Chapter Opening Quotes & Sayings

Quote of the day: (Opening chapter from, Heresy)

"He zaps from channel to channel, finally accepting to complete the job, bravely initiated by the alcohol, to further numb his tortured brain, and watch an emission, perfectly tailored for the degenerated masses, cynically named, 'Switzerland has talent — Gary Edward Gedall

Demitri sent for a tray of hot, fresh coffee with four cups. the waiter who brought it tried to look into the room to see what they were doing but Demitri grabbed the tray and slammed the door.

"He probably thinks we're having an orgy," Demitri said as he set down the tray.

"An orgy with coffee?" Andreas asked.

"He has a vivid imagination. — Allyson James

Opening yourself up to making mistakes and being vulnerable is what makes it beautiful and special with the person you love. — Simone Elkeles

Indeed I have begun in this fashion, and place great importance on this opening chapter, for unless you are here convinced that a civilization without consciousness is possible, you will find the discussion that follows unconvincing and paradoxical. — Julian Jaynes

He was especially excited about Aguirre, the Wrath of God. "Look at this crazy dude," he yelled, point at Klaus Kinski, who on the cover is wearing a Viking helmet and looks like a psychopath. So
with Dad's permission
we put the film in and watched it. This would turn out to be the single most important thing ever to happen in our lives. — Jesse Andrews

My poems tend to have rhetorical structures; what I mean by that is they tend to have a beginning, a middle, and an end. There tends to be an opening, as if you were reading the opening chapter of a novel. They sound like I'm initiating something, or I'm making a move. — Billy Collins

From Ronan's room, he heard Noah's laugh. He and Ronan were throwing various objects from the second-story window to the parking low below. There was a terrific crash.
Ronan's voice rose, exasperated. Not that one, Noah. — Maggie Stiefvater

Opening a book in the middle of a chapter always made me feel like I was interrupting a group of strangers, wandering unannounced into their villages and apartments and taxis and slums. — Julie Schumacher

So all through the Scriptures you will find that when believing prayer went up to God, the answer came down. — D.L. Moody

understanding they in their turn have played on them. Our soul sometimes takes its own revenge: What we see and hear when agitated by anger we do not see as it is: — Roger Ariew

The novel begins in a railway station, a locomotive huffs, steam from a piston covers the opening of the chapter, a cloud of smoke hides part of the first paragraph. — Italo Calvino

The rig began shaking like caffeine withdrawal." --Opening sentence of THE FURY.

"The duct-taped Buick swam north on Rush Street, hunting whores like a lesser white shark." --First sentence of Chapter One, THE FURY — Shane Gericke

Your opening should give the reader a person to focus on. In a short story, this person should turn up almost immediately; he should be integral to the story's main action; he should be an individual, not just a type. In a novel, the main character may take longer to appear: Anna Karenina doesn't show up in her own novel until chapter eighteen. — Nancy Kress

None of us know who we are any more. — Catherine Fisher

Excerpted From Chapter Eighteen
Pacific Coast Highway ends with a sharp right turn onto Sepulveda. Approaching that intersection, I saw several cars pulled to the shoulder of the road and two fresh, black skid marks leading straight to the edge of the beach beyond Sepulveda. Halfway between the road and the water, a big red Caddy convertible lay upside down on the sand.
I parked and jogged to the wreckage. The windshield and the cloth top had collapsed, so the car was resting on its hood and trunk lid. A young man in swimming trunks and an older fellow in a suit were pulling at the driver's side door, trying to get it open. The twisted metal was resisting their efforts, but the door finally came loose just as I got there. Through the opening I could see Diana Dean sprawled across the shredded remains of her convertible top. From where I stood, she looked to be in about the same shape as her mangled red Caddy. Maybe worse. — H.P. Oliver

On opening sentences: "If in the first chapter a hurricane is going to blow down an oak tree which falls through the kitchen roof, there's no need to first describe the kitchen." — James Thayer

She turned her attention back to the book, and reread the sentence one more time, but this time she simply skipped the words she did not know. As often happens when one reads in this way, Violet's brain made a little humming noise as she encountered each word - or each part of a word - she did not know. So inside her head, the opening sentence of chapter twelve read as follows: "'Hypnosis is an hmmm yet hmmm method hmmm and should not be hmmmed by hmmms,'" and although she could not tell exactly what it meant, she could guess. "It could mean," she guessed to herself, "that hypnosis is a difficult method and should not be learned by amateurs," and the interesting thing is that she was not too far off. — Lemony Snicket

Once Incarceron became a dragon, and a Prisoner crawled into his lair. They made a wager. They would ask each other riddles, and the one who could not answer would lose. It it was the man, he would give his life. The Prison offered a secret way of Escape. But even as the man agreed, he felt its hidden laughter.
They played for a year and a day. The lights stayed dark. The dead were not removed. Food was not provided. The Prison ignored the cries of its inmates.
Sapphique was the man. He had one riddle left. He said, "What is the Key that unlocks the heart?"
For a day Incarceron thought. For two days. For three. Then it said, "If I ever knew the answer, I have forgotten it."
Sapphique in the Tunnels of Madness — Catherine Fisher

We are the opening verse of the opening page of the chapter of endless possibilities. — Rudyard Kipling

She craned her neck, glared at me through the small opening, and took a step back.
And then she kicked my door in.
Was it any wonder I was falling for her?"
"Chapter 24 — Alyxandra Harvey

That man, the unsubmissive and first, stands in the opening chapter of every legend mankind has recorded about its beginning. Prometheus was chained to a rock and torn by vultures - because he had stolen the fire of the gods. Adam was condemned to suffer - because he had eaten the fruit of the tree of knowledge. Whatever the legend, somewhere in the shadows of its memory mankind knew that its glory began with one and that that one paid for his courage. — Ayn Rand

We need to look at the repetitions in the stories we tell ourselves [and] at the process of the stories rather than merely their surface content. Then we can begin to experiment with changing the filter through which we look at the world, start to edit the story and thus regain flexibility where we have been getting stuck — Philippa Perry

The opening chapter was the book's unique selling point, the singular idea that had carried Darcy through last November, and Coleman had just come up with it off the top of his head. — Scott Westerfeld

Genesis supplements "created in God's image" with the affirmation that God thus made humanity "male and female." Women and men together comprise this image. The statement is an extraordinary one in this opening chapter of Genesis, written in a patriarchal culture. One might wonder whether the author of Genesis saw the implications of this declaration. Certainly generation after generation of Christians have not seen it. We have often talked and behaved as if the male was the normal and full form of a human being, with the female a deviant and slightly inferior form. But both male and female belong to the image. You have the image of God represented in humanity only when you have both men and women there. When women are not present and involved in God's work in the world (and in the church), the image of God is not present. — John E. Goldingay

Rickie had a young man's reticence. He generally spoke of "a friend," "a person I know," "a place I was at." When the book of life is opening, our readings are secret, and we are unwilling to give chapter and verse. Mr. Pembroke, who was half way through the volume, and had skipped or forgotten the earlier pages, could not understand Rickie's hesitation, nor why with such awkwardness he should pronounce the harmless dissyllable "Ansell. — E. M. Forster

There were no oceans on Oasis, no large bodies of water, and presumably no fish.
He wondered whether this would cause comprehension problems when it came to certain crucial fish-related Bible stories. There were so many of those: Jonah and the whale, the miracle of the loaves and the fishes, the Galilean disciples being fishermen, the whole 'fishers of men' analogy . . . the bit in Matthew 13 about the kingdom of heaven being like a net cast into the sea, gathering fish of every kind . . . Even in the opening chapter of Genesis, the first animals God made were sea creatures. How much of the Bible would he have to give up as untranslatable? — Michel Faber