Cave Woman Quotes & Sayings

It was a tense moment. If Norg refused them, they would have no choice but to return the long distance back to their cave. It would be a grave breach of propriety, but to allow Ayla entrance would be tantamount to accepting her as a woman of the Clan; at least it would give Brun a clear edge. Norg looked again at his mog-ur, then at the powerful one-eyed man who was The Mog-ur, then back at the man who was leader of the clan ranked first of all the clans. If The Mog-ur said so, what could he do? — Jean M. Auel

He would have been perfectly at home living in a cave and dragging his woman around by the hair when he wasn't busy throwing rocks at his enemies. He was the sort of man whose response is only completely predictable when he is confronted with superior strength and authority. Confrontations of this kind didn't happen often, but when they did, he bowed to the superior force almost at once. Although he did not know it, it was this characteristic which had kept him from simply running away from the Flying Corson Brothers in the first place. In men like Ace Merrill, the only urge stronger than the urge to dominate is the need to roll over and humbly expose the undefended neck when the real leader of the pack puts in an appearance. — Stephen King

Darkness is happening," said the leather woman, very quietly. "Night is happening. All the nightmares that have come out when the sun goes down, since the cave times, when we huddled together in fear for safety and for warmth, are happening. Now. — Neil Gaiman

She had seen the almost-human Orona, who was orphaned and alone in the world, a woman whom Cain had plucked off the streets and fallen in love with. What she didn't see was the undead creature Cain barely knew, the foolish human girl who fell in love with the caretaker of the seas. She hadn't seen me stand up against a hurricane or keep a cave from crushing two lovers to death. She hadn't seen me throw myself over the ones who would have turned to ashes when the volcano erupted, or made water appear from the sands to the dying in the desert. She did not know I was both savior and destroyer to so many souls. — Jennifer Silverwood

'You are your" "Past, Present," "& Future,' he said" " 'You divide into" "those components" "in this room' " " 'But I do not have" "components!' " "our three voices said," " 'My
secret name - " "Time's secret name" "is Oneness," "is One Thing' " "As I - the one" "in the middle - spoke," "the one of us in front - " "who was the Past - " "had already" "finished speaking" "& was awaiting" "his reply" "He said," " 'Don't we seem" "to experience" "things
somewhat this way?" "There is past, present" :& future' " "The Future then cried out," " 'Where is my life?" 'Where is my life?" "You have stolen" "my life!' " "There was a silence" "The man" "reached out &" "pressed a button" "on the cave wall - " "we three united" "into
one again" "while he wrote words on" "a clipboard" "Then he looked up & said," " 'Going forward?" "Going on?" "Death lies ahead, you know' " "Any woman" "may already" "be dead,' " "I said — Alice Notley

Bit it was her scent that just about killed him. Clean skin. Woman. And something more - something that made him feel like dispensing with five thousand years of civilization, dragging her off to a cave somewhere, and filling her with babies. — Pamela Clare

Ook, though very clever, was the worst fighter in the tribe. That is how he ended up with Grot-Grot as his woman. Grot-Grot had a bald patch on the top of her head, she was missing an eye and she smelled like a dead skunk. She did have a good sense of humour though. — Aussiescribbler

It would presently be his task to take the bandage from this young woman's eyes, and bid her look forth upon the world. But how many generations of the women of had gone to her making had descended bandaged to the family vault? He shivered a little, remembering some of the new ideas in his scientific books, and the much-cited instance of the Kentucky cave-fish, which had ceased to develop eyes because they had no use for them. What if, when he had bidden May Welland to open hers, they could only look out blankly at blankness? — Edith Wharton

In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength. — Meg Howrey

Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. — Sylvia Plath

It was like he was a caveman grunting, You woman. Me man. Let's make babies together. — Missy Lyons

One extremely important purpose of emotions from an evolutionary perspective is to help us decide what to remember and what to forget. The cavewoman who could remember which cave had the gentle guy who gave her food is more likely to be our foremother than the cave woman who confused it with the cave that held the killer bear. The emotion of love (or something resembling it) and the emotion of fear would help secure her memories. — Candace Pert

When I got my headshots done, there was this woman screaming at me to blow my lips out. She kept saying, 'You want to be like Scarlett Johansson, don't you?' In the shot, my eyes are popping out; I look terrified. I realised I'd rather not get a job than go through pain to be something I'm not. — Jessie Cave

I suppose the cave-woman sometimes felt rather relieved when everything was settled for her with a club, but I'm sure the caveman must have had a hard time ridding himself of the thought that he had behaved like a cad and taken a mean advantage. — P.G. Wodehouse

Just as with other great words, the word environment means different things. You might say that a cave woman twenty thousand years ago sweeping out the cave was improving the environment. Many people improving the environment think only in terms of the air they breathe in their hometown and the water in the aquifer under their hometown. My guess is very few are thinking centuries ahead or thousand of years ahead, but that's what we have to do. — Pete Seeger

But I need a ride back to town," Grace called after them. "You're not getting a ride back to town, woman. You're married!" Daniel might as well have been a cougar trapped in this cave with her. She'd have felt no safer. "I'm what? — Mary Connealy

Grant smiled-slowly, deliberately. Insolently? Gennie wasn't sure, but her heart rose to her throat and stuck there. However he smiled, whatever his intent, it added a wicked, irresistible charm to his face. She thought it was a smile a barbarian might have given his woman before he tossed her over his shoulder and took her into some dark cave. — Nora Roberts

I heard a baby cry. And this blood-splattered thing was put in my arms. My child. And, at that moment, it was like a gigantic plug appeared and - POW! - I was plugged into humanity in a way I'd never been before. Never could be. I was part of all mothers and all births from the beginning of time. I was a woman in a mud hut in Africa, in an igloo in the Arctic, a wigwam in America, a cave, a skyscraper, a spaceship. I was part of a flow and that flow was blood - — Philip Ridley

Since the days of cave civilization to the modern day microprocessor civilization, the relation between man and woman remained the same. Then it was at a carnal level. And, today it is still at carnal level. — Girdhar Joshi

Women wanted men who made money, women wanted men of mark. How many classy women were living with skid row bums? Well, I didn't want a woman anyhow. Not to live with. How could men live with women? What did it mean? What I wanted was a cave in Colorado with three years' worth of foodstuffs and drink. I'd wipe my ass with sand. Anything, anything to stop drowning in this dull, trivial and cowardly existence. — Charles Bukowski

I know it looks vaguely unsanitary and potentially scandalous, Nana, but I promise that Izzy and I are only pursuing noble...pursuits. We've even got a chaperone! Izzy, who was that woman who went into the cave?'
I blanked, not sure how to describe Maya. I settled on, "My...also my Nana. — Rachel Hawkins

OMG, I think I've become a feminist. I mean, I've always been in favor of women voting and being paid the same as men for doing the same job. But then, the other day on the train, I didn't get up and give a woman my seat. I thought about it. But then I thought it might insult her, might imply that I considered her weaker than a senior citizen, maybe even inferior in some way. But that's not what prompted me to fire up my laptop. I was brushing my teeth this morning and thinking about romance. People do that when they get older, I suppose. Romance is one area where men and women are still different - unisex lavatories and fashions notwithstanding. And here's the difference: a romantic woman envisions a knight on a white horse; a romantic man envisions a dragon in a dark cave. Think about it next time you brush your teeth. — Ron Brackin

The same is true of stories and legends that haunt urban space like superfluous or additional inhabitants. They are the object of a witch-hunt, by the very logic of the techno-structure. But [the extermination of proper place names] (like the extermination of trees, forests, and hidden places in which such legends live) makes the city a 'suspended symbolic order.' The habitable city is thereby annulled. Thus, as a woman from Rouen put it, no, here 'there isn't any place special, except for my own home, that's all ... There isn't anything.' Nothing 'special': nothing that is marked, opened up by a memory or a story, signed by something or someone else. Only the cave of the home remains believable, still open for a certain time to legends, still full of shadows. Except for that, according to another city-dweller, there are only 'places in which one can no longer believe in anything. — Michel De Certeau

Crossing the meadow, he came again to the mouth of the cave where he had stood so undecided only the twilight before. Knowing what he would find, he yet wanted the final confirmation. Pushing the evergreen branches aside from the smooth rock on the right side of the opening he found, deeply carved in the rock, an Ankh, Egyptian symbol of ever-lasting life, made possible only by the union of male and female. Partly covered by lichens, weather-worn by centuries of storm, it remained as he had seen it in his first dream. It was the first cross, and on it, generation by generation, humanity had crucified itself in order that future generations might live.
("The God Wheel") — David H. Keller

Of course the Man was wild too. He was dreadfully wild. He didn't even begin to be tame till he met the Woman, and she told him that she did not like living in his wild ways. She picked out a nice dry Cave, instead of a heap of wet leaves, to lie down in; and she strewed clean sand on the floor; and she lit a nice fire of wood at the back of the Cave; and she hung a dried wild-horse skin, tail down, across the opening of the Cave; and she said, 'Wipe your feet, dear, when you come in, and now we'll keep house. — Rudyard Kipling

Below on the beach, the surf also seemed the same, although the sea was more transparent. In the light of day, the hollow formed by the terrace and the cave seemed as tiny as a nest. They themselves were merely a man and a woman lost in the immensity. — Marek Halter

Practically the first action of the Neanderthal - on the happy day he evolved out of the monkey egg - was to draw a picture on a cave wall of a man with an enormous willy. Or, indeed, perhaps it was the first action of a woman. After all, we're more interested in (a) cocks and (b) decorating. — Caitlin Moran

But when did you see her, talk to me? When did you see her go into the cave? Why did you threaten to strike a spirit? You still don't understand, do you? You acknowledged her, Broud, she has beaten you. You did everything you could to her, you even cursed her. She's dead, and still she won. She was a woman, and she had more courage than you, Broud, more determination, more self-control. She was more man than you are. Ayla should have been the son of my mate. — Jean M. Auel

Now," she said when all was ready and lit the silver sconces on either side of the mirror. What woman would not have kindled to see what Orlando saw then burning in the snow
for all about the looking glass were snowy lawns, and she was like a fire, a burning bush, and the candle flames about her head were silver leaves; or again, the glass was green water, and she a mermaid, slung with pearls, a siren in a cave, singing so that oarsmen leant from their boats and fell down, down to embrace her; so dark, so bright, so hard, so soft, was she, so astonishingly seductive that it was a thousand pities that there was no one there to pt it in plain English, and say outright "Damn it Madam, you are loveliness incarnate," which was the truth. — Virginia Woolf

The woman laughed again. She was the loudest person in the cave. Eena wondered if perhaps she was talking to a female Ghengat. Curiosity got the best of her and she turned around to look, surprised to find neither a Ghengat nor a Harrowbethian woman, but a Mishmorat. A striking, cheetah-spotted Mishmorat with straight lengths of charcoal hair and the most alluring dark eyes in existence. This bronzed female was the same size as Eena but observably more muscular. She appeared to be a mix of cheetah, Arabian princess, and gladiator in tight-fitting pants. Eena paused, dropping the stone in her hands.
"Kira?" she breathed.
"Hmmm," the woman grumbled. Her painted eyes scrunched with displeasure. The look was still stunning. "I see my reputation precedes me."
Eena gawked as if a legendary ghost had been resurrected. "You're alive? — Richelle E. Goodrich

In the Chauvet Cave, there is a painting of a bison embracing the lower part of a naked female body. Why does Pablo Picasso, who had no knowledge of the Chauvet Cave, use exactly the same motif in his series of drawings of the Minotaur and the woman? Very, very strange. — Werner Herzog