Cassavetes John Quotes & Sayings

There is no reason why a serious film, one about life, can't be enjoyable, maybe even fun. Emotions can be very entertaining, you know. I try to use them generously in my films. — John Cassavetes

Of course I would change anything if John Cassavetes said so - it's his script. But he was very easy about that. — Gena Rowlands

I was a big fan of John Cassavetes, his wife, Gena Rowlands, and that era of filmmaking which was about realism and which represented the antithesis of the dreamy escapism you found in musicals. — Carmen Ejogo

Everyone who makes a film is at the major distributors' mercy. — John Cassavetes

I'm a great believer in spontaneity because I think planning is the most destructive thing in the world. — John Cassavetes

There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk. — John Cassavetes

No matter how old you get, if you can keep the desire to be creative, you're keeping the man-child alive. — John Cassavetes

John Cassavetes wrote A Woman Under the Influence as a play. He said, "Hey, I wrote you a play." And I said, "Great, let's read it." I read it and I said, "John, I couldn't do this every night and twice on Wednesday and Saturday". — Gena Rowlands

He[John Cassavetes] was just being an actor. A very successful actor, especially in live TV. He did many wonderful performances. — Gena Rowlands

The idea of love as a mysterious, undiscovered world has come to have no place in our innermost imagination. — John Cassavetes

John [Cassavetes] loved actors. He gave them a lot of freedom. So if something came up that a certain actor just felt at the moment and said - that kind of improvisation he would accept. He gave very little direction. — Gena Rowlands

You look at people like Gena Rowlands, but she had [John] Cassavetes to write these amazing roles for her. — Winona Ryder

My parents allowed their two sons to be individuals. My family was a wild and wonderful place, with lots of friends and neighbors visiting and talking loud and eating loud and nobody telling the children to be quiet or putting them down. — John Cassavetes

We don't take the time to be vulnerable with each other — John Cassavetes

You can defeat fear through humor, through pain, through honesty, bravery, intuition, and through love in the truest sense. — John Cassavetes

Most people don't know what they want or feel. And for everyone, myself included, It's very difficult to say what you mean when what you mean is painful. The most difficult thing in the world is to reveal yourself, to express what you have to ... As an artist, I feel that we must try many things - but above all, we must dare to fail. You must have the courage to be bad - to be willing to risk everything to really express it all. — John Cassavetes

Films today show only a dream world and have lost touch with the way people really are ... In this country, people die at 21. They die emotionally at 21, maybe younger ... My responsibility as an artist is to help people get past 21 ... The films are a roadmap through emotional and intellectual terrain that provides a solution on how to save pain. — John Cassavetes

The camera is the slave to the actor. — John Cassavetes

God, I love John Cassavetes. — Angela Sarafyan

I like to act in films, I like to shoot 'em, I like to direct 'em, I like to be around 'em. I like the feel of it and it's something I respect. It doesn't make any difference whether it's a crappy film or a good film. Anyone who can make a film, I already love. But I feel sorry if they don't put any thought in it because then they missed the boat. — John Cassavetes

During the actual filming, I'm not really listening to dialogue. I'm watching to see if the actors are communicating something and expressing something. I'm just watching a conversation. You're not aware of exactly what people are saying. You are aware of what they are INTENDING and what kind of feeling is going on in that scene. — John Cassavetes

My mother and father were never frightened of anything. They always felt that they should go through life happily and without fear, and they did that. And it was a great boon to my brother and myself. — John Cassavetes

You know as a director what you want, but the film is smarter than you, the film says no, the film says there's something more here. — John Cassavetes

These days, everybody is supposed to be so intelligent: 'Isn't it terrible about Nixon getting elected?' 'Did you hear about the earthquake in Peru?' And you're supposed to have all the answers. But when it gets down to the nitty-gritty, like, 'What is bugging you, mister? Why can't you make it with your wife? Why do you lie awake all night staring at the ceiling? Why, why, why do you refuse to recognize you have problems and deal with them?'
The answer is that people have forgotten how to relate or respond. In this day of mass communications and instant communications, there is no communication between people. Instead it's long-winded stories or hostile bits, or laughter. But nobody's really laughing. It's more an hysterical, joyless kind of sound.
Translation: 'I am here and I don't know why. — John Cassavetes

I got a part opposite Edward G. Robinson in a play called Middle of The Night, which Paddy Cheyafsky had written. It played for a long time because everybody just loved Edward G. Robinson, everybody in New York wanted to see it. John [Cassavetes] and I were married at the time and put into a position where I was working very long evening hours and he was working in the daytime and so there was a lot of spare time. — Gena Rowlands

It was a very hard play [Woman Under the Influence] to do every night. And John Cassavetes said, "Don't worry. Don't even think about it, you're right. I hadn't thought of that." He said, "Just forget it." — Gena Rowlands

I never understood a word John Cassavetes said. And I think he did that deliberately. — Peter Falk

I think people are very stiff. Money makes people stiff, and we want it, and we have to pay the penalty. I never agreed with stiffness. I think people have an understanding of what their life is. I define success by being a realist and not humiliating people. I'm a revolutionary - but not in the political sense. — John Cassavetes

So many people mistakenly think that the rest of his [John Cassavetes] pictures and the ones we did were improvised, which isn't true. He wrote all the rest of them. — Gena Rowlands

I have the confidence that I can take anybody and have them give a good performance, because I don't think there's anything to acting except expressing, being able to converse. So if I can just convince somebody not to clean themselves up, and not to be someone that they're not, and just be what they are in given circumstances, that's all that acting is to me, and I don't think it's very difficult. — John Cassavetes

An artist can accomplish anything provided he doesn't accept facts or defeat for more than a few minutes. — John Cassavetes

I think I'm probably one of the worst directors around, but I do have an interest in my fellow man. — John Cassavetes

I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand? — John Cassavetes

John Cassavetes was a year ahead of me but we met there. What you do when you are at a school for drama, you do a play as opposed to a final. Anyone who wanted to come could just come. So he came, and I can't remember the name of the play, of course, it was a long time ago. — Gena Rowlands

When I was young, I was really, really obsessed with Gena Rowlands and John Cassavetes. Because my mom was a projectionist in college, she was somehow able to get a real projector. And she had some connections, so she would get real prints, and we'd put up a sheet. The first movies I saw were To Kill a Mockingbird [1962], Gigi [1958], A Woman Under the Influence [1974]. Then when I was old enough to be able to rent movies, I went through a very big Cassavetes phase. — Winona Ryder

Art films aren't necessarily photography. It's feeling. If we can capture a feeling of a people, of a way of life, then we made a good picture. — John Cassavetes

Commercial movies have no feeling, no sensitivity. Most people tell me people won't understand films with feeling. But everyone can feel. — John Cassavetes

My films are expressive of a culture that has had the possibility of attaining material fulfillment while at the same time finding itself unable to accomplish the simple business of conducting human lives. We have been sold a bill of goods as a substitute for life. What is needed is reassurance in human emotions; a re-evaluation of our emotional capacities. — John Cassavetes

We only have two hours to change people's lives. — John Cassavetes

People don't know what they are doing most of the time. They don't know what they want. It's only in 'the movies' that they know what their problems are and have game plans to deal with them. — John Cassavetes

John Cassavetes was there at night while I was working. After they [with his friends] discussed as much live TV as they felt they needed to, they started improvising scenes just for the fun of it and one of those scenes everybody got very interested in and it turned into Shadows [1959]. That movie was entirely improvised. — Gena Rowlands

I think I probably have the philosophy of a poor man. You know, like maybe I'd steal the pennies off a dead man's eyes. — John Cassavetes

By the age of 50, I would like to know that I'm not dead - that there's some continuity to my life. — John Cassavetes

People who are making films today are too concerned with mechanics - technical things instead of feeling. — John Cassavetes

I've never seen an exploding helicopter. I've never seen anybody go and blow somebody's head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I've seen people withdraw, I've seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I've myself done all these things. So I can understand them. What we are saying is so gentle. It's gentleness. We have problems, terrible problems, but our problems are human problems. — John Cassavetes

I'm not good at comparing and contrasting. I take what's in front of me for what it is, although I guess there's something about Paul's realistic writing that is like Cassavetes. — John Cassavetes

You can fail in films because you don't have the talent, or you have too much humility, or you lack ferociousness. I'm a gangster. If I want something, I'll grab it. — John Cassavetes

'Faces' became more than a film. It became a way of life, a film against the authorities and the powers that prevent people from expressing themselves the way they want to, something that can't be done in America, that can't be done without money. — John Cassavetes

I won't make shorthand films, because I don't want to manipulate audiences into assuming quick, manufactured truths. — John Cassavetes

My all-time favorites that I always go back to are films by the director John Cassavetes. The movies he made, the work he left behind, have been a big influence for my work. — Nina Hoss

I'd rather do 'She's So Lovely' that John Cassavetes wrote versus doing 'Batman.' — Robin Wright

As an artist, I feel that we must try many things - but above all we must dare to fail. — John Cassavetes

The greatest location in the world is the human face. — John Cassavetes

I'm very worried about the depiction of women on the screen. It's gotten worse than ever and it's related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There's nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her. — John Cassavetes

It was more freedom than I think most people get when they're starting out - or even when they're not starting out. He [John Cassavetes] did his thing and I did whatever I thought. — Gena Rowlands

I hate entertainment. — John Cassavetes

People have said that my films are very difficult to watch, that they're experiences you are put through rather than ones you enjoy, and it's true. — John Cassavetes

I don't care about being on top, about being No. 1. I just make movies for a few suckers in the audience, anyway. — John Cassavetes

To me there is a name for each person. I think it's marvelous to have a name. A woman is not a woman. It's either Gena or my mother or some other person. — John Cassavetes

(Acting) is an extension of life. How you're capable of performing in your life, that's how you're capable of performing on screen. — John Cassavetes

John [Cassavetes] had shot a great deal of Shadows and I had to go fulfill my contract in California, so he and all the rest of the Shadows cast came out to California and they finished it off and he cut it. He turned the garage into an editing room and he was by then a director of Shadows. That's the only thing he'd directed. But, he loved it. — Gena Rowlands

I was honestly a cartoon kid. I loved cartoons. That was more my dream than anything else. But now, it's the films of people like John Cassavetes and Gena Rowlands. Those are the kinds of characters I want to play, and that's the kind of filmmaking I'm fascinated by. — Tatiana Maslany

I have a one-track mind. That's all that I'm interested in - love. And the lack of it. When it stops. — John Cassavetes

I would put my pictures up against anybody's in this world. Certainly in my own day I bow to no one. I don't think there's another director in the world who works harder to make better films than I do. — John Cassavetes

Ricardo Montalban is to improvisational acting what Mount Rushmore is to animation. — John Cassavetes

Because John Cassavetes was so terrific in live TV, a lot of his friends had not been able to participate in that yet and so they asked if he would gather with them at night when I was at the play and tell them what live TV was like, what you had to adjust to because it was its own medium - it had many things you had to be aware of. — Gena Rowlands

[John Cassavetes] came backstage afterwards and introduced himself and we talked a bit, and then went for a little coffee at the Russian Tea Room next door. It just ... started. — Gena Rowlands

It's sweet to hear, but anyone who says that they want to be the next John Cassavetes is crazy. He had it so tough. No one would want to walk a step in his shoes. Believe me - I wouldn't. — Alexandra Cassavetes

Film is, to me, just unimportant. But people are very important. — John Cassavetes