Cello Sound Quotes & Sayings

We tune differently, and we use some tricks. There's just the two of us for much of a concert, so we want a big sound. We do use some guitar effects, distortion and delay. Playing cello with distortion sounds so good. — Luka Sulic

It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy. — Stjepan Hauser

When people start talking about enjambment and line endings, I always shut them up. This is not something to talk about, this is a private matter, it's up to the poet. — James Tate

And so I played, and they held their breath, as they heard the beauty of the music, so like a human voice, yet so beyond it. I drew the bow across the strings. The first notes of the Bach Sarabande sounded in the room and I felt the sound waves travel through me, through the body and guts of my cello, through the endpin and into the wood of the floorboards and through the feet of the audience and up through their skeletons to their hearts and into their brains and the music reached their brains and their hearts at the same time - for sound travels according to the laws of physics, and I saw the light behind their eyes catch fire and heard them intake breath as they felt the rush of the music take over their bodies, aethereal and corporeal combined. — Tracy Farr

I am dying: it's a beautiful word. Like the long slow sigh of the cello: dying. But the sound of it is the only beautiful thing about it. — Sonya Hartnett

I think a double bass for me would be too much effort. But the cello, you're really engaged and the sound is kind of right here. So, it feels like being merged, married to an instrument. — Tod Machover

I'm always anxious in introducing sounds that don't originate with the cello. — Julia Kent

There are limits to how much sound a cello can make. That's part of the framing of acoustical instruments. Finding what those limits might be, and then trying to suggest perhaps even the illusion of going beyond is part of that kind of effort. — Yo-Yo Ma

For nothing is of greater importance than that a powerful, long-established, and irrational custom should be once again confirmed by the act of some one who is recognized as rational. In this way the proceeding is thought to be sanctioned by reason itself! All honor to your opinions! but little unconventional actions are of still greater value. — Friedrich Nietzsche

Whether you are five years old and irresistibly drawn to the piano in your home, or you are an adult who suddenly falls in love with music and decides to take lessons, the knowledge that you belong in the world of music is deep and indestructible. It is part of your basic nature, as much as the color of your eyes or the sound of your voice. Even your choice of instrument might feel choiceless; you hear a piano or a cello and somehow know that that is the instrument you must play. — Madeline Bruser

The woods were full of sound: the stream between the rocks, the wind among the needles of the pine branches, the chitter of insects and the cries of small arboreal mammals, as well as the birdsong; and from time to time a stronger gust of wind would make one of the branches of a cedar or a fir move against another and groan like a cello. It — Philip Pullman

APPROACH
Rain is falling. Winter approaches. I drive towards it. In the slow rain. In the semi-darkness. Cello music is playing in the car. The deep sad sound of the cello. It almost swamps me. Routine endeavours to swamp me. The everyday paying of bills.
But I paint men walking in a city of icebergs and crystal. Some of the icebergs are red. I paint a woman swimming in green wavy water. Surrounded by desert mesas. Bright orange in the sunlight. With darker orange for shadows. I paint two people. With purple and pink and yellow and blue circles overlapping the boundaries of their bodies. Dancing.
Life is not ordinary. When I see you tonight I will press my lips to your eyelids. Each one in turn. I will rub my fingertips over the skin on the back of your hands and around your wrists. I will sigh. I will growl. I will whinny. I will gallop into your smile. One sharp foot after the other. — Jay Woodman

For where thy treasure is, there also will thy heart be. — Anonymous

I guess I'm interested in pushing the boundaries of the cello without giving up on the idea of playing the cello, if that makes any sense. I have no real interest in putting the cello through different effects to make it sound like a guitar or other instruments. — Okkyung Lee

The paintings are more about physicality and gesture than meditation. I'd compare it to playing scales on the Cello - each sound (pitch and intensity) depends on the manner in which you hold and apply the bow. The same goes for the gesture of applying paint to a surface. — Stephen Beal

Real compassion means to understand what the needs for body, mind and soul are. — Radhanath Swami

We were never happy with the way cello was recorded, and we wanted to experiment in the studio to make the cello rock as much as possible. On the second album, we had great help from Bob Ezrin, who helped us develop our sound even more. — Luka Sulic

Our seats were in the balcony. Nosebleeds. But you don't go to Yo-Yo Ma for the view, and the sound was incredible. That man has a way of making the cello sound like a crying woman one minute, a laughing child the next. Listening to him, I'm always reminded of why I started playing cell in the first place
that there is something so human and expressive about it. — Gayle Forman

Regardless of the age of the people in the audience, they are clapping, screaming with joy and enjoying each and every note. I used to think classical music was boring. But that was because I never really gave it a chance. When I first saw 2CELLOS' cover of Smooth Criminal, I was mesmerized by their talent and instantly intrigued. With just two instruments, they created a sound so powerful and incredible, a sound I had never known could come from a cello. — Valentina Gomaz

There are a lot of ways to be expressive in life, but I wasn't good at some of them. Music, for instance. I was a distinct failure with the cello. Eventually, my parents sold the cello and bought a vacuum cleaner. The sound in our home improved. — Sam Abell

(regarding the prelude from suite two) ... The key is minor, the three notes a tragic triad. The tones move closer and closer to a harrowing vision, weaving spiter-like, relentlessly gathering sound into thighter concentric circle that come to an abrupt stop. Nothing fills the empty space. A tiny prayer is uttered. — Eric Siblin

A cello can sound like so many instruments, but it's only one, you know, like a guitar; it has percussive qualities. It can sing like the violin, you know, like a voice. — Luka Sulic

Existence is violent, I exist, therefore I'm violent ... in that way. — Huey Newton

The range of the cello is so big, it can play as low as the double bass and as high as the violin. It has the perfect shape, and its sound is the closest to the human voice. — Luka Sulic

There's no working radio tower in the country. It's all static," she said, without looking to him. "I know. But 102.3 plays the best. Not too tinny. Full and robust. If a cello were to perform static, it would sound like this." She shook her head and turned the dial. "I prefer 93.9," she said. She still hadn't looked at him. "It's too thin and monotone. There's no variation. It just sounds like static." "And that's why I like it," she said. "It sounds like static is supposed to sound. — Anthony Marra

The cello is not one of my favourite instruments. It has such a lugubrious sound, like someone reading a will. — Irene Thomas

We wanted to make a powerful cello sound in order to show to the world the possibilities of the cello and to use it in a different way than the classical way they are used to. We wanted to play something exciting, something crazy, something to draw younger generations to this great instrument. — Luka Sulic