Cg Quotes & Sayings
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Top Cg Quotes

I don't use film cameras. I don't do visual effects the same way. We don't use miniature models; it's all CG now, creating worlds in CG. It's a completely different toolset. But the rules of storytelling are the same. — James Cameron

I love when you take bizarre, non-human things and somehow make them human or accessible. I think that's why I like the practical effects. You can look at a creature and still see vulnerability or the character behind the creature. To get character behind CG creatures, that's so few and far between. — Kevin Munroe

And there's a visceral fun in watching Team America and making it, like taking a puppet and throwing it against the wall. Because it's not CG, there's something funny about it. — Matt Stone

It's interesting now that basically a CG set is the same cost as a real set. So like if you're going to build a CG house in the suburbs, it costs you $200,000. And if you were going to build it in a computer, it'll cost you $200,000. It's the same ... the relationship is exactly the same. — Zack Snyder

If you stood me in a costume next to a computer graphic of the same-looking character, I think there would be a difference. And many movie fans I've spoken to would rather see an actor in a costume than CG. — Warwick Davis

As the CG in motion capture made it look realistic, it put more of an onus on the game makers to make the dialogue they're saying more realistic. It doesn't matter what they say when they're 8-bits, but if they look almost photo-real, it matters. More and more, the games industry is realising that. — David S.Goyer

Sometimes in life, we need to be pushed to conquer our fears, challenge our nightmares, realized our dreams and achieved our goals, in order to be the best we can be. - CG Murphy — Courtney Murphy

Anyone can buy CG technology. It's not that it's easy to make those films. Those films are just as difficult, they're incredibly hard to make. — Henry Selick

I really love animation as a storytelling medium, whether it's traditional, cel animation, or CG, or stop motion, which is more our studio's area of focus. But I find that the creatives behind any kind of animation are typically very similar, and so regardless of what aesthetic they use to realize their vision, I'm usually pretty into it. — Seth Green

Wynn picked up the note, unfolded it, and read aloud. 'Call Wynnie-the-Pooh. Out of salt. Important. Dig on Coleman, Garvey/CG Towers, Uncle Griffin. Paris. Bank for box. — Christine Warren

'Smurfs' just seemed like a great way to represent a young father to be, guy in a marriage, work in conflict, and I was really interested in the technical CG side of things. I'd never done a movie that I thought would be so physical and yet so precise. So I was intrigued by all of that. — Neil Patrick Harris

The wonderful thing about 48 fps is the integration of live action and CG elements; that is something I learned from 'The Hobbit.' We are so used to 24 fps and the romance of celluloid ... but at 48 fps, you cannot deny the existence of these CG creations in the same time frame and space and environment as the live action. — Andy Serkis

CG Jung:Thoughts grow in me like a forest, populated by many different animals. But man is domineering in his thinking, and therefore he kills the pleasure of the forest and that of the wild animals. Man is violent in his desire, and he himself becomes a darker forest and a sickened forest animal. Just as I have freedom in the world, I also have freedom in my thoughts. Freedom is conditional. — C. G. Jung

I never want to make a movie which is going to be CG filled, cold, and computerized. — James Bobin

CG can do anything, but it can't do everything well. What it naturally can do is special effects. But using stop-motion comes from our desire to do handmade stuff. There are always going to be kids who get out whatever it might be - clay, bits of wire, Barbie dolls, Legos. They want to tell little stories. — Henry Selick

Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan. — Gary Ross

Just like those little Viewmaster slides, there's a inherent magic that's captured in 3D that you can't get in drawn animation or in CG. — Henry Selick

I think the CG is an instrument to create reality. I don't think it's an instrument to create a heightened reality. — Gary Ross

CG: WELCOME TO THE TROLLOCAUST. THE PAINSTAKING GENOCIDE OF YOUR FRAGILE SELF ESTEEM WILL BE MY SWAN SONG. — Andrew Hussie

It was practically with people with strings. There was no CG involved, it was just painfully taking Collin [Farrell] and Jessica Biel and putting them upside-down, we built the set upside-down and just try to twist perspective to make it all seem like zero gravity. And it was one of the most difficult things I've ever shot. — Len Wiseman

I do a lot of CG stuff for fun. — Rick Baker

A lot of the stuff in 'Speed Racer' has never been done before, from it having a multi-tone, to it having a retro-cool family movie, to having the photo-realism with the CG-backgrounds and infinite focus the way they worked with these digital cameras, to even the color experimentation. — Emile Hirsch

I love sight gags and broad stuff, but you can get to such a subtle degree, especially with CG animation. — Peter Sohn

I love CG - it's a great tool. I just don't think you should use it to replace reality; you should use it to augment and enhance. Do matte paintings, do composites, do replications, stuff like that, but you're taking something real and working with that as opposed to trying to fake it from scratch. The human brain can tell the difference. — Neil Marshall

Ruby,
I lied before. I would have run.
- CG — Alexandra Bracken

I'm a 'Clash of the Titans'/'Star Wars' baby. I'm not a new 'Star Wars' baby. I'm not an 'Avatar' baby. That full CG doesn't work for me. I need interactivity. I need to feel the goo. I need to feel people coming out of animatronics and just interacting with props. — Louis Leterrier

You know, I love stop-motion. I've done almost all the styles of animation: I was a 2D animator. I've done cutout animation. I did a CG short a few years ago, 'Moongirl,' for young kids. Stop-motion is what I keep coming back to, because it has a primal nature. It can never be perfect. — Henry Selick

I feel like the beauty of this age of filmmaking is that there are more tools at your disposal, but it doesn't mean that any of these new tools are automatically the right tools. And there are a lot of situations where we went very much old school and in fact used CG more to remove things than to add things. — J.J. Abrams

One thing I try to avoid in my films are effects that have a CG 'look' to them. The challenge is never let the audience get distracted by thinking that they're watching something made in a computer. — Jonathan Mostow

You look at CG sometimes and its terrible. You look at CG sometimes and its great. — Seth Rogen

Sometimes you got to a point where it wasn't happening and you had to figure out another way to do it, particularly in terms of making the jaguar do what you wanted. That was not CG, a real guy had to run really fast and not trip. There was a form of restraint on the creature that you can't see. so it was all very safe - but it is real. — Mel Gibson

You hear people say that there's too much CG in movies today, but CG is what allows me to take a green-painted wall in a studio and make it disappear, and then put 100 miles of landscape in. CG, in the right hands, can be a marvelous tool. — David Twohy

I am fortunate enough to have worked on, and continue to work on, evolutionary movies in all formats from just simple good story telling, which still matters most of all, to CG movies to tent-pole size 3D movies, and genre 3D movies like 'Piranha 3D.' — Mark Canton

I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least! — Roy Conli

People are mystified by it and so they kind of think, the acting community thinks they're gonna be replaced by CG characters and animators think they're gonna be replaced by performance capture (and) a lot of directors, particularly European directors, who have no experience of it. — Andy Serkis

I think that if you're creating an environment completely or ... in my research, what I've learned is that if it's a CG world or a lot of visual effects, you're almost better doing that in post. — Neal H. Moritz

To me, it all comes down to things being character-driven. It's hard for me to look beyond that. CG and all this cool stuff - so be it. But to me, it pretty much begins and ends with character-driven plots rather than technologically-driven plots. — Billy West

The two great things about computer CG stuff are I can now do gags I would never have dreamed of in the old day. — George A. Romero

Summer blockbusters are very expensive to make. They have things that have to be expensive, such as 600 effects shots or CG characters that have to go a certain way, or a film design that is different but expensive. — Ang Lee

It's frightening enough with a male actor and not a stunt person. If you accidently punch him with the wrong hand, then you've cost them a week's work and they've got a black eye or a lot of money goes on CG to get rid of it. That was nerve wracking, but it was very civilized. Women tend to immediately take responsibility if somebody messes up with both of us saying it's our fault. Men are quite happy for it to be your fault it seems like. — Kate Beckinsale

I see the tool set being the same and maybe doing virtual movies and that's fine for some stories but not for others. And maybe make all CG movies but they are already doing it. — Dennis Muren

Originally, I thought, 'Gollum's such a fantastic character, why are you doing him CG? Surely you need to be able to humanise him as much as possible - he's so full of pathos and real emotion.' — Andy Serkis