Capitol Of Panem Quotes & Sayings

Director Gary Ross has created an adaptation that is faithful in both narrative and theme, but he's also brought a rich and powerful vision of Panem, its brutality and excesses, to the film as well. His world building's fantastic, whether it be the Seam or the Capitol. — Suzanne Collins

Don't you own a dodo? — Jasper Fforde

Where you can starve to death in safety," I mutter. Then I glance quickly over my shoulder. Even here, even in the middle of nowhere, you worry someone might overhear you. When I was younger, I scared my mother to death, the things I would blurt out about District 12, about the people who rule our country, Panem, from the far-off city called the Capitol. Eventually I understood this would only lead us to more trouble. So I learned to hold my tongue and to turn my features into an indifferent mask so that no one could ever read my thoughts. Do my work quietly in school. Make only polite small talk in the public market. Discuss little more than trades in the Hob, which is the black market where I make most of my money. Even at home, where I am less pleasant, I avoid discussing tricky topics. Like the reaping, or food — Suzanne Collins

If you want to shine like the sun, first burn like the sun. — Abdul Kalam

We talked about it. Love. Was that what this was? I love you, Jafir, she would say at any moment of the day, just to hear it said aloud. She would laugh and then say it again, her eyes solemn, looking into mine. I love you, Jafir de Aldrid. And it didn't matter how many times she said it, I waited for her to say it again. — Mary E. Pearson

Tragically, the White House Task Force on Disadvantaged Youth reported that one-quarter of our young people are at serious risk of not achieving productive adulthood. — Ruben Hinojosa

I lived for a year in Scotland. British sign language is very different from American. — I. King Jordan

As we curve around into the loop of the City Circle, I can see that a couple of other stylists have tried to steal Cinna and Portia's idea of illuminating their tributes. The electric-light-studded outfits from District 3, where they make electronics, at least make sense. But what are the livestock keepers from Distric 10, who are dressed as cows, doing with flaming belts? Broiling themselves? Pathetic. — Suzanne Collins

And when attacked by a Capitol-aligned soldier in District 2, she tells him that fighting in the Capitol's wars makes them all slaves: "It just goes around and around and who wins? Not us. Not the districts. Always the Capitol. But I'm tired of being a piece in their Games." Game theory is not about games. It's about politics and psychology, war and strategy. For Katniss Everdeen, it is life and death, and in the end, everyone in Panem comes to learn that the only way to truly win the game is not to play at all. — Leah Wilson

No kingdom can be secured otherwise than by arming the people. The possession of arms is the distinction between a freeman and a slave. He, who has nothing, and who himself belongs to another, must be defended by him, whose property he is, and needs no arms. But he, who thinks he is his own master, and has what he can call his own, ought to have arms to defend himself, and what he possesses; else he lives precariously, and at discretion. — James Burgh

All life, all intelligence, all creativity and all 'design' anywhere in the universe, is the direct or indirect product of Darwinian natural selection. It follows that design comes late in the universe, after a period of Darwinian evolution. Design cannot precede evolution and therefore cannot underlie the universe. — Richard Dawkins

Depending on where you began the story, it was about Noah Czerny — Maggie Stiefvater

From what black wells of Acherontic fear or feeling, from what unplumbed gulfs of extra-cosmic consciousness or obscure, long-latent heredity, were those half-articulate thunder-croakings drawn? — H.P. Lovecraft

Veterans get priority in the training room and better parking, but there is not a whole lot of difference in terms of how they're treated in the competition for playing time. To me it doesn't matter if a guy is a 10-year veteran or a rookie. If the rookie is better, he finds his way onto the field. — Brendan Daly

Curiosity broke her earlier resolve. "Have you ever been tested?"
"No." He stood behind Sara, holding the camera in front so she could see. "Zoom here," he said, flicking the toggle.
"You could probably-"
"This is macro."
"Will-"
"Super macro." He kept talking over her until she gave up. "Here's where you adjust for color. This is light. Anti-shake. Red-eye." He clicked through the features like a photography instructor.
Sara Finally relented. "Why don't I point and you shoot?"
"All right." His back was stiff, and she could tell that he was irritated.
"I'm sorry I-"
"Please don't apologize."
Sara held his gaze for a few moments longer, wishing she could fix this. There was nothing to say if he wouldn't even let her apologize. — Karin Slaughter

He tells of the history of Panem, the country that rose up out of the ashes of a place that was once called North America. He lists the disasters, the droughts, the storms, the fires, the encroaching seas that swallowed up so much of the land, the brutal war for what little sustenance remained. The result was Panem, a shining Capitol ringed by thirteen districts, which brought peace and prosperity to its citizens. Then came the Dark Days, the uprising of the districts against the Capitol. Twelve were defeated, the thirteenth obliterated. The Treaty of Treason gave us the new laws to guarantee peace and, as our yearly reminder that the Dark Days must never be repeated, it gave us the Hunger Games. The — Suzanne Collins

Everything goes and happens fast. That's how the world is build! (Pet Semetary 1 by Stephen King) — Deyth Banger

Listen up. You're in trouble. Word is the Capitol's furious about you showing them up in the arena. The one thing they can't stand is being laughed at and they're the joke of Panem — Suzanne Collins

When Frey asked students to draw the creation, the other kids drew animals and Adam and Eve. Caroline covered her paper in black crayon, then held it up to reveal she had punched out holes for the stars and the moon. 'And then there was light', she said ... — Christopher Andersen