Quotes & Sayings About Centre Pompidou
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Top Centre Pompidou Quotes

We are born into this time and must bravely follow the path to the destined end. There is no other way. Our duty is to hold on to the lost position, without hope, without rescue, like that Roman soldier whose bones were found in front of a door in Pompeii, who, during the eruption of Vesuvius, died at his post because they forgot to relieve him. That is greatness. That is what it means to be a thoroughbred. The honorable end is the one thing that can not be taken from a man. — Oswald Spengler

Renzo Piano and Richard Rogers's Centre Georges Pompidou of 1971-1977 - the true prototype of the modern museum as popular architectural spectacle - wound up costing so much more than planned that the French government solved the shortfall by cutting support for several regional museums. — Martin Filler

When I was in advertising, I did a great deal of work on television commercials. A co-worker and I wrote a screenplay, which led to a few more screenplays, and some were optioned by production companies. I was advised to move to California but didn't want to make the move. I decided to use another form of storytelling, so I wrote a novel. — M.J. Rose

A willingness to go against the conventional wisdom was one of the side effects of looking at the world in a particular light. — Kem Nunn

I was seven," she answered. "In my room, under the bed, I heard something like fingernails dragging across the floor. I got up the courage, hung my head over the side, and looked under."
"You're never supposed to do that," Mila gasped. "Seriously, don't you pay attention to the horror movies? — Lani Brown

They don't think uneducated people should be highly paid, but they won't see that if they don't pay the uneducated people their children are going to be uneducated too, and we're going round and round in a circle. — F Scott Fitzgerald

It's a pragmatist's business, comedy. Start off with good intentions and references to the Pompidou Centre and you end up with boiled sweets and a pantomime cow. — Mel Smith

A locked-room problem lies at the heart of my new novel, 'In The Morning I'll Be Gone,' in which an RUC detective has to find out whether a publican's daughter who fell off a table in a bar that was locked from the inside was in fact murdered. — Adrian McKinty

The collages I never wanted to sell. I thought it was a very private thing, so I kept the collages. Then, in the end, I had a big collage in the Pinault Collection in Venice and the director of the [Centre] Pompidou said, "Did you make big collages like this in the '60s?" I said yes, so he came to the studio and said, "Let's make an exhibition in the Pompidou." — Erro

Let go of me," I choke out, clawing blindly at Teren. The sharp tang of blood suddenly fills my nostrils, and I realize that it is from his wrists, spreading a film of scarlet around us. Somewhere ahead, the silhouette of our ship looms. We are getting closer.
"I wish I could," Teren spits, dripping venom. "There's nothing I'd like to see more than you in the Underworld, Adelina."
His words spark my fury. He never intended to finish this journey with you. Teren grips my arm again so hard that I scream in pain. He is pulling us both toward the ship, his face set in grim determination.
Then I hear him shout, "But I won't."
But I won't. My fury wavers, turning into bewilderment. — Marie Lu

The Cubist paintings in the Centre Pompidou in Paris were strange but amazing. The big fat magical cat said they made her eyes hurt. — Jim Shanahan