Cellar House Quotes & Sayings

Stay away from the underground lake I implore,
The Siren will see you are heard of no more. — E.A. Bucchianeri

And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then — Salman Rushdie

Originally, the cellar served primarily as a coal store. Today it holds the boiler, idle suitcases, out-of-season sporting equipment, and many sealed cardboard boxes that are almost never opened but are always carefully transferred from house to house with every move in the belief that one day someone might want some baby clothes that have been kept in a box for twenty-five years. — Bill Bryson

Have they known scorn like you
Five cellars down? — E.A. Bucchianeri

I hope to build a house with my films. Some of them are the cellar, some are the walls, and some are the windows. But I hope in time there will be a house. — Rainer Werner Fassbinder

Music helps to forget
This forsaken tomb,
That is my abode
Cellars down
Far below
Under the ground, ... — E.A. Bucchianeri

The idea that the spirits of those once tortured in the house might still be there was the avenue his imagination began to explore. The groaning of the wood sounded like screams from the dungeon and the clunking pipes were the implements of torture. His bedcovers seemed to offer less protection than they had done in his younger years, he felt naked and at the mercy of his thoughts, and it wasn't long before the skull he'd seen in the cellar had a face, manifested by fear and imagination. — Matthew Williams

Skulduggery waved at the Hollow Men and they hurtled backwards, then Stephanie felt a gloved hand close around her wrist and she was dragged out of the cavern. Skulduggery sprinted so fast she just allowed herself to be carried along in his wake. He knew exactly where he was going, and within minutes they were at the stone steps, hurrying up out of the caves. They reached the cellar and the key flew from the lock into his hand. The floor groaned and rumbled and closed up. "Will that hold him?" Stephanie asked. "He's got the Sceptre," Skulduggery said. "Nothing will hold him." As if to prove his point, the floor started to crack. "Move!" Skulduggery shouted. They bolted up the stairs and Stephanie glanced back just as the floor vanished in a soft whump of dust and air. They plunged out of the house into the bright sunlight, the Hollow Men right behind. Stephanie was three steps from the yellow car when one of the Hollow Men grabbed her. — Derek Landy

The town, although it had "suffered greatly," was not in as bad shape as he had expected, he wrote to John Hancock, "and I have a particular pleasure in being able to inform you, sir, that your house has received no damage worth mentioning." Other fine houses had been much abused by the British, windows broken, furnishings smashed or stolen, books destroyed. But at Hancock's Beacon Hill mansion all was in order, as General Sullivan also attested, and there was a certain irony in this, since the house had been occupied and maintained by the belligerent General James Grant, who had wanted to lay waste to every town on the New England coast. "Though I believe," wrote Sullivan, "the brave general had made free with some of the articles in the [wine] cellar. — David McCullough

Dorothy lived in the midst of the great Kansas prairies, with Uncle Henry, who was a farmer, and Aunt Em, who was the farmer's wife. Their house was small, for the lumber to build it had to be carried by wagon many miles. There were four walls, a floor and a roof, which made one room; and this room contained a rusty looking cookstove, a cupboard for the dishes, a table, three or four chairs, and the beds. Uncle Henry and Aunt Em had a big bed in one corner, and Dorothy a little bed in another corner. There was no garret at all, and no cellar - except a small hole dug in the ground, called a cyclone cellar, where the family could go in case one of those great whirlwinds arose, mighty enough to crush any building in its path. It was reached by a trap door in the middle of the floor, from which a ladder led down into the small, dark hole. — L. Frank Baum

Looks as if the Ignormus was in the house when you were in the cellar," she said. "And he tried to scare you with the hose, and with that warning note. And yet - — Walter R. Brooks

When the next generation of content is developed, we have to think in a totally different way. Think about it more symbolically. The main story that you see on the TV screen is maybe like the living room of a house. But there are various other rooms in this house that you will otherwise never see. But if you use the Internet, you find out what's in the attic. And if you use the cell phone, you find out what's on the first floor. And on another medium, you find out what's in the cellar. — Cyriac Roeding

I don't know when I can come back," he said. "The second you get tired of living in a smelly old surplus tent, I want you to come across town to my house." Mollie nodded and stepped closer. How safe she felt standing within the circle of his arms and laying her head against his chest, where she could hear the strong beating of his heart. "I heard it the first time you offered," she said with a smile in her voice. "And the fifth, and the tenth." He pinched her cheek. "Such a clever lass. I knew there was a reason I liked you." Why didn't she just leave with him? When she glanced over at the church, she saw Sophie reading the daily newssheet to Frank while Dr. Buchanan played a game of dice with the lumber merchant. "I'm not sure I can explain it," Mollie said, "but I feel bonded to these people. I can't leave to go live in the lap of luxury while they are all stranded here." "You can sleep in my root cellar if it would make you feel better. — Elizabeth Camden

The ideal of a well-stocked mind aiming at excellence in all walks of life has been replaced by the dream of a well-stocked wine cellar, the cellar now being a specially made wine cooler strategically placed in one's house, to be viewed by even the most unobservant visitor. — Dimitris Mita

Years ago, the rats held this very house, and we attacked it and defeated them. But at that time the house was standing. Today only the cellar is left; the rats have certainly dug themselves in, and an attack would merely drive them into their holes - holes so narrow that it would be impossible to pursue and capture them. So has anybody a plan? Charles — Walter R. Brooks

Of course, thanks to the house, a great many of our memories are housed, and if the house is a bit elaborate, if it has a cellar and a garret, nooks and corridors, our memories have refuges that are all the more clearly delineated. All our lives we come back to them in our daydreams. A psychoanalyst should, therefore, turn his attention to this simple localization of our memories. I should like to give the name of topoanalysis to this auxiliary of pyschoanalysis. Topoanalysis, then would be the systematic psychological study of the sites of our intimate lives. — Gaston Bachelard

Growing up, we were taught over and over again what steps to take in case of an approaching tornado. Listen for sirens, go to your basement or cellar, or a closet in the center of your house, duck and cover, wait it out. We had drills twice a year, every year, in school. We talked about it in class. We talked about it at home. The newscasters reminded us. We went to the basement. We practiced, practiced, practiced.
But we'd never - not once - discussed what to do after. — Jennifer Brown

Look, we're all the same; a man is a fourteen-room house - in the bedroom he's asleep with his intelligent wife, in the living-room he's rolling around with some bare ass girl, in the library he's paying his taxes, in the yard he's raising tomatoes and in the cellar he's making a bomb to blow it all up. — Arthur Miller

She also apparently had a bona fide dungeon in her house. At least that's what Inez told me when we arrived. Maude, overhearing as she passed by, rolled her eyes. It's not a dungeon, Inez. It's a wine cellar. — Richelle Mead

Nobody moved.
Everybody sat in the dark cellar, suspended in the suddenly frozen task of this October game; the wind blew outside, banging the house, the smell of pumpkins and apples filled the room with smell of the objects in their fingers while one boy cried, "I'll go upstairs and look!" and he ran upstairs hopefully and out around the house, four times around the house, calling, "Marion, Marion, Marion!" over and over and at last coming slowly down the stairs into the waiting breathing cellar and saying to the darkness, "I can't find her."
Then ... some idiot turned on the lights.
("The October Game") — Ray Bradbury

We've been lucky. The autumn happened to be dry and warm. We managed to dig the potatoes before the rain and cold set in. Minus what we owed and returned to the Mikulitsyns, we have up to twenty sacks, and it is all in the main bin of the cellar, covered above, over the floor, with straw and old, torn blankets. Down there, under the floor, we also put two barrels of Tonya's salted cucumbers and another two of cabbage she has pickled. The fresh cabbage is hung from the crossbeams, head to head, tied in pairs. The supply of carrots is buried in dry sand. As is a sufficient amount of harvested black radishes, beets, and turnips, and upstairs in the house there is a quantity of peas and beans. The firewood stored up in the shed will last till spring. — Boris Pasternak

To go upstairs in the word house is to withdraw step by step; while to go down to the cellar is to dream — Gaston Bachelard

The window glows. The slow sandy light of dawn permeates the room. Everything transient and aching; everything tentative. To be here, in this room, high in this house, out of the cellar, with her: it is like medicine. — Anthony Doerr

-I WOULD BREATHE FOR YOU MY JANE
JANE WHERE HAVE YOU GONE
I AM BEREFT WITHOUT MY JANE
I SHALL SINK INTO ROGUERY

-i am with my cousins

-WHICH COUSIN
IS IT THE SEXY ONE

-Please don't try to talk to me again

-IS IT YOUR SEXY COUSIN
"ST. JOHN"
WHAT KIND OF NAME IS ST. JOHN

-I'm not going to answer that

-I KNEW IT
DID YOU LEAVE BECAUSE OF MY ATTIC WIFE
IS THAT WHAT THIS IS ABOUT

-yes
Absolutely

-BECAUSE MY HOUSE IN FRANCE DOESN'T EVEN HAVE AN ATTIC
IF THAT'S WHAT YOU WERE WORRIED ABOUT
IT HAS A CELLAR THOUGH SO YOU KNOW
DON'T CROSS ME
HAHA I'M ONLY JOKING — Mallory Ortberg

Cellar Christians!" Foyle exclaimed. He and Robin peered through the window. Thirty worshipers of assorted faiths were celebrating the New Year with a combined and highly illegal service. The twenty-fourth century had not yet abolished God, but it had abolished organized religion.
"No wonder the house is man-trapped," Foyle said. "Filthy practices like that. Look, they've got a priest and a rabbi, and that thing behind them is a crucifix."
"Did you ever stop to think what swearing is?" Robin asked quietly. "You say 'Jesus' and 'Jesus Christ.' Do you know what that is?"
"Just swearing, that's all. Like 'ouch' or 'damn.'"
"No, it's religion. You don't know it, but there are two thousand years of meaning behind words like that."
"This is no time for dirty talk," Foyle said impatiently. "Save it for later. Come on. — Alfred Bester

The mind, he reflects, is like a house - thoughts which the owner no longer wishes to display, or those which arouse painful memories, are thrust out of sight, and consigned to attic or cellar; and in forgetting, as in the storage of broken furniture, there is surely an element of will at work. — Margaret Atwood

I have known both of you all your lives, have carried your Daddy in my arms and on my shoulders, kissed and spanked him and watched him learn to walk. I don't know if you've known anybody from that far back; if you've loved anybody that long, first as an infant, then as a child, then as a man, you gain a strange perspective on time and human pain and effort. Other people cannot see what I see whenever I look into your father's face, for behind your father's face as it is today are all those other faces which were his. Let him laugh and I see a cellar your father does not remember and a house he does not remember and I hear in his present laughter his laughter as a child. Let him curse and I remember him falling down the cellar steps, and howling, and I remember, with pain, his tears, which my hand or your grandmother's so easily wiped away. But no one's hand can wipe away those tears he sheds invisibly today, which one hears in his laughter and in his speech and in his songs. — James Baldwin

Words are little houses, each with its cellar and garret. Common-sense lives on the ground floor, always ready to engage in "foreign commerce" on the same level as the others, as the passers-by, who are never dreamers. To go upstairs in the word house, is to withdraw, step by step; while to go down to the cellar is to dream, it is losing oneself in the distant corridors of an obscure etymology, looking for treasures that cannot be found in words. To mount and descend in the words themselves - this is a poet's life. To mount too high or descend too low, is allowed in the case of poets, who bring earth and sky together. — Gaston Bachelard

God does not want an apartment in our house. He claims our entire home from attic to cellar. — Billy Graham

The only reason I felt like I could sing a song like 'Blown Away' is because I have definitely lived through my fair share of trips to the cellar in the spring. We were no stranger to that. I still ask my mom, 'Is the cellar cleaned out now? Is everything OK?' Even in my new house, I had something built in it that's like a storm shelter. — Carrie Underwood

It wasn't depression, exactly; more a weird, restless pressure that made me wander the house late at night, opening the best bottles of wine in our cellar and drinking them alone while I channel-surfed along the forgotten byways of cable TV. — Jennifer Egan

When the plot is discovered no one suspects him and he remains close to Rosas for a while, then decides to flee, even though his life is not really in danger; he takes refuge in the house of his cousin Amparo Escalada. He lives hidden in the cellar of her house for some six months. The woman will have a son by him, a child Ossorio will never know. In 1842 he crosses to Montevideo. The exiles are fearful; they think he is a double agent. Isolated and disillusioned with politics, he goes to Brazil, where he settles in Rio Grande do Sul, lives with a black woman slave, and devotes himself to writing poetry and contracting syphilis. — Ricardo Piglia

I didn't think he'd go back for him. But it shouldn't surprise me, either, I guess ... given their relationship. I'm extremely curious where they're hiding him, as he doesn't blend. At all. Ever. I can't imagine where they could put him that he wouldn't attract a lot of attention ... in either form." Xev
"Well, aren't we Mr. Dark and Cryptic ... shall we call him?" Nick pulls out his phone.
"I doubt he knows how to work that. I'm sure he'd sniff it and eat it if you gave him one. Do you know where they're keeping him?" Xev
"You know how akri-Caleb's house is up off the ground and gots all that room under it for storage?" Simi
"Oh dear Gods, he's in my wine cellar? Seriously? I'm thinking I should have made amends with my brother sooner and moved him into my house to watch the puca. What kind of mutant life form do I have living in my cellar? And do I need to fumigate my house?"" Caleb — Sherrilyn Kenyon