Can't Go Back In Time Quotes & Sayings

We - can't go back in time and change anything. If you went back in time and killed your grandfather before you were born, then you wouldn't be able to go back in time to kill your grandfather. — Rick Yancey

Don't go home with that magic man! I wanted to shake my Walkman, warn the Heart girls to run away. Don't trust him! He might be magic, but he's not very nice! He says he just wants to get high awhile, but he'll get you so high you can't come back down. He'll make you stay inside so long, it hurts your eyes to go out, so you'll spend whole years wasting away in his mansion. You'll lose your sense of time. You'll lose your appetite. When your mama cries on the phone, you won't understand a word she's saying. You'll just tell her, "Try to understand." And Mrs. Wilson isn't falling for that shit. Ann! Nance! Get the hell out of there. One smile from that magic man and you're done. You'll be so fucking magic, you won't be real anymore. He'll even set your lipgloss on fire. — Rob Sheffield

Hey," he says.
I feel foolish for being out of breath and standing over him. The moonlight cuts a line down my chest. "Hey," I say.
"Checking on me?"
"I couldn't sleep. Scottie. She's in the bathroom." I stop talking.
"Yeah?" he says and sits up.
"She's playacting." I don't know how to say it. I don't need to say it. "She's kissing the mirror."
"Oh," he says. "I used to do some messed-up things as a kid. Still do."
I feel wide awake, which always makes me angry in the middle of the night. I'm useless without sleep. I can't get myself to go back to my own room. I sit on the end of the bed by his feet. "I'm worried about my daughters," I say. "I'm worried there's something wrong with them."
Sid rubs his eyes.
"Forget it," I say. "Sorry for waking you up."
"It's going to get worse," he says. "After your wife dies." He holds the blanket up to his chin. — Kaui Hart Hemmings

Time to go," he says. "I already see this heading somewhere I'm too drunk to go right now. I'll see you tomorrow night." I jump up and run and block the window before he can leave. He stops in front of me and folds his arms over his chest. "Stay," I say. "Please. Just lay in bed with me. We can put pillows between us and I promise not to seduce you since you're drunk. Just stay for an hour, I don't want you to go yet." He immediately turns and heads back to the bed. "Okay," he says simply. He throws himself onto my bed and pulls the covers out from beneath him.
That was easy. — Colleen Hoover

I'll let you in on a secret, honey. The knight who has serious chinks in his armor but never falls is the true hero. That means he's won battles and doesn't waste time polishing his armor so he can look good while he rides in parades that are tributes to his glory. He just drags himself back on his steed and keeps right on battling. And if he's the right kind of knight, he never rides alone. The best heroes inspire loyalty. The best heroes keep fighting the good fight, tirelessly, quietly. The best heroes always have scars. If they didn't, the heroine would have nothing to do. It's her job to help the hero let all that stuff go in order that her man can be strong enough to fight on but when he's with her he's free to just 'breathe'. — Kristen Ashley

He stepped back, away from her. He shook his head in disbelief. "You know, I shouldn't try to go out with career women. You're all stricken. A guy can really tell what life has done to you. I do better with women who have part-time jobs."

"Oh, yes?" said Zoe. She had once read an article entitled "Professional Women and the Demographics of Grief." Or no, it was a poem: If there were a lake, the moonlight would dance across it in conniptions. She remembered that line. But perhaps the title was "The Empty House: Aesthetics of Bareness." Or maybe "Space Gypsies: Girls in Academe." She had forgotten. — Lorrie Moore

I don't know what I'd like to do. That's what hurts the most. That's why I can't quit the job. I really don't know what talents I may have. And I don't know where to go to find out. I've been fostered so long by school and didn't have time to think about it. My father's in watch repair. That's always interested me, working with my hands, and independent. I don't think I'd mind going back and learning something, taking a piece of furniture and refinishing it. The type of thing where you know what you're doing and you can create and you can fix something to make it function. At the switchboard you don't do much of anything. — Studs Terkel

After another half second, he's locked me in a bear hug, crushing me into his chest and lifting my feet a couple inches off the ground as I kick furiously with my heels, twisting my head back and forth, snapping at his forearm with my teeth.
And the whole time his lips tickling the delicate skin of my ear. "Cassie. Don't. Cassie ... "
"Let ... me ... go."
"That's been the whole problem. I can't. — Rick Yancey

You went back in time," he repeated, "and you expect his cell phone to work?"
"Well, no, I just, I mean, I came back and he hasn't! Shouldn't he have?"
Morrison, very steadily, said, "Were you together?"
"No! I just said he went to fight the Morrigan!"
"I see." There was a pause. "The man is seventy-four years old, Joanie. He can take care of himself. If you were," a great and patient pause filled the line before he went on, "time traveling. If you were time traveling and got separated, then I can't think of any reason he would necessarily come back to the present at the same time you did."
"Except I was the focal point, it was my fault, it
!"
"Joanne. Siobhan. Siobhan Grainne MacNamarra Walkingstick."
I didn't think anybody had ever said my name like that before. I gulped down a hysterical sob and whispered, "Yeah?"
Morrison, with gentle emphasis, said, "I love you. Now pull yourself together and go find the bad guy," and hung up. — C.E. Murphy

Until you go through with it yourself, you simply can't imagine it. But it is the transition of going back to work and the guilt of how much time you spend with your child that's hard. I worry about not getting back in time for bath-time. I am not a neurotic person at all, but every time the mobile rings, my stomach leaps. — Phoebe Philo

Isn't that the fantasy? If I go back in time, knowing what people back then didn't know, then I can change history! But history made you what you are. And it's bigger than any one man. — Dexter Palmer

A story wearing another dress every time you hear it - what could be better? A story that grows and puts out flowers like a living thing! But look at the stories people press in books! They may last longer, yes, but they breathe only when someone opens the book. They are sound pressed between the pages, and only a voice can bring them back to life! Then they throw off sparks, Balbulus! Then they go free as birds flying out into the world. Perhaps you're right, and the paper makes them immortal. But why should I care? Will I live on, neatly pressed between the pages with my words? Nonsense! We're none of us immortal; even the finest words don't change that, do they? — Cornelia Funke

Funny how a thing like that can be so damned important, but you don't know it's important until an instant later in the big scheme of time. Then you go back and try to retrieve it. You tell yourself it's in there somewhere. But it's really in that no-man's-land of the moment before you woke up and started paying attention to your own life. — Catherine Ryan Hyde

If Uncle Monty had known known what bad luck was soon to come, he wouldn't have wasted a moment thinking about Gustav. I wish - and I'm sure you wish as well - we could go back in time and warn him, but we can't, and that's that. — Lemony Snicket

But there was no plan.
For the first time in her pirating life, someone had bested her.
It's not him, Andi's mind whispered. It can't be him.
And yet, the Marauder was a corpse. It was already growing cold in the cabin, Andi's breath appearing before her in the white clouds.
Do something, Andi's mind screamed. Get us out of this. You can't go back, Andi, you can never go back.
Fear spiked through her, in and around, trying to still her like the ship.
But she was the Bloody Baroness. She was the captain of the Marauder, the greatest starship in Mirabel, and she had a crew waiting on her word. — Sasha Alsberg

There comes a time in life when you have two choices: either take a step back and let go a bit, or move forward into the unknown and see where things take you. Stepping back is easy, it's safe, a cocoon of warm and routine. Hurt can't overtake you when you raise a white flag of surrender. Conversely, moving forward is scary, everything is a question, you might face rejection. You might lose everything. — Amy Matayo

We tell each other everything. You take the rap for bad things I do, we have this amazing time together and then all day in classes you ignore me like I don't exist. And I have to watch you and Sally together, and you licking her arse and not telling her about me. And when she says something mean to me you just stand there. I don't even answer back like I used to, I take it and you just stand there and let her speak to me the way she does. What about the fact that I am your best friend now? How do you think that feels, Flo? It feels HORRIBLE, that is how it feels. HORRIBLE.'
I leave her standing in the rain. I deliberately go slowly so she can catch me up, but she doesn't. I get all the way home and she never comes after me. — Dawn O'Porter

What's amazing to me now is that I actually recall fixating on the fact that my thighs a-l-m-o-s-t touched at the top ... If I could go back in time and slap my eighteen-year-old self, I would. I would tell her to snap out of it, because that's the best you thighs will ever be. You should take pictures of your thighs right now so you can remember how amazing they were! — Anita Renfroe

It didn't take long to figure out I'll never go back to teaching public high school. Why would I, when I can make virtually the same money waiting tables, have no stress, and work half the hours? When I can give away or trade my shifts if I need time to write or study. When I'll never have to wake up early, take my work home, or talk to anyone's parents
unless it's in regards to the nightly specials, the Spanish grenache that pairs beautifully with our house-made mole sauce. — Nicole Hardy

Lend stood up, shouldering his duffel bag, as I walked back into the living room. "Where do you think you're going?" I snatched his coat away and held it. He just got here. There was no way I was letting him go anywhere else.
"I happen to have very important things to do."
"What on earth is more important than watching Easton Heights??"
"Christmas shopping for you?"
I dropped the coat into his arms and opened the door. "Take your time."
"Glad to know I'll be missed."
"Have fun!" I leaned up and kissed him hard, then shoved him out and sat back on the couch with a sloppy smile on my face. "Best boyfriend ever."
"Shut. Up. Now." Arianna didn't move, eyes fixed on the television. A firm knock sounded on the door. "And tell Lend he can just walk in already!"
"Did you forget something?" I said as I opened the door, surprised to see a short black woman in a suit. And not Lend pretending to be one, either. — Kiersten White

Perseverance. I got cut twice. I got cut in Charlotte. I didn't have to go to Atlanta to audition. I could have said, "I'm not cut out for this." But I said, "I think I'm better than that, I can go try again." So I went to Atlanta and I made it through. Then I got cut the first time around. I could have told them I didn't want to come back for the Wild Card show but I did and look how far I got. — Clay Aiken

Would you - "
"Yes."
"You don't know what I was going to ask."
"Don't I?" A ghost of a smile worked his lips, and he turned his head just a fraction toward me, looking at me through a lock of hair. "The answer is yes anyways."
"I should make you do part of my community service," I mused, kicking back in the chair across the table from him. "That would serve you right."
"Go ahead. I can't say no to you either, darling."
"What do you mean, either?"
He smiled - though it was more of a smirk this time. "Either, one or the other, all of the above. — Anne Zoelle

Here's what you need to know: some cliches are true, and war is definitely hell. It's being afraid all the time, and when you're not afraid it's because you're pumped full of adrenaline you could literally burst. It's watching people who you love- really profoundly love- get blown to pieces right next to you. It's seeing a leg lying in the ditch and picking it up to put it in a bag because no man- or part of a man, your friend- can be left behind. It's the dark night of the soul. There's no front line over there. The war is all around them, every day, everywhere they go. Some handle it better than others. We don't know why, but we do know this: the human mind can't safely or healthily process that kind of carnage and uncertainty and horror. It just can't. No one comes back from war the same. — Kristin Hannah

You get this drama, babe, you got until the end of Tack's meeting to burn it out, but mark this, Lanie. After that meeting, I don't give a fuck if you're strapped into a rocket to go to the goddamned moon, I'm findin' you, we're sortin' this shit out and we're movin' on," he warned. "I just made a mental note to find a plastic surgeon who does emergency face alterations so you won't know who to look for," I shot back. "Jesus, I'm pissed as all fuck and still she's cute," he groused like he wasn't talking to me but actually complaining to the Son of God. "Jesus works on Sunday, Hop. You want a direct line, time to haul your biker ass to church," I shared. "You want me to let you go so you can burn this out, you better stop bein' cute, lady. You keep bein' cute, I'll kiss you in the goddamn forecourt and I won't give a fuck who sees." I snapped my mouth shut. "That's what I thought," he — Kristen Ashley

There will be times when something good comes to an end. Instead of thinking about the fact that it's over - stay positive that it happened in the first place. I was so sad to return home after spending time in Africa with my friends and family. We were all crying when it was time to go - no one wanted to leave such an amazing place. I can look back now, though, without crying. I'm so thankful for my time spent there with people I love, and I can't wait to go back. Goal: Think about a happy moment in your life and be grateful for the joy it gave you. Reflect on happy moments, even if they've passed. — Demi Lovato

I don't think anyone aims to be typical, really. Most people even vow to themselves some time in high school or college not to be typical. But still, they just kind of loop back to it somehow. Like the circular rails of a train at an amusement park, the scripts we know offer a brand of security, of predictability, of safety for us. But the problem is, they only take us where we've already been. They loop us back to places where everyone can easily go, not necessarily where we were made to go. Living a different kind of life takes some guts and grit and a new way of seeing things. — Bob Goff

You can argue that the Terminator movies reboot their world each time they go back in time, but that doesn't negate the value of Terminator 1 and 2. So I don't really feel that way. — David Hayter

If you weren't here and Oma died, I'd deal with it. Because there'd be nothing more to lose. It'd be just me. But now it's different; it's worse. Because you're yet another person to lose. You do stupid, dangerous things, and every time you go away, I pray in agony that you'll come back. It's unfair. Hope is pulling me to pieces. I can't stand it. — Mal Peet

When I'm editing, I tend to cut, go back over it, cut, go back over it, cut, so by the time I'm done, even with a cut, I don't have a rough cut and then work on it so much. I have a pretty rigorous cut of the movie that's usually in the range of what the final movie is going to be. It doesn't mean I don't work on it a lot after that, but I get it into a shape so I feel I can really tell what it needs, or at least it's ready to show people. — Noah Baumbach

Very early on in writing the series, I remember a female journalist saying to me that Mrs Weasley, 'Well, you know, she's just a mother.' And I was absolutely incensed by that comment. Now, I consider myself to be a feminist, and I'd always wanted to show that just because a woman has made a choice, a free choice to say, 'Well, I'm going to raise my family and that's going to be my choice. I may go back to a career, I may have a career part time, but that's my choice.' Doesn't mean that that's all she can do. And as we proved there in that little battle, Molly Weasley comes out and proves herself the equal of any warrior on that battlefield. — J.K. Rowling

Come on. We've just time to find you a doll before the shops close.'
Rose sat up directly. 'But the ribbon broke on my right slipper and Mrs. Stella said I can't go outside until I have new shoes.'
...
He stood, and she looked up at him. She did not hold out her arms, but it seemed he was expected to pick her up.
'Didn't you announce that you don't like to be carried?'
'I make exceptions when I am ill shod.'
The child stared back at Thorn as if there was nothing odd about her speech. He gathered her up into his arms and remarked, 'At least you smell better now.'
He glanced down in time to see cool gray eyes narrow.
'So do you,' she said.
Thorn stared down at her. Had she? Yes, she had. 'That was not a polite comment,' he told her.
She looked off, into the corner of the bedchamber, but her implication was obvious: *he* had been impolite to point out her former odor. — Eloisa James

Go back," he said.
"Can't. Stand aside?"
"Can't."
"So it's like that?" I said.
Fix exhaled. Then he nodded. "Yeah."
And for the first time in a decade the Winter Knight and Summer Knight went to war. — Jim Butcher

I believe strongly in condoms. They avert babies and disease. They make you seem responsible, not slutty. They make the girl relax too, because you're taking care of the risky part. Like you're a professional. Roll it on, squeeze the tip, turn back to her, ready, set go. Like I'd just done a little disappearing act on myself and became something confident and wonderful. You can't see through my latex disguise! You will love this so let's get down! You don't want to know how many times this worked in my favor.
God I feel like a fucking asshole sometimes. All the time, really. — Carrie Mesrobian

When would you like to go out with me so we can talk about it?" A grin flirts with his lips.
He's got her cornered.
And he knows it.
Janie chuckles, defeated. "You are such a bastard."
"When," he demands. "I promise, all my heart, I'll be your house elf for the rest of my life if I fail to meet you at the appointed date and time." He leans forward. "Promise," he says again. He holds up two fingers.
The bell rings.
They stand up.
She's not answering.
He comes around the table toward her and pushes her gently against the wall. Sinks his lips into hers.
He tastes like spearmint. She can't stop the flipping in her stomach.
He pulls back and touches her cheek, her hair. "When," he whispers. Urgently
She clears her throat and blinks. "A-a-after school works for me," she says. — Lisa McMann

They waited awhile before lighting the candles; the gloom allowed the past to slip cozily into the present. But the memories were of a time that was gone and didn't overshadow the present. But the memories were vivid, and they made the freinds feel both young and old ... When Chrsitanne finally lit the candles and they saw one another clearly again, she was happy to see in the old faces of the others the young faces they had come across in their memories. we store our youth wihtin us, we can go back to it and find ourselves in it, but it is past
melancholy filled their hearsts, and sympahty, for one another and for themsleves. — The Weekend

I have a good friend in the East, who comes to my shows and says, you sing a lot about the past, you can't live in the past, you know. I say to him, I can go outside and pick up a rock that's older than the oldest song you know,
and bring it back in here and drop it on your foot. Now the past didn't go anywhere, did it? It's right here, right now.
I always thought that anybody who told me I couldn't live in the past was trying to get me to forget something that if I remembered it it would get them serious trouble. No, that 50s, 60s, 70s, 90s stuff, that whole idea of decade packaging, things don't happen that way. The Vietnam War heated up in 1965 and ended in 1975
what's that got to do with decades? No, that packaging of time is a journalist convenience that they use to trivialize and to dismiss important events and important ideas. I defy that. — Utah Phillips

Not the first time. I didn't think my heart could stand it. But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road. I — V.S. Naipaul

Think about how impossible it is to explain to the young what happens when you know you're not immune from death. Everything changes. You look at the world differently. When you're young, you have no perspective. You think life lasts forever - days and months and years stretching out to infinity. You think you don't have to choose. You think you can waste time doing drugs and alcohol. You think time will always be on your side. But time, once your friend, becomes your enemy. It gallops by as you get older. Holidays come faster and faster. Years fly off the calendar as in old movies. All you long for is to go back and do it all over, correct the mistakes, — Erica Jong

Somebody said combat is 99 percent sheer boredom and 1 percent pure terror. They weren't an MP in Iraq. On the roads I was scared all the time. Maybe not pure terror. That's for when the IED actually goes off. But a kind of low-grade terror that mixes with the boredom. So it's 50 percent boredom and 49 percent normal terror, which is a general feeling that you might die at any second and that everybody in this country wants to kill you. Then, of course, there's the 1 percent pure terror, when your heart rate skyrockets and your vision closes in and your hands are white and your body is humming. You can't think. You're just an animal, doing what you've been trained to do. And then you go back to normal terror, and you go back to being a human, and you go back to thinking. — Phil Klay

I don't believe in "writers block." Lower your standards and keep writing. You can always go back later and make it better. Unless your name is Harlan Ellison, in which case your sentences come out perfectly parsed each time. — Marvin J. Wolf

They're people who probably imagine that they would have had a better time in the past. I wouldn't imagine you'd encounter a lot of black people saying 'Oh, the '50s, that was when America was great.' It's very dangerous because the past was imperfect, and you can't go back anyway. — Christine Jennings

Bellamy took Clarke's hand, then leaned in and whispered, "Should we go check on your parents?"
She turned to him and tilted her head to the side. "Don't you think it's a little early to be meeting my parents?" she teased. "After all, we've been dating less than a month."
"A month in Earth time is like, ten years in space time, don't you think?"
Clarke nodded. "You're right. And I suppose that means that I can't get mad at you if you decide to call it off after a few months, because that's really a few decades."
Bellamy wrapped his arm around her waist and drew her close. "I want to spend eons with you, Clarke Griffin."
She rose onto her toes and kissed his cheek. "Glad to hear it, because there's no going back now. We're here for good. — Kass Morgan

It's just that every time I've come home for the past five years - before that, even. From college - something's changed a little more . . ." " - and you're not sure you like it, eh?" Henry was grinning in the moonlight and she could see him. She sat up. "I don't know if I can tell you, honey. When you live in New York, you often have the feeling that New York's not the world. I mean this: every time I come home, I feel like I'm coming back to the world, and when I leave Maycomb it's like leaving the world. It's silly. I can't explain it, and what makes it sillier is that I'd go stark raving living in Maycomb." Henry said, "You wouldn't, you know. I don't mean to press you for an answer - don't move - but you've got to make up your mind to one thing, Jean Louise. You're gonna see change, you're gonna see Maycomb change its face completely in our lifetime. Your trouble, now, you want to have your cake and eat it: you want to stop the clock, but you can't. Sooner or later you'll — Harper Lee

Real-time creeps back in, and Lindsay realises the kid's on his knees beside him, saying his name over and over and over.
"What?"
"Oh, thank fuck ... Jesus, you're bleeding like hell."
"Thanks, Sherlock."
"Can you see a bright white light?"
"Yeah."
"Oh fuck. Fuck! Okay, listen to me, don't go near it, okay?"
"What?"
"Stay away from the light."
"What are you talking about?"
"That's death, innit? Don't go near it, promise me."
"I mean I can see the electric lights on the ceiling, you berk."
"You berk! You knob, I thought you were dying."
"You didn't specify what kind of bright light, you just said bright light,
you might've been testing my eyesight."
"I ain't fighting with you when you've been shot. — Richard Rider

No I did not call in sick to work today
No I'm not out hanging with my friends
There's no more wasting time
On what I think I'm supposed to do
My clock is standing still so
I can have my dream life life
With the ones I love
Playing all day long
Laying back by the water side
With nowhere to go
And the music on
I'm working hard for my dream life
To be my real life
And that can't be wrong
All I have is this life
So I'm making it what I want — Colbie Caillat

I go to the saltwater and wash off the blood, trying to decide which I hate more, pain or itching. Fed up, I stomp back onto the beach, turn my face upward and snap, "Hey, Haymitch, if you're not too drunk, we could use a little something for our skin."
It's almost funny how quickly the parachute appears above me. I reach up and the tube lands squarely in my open hand.
"About time" I say, but I can't keep the scowl on my face. Haymitch. What I wouldn't give for five minutes of conversation with him. — Suzanne Collins

I write in complete silence using only two fingers so I can't type faster than I edit at the same time, saving me from having to go back. Although it does create a lot of capitalization issues. And punctuation problems. I didn't say it was a good routine. — Dan Alatorre

Come to the jacaranda tree at seven o'clock and you will hear something to your advantage. Destroy this note.'
No signature, no clue to the identity. Just what sort of heroine do you think I am? Phryne asked the air. Only a Gothic novel protagonist would receive that and say, 'Goodness, let me just slip into a low-cut white nightie and put on the highest heeled shoes I can find,' and, pausing only to burn the note, slip out of the hotel by a back exit and go forth to meet her doom in the den of the monster - to be rescued in the nick of time by the strong-jawed hero (he of the Byronic profile and the muscles rippling beneath the torn shirt). 'Oh, my dear,' Phryne spoke aloud as if to the letter-writer. 'You don't know a lot about me, do you? — Kerry Greenwood

It must be one of life's little jokes... how we take everything, even life itself, for granted. We waste our childhoods wishing for what we don't have, longing for the future, dreaming of ways to speed the time so we can hurry up and see the world. And in our later years, we'd give anything just to slow things down and go back to what we once had. — James Michael Rice

Indians look very puzzled, surprised and offended to be shot but they go to the wall with noble mien I must allow. You can't have nothing good in war without you punishing the guilty, the sergeant says with a savage air and no one says nothing against that. John Cole whispers to me that most times that sergeant he just wrong but just now and then he's right and he's right this time. I guess I'm thinking this is true. We get drunk then and the sergeant is clutching his belly all evening and then everything is blotted out till you awake in the bright early morning needing a piss and then it all floods back into your brain what happened and it makes your heart yelp like a dog. — Sebastian Barry

I mean it," Gabriel said. "Do you know that girl that came after us nearly gave me a heart attack? She said Trouble's in trouble. Again. Second time in a week. And what do I see when we get to the hallway? Trouble jumping from the fucking second floor, does a barrel roll and hobbles up to get back in the fight. And you're on top of some motherfucker on top of Silas. Fucking beautiful. So that's like quadruple grounding because you went in twice. I swear if you go over that balcony again, I'm going to break your damn feet so you can't go anywhere near it. — C.L.Stone

Perhaps it's that you can't go back in time, but you can return to the scenes of a love, of a crime, of happiness, and of a fatal decision; the places are what remain, are what you can possess, are what is immortal. They become the tangible landscape of memory, the places that made you, and in some way you too become them. They are what you can possess and in the end what possesses you. — Rebecca Solnit

You can't go back. Once it's done, it's done. I'm sure there will be things that I would love to change, in the future, but each movie is a snapshot of its time and the resources, and you do your best on it. — David Ayer

I want you back, Annabelle." This time my laughter is full of nothing but genuine humor. It's that 'oh my god, I can't believe that' kind of humor. I lean forward and put my face in my palms, still laughing. "Holy crap," I say in-between laughs, "that's hilarious." I peek up at him to see his disgruntled expression and then bust up laughing again. "I'm serious," he grunts out, looking cute in his exasperation, damn him. Not done, I hold up a hand. "Oh, oh, wait. Just let me go get my gun so you can shoot me again. Of course I want to get back together with you, Gabriel." Putting on a serious face, I say earnestly, "He shoots me because he loves me. — April Brookshire

... You asked how am I?? Really?? So you care about me?? or you just decided to ask to return it back because people have learnt you to return everything back, what he has done to you to do the same to him. To behave in the same way, yeah but without curiousity to focus on this is like to go and get fucked by everyone starting from the bin guy (the guy who search food in the garbage) up to the guy who is rich. If you like that, I will say that there is some kind of problem with you, how can you even havee a sex with the garbage man.... oh, oh yeah if you are one of them you are out of this place. If you help this garbage man to succeed it goes that he develops something better and from poor up to rich... But to reach there you need time, you need to believe in that person, but again doesn't it disgusting this thing. Look it from side like Monk, how can you even touch such person?? — Deyth Banger

I'd give everything to back to that moment and make things right."
"Would you really? Would you go back in time and change that, if you could?"
"No. No, maybe not. Because then I wouldn't have this. I wouldn't have you. I have to live with my mistakes, but I don't have to regret them. I regret my actions but I can't regret the consequences. — Karina Halle

I help her into the cab with a hand at the small of her back and slide in behind her. She rattles off an address, but I can't see her lips in the darkness. Her few miles feel like twenty, and I watch the cab rate go up and up and up. I am not sure how much money I have in my wallet. Shit. This is bad. "Next time, let's take the subway," I toss out. I scrub a hand down my face. "Not at this time of the night," she scoffs. "I'd keep you safe." I tip her chin up. "The Emily who left here was fearless. What happened?" "The Emily that left here was dirt poor. I didn't have any choice but to ride the subway at all hours of the night. Now I don't have to. — Tammy Falkner

And eventually there is no one left in the world except people who don't look at other people's faces and who don't know what these pictures mean and these people are all special people like me. And they like being on their own and I hardly ever see them because they are like okapi in the jungle in the Congo, which are a kind of antelope and very shy and rare. And I can go anywhere in the world and I know that no one is going to talk to me or touch me or ask me a question. But if I don't want to go anywhere I don't have to, and I can stay at home and eat broccoli and oranges and licorice laces all the time, or I can play computer games for a whole week, or I can just sit in the corner of the room and rub £1 coin back and forward over the ripple shapes on the surface of the radiator. And I wouldn't have to go to France. — Mark Haddon

I don't back down. Like, I don't know how to flop. That's never been a part of my game. For me to know if a guy likes to turn left shoulder or right shoulder in the post, I have an advantage. Or if he likes to go left all the time, I have an advantage. Or if he can't make open jump shots, I have an advantage. — Kenyon Martin

The model for an NHL without fighting is right there in front of us. The [playoffs are] the time of year that fans love best; when the best hockey is played ... [The] enforcers don't play. Even mini-enforcers ... remain on the bench. Teams and coaches can't afford anything stupid and unpredictable ... With no one to fight back for them, players go harder into the corners, more determinedly to the front of the net. If they want to fire up the crowd and their teammates, they have to do it themselves. And in the playoffs, they do. — Ken Dryden

I would love to go back to any time in European history, especially in Irish history, to the second or third century, prior to the arrival of Christianity when Paganism flourished. I can always go back there in my imagination, of course. It doesn't cost anything, and it's a form of time travel, I suppose. — Gabriel Byrne

Go home, talk about it together. Bake Christmas cookies and crap. Then tell me what you want to happen. Know that I'm yours. My loyalty, my soul is yours no matter what you decide. Crap, you can shoot me in the back, and I'll never want anything but to be around you hookers."
Blake stood and shook his head. "Nah, I don't need time. I appreciate the place in Hawaii, and it would be great to go to - maybe for a vacation sometime? But I'm here. I'm not leaving you. You're my family. — Debra Anastasia

Soaps have a schedule where you have to be done in 15 minutes. With an hour show, there's no way to get off schedule. On a movie, it's a lot easier to go back and reshoot scenes. I wasn't used to that at all ... taking the time to really make each scene as good as it can be, which you can't do on soaps. — Lucy Deakins

After a certain length of time has passed, things harden up. Like a cement hardening in a bucket. And we can't go back anymore — Haruki Murakami

About time," Brianna said.
"Hey, sorry, we were kind of busy," Quinn snapped. "And I didn't exactly realize I was on a schedule."
"I don't like what I have to do here," Brianna said. She handed Quinn the note.
He read it. Read it again.
"Is this some kind of joke?" he demanded.
"Albert's dead," Brianna said. "Murdered."
"What?"
"He's dead. Sam and Dekka are off in the wilderness somewhere. Edilio's got the flu, he might die, a lot of kids have. A lot. And there are these, these monsters, these kind of bugs . . . no one knows what to call them . . . heading toward town." Her face contorted in a mix of rage and sorrow and fear. She blurted, "And I can't stop them!"
Quinn stared at her. Then back at the note.
He felt his contented little universe tilt and go sliding away.
There were just two words on the paper: "Get Caine. — Michael Grant

One afternoon while driving back from the beach, Hugh pointed out a McDonald's bag vomiting its contents onto the pavement. "I say that any company whose products are found on the ground automatically has to go out of business," he said. This is how we talk nowadays, as if our pronouncements hold actual weight and can be implemented at our discretion, like we're kings or warlocks. "That means no more McDonald's, no more Coke - none of it."
"That wouldn't affect you any,"I told him. Hugh doesn't drink soda or eat Big Macs. "But what if it was something you needed, like paint? I find buckets of it in the woods all the time."
"Fine," he said. "Get rid of it. I'll make my own."
If anyone could make his own paint, it would be Hugh.
"What about brushes?"
"Please," he said, and he shifted into a higher gear. "I could make those in my sleep. — David Sedaris

Last time I said something perhaps I shouldn't have, something that's been taken the wrong way: "The poor are always with you." At that moment, back then, I wanted my friends' attention. I meant I was going to die soon, but they would have the rest of their lives to care for the poor. But the rich have twisted my words to mean something quite different: that there's nothing you can do about the poor. That the poor are part of life, like disease or accidents or hurricanes or getting old. Poverty is natural. You'll never get rid of it, so forget about trying. Don't worry that the poor have so much less than you do. Go eat your big meal, go drive your big car, go sleep in your big house. Let the poor look in the windows. Jesus says it's OK. Well, Jesus doesn't say it's OK. OK? P — Tony Hendra

You can't go back home to your family, back home to your childhood, back home to romantic love, back home to a young man's dreams of glory and of fame, back home to exile, to escape to Europe and some foreign land, back home to lyricism, to singing just for singing's sake, back home to aestheticism, to one's youthful idea of 'the artist' and the all-sufficiency of 'art' and 'beauty' and 'love,' back home to the ivory tower, back home to places in the country, to the cottage in Bermude, away from all the strife and conflict of the world, back home to the father you have lost and have been looking for, back home to someone who can help you, save you, ease the burden for you, back home to the old forms and systems of things which once seemed everlasting but which are changing all the time
back home to the escapes of Time and Memory. — Thomas Wolfe

There comes a time when a man finds himself in front of a dark uncrossable abyss, which he himself has spent years digging. He cannot go forward, and has no way back. Words have failed, tears won't help, and who would he call out to? He can't even remember his own name. Then the man sees that on this god's green earth there is but one true suffering: the torment of guilty conscience. — Ivo Andric

I can't go back there. Back to a time when I had a weakness. When I lost control, and lost loved ones and territories in the process. The WUN still remains out of my hands. If I woke her now, what would I lose next? — Laura Thalassa

I just couldn't stand it any more back in Bes Pelargic,' Twoflower went on blithely, 'sitting at a desk all day, just adding up columns of figures, just a pension to look forward to at the end of it ... where's the romance in that? Twoflower, I thought, it's now or never. You don't just have to listen to stories. You can go there. Now's the time to stop hanging around the docks listening to sailors' tales. — Terry Pratchett

Time moves on. You can't go back in time. Everything has a consequence, and the last episode of the last season is no exception. — Jon Hamm

There are some things in this world that can be done over, and some that can't. And time passing is one thing that can't be redone. Come this far, and you can't go back. — Haruki Murakami

His father asked Ethan in a raspy voice, "You spend time with your son?" "Much as I can," he'd answered, but his father had caught the lie in his eyes. "It'll be your loss, Ethan. Day'll come, when he's grown and it's too late, that you'd give a kingdom to go back and spend a single hour with your son as a boy. To hold him. Read a book to him. Throw a ball with a person in whose eyes you can do no wrong. He doesn't see your failings yet. He looks at you with pure love and it won't last, so you revel in it while it's here." Ethan thinks often of that conversation, mostly when he's lying awake in bed at night and everyone else is asleep, and his life screaming past at the speed of light - the weight of bills and the future and his prior failings and all these moments he's missing - all the lost joy - perched like a boulder on his chest. — Blake Crouch

One thing you can't beat in this world is time. I learnt that the hard way. You can't play basketball forever. You can't play football forever. You can't bodybuild forever. I mean you CAN do it, but not at a high level against younger guys who have more time and have not reached their peaks yet. There's only so much the body can do and once you're done, you can't go back in time. — Ronnie Coleman

Max can't hear or speak, but he communicates okay. He wasn't programmed for fear - whoever rolled the genetic dice left that out too. If Mama asked Max to deliver a package to the Devil, Max would go straight to Hell. Unlike others of my acquaintance who had made that particular trip, I had complete confidence that Max would come back. Max the Silent is one tough boy. In fact, he's so infamous that one time over in night court when he was being arraigned for attempted murder, nobody even laughed when the judge told him that he had the right to remain silent. They all knew that Max never attempted to murder anyone. — Andrew Vachss

Great art is anything that provokes a deep emotinal reaction at the time that you hear it and then you can't get it out of your head. And then you go back and you experince something completely different to the thing that you experinced the first time. And wheather its a painting, a piece of music or a book. In a book, its that moment, when you put it down and you go:"I'm not quite the same person, that I was before I read that book" or "I'm not the same person I was before I saw this painting." That is great art. — Neil Gaiman

You can have the rest of your life with her," St. Just said gently. "What if she won't have me?" Emmie asked softly. "What if she can't understand? She's six years old, St. Just. I've let her think she's had no mother for half her years on earth, and I was ready to turn my back on her completely." His fingers closed over hers, and this time he didn't simply pat her hand and let go. "You were trying to do the best you could in difficult circumstances. You wanted what was best for Winnie, and she will eventually understand that. It will work out. I know it will." "I can only hope so, and I can only continue to try my best." "Winnie — Grace Burrowes

Every time you get angry with yourself for where you are in your process of growth, it's the equivalent of chopping off the head of the rose because it hasn't bloomed yet. Now you have to go through that part of the process again. Anger will set you back every time and slow down your growth. However, self-compassion and self-encouragement are like water and sunshine; they help the growth process happen faster and easier. It's up to you how you want to proceed, but if you can break the habit of getting angry with yourself and replace it with some compassion and encouragement, then you will bloom like you have never bloomed before. — Emily Maroutian

I didn't know it would get this hot," she said. "It's hot as hell."
"Hell is hotter."
"Sounds like you've been there."
"I've heard it from someone. They make it hotter and hotter till you think you'll go crazy; then they move you someplace cooler for a while. Then when you're recovered a little they move you back again."
"So hell it's like a sauna."
"Yeah, more or less. But a few can't recover and go totally bonkers."
"So what happens to them?"
"They get sent up to heaven, where they're forced to paint the walls. You see, the walls in heaven have to be kept a perfect white. As a result, they have to keep painting from dawn till dusk every day. It messes up their respiratory systems big time. — Haruki Murakami

He spins around. Before I can say anything else, he steps forward and takes my face in his hands. Then he's kissing me one last time, overwhelming me with his warmth, breathing life and love and aching sorrow into me. I throw my arms around his neck as he wraps his around my waist. My lips part for him and his mouth moves desperately against mine, devouring me, taking every breath that I have. Don't go, I plead wordlessly. But I can taste the good-bye on his lips, and now I can no longer hold back my tears. He's trembling. His face is wet. I hang on to him like he'll disappear if I let go, like I'll be left alone in this dark room, standing in the empty air. Day, the boy from the streets with nothing except the clothes on his back and the earnestness in his eyes, owns my heart. — Marie Lu

The citizens of the Capitol have been drooling over him ever since. Because of his youth, they couldn't really touch him for the first year or two. But ever since he turned sixteen, he's spent his time at the Games being dogged by those desperately in love with him. No one retains his favour for long. He can go through four or five in his annual visit. Old or young, lovely or plain, rich or very rich, he'll keep them company and take their extravagant gifts, but he never stays, and once he's gone he never comes back. — Suzanne Collins

Kitten,
Letting go of someone who owns your heart is hard.
Sometimes holding on to that person is even harder. I
know I'm not the easiest person to love, but you are.
I'ts not that I can't live without you; it's that I don't want to. There's a difference. We all make choices in life and I choose you.
My heart belongs to you. And I'm not asking for it back, even if you don't want it anymore. I'm just asking for the chance to have yours again. I promise I'll be more careful with it this time.
Love Always,
Jack — J. Sterling

1) Work on one thing at a time until finished.
2) Start no more new books, add no more new material to "Black Spring."
3) Don't be nervous. Work calmly, joyously, recklessly on whatever is in hand.
4) Work according to Program and not according to mood. Stop at the appointed time!
5) When you can't create you can work.
6) Cement a little every day, rather than add new fertilizers.
7) Keep human! See people, go places, drink if you feel like it.
8) Don't be a draught-horse! Work with pleasure only.
9) Discard the Program when you feel like it - but go back to it next day. Concentrate. Narrow down. Exclude.
10) Forget the books you want to write. Think only of the book you are writing.
11) Write first and always. Painting, music, friends, cinema, all these come afterwards. — Henry Miller

What. Are. You. Doing. Here?" Day snapped each word this time.

"You're not the only one that can track your lover," God said smugly while holding up his phone with the application still open.

Day's mouth fell open and the shade of red he turned was priceless. He decided to get rid of their excess company and take Day back with him. God looked at Day's date and put on his best run-for-your-life face and spat menacingly. "Leave. Now."

"No," Day spoke before his date could move. "You don't have to go anywhere, Mick."

God looked back to Day and spoke in a harsh growl without moving his eyes from his partner's. "Mick, I say leave now. He says to stay. Whatever will you do?"

Mick turned and ran so fast his image turned into a blur.
"That takes care of that," God said.

Day pushed God out of his space and turned to walk away without another word. — A.E. Via

Things change so quickly. Just when you get used to something, zap! It
changes. Just when you begin to understand someone, zap! They grow up. The
same is happening with Katie. She changes every day; her face just becomes so
much more grown-up every time I look at her. Sometimes I have to stop pretending
I'm interested in what she's saying in order to realize that I actually am
interested. We go shopping for clothes together and I take her advice, we eat
out for lunch and giggle over silly things. I just can't cast my mind back to the
time when my child stopped being a child and became a person. — Cecelia Ahern

But here's the thing I've learned about leaving- you can't really go back. I don't know what to do with Cooley Ridge anymore, and Cooley Ridge doesn't know what to do with me, either. The distance only increases with the years. Most times, if I tried to shift it back into focus...all I'd see was a caricature of it in my mind: a miniature town set up on entryway tables around the holidays, everything frozen in time. — Megan Miranda

Everything you've ever read of mine is first-draft. This is one of the peculiarities of the comics field. By the time you're working on chapter three of your masterwork, chapter one is already in print. You can't go back and suddenly decide to make this character a woman, or have this one fall out of a window. — Alan Moore

There are two types of spirits. One makes the transition to the spirit realm and goes on to whatever comes next. They can still come back to connect with people who are alive, but it's like dropping by for a visit, and then they go back to whatever it is they were happily doing in the next life. On the other hand, earthbound spirits - ghosts - are folks who pass but still have unfinished business. They feel like they're going to be judged for something they did wrong; or they don't know they are dead; or they are angry about being dead and not getting to finish something. They have been cheated out of life. They stay on a plane that's closer to the plane of earth, and that's why they're always at the corners of our vision and the edges of our dreams. Once they complete the process and resign themselves to the fact that their time on earth is finished and they've done what they can do, they can move to the next level. — Jodi Picoult

You can't know that." "But I do," she said. "I can feel it. Goddamn it, you think you're the only one with a voice inside? Samantha Aldovar is in there, and she is out of time. If we back off, they kill her and eat her. And if we take the time to go through channels and go in with SRT and all that, she disappears and she's dead. I know it. She's in there now, Dex. I got such a strong feeling; I've never been more sure about something." It — Jeff Lindsay

It can't possibly work. Because the reason the person built the time machine was so that he could go back and destroy Hitler. Now, with Hitler dead, his future self wouldn't have a reason to create a time machine. So his future self would never build that time machine, and he would never go back in time. It's called a paradox. — C. David Milles

Kellum reminded the jury that special prosecutor Robert Smith, "a gentleman I don't know," would have the final argument, and that this was a powerful advantage. He then closed with a dramatic message that the jury's verdict would have eternal consequences. I want you to think of the future. When your summons comes to cross the Great Divide, and, as you enter your father's house - a home not made by hands but eternal in the heavens, you can look back to where your father's feet have trod and see your good record written in the sands of time and, when you go down to your lonely silent tomb to a sleep that knows no dreams, I want you to hold in the palm of your hand a record of service to God and your fellow man. And the only way you can do that is to turn these boys loose.123 — Devery S. Anderson

You get started on something and you go where it takes you and you set aside other things because you don't have any choice. Because if you didn't set them aside you would never be able to go on. And then if you're lucky enough you get back to where you started and you realize your mistake. You realize how difficult it is to keep everything in your heart at the same time. How impossible. You can only keep so much and still go on. You come back for the rest if you're lucky enough. — Sam Winston

No one is calling me. I can't check the answering machine because I have been here all this time. If I go out, someone may call while I'm out. Then I can check the answering machine when I come back in. — Lydia Davis

Sometimes I wish I could go back in time, and be the one who ended up in that accident, completely dead ... but you know what? It wouldn't change anything. All I can do now that they're dead is to go through the actions of living without really living, and hope it improves someday. — Rebecca McNutt

For my senior prom, my father finally said I could go - as long as I was home by 9 P.M.! That was around the time that most people were heading out. When I was little I was so mad at them all the time. 'Why can't I do this?' 'Why are there so many rules?' But looking back now, my parents gave me the foundation to have so many choices in life. — Amy Chua

I was happier then. Or was that I? Or am I now I? Can't bring back time. Like holding water in your hand. Would you go back to then? Just beginning then. Would you? — James Joyce

Micah: "Come, on. Let's get you out of here." He began putting his arms under me and lifted me off my bed of rocks.
"Oh, no. You can't just come trotting in here like some hero. I'm saving myself this time. Go away!"
"And let me just say you were doing a fine job lying there on your back. — Terra Harmony

Live steady. Don't fuck around. Give anything weird a wide berth
including people. It's not worth it. I learned this the hard way, through brutal overindulgence.
... Back to Chicago; it's never dull out there. You never know exactly what kind of terrible shit is going to come down on you in that town, but you can always count on *something*. Every time I go to Chicago I come away with scars. — Hunter S. Thompson

This Time Dad You're Wrong

Well, I'm not just a fool; I sat alone for an hour and thought. I know I broke the rules, I knew it there on the spot; but what I did was alright, and I knew all along, in spite of the warning I got, 'cause this time, Dad you're wrong. I'll prove it to you, no, I'm not just a fool. I'm not just a fool, no, I'll prove it to you. Well, I can't tell you why, might not know why until after it's through, but at least I've got to try, and then you might understand too. But love is why I go back, like I knew all along, the fact is I even love you, 'cause this time, Dad you're wrong. I'll prove it to you, no, I'm not just a fool. I'm not just a fool, no, I'll prove it to you — Arthur Russell