survive or go down fighting. — Sigurd F. Olson

I love playing real people. It's a huge challenge and responsibility which I take on board and which I relish. It also scares me to death. Give me a totally fictional character and I don't have the same sort of responsibility. If, though, I play Sigmund Freud or Robert Maxwell or whoever then there is a responsibility. — David Suchet

Do not despise death, but be well content with it, since this, too, is one of those things that nature wills. For such as it is to be young and to grow old, and to increase and to reach maturity, and to have teeth and beard and grey hairs, and to beget, and to be pregnant and to bring forth, and all the other natural operations that the seasons of your life bring, such also is dissolution. This, then, is consistent with the character of a reflecting man, to be neither careless nor impatient nor contemptuous with respect to death, but to wait for it as one of the operations of nature. As you now wait for the time when the child shall come out of your wife's womb, so be ready for the time when your soul shall fall out of this envelope. — Marcus Aurelius

What makes Freddy Krueger such a horrible character? What makes him scare you to death? You can't get rid of the guy. He never goes away. — Nick Saban

No man of common sense will value a woman the less, for not giving herself up at the first attack, or for not accepting his proposal without enquiring into his person or character; on the contrary, he must think her the weakest of all creatures in the world, as the rate of men now goes; in short, he must have a very contemptible opinion of her capacities, nay, even of her understanding, that having but one cast for her life, shall cast that life away at once, and make matrimony like death, be a leap in the dark. — Daniel Defoe

Like all very handsome men who die tragically, he left not so much a character behind him as a legend. Youth and death shed a halo through which it is difficult to see a real face ... — Virginia Woolf

It takes courage to have a conscience when you seem to see others getting something tangible out of not bothering to struggle with the morality of a situation. It gets frustrating and demoralizing. This is precisely where character comes in. All throughout history special people have felt compelled to do what they objectively saw as right and good - even in the face of humiliation or rejection or expulsion or torture or death. That is because they believed that certain ideas were more important than individual well-being. — Laura Schlessinger

Whoever has the luck to be born a character can laugh even at death. Because a character will never die! A man will die, a writer, the instrument of creation: but what he has created will never die! — Luigi Pirandello

In many ways ... the completeness of biography, the achievement of its professionalization, is an ironic fiction, since no life can ever be known completely, nor would we want to know every fact about an individual. Similarly, no life is ever lived according to aesthetic proportions. The "plot" of a biography is superficially based on the birth, life and death of the subject; "character," in the vision of the author. Both are as much creations of the biographer, as they are of a novelist. We content ourselves with "authorized fictions. — Ira Bruce Nadel

The disease which had thus entombed the lady in the maturity of youth, had left, as usual in all maladies of a strictly cataleptical character, the mockery of a faint blush upon the bosom and the face, and that suspiciously lingering smile upon the lip which is so terrible in death — Edgar Allan Poe

The idea of a spiritual part of our nature that survives death, the notion of an afterlife, ought to be easy for religions and nations to sell. This is not an issue of which we might anticipate widespread skepticism. People will want to believe it, even if the evidence is meager to nil ... compelling testimony ... provides that our personality, character, memory ... resides in the matter of the brain, it is easy not to focus on it, to find ways to evade the weight of the evidence. — Carl Sagan

If I hope in anything or anyone less than One who has power over suffering and, ultimately, death, I am doomed to final disappointment. Suffering will drive me to hopelessness. What character I have will disintegrate.
It is the hope of Christ that makes it possible for us to persevere in times of tribulation and distress. We have an anchor for our souls that rests in the One who has gone before us and conquered. — R.C. Sproul

The life of any one can by no means be changed after death; an evil life can in no wise be converted into a good life, or an infernal into an angelic life: because every spirit, from head to foot, is of the character of his love, and therefore, of his life; and to convert this life into its opposite, would be to destroy the spirit utterly. — Emanuel Swedenborg

It wasn't the intention to do something important, or to even relate about social issues. The ground is so fertile in the justice world, dealing with the death penalty and the Innocence Project, for characters that have a moral ambiguity, which we were both attracted to. It's the idea that everybody has their reasons. Whatever their actions are, whether you agree with them or not, you can understand why they're feeling that way, in terms of racism or even the death penalty. — Richard LaGravenese

Every family has in fact a sacred character belonging to it, which may indeed be forgotten or disdained; but the family is constituted, and ought therefore to be conducted, with the prospect of the rising generation following that which precedes it, not only to the grave, but to eternity"(Christopher Anderson). Every member of every household is an immortal creature; every one that leaves the circle by death, goes into an eternity of torment or bliss. And, since all the ordinances of God look to another world as their chief and ultimate reference, surely, surely, that institute which is the most powerful of all in the formation of character, must be considered as set up with a special intention to prepare the subjects of it for "glory, honour, immortality, and eternal life. — John Angell James

The press, important as is its office, is but the servant of the human intellect, and its ministry is for good or for evil, according to the character of those who direct it. The press is a mill which grinds all that is put into its hopper. Fill the hopper with poisoned grain, and it will grind it to meal, but there is death in the bread. — William C. Bryant

It is very singular how the fact of a man's death often seems to give people a truer idea of his character, whether for good or evil, than they have ever possessed while he was living and acting among them. — Nathaniel Hawthorne

That all species are related in the flow of life and death is a keystone of evolutionary theory. The grandeur displayed in this view of life is ecological in character. — Elizabeth A. Johnson

A SMALL PIECE OF TRUTH
I do not carry a sickle or scythe.
I only wear a hooded black robe when it's cold.
And I don't have those skull-like facial features you seem to enjoy pinning on me from a distance. You want to know what I truly look like? I'll help you out. Find yourself a mirror while I continue. — Markus Zusak

You're about to meet a new great dame of crime fiction in Death Was the Other Woman. Linda L. Richards does a stunning job in creating a character with a voice and eye right out of a 1930s L.A. hard-boiled classic: guns and gams, booze and bodies, peepers and perps. Move over, Sam Spade: Kitty Pangborn is on the case. — Linda Fairstein