Quotes & Sayings About Catharsis Aristotle

Stuart is good for Manchester City. It is not hard to see his passion for the game, and his commitment.
(on Stuart Pearce) — Robbie Fowler

According to Plato, the wise man is the best ruler precisely because he doesn't care unduly about political honor and power, much less about bodily pleasures. He is too absorbed in the pleasures of learning to be tempted by the lesser pleasures of glory, wealth, and hedonism. His rule is therefore benevolent and unmarred by self-interest, because the passions which in lesser men would be absorbed in material goods and sensual pleasures are sluiced off into the pleasures of the mind. The — Waller R Newell

Catharsis. Revenge cleanses. Aristotle wrote that the human soul is purged by the fear and compassion that tragedy evokes. It's a frightening thought that we fulfil the soul's innermost desire through the tragedy of revenge, isn't it. — Jo Nesbo

Ignite the fire in your soul. — Lailah Gifty Akita

I like to make mechanical stuff. Once I make a film I have to do whatever I can make onstage I make it onstage. — Marjane Satrapi

I've striven my whole life for humility, but if I'd ever achieved it, I'd probably be pretty damn proud of that. — Benjamin Franklin

A movie can and should have some real dissonance throughout - rage, heartache, tears, conflict, catharsis and all the other elements Aristotle demanded of a good story - but the chord has to be resolved. — Josh Radnor

The water is still and smooth. Polished glass. Not a ripple of wind disturbs the dark surface. Low-rising mist drifts off liquid mountains floating against a purple-bruised sky. An eager breath shudders past my lips. Soon the sun will break. — Sophie Jordan

My friend asked me if it had been cathartic, to write my memoir. I looked down at the sculptures - it was cathartic for me to look at them, but I could imagine it might have been hell to make them (I was cheered / when I came first to know / that there were flowers also / in hell). No, I answered - how was it for you to read it? Aristotle, in his Poetics, never promised catharsis for the makers of art, only for the audience. — Nick Flynn

Maybe next time, don't bite the girl you fancy. — Radhika Sanghani

The myth of Oedipus . . . arouses powerful intellectual and emotional reactions in the adult-so much so, that it may provide a cathartic experience, as Aristotle taught all tragedy does. [A reader] may wonder why he is so deeply moved; and in responding to what he observes as his emotional reaction, ruminating about the mythical events and what these mean to him, a person may come to clarify his thoughts and feelings. With this, certain inner tensions which are the consequence of events long past may be relieved; previously unconscious material can then enter one's awareness and become accessible for conscious working through. This can happen if the observer is deeply moved emotionally by the myth, and at the sametime strongly motivated intellectually to understand it. — Bruno Bettelheim

We saw men haying far off in the meadow, their heads waving like the grass which they cut. In the distance the wind seemed to bend all alike. — Henry David Thoreau

Be grateful as your deeds become less and less associated with your name, as your feet ever more lightly tread the earth. — Dag Hammarskjold

Supernatural fiction contains its own generic borderland: a neutral territory, which Tzvetan Todorov calls 'the fantastic,' between 'the marvelous' and 'the uncanny.' According to Todorov, 'The fantastic is that hesitation experienced by a person who knows only the laws of nature, confronting an apparently supernatural event.' Once the event is satisfactorily explained (and sometimes it is never explained), we have left the fantastic for an adjacent genre - either 'the uncanny,' where the apparently supernatural is revealed as illusory, or 'the marvelous,' where the laws of ordinary reality must be revised to incorporate the supernatural. As long as uncertainty reigns, however, we are in the ambiguous realm of the fantastic. — Howard Kerr

If you've seen a crab's mouth, all foamy and gross with whiskers and snapping bits, you can imagine this one didn't look any better blown up to billboard size. — Rick Riordan

As a rule, we don't like to feel to sad or lonely or depressed. So why do we like music (or books or movies) that evoke in us those same negative emotions? Why do we choose to experience in art the very feelings we avoid in real life?
Aristotle deals with a similar question in his analysis of tragedy. Tragedy, after all, is pretty gruesome. [ ... ] There's Sophocles's Oedipus, who blinds himself after learning that he has killed his father and slept with his mother. Why would anyone watch this stuff? Wouldn't it be sick to enjoy watching it? [ ... ] Tragedy's pleasure doesn't make us feel "good" in any straightforward sense. On the contrary, Aristotle says, the real goal of tragedy is to evoke pity and fear in the audience. Now, to speak of the pleasure of pity and fear is almost oxymoronic. But the point of bringing about these emotions is to achieve catharsis of them - a cleansing, a purification, a purging, or release. Catharsis is at the core of tragedy's appeal. — Brandon W. Forbes

Few things turn-off an audience more than a performer with an air of self-imporance or a 'message.' — Jay Sankey

Katharsis arrives in English virtually untranslated, as "catharsis," which derives from katharos - "pure." But the word has stretched to signify or entail a wide variety of processes, including clarification, enlightenment, purgation, elimination, transubstantiation, sublimation, release, satisfaction, homeopathic cure, or some combination thereof. Second, the phrasing of Aristotle's original sentence leaves it unclear whether "catharsis" applies to incidents or to emotions - that is, whether the action takes place inside an individual, outside of her, or somewhere in between. — Maggie Nelson

A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself ... with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions. — Aristotle.

There clearly are contacts between al Qaeda and Iraq that can be documented; there clearly is testimony that some of the contacts have been important contacts and that there's a relationship here — Condoleezza Rice

It gives him spiritual freedom. To him life is a tragedy and by his gift of creation he enjoys the catharsis a purging of pity and terror, Which Aristotle tells is the object of art.
Everything is transformed by his power into material and by writing it he can overcome it. Everything is grist to his mill.
... The artist is the only free man. — W. Somerset Maugham