Candelabra Cactus Quotes & Sayings

If productivity, efficiency, and rationality are not the ways God gauges a human person's value, then they are not the ways I should measure it, eiher. If childlike dependence on God is the mark of a great soul, then there are great souls hidden in all sorts of places where the world sees only disability, decay, and despair. — Colleen Carroll Campbell

A malefactor who atones for making your writing nonsense by permitting the compositor to make it unintelligible. — Ambrose Bierce

This is a good place," he said.
"There's a lot of liquor," I agreed. — Ernest Hemingway,

When you're really working well with a director then you can be as outrageous as you like and so can he. And there's no worry about it. — John Hurt

I respond in the moment which is what makes me a good actor. — Russell Crowe

In the glory days of Orioles, when I was a newbie baseball writer for the Post, the roster of talkers was as good as the everyday lineup. Singy - Ken Singleton - Flanny, and Cakes - the underwear spokesman Jim Palmer - were my go-to guys, occupying stalls along one wall of the shabby chic clubhouse. — Jane Leavy

I ask you to kill my father for the crime of bringing me into existence. — Dexter Palmer

She knows as well as anyone that pity, having played, soon tires. — Edwin Arlington Robinson

Damn it all. "Ascanio!"
The bouda sauntered forward, a picture of pure innocence on his face.
"What the hell are you doing?" I growled.
He pulled on a disarming smile like a shield. "Following you."
"Why?"
"Because."
So help me God, I would brain him with something heavy in a minute. "Because why?"
"I wanted to come. It's too dangerous for you and I'm concerned."
Derek snarled quietly under his breath.
"You can't blame me," Ascanio said. "Anybody in my place would be concerned. You don't even have a proper horse. You're riding a mutant equine of unknown origin. — Ilona Andrews

Every record is a portrait of the band at that time. — Jimmy Page

In a lot of places, of course, the '80s had never really come to an end. — Nick Harkaway

I'm an old-fashioned theatre major at heart. — Tom Lenk

The rhythm of editing, the length of a frame- these are not merely dictated by the professional need to establish a link with the audience (as they are thought to be). They express the character and the originality of the author of the film. At the present time cineastes use editing rhythm to gild the pill that has to be swallowed by the unfortunate audience. According to me, entirely in order to make money. — Andrei Tarkovsky