Change The Narrative Quotes & Sayings

It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us. — Ian McEwan

One of the things cognitive science teaches us is that when people define their very identity by a worldview, or a narrative, or a mode of thought, they are unlikely to change-for the simple reason that it is physically part of their brain, and so many other aspects of their brain structure would also have to change; that change is highly unlikely. — George Lakoff

The telling and the hearing of a story is not a simple act. The one who tells must reach down into deeper layers of the self, reviving old feelings, reviewing the past. Whatever is retrieved is reworked into a new form, one that narrates events and gives the listener a path through these events that leads to some fragment of wisdom. The one who hears takes the story in, even to a place not visible or conscious to the mind, yet there. In this inner place a story from another life suffers a subtle change. As it enters the memory of the listener it is augmented by reflection, by other memories, and even the body hearing and responding in the moment of the telling. By such transmissions, consciousness is woven. — Susan Griffin

Novels demand a certain complexity of narrative and scope, so it's necessary for the characters to change. — Maria Semple

Perhaps if we could popularise through the techniques of branding and consumerism, a different idea, a different narrative, perhaps the world can change. After all it changes constantly and incessantly, it's just the perceptions that we have are governed by people with self-interest and are not inalignment with the health and safety of us as individuals or as a planet. — Russell Brand

I write a ridiculous number of drafts. The characters change and grow through the drafting, and my understanding of them deepens. Creating characters in a novel is like shooting at clay pigeons and missing, and then missing more productively as the narrative continues. — Robert Boswell

There are plenty of writers, past and present, from Shakespeare to Henry James to Lydia Davis, who test the limits of coherence and put pressure on current notions of accessible (and acceptable) narrative methods. To thrive and change and grow, any art needs this kind of pressure. — Joanna Scott

As readers, as people, we might not have the capacity to change the justice system. But as Dylan says in the book, we can change one person's perspective at a time. We can notice. We can speak up. We can teach this generation, my generation, that the way sexual assault is viewed and treated in this country is not okay, so that when it is our turn to step into the shoes of political office and criminal justice, we can continue changing the narrative from a place of power.
And more than anything, we can support. And we can empower. We can love.
We can be better. — Cora Carmack

Anger is what makes our struggle visible, and our struggle is what exposes they hypocrisy of a nation that fashions itself a moral leader. To rise against the narrative and expose the lie gives opportunity to those whose identity depends on the lie to question and, hopefully, change. — Mychal Denzel Smith

Unlike other books or TV shows or sometimes life, my narrative worlds are stripped of implicit moral centers. There is only what you bring. That makes the characters risky in every way and the narrative, a journey of change for the reader. But I make the journey as fun as I can. — Chris Abani

Those who first invented and then named the constellations were storytellers. Tracing an imaginary line between a cluster of stars gave them an image and an identity. The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky. — John Berger

No one is better placed or more philosophically suited than Obama to construct the new counter narrative as we go forward in our new New Deal. But many masters of the old universe, including quite possibly his chief economic adviser, can't recognize that the world has changed or should change. — Frank Rich

Obama's statements also use a narrative structure, complete with heroes and villains: Ending the estate tax is a threat to the most vulnerable people - taking away money for what they desperately need. They are the victims. The villains are those who would take it from them - conservative legislators and some of the nation's wealthiest families, who have spent tens of millions to lobby for the repeal of this tax. The hero, the rescuer, is you, the voter, who can change the course of the nation. Persuade your legislators to vote for what is moral, and turn them out of office if they refuse to do the right thing. The — George Lakoff

Today, Labour has a disruptive economic narrative - that Britain needs fundamental change in its market structure and culture to compete in the modern world. — David Miliband

We need a change in consciousness to go with this technology platform. We need a new narrative: we need to shift from geopolitics to biosphere consciousness in one generation. The biosphere is understood here as what goes from the biosphere to the depths of the ocean 40 miles where all living beings interact with all chemicals to create a very complex choreography that we call "life on earth". That is biosphere that is our indivisible community. — Jeremy Rifkin

There are change elections and there are 'more of the same' elections, and there was a lot of economic anxiety in the 1992 election and (Bill Clinton) was able to drive a change narrative. after eight years of Barack Obama, it's very difficult to understand what kind of change it is that Hillary Clinton's candidacy could represent. — Steve Schmidt

There aren't enough people in the media creation space. There aren't enough people making premium quality programming. That's how we change the narrative. Because there is a lot of bad African programming out there, and it is not helping matters. — Mo Abudu

I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome ... I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained. — Patricia Rozema

Griffin Hansbury, who was born female but underwent a sex change after graduating from college, has another well-informed view of the powers of testosterone. "The world just changes," he said. "The most overwhelming feeling was the incredible increase in libido and change in the way I perceived women." Before the hormone treatments, Hansbury said, an attractive woman in the street would provoke an internal narrative: "She's attractive. I'd like to meet her." But after the injections, no more narrative. Any attractive quality in a woman, "nice ankles or something," was enough to "flood my mind with aggressive pornographic images, just one after another ... Everything I looked at, everything I touched turned to sex." He concluded, "I felt like a monster a lot of the time. It made me understand men. It made me understand adolescent boys a lot. — Christopher Ryan

I think Kurosawa was one of the first storytelling geniuses who began to change the narrative structure of films. — Alejandro Gonzalez Inarritu

The world has accepted hard-core fans' argument. Batman, this children's character who dresses up in a costume to effect the change he wishes to see in the world via face punching, is serious.
And awesome.
And definitely not gay.
And, most importantly, now and forever, badass.
This is the Batman narrative that now permeates the culture - the narrative that doesn't like nobody touching its stuff and doesn't want any of you homos touching it, neither. — Glen Weldon

I used to write travel essays, and I was struck by how the fact of writing about a place would change my relationship with it. I would make completely different choices, do things I wouldn't have normally, because I had to fill this narrative shape. — Chelsea Cain

I plan years in advance, but I like to leave enough space in the narrative scheme to change things, because I always get my best ideas the closer I come to the end of a project, after I've lived with it for a while. — Grant Morrison

But most critically, sweet, never try to change the narrative structure of someone else's story, though you will certainly be tempted to, as you watch those poor souls in school, in life, heading unwittingly down dangerous tangents, fatal digressions from which they will unlikely be able to emerge. Resist the temptation. Spend your energies on your story. Reworking it. Making it better. — Marisha Pessl

Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world. — Hilary Mantel

They are being offered a narrative, an historical story whose hope of 'salvation' lies not in a flight from history but in a great convulsive change within history, a transformation in which there will be continuity with the present as well as discontinuity. — N. T. Wright

I was thinking as small children think, as if my thoughts or wishes had the power to reverse the narrative, change the outcome. — Joan Didion

A good mixtape didn't just gather together a bunch of love songs, but instead created an emotional narrative specific to your affection. The stories in most of my favorite collections are collected more like songs on a mixtape than, say, collected like spare change. By which I mean they are in conversation with each other and work to become larger than their parts. — Anthony Marra

But the truth is that I don't want to simply offer others a fleeting moment of "inspiration." I want my story to spark real change. An aha moment becomes most meaningful when it leads us to do more. Dream bigger. Move past our so-called limitations. Defy expectations. Bounce back with the resilience that every single one of us was born with. I didn't write this book because I want you to say, "Wow, look at what that girl overcame - good for her." I'm sharing my story because I want you to see what's possible in your own life. Right here. Right now. Starting the second you pick up your pen and create your own amazing narrative. The words of the Chinese philosopher Lao-tzu have always resonated with me: "A journey of a thousand miles begins with a single step." What follows is my first step. My first stumble. My first dance. My first dream. — Amy Purdy

The next time you feel yourself giving in to the sometimes overwhelming urge to panic about the fate of literature in the digital age, follow this simple remedy: remember that you dream. For that is ironclad proof ... that literature - that narrative art in whatever form - will never die. Humans, strange creatures that we are, make sense of our lives by telling stories. In the space between each day and the next, we refresh our minds by concocting the most fantastic and elaborate fictions. We spend roughly a third of our lives thus, re-arranging our scattered experiences into stories. That we do it at all is bizarre and inexplicable. But as long as we do it, we will crave stories - human stories, stories that speak to us - in our waking life. The Internet, powerful as it is, cannot change that. — Adam Hammond

It is thus not so much the transformation of reality that the reader senses as the remaking of the order and the position in which common elements of human experience occur and coalesce. The recording of simultaneous but different actions in the same narrative space, the concept of the vasos comunicantes, in which two dialogues spatially and temporally independent are interwoven into one, the running together of thought processes in the form of interior monologues and stream of consciousness, and the fragmenting or refracting of everyday occurrences-these are some of the techniques that change one level of reality into another, that help create one reality out of another, that invent a new reality and invite the reader to be part of it. — Myron I. Lichtblau

This was an adequate enough performance, as improvisations go. The only problem was that my entire education, everything I had ever been told or had told myself, insisted that the production was never meant to be improvised: I was supposed to have a script, and had mislaid it. I was supposed to hear cues, and no longer did. I was mean to know the plot, but all I knew was what I saw: flash pictures in variable sequence, images with no "meaning" beyond their temporary arrangement, not a movie but a cutting-room experience. In what would probably be the middle of my life I wanted still to believe in the narrative and in the narrative's intelligibility, but to know that one could change the sense with every cut was to begin to perceive the experience as more electrical than ethical. — Joan Didion

Now I protest to thee, gentle reader, that I entirely dissent from Francisco de Ubeda in this matter, and hold it the most useful quality of my pen, that it can speedily change from grave to gay, and from description and dialogue to narrative and character. So that if my quill displays no other properties of its mother-goose than her mutability, truly I shall be well pleased; and I conceive that you, my worthy friend, will have no occasion for discontent. From — Walter Scott

The loss is transformative, in good ways and bad, a tangle of change that cannot be threaded into the usual narrative spools ... It's not an emergence from the cocoon, but a tree growing around an obstruction. — Meghan O'Rourke

There's always a moment when you start to fall out of love, whether it's with a person or an idea or a cause, even if it's one you only narrate to yourself years after the event: a tiny thing, a wrong word, a false note, which means that things can never be quite the same again. — Douglas Adams

Understanding is better than ignorance. Ignorance, unlike life, unlike narrative, is static. Understanding implies a forward motion, thus the possibility of change. — Robert Charles Wilson

My grandfather was originally from the south of China before he emigrated to Malaysia pre-World War II. And I wanted to learn more about the history of the country of my ancestors. I knew I wanted a narrative set in contemporary Beijing. I was really interested in the effect of the rapid social and economic change on ordinary citizens in China. — Susan Barker

Ours has been an expansionist society, but that narrative must change as we run out of places to expand into. But our culture is like a cart stuck in the same old rut that has been leading us in one direction. The longer we've been using a path, the deeper the ruts get, the harder it is to escape them. We've been moving ever Westward, but there's only so far we can go in that direction before we fall into the ocean. It's a direction that we cannot continue on forever, but the breaking of those ruts will require a major rupture. The old narrative is dying, and it will be quite a crushing of gears before things are re-adjusted. A shared story is needed for a civilization to endure. — James Rozoff

The narratives of Scripture were not meant to describe our world ... but to change the world, including the one in which we now live. — Stanley Hauerwas

This book argues that evolution is happening all around us. It is the best way of understanding how the human world changes, as well as the natural world. Change in human institutions, artefacts and habits is incremental, inexorable and inevitable. It follows a narrative, going from one stage to the next; it creeps rather than jumps; it has its own spontaneous momentum, — Matt Ridley

The Scripture was given to us to teach and to uplift. To provide a path to God. Occasionally a person fixates on a certain portion, a portion that many of us would consider narrative history
such as the book of Daniel. It is a record of Daniel's experience in exile, in the court of Babylon. We can see God's sovereignty over kings, in this case Nebuchadnezzar." Tate jingled the change in his pocket, unsure where Mitch was headed. "In addition to the historical aspects, there are spiritual lessons to be found within this portion of the Scripture
God's faithfulness to his people and his omnipotence." "But ... " "But when someone fixates on one portion versus the Scripture as a whole, confusion sets in. They pick and choose certain words and use them to justify almost any action." Tate hesitated, then asked, "Even murder?" "Especially murder. — Vannetta Chapman

You control whether you are happy. It's all your narrative and you can change it if you choose to. - L. R. W. Lee Andy Smithson: Blast of the Dragon's Fury — L.R.W. Lee

The construction of a new body of knowledge always bears direct connection to the ideology in which it operates. Historical insights that diverge from the narrative laid down at the inception of the nation can be accepted only when consternation about their implications is abated. This can happen when the current collective identity begins to be taken for granted and ceases to be something anxiously and nostalgically clings to a mythical past, when identity becomes the basis for living and not its purpose - that is when historiographic change can take place. — Shlomo Sand

A circular plot structure, often seen in adventure novels and quest fantasies, is a narrative devise involving setting, character, and theme. Typically a protagonist ventures from home (or the starting place of the story), goes on a journey, often a dangerous one in which many challenges are overcome, and then returns home a changed person. The plot is usually chronological, with the events occurring in a setting that becomes a circle. By returning the character to the place where he started, the author can emphasize the character's growth or change while also highlighting the theme of the story. — Carl M. Tomlinson

In committing a work to memory we make it safe from decay. It stands untouched. Children memorize parts of stories their parents tell them. They want the same story again and again. Don't change a word or they get terribly upset. This is the unchanged narrative every culture needs in order to survive. — Don DeLillo

Never try to change the narrative structure of someone else's story, though you will certainly be tempted to, as you watch those poor souls in school, in life, heading unwittingly down dangerous tangents, fatal digressions from which they will unlikely be able to emerge. Resist the temptation. Spend your energies on your story. Reworking it. Making it better. Increasing the scale, the depth of content, the universal themes. And I don't care what those themes are- they're yours to uncover and stand behind-so long as, at the very least, there is courage. — Marisha Pessl

In the Tea Party narrative, victory at the polls means a new American revolution, one that will 'take our country back' from everyone they disapprove of. But what they don't realize is, there's a catch: This is America, and we have an entrenched oligarchical system in place that insulates us all from any meaningful political change. — Matt Taibbi

Many of our holidays revolve around traumas that happened to our people and how we must remember them in specific ways. The way these stories are told and what we take away from them can change, and do in certain contexts, but overall I am not sure whether Jews want to let go of the narrative of the victim. — Jill Soloway

Since the Enlightenment, in the great tension between rationalism (how we would like things to be so they make sense to us) and empiricism (how things are), we have been blaming the world for not fitting the beds of "rational" models, have tried to change humans to fit technology, fudged our ethics to fit our needs for employment, asked economic life to fit the theories of economists, and asked human life to squeeze into some narrative. — Nassim Nicholas Taleb

At that moment, when you feel like you were born into the wrong society or culture, you have a few choices. You can ignore the gap between the world around you and what you feel within. There are lots of ways to do this, from TV to drugs to desperately trying to succeed within the world's big social inventions. Another way is to rail at the world for its failings, creating a narrative in which you are right and "they" are wrong. Or you can be humbled by trying to change the world around you just enough to realize your own potential. — Ron Davison

Merkel has realized that the euro is not working, but she cannot change the narrative she has created because that narrative has caught the imagination of the German public, and the German public has accepted it. — George Soros

It was important to me to change the narrative. It's important because it has an impact on everything you do. It doesn't matter who you are or what business you are running. You would always be seen as some African from the bush trying to run a bank. But we do these things successfully and we shouldn't be seen as second rate. That is the message that we are putting out there. — Mo Abudu

We can change the narrative about Africa with content. — Mo Abudu

Write out the story - rapidly, fluently, and not too critically - following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design. — H.P. Lovecraft

One absolutely crucial change is that feminist film theory is today an academic subject to be studied and taught. "Visual Pleasure and Narrative Cinema" was a political intervention, primarily influenced by the Women's Liberation Movement and, in my specific case, a Women's Liberation study group, in which we read Freud and realised the usefulness of psychoanalytic theory for a feminist project. — Laura Mulvey

I think that if you have a strong narrative, if the idea of the song can be boiled down to the basics, it won't change that much. — Suzanne Vega

I've been told that I cannot change shit, so I might as well stop torturing myself. My emotions are ridiculed and branded as childish. I have been told that the world has given up on my people. I have been told, and realise that on many occasions, I myself am viewed as an outcast by some of those suffering. I've been confronted and my answer is always the same: I care even in my most fucked-up moments. I care even when gates of shit pour open to drown me; I care because I am a citizen of the world. — Asaad Almohammad