Camera Moment Quotes & Sayings

The camera is a remarkable thing, you think, with its ability to transform the mundane into an immortal moment able to travel through time, reappear days or months or years after its actually occurrence. Every second of our existence is alive with possibility, but we don't see it until we hit rewind, until we freeze the frame. It is sad that so many things, all suffused with meaning, escape the unaided eye. — Greg Bottoms

This is life. It is everywhere, and it is here for the taking. I am alive and I know this, now, in a more profound way than when I am doing anything else. These sights are ephemeral, fleeting treasures that have been offered to me and to me alone. No other person in the history of the world, anywhere in all of time and space, has been granted this gift to be here in my place. And I am privileged, through the camera, to take this moment away with me. That is why I photograph. — Bill Jay

Sean O'Connell: Sometimes I don't. If I like a moment, for me, personally, I don't like to have the distraction of the camera. I just want to stay in it. — James Thurber

The complete disregard for the camera's presence indicates its complete saturation in their lives. The subject neither notices nor seems to care that someone has been invited into their private moment. — Nan Goldin

If I'm traveling, I'll take a film camera and a digital camera because sometimes there are moments where, if you've lost it, or if coming back and it accidentally goes through the X-ray machine and it gets overexposed, you might have had a really important moment to you and you would be really upset that you didn't have a back-up. — Dianna Agron

When you see such photos, you can't help but wonder at just how sweet and sad and innocent all moments of life are rendered by the tripping of a camera's shutter, for at that point the future is still unknown and has yet to hurt us, and also for that brief moment, our poses are accepted as honest. — Douglas Coupland

Screen work always boils down to that moment between the camera and the actor or the actors. It always boils down to that, ultimately. You serve the camera. — Alfred Molina

I never considered myself a good photographer. I still don't. I thought of myself as a hard worker. My camera was a sponge and I had an instinct that athletes have - anticipation. Photography really represents an enormous amount of anticipation - understanding what might be there the next moment and being prepared for it. — Lawrence Schiller

He returned in a moment with a phone, a high-end model that probably cost way more than hers. His cell phone wallpaper was an abstract artwork with lots of colorful circles and blots - Kandinsky, maybe, or Miro? She always got those
two confused. She gave him points for not having a picture of some scantily-clad woman thrusting her boobs at the camera, like Steve had on his phone. Tacky. Nude-woman wallpapers were the cell phone equivalent of silver naked-lady mud flaps, in her opinion. — Linda Morris

I knew from the first moment I picked up a camera, on my first school assignment, what I wanted to do for the rest of my life. I was going to find a way to travel the world and tell the stories of the people I met through photographs. — Mary Ellen Mark

What motivates every other decision artistically or technically is the acting. This is what motivates everything. Never can a camera move be incompatible with the emotion of the actor at that moment. The movement, the style, the atmosphere, everything is dictated by the actor. — Xavier Dolan

My family stood right in front of me, talking and smiling. I felt like I was viewing one of those cheesy ad shots for camera companies. The ones I looked at and thought, fake, because no one's family ever looked that happy. Yet, the perfect family moment bloomed right before my eyes, and I wasn't a part of it. — Elizabeth Morgan

Back in the early days like for the Temptations, Supremes and Four Tops, artist development was alive in record companies. Every artist had a moment to develop the record visually. When the web took over and camera phones, it stripped the artists of the power to figure it out. So there's a need to bridge that gap and that's my job. — Laurieann Gibson

He doesn't take a photo or a video because he wants to remember - by which he means he wants to misremember because the moment is made up of what the camera can't capture. — Jeanette Winterson

Take a moment. What was it you saw when you were moved to pick up the camera? I'm going to pretend I didn't hear you mutter something about thinking "it looked cool." Dig deeper. Was it a thought, a feeling, a simple moment when your eyes did a double-take at the intersection of two lines? Was it a lick of light, two blocks of color? — David DuChemin

Amber was designed for life. She was designed for color and movement. She was not a girl born for the click of the camera's lens. No device could capture her, the way she was, the way she was meant to be. She was not born to be still or stationary. Without her color she was broken, a faulty image that could never be fixed. Without her voice she was nothing. Amber was gone. At that moment it was all clear to me. Everything to come was just a formality. — Matthew Crow

I still enjoy acting. I love the moment in front of the camera, but it's all the other moments that I don't enjoy. The 'business' aspect of it, the gossip. — Jennie Garth

I'm not so much in the future as always in the present. The future always takes care of itself. What I do now with my video camera, it can only record what is happening now. I am celebrating reality and the essence of the moment. And that's the greatest challenge that I have. — Jonas Mekas

The camera also took a moment or two to linger on Chase's athletic breasts, her erect nipples, and her pubic hair, which was dirty blond and luxuriant and not at all in the modern prepubescent shaven-porn idiom which Naomi loathed; — David Cronenberg

About half an hour after the show tree, I made Roger pull over so that I could take a picture, and I realized that there was no way to ever capture the entire landscape. So I turned in a circle, taking a picture in every direction, knowing that was the only way I could come close to capturing what it looked like. I lowered my camera and stood still for a moment, just taking in the silence. Even though it probably should have been scary, standing by the side of a deserted desert highway, it wasn't. It felt strangely peaceful. — Morgan Matson

there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk with a camera I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and the moment's light prints on my own silver gut. — Annie Dillard

The more nearly the film cutter approaches the natural law of interest, the more invisible will be his cutting. If the camera moves from one person to another at the exact moment that you in the legitimate theatre would have turned your head, you will not be conscious of a cut. — Preston Sturges

Trauma and pain are the foundations of art. I believe that. When tragedy strikes, however, a muralist or a watercolorist has the opportunity to be a human being in the moment and an artist afterward. Faced with the death of a loved one, a sculptor or portraitist can first grieve, suffer, and heal--then create. Most artists go through life this way. They can react normally to the trials and tribulations of the human experience. They can pass through the world with compassion and comradeship. They can make their art later. Outside, elsewhere, beyond. But photography is immediate. It does not offer the luxury of time. Faced with blood, death, or transformation, a photographer has no choice but to reach for the camera. An artist first, a human being afterward. Photography is a neutral record of all events, a chronicle of things both sublime and terrible. By necessity, this work is made without emotion, without connection, without love. — Abby Geni

But when did this anger take root? When snakes first appeared on the national scene? When water in the bowels of the earth turned bitter? Or when he visited America and failed to land an interview with Global Network News on its famous program Meet the Global Mighty? It is said that when he was told that he could not be granted even a minute on the air, he could hardly believe his ears or even understand what they were talking about, knowing that in his country he was always on TV; his every moment - eating, shitting, sneezing, or blowing his nose - captured on camera. — Ngugi Wa Thiong'o

Now when I see something beautiful or funny or sweet, sometimes I reach for my camera, but other times I think, 'I need to let this moment exist. I don't have to capture everything. I just want to experience it.' — Leelee Sobieski

I tried to resist the urge to reach for my camera. I tried to look, really look, as though this took an effort far greater than the movement of my eyes. You are here, I would say to myself, no part of this moment is melting into the future. You are only here and nowhere else. But I could never believe it. So I would take a photo to stop the world. So that I could keep moving — Leah Stewart

Everybody has a camera on their phone these days, everybody wants a selfie or a picture, and the moment one person starts taking a picture everybody congregates around so I've become quite a fast walker. I don't like saying, "No," to people but by walking fast one might be able to avoid the first photo. — Richard Branson

I've never liked the moment of seeing something beautiful - a sunset, a moose, an elephant - and then raising a camera and trying to capture it for some future moment. That's always struck me as strange. — Joseph Monninger

You only have to start saying of something : 'Ah, how beautiful ! We must photograph it !' and you are already close to the view of the person who thinks that everything that is not photographed is lost, as if it never existed, and therefore in order to really live you must photograph as much as you can, and to photograph as much as you can you must either live in the most photographable way possible, or else consider photographable every moment of your life. — Italo Calvino

Another time I had gone out on patrol in the mist and had carefully warned the guard commander beforehand. But in coming back I stumbled against a bush, the startled sentry called out that the Fascists were coming, and I had the pleasure of hearing the guard commander order everyone to open rapid fire in my direction. Of course I lay down and the bullets went harmlessly over me. Nothing will convince a Spaniard, at least a young Spaniard, that fire-arms are dangerous. Once, rather later than this, I was photographing some machine-gunners with their gun, which was pointed directly towards me. 'Don't fire,' I said half-jokingly as I focused the camera. 'Oh no, we won't fire.' The next moment there was a frightful roar and a stream of bullets tore past my face so close that my cheek was stung by grains of cordite. It was unintentional, but the machine-gunners considered it a great joke. — George Orwell

I'm into capturing the moment. Sometimes, I'll rip the camera out of my assistant's hands and he'll be shouting, But there's no film in the camera! and I think, Never mind! Let's go. — Ellen Von Unwerth

The list of photographs that I am missing while I sit on airport runways, teach classes or spend hours in the studio makes my head spin. It's almost as if I can actually sense all the great pictures that I'm missing at a given moment. It's times like those that remind me to be very productive when I do get behind-the-camera time. — Brian Ulrich

The PlayStation 4's errs not by being something other than what it is, but by holding on to the idea that its particular brand of novelty is in any way novel, by mistaking itself for figure rather than for ground. By calling itself "PlayStation 4" instead of just "PlayStation," because really all anyone wants is whatever PlayStation is made available, doing whatever things it ought to do at whatever moment it does them. Apple recognized this problem when it tried to correct the mistake of the "iPad 2" by reverting to its follow-up as just "the iPad," a name that still hasn't stuck. Leica, the old and traditional German photographic and optical equipment company, stopped numbering its digital M rangefinder cameras this year, after burning through as many numeric increments in six years as it had in the previous two decades. At some point, a camera is just a camera, no matter how nice it is. — Anonymous

Camera lies all the time. It's all it does is lie, because when you choose this moment instead of this moment, when you ... the moment you've made a choice, you're lying about something larger. 'Lying' is an ugly word. I don't mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same. — Richard Avedon

None of the characters in (the story) were distinguished ones
not even the lion.
He was an old lion, prepared from birth to lose his life rather than to leave it. But he had the dignity of all free creatures, and so he was allowed his moment. It was hardly a glorious moment.
The two men who shot him were indifferent as men go, or perhaps they were less than that. At least they shot him without killing him, and then turned the unsconscionable eye of a camera upon his agony. It was a small, a stupid, but a callous crime. — Beryl Markham

For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality. — Alfredo Jaar

I can remember the moment when I suddenly felt that the camera was a living partner. I suddenly felt this is art, and the camera is a co-operative living person. After that I was extremely happy to act in films. — Erland Josephson

It was as if my eyes were a camera and I was photographing the moment, knowing that I would keep the photograph forever. — Benjamin Alire Saenz

I find myself in situations that I know would be unbelievable pictures and I have to gauge, Is this worth taking the camera out? Am I gonna lose the moment? Am I gonna get a dirty look from Sting? — John Mayer

We made a successful, last-minute effort to get the French Open many years ago, when the USA network bailed on it. I remember, four of us jumped on a plane on the spur of the moment to cover it. I think we had someone draw up a sign (by hand) that we could hold up in front of the camera to tell viewers that it was ESPN coverage. — Patrick McEnroe

Photography is a medium of formidable contradictions. It is both ridiculously easy and almost impossibly difficult. It is easy because its technical rudiments can readily be mastered by anyonwith a few simple instructions. It is difficult because, while while the artist working in any other medium begins with a blank surface and gradually brings his conception into being, the photographer is the only imagemaker who begins with the picture completed. His emotions, his knowledge, and his native talent are brought into focus and fixed beyond recall the moment the shutter of his camera has closed. — Edward Steichen

But there is another kind of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk with a camera I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens, and the moment's light prints on my own silver gut. When I see this second way I am above all an unscrupulous observer. — Annie Dillard

I'll never forget the moment when I saw a red light go on, on the camera, and that image translated to the monitor, and then a different light went on and the shot changed, and I went, "Wow, that's how it's done! That's how that gets to my TV! This is what I want to do with my life!" I literally had that moment of epiphany, at eight years old. — Susanna White

You see what you understand, You have to be prepared to see the world. The moment of clicking the camera is almost irrelevant. What is really important is what happens before and after you take the picture. — Gabriel Orozco

Filmmaking isn't if you can just strap on a camera onto an actor, and steadicam, and point it at their face, and follow them through the movie, that is not what moviemaking is, that is not what it's about. It's not just about getting a performance. It's also about the psychology of the cinematic moment, and the psychology of the presentation of that, of that window. — David Fincher

When you're on camera, even though you try to lose yourself in the character, you are aware that there is a camera there capturing every moment of it visually. With doing a voiceover job, you are worried about the sound of it, and you have to make all those visual colors come out with your sound. — Doug Jones

When he says "Skins or blankets?" it will take you a moment to realized that he's asking which you want to sleep under. And in your hesitation he'll decide that he wants to see your skin wrapped in the big black moose hide. He carried it, he'll say, soaking wet and heavier than a dead man, across the tundra for two - was it hours or days or weeks? But the payoff, now, will be to see it fall across one of your white breasts. It's December, and your skin is never really warm, so you will pull the bulk of it around you and pose for him, pose for his camera, without having to narrate this moose's death. — Pam Houston

You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there's no visible emotion at all. They look so blank it would be easy to imagine that they weren't feeling much.
And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me
others as well, but mostly Matt
and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldn't feel a thing. It was like being at the bottom of the sea. — Mary Lawson

Even though he was busy adjusting and gripping his rope, he glanced over and smiled.
She had her camera up waiting for a moment such as this. His whole face
seemed to glow when he smiled, not to mention added another aspect to his
handsomeness. — Mary J. McCoy-Dressel

She opened her eyes and studied him a moment. Then she slipped her hand in her pocket, come up with something and held it toward him - palming it, like a secret. "For you," she said.
"For me?"
"I'd like you to have it."
It was a snapshot stolen from her family album: Muriel as a toddler, clambering out of a wading pool.
She meant, he supposed, to give him the best of her. And so she had. But the best of her was not that cild's Shirley Temple hairdo. It was her fierceness as she fought her way toward the camera with her chin set awry and her eyes bright slits of determination. He yhanked her. He said he would keep it forever. — Anne Tyler

Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts. — Minor White

The funny thing is that I almost find it more difficult now to take a still picture than to be behind a moving camera. I'm just so much more inspired and comfortable and confident when I have that whole operation going. I feel more connected. Snapping a moment doesn't seem relevant to me anymore. — Steven Klein

Nothing happens when you sit at home. I always make it a point to carry a camera with me at all times ... I just shoot at what interests me at that moment. — Elliott Erwitt

I see it all through the lens of my camera - the flurry of movement, the venue staff in black T-shirts, giving orders into their headsets. As I take it all in, my mind weighs the texture, the composition, the possibility of each changing scene, and I struggle to hold back, to keep my finger from pressing too soon. That's my biggest flaw as a photographer. I'm impatient - trigger-happy. I want the shot now, now, now, click, click, click, and if I could just wait a second more, the moment would really flourish. — Emery Lord

It's nice to not feel like you're just re-enacting a preconceived moment, but there's room for an organic feeling to develop while the camera is rolling. Even amidst these enormous technical productions, Chris [ Nolan] always prioritized making sure that sort of spontaneous and organic feeling could happen at the moment. — Joseph Gordon-Levitt

For nearly two years, I was flying above the planet with my camera. I knew straight away that this was something important to do, just at this moment, a portrait of the planet for the millennium year. I worked in 80 countries, fighting for money all the time. — Yann Arthus-Bertrand

The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment. — Jonas Mekas

Most people stiffen with self-consciousness when they pose for a photograph. Lighting and fine camera equipment are useless if the photographer cannot make them drop the mask, at least for a moment, so he can capture on his film their real, undistorted personality and character. — Philippe Halsman

On the other side of that big-ass mirror, a video camera was watching us. In about ten seconds, it was going to start spitting static at itself, and everything it saw was going to break up into a fuzzy, gray-white wash, rolling up and down, that wouldn't be admissible as evidence on Judge Judy. Those missing frames would last a little less than a quarter of a minute, consolidate themselves back
into a semblance of reality, and then I would theoretically go walking right back out of here.
Between now and that moment, there stretched an infinite ocean of potential
time. Time enough to walk around the world. Time enough to fall in love, get
married on a white beach under purple stars, write a book of poems about
truest passion, have a few good and bloody screaming matches, get divorced in a court of autumn elves and gypsy moths, then set the ink-stained, tear-streaked pages of your text ablaze. — Clinton Boomer

We used hand-held cameras 50 years ago. It wasn't something new. Sometimes we used a tripod, or we'd have a tracking shot, and sometimes - like when a character was being chased - we used a hand-held camera because it was right for the scene. In those cases, it helped the mood; it created immediacy and a feeling for the viewer that they were in the scene and in the moment. — Vilmos Zsigmond

When you perform in front of an audience after only two days of rehearsal, you're flying by the seat of your pants - particularly when they're rewriting the show right up to the moment the camera goes on. — Michael Richards

We're so distracted, we're missing out own lives. The parent who records his kid's dance recital or first steps or graduation is so busy trying to capture the moment--to create a thing that proves that they were there--they miss out on actually living and enjoying the moment.
I've done this before with my camera. I have jockeyed for position, bumping elbows with other parents so I could get into the best spot to look through the viewfinder of my SLR to capture the moment of my daughter's dance recital. Five-year-old Phoebe was so cute in her little sailor outfit, tapping away. And I got some great pictures. It's just that while I remember getting the pictures, I do not recall the moment. So much of the time we don't trust ourselves to experience our world without stuff. Things so often don't enhance our lives, but are barriers to fully living our lives. — Dave Bruno

I just love when a movie takes a break and gives you a poetic moment, but sometimes it's good when they just happen randomly. If your actors are really comfortable and you let the camera roll, sometimes things happen and you just see something that's visually iconic, or emotionally that way. — Cameron Crowe

I try to learn from both, from features and documentaries. In both cases you have to find a way to make the camera as discreet as possible, and flexible enough to be able to capture the moment when it happens. I know from documentary how to not have a preconceived idea of what the scene could be. — Michel Gondry

There are events you witness, or in which you participate, that forever remain sacrosanct and inviolate in memory, no matter how painful that memory is, because of the cost that you or others paid in order to be there in that moment when the camera lens clicked shut. — James Lee Burke

The feeling I have reminds me of New Year's Eve, when the countdown is coming and I'm not quite sure whether to grab my camera or just live in the moment. Usually I grab the camera and later regret it when the picture doesn't turn out. Then I feel enormously let down and think to myself that the night would have been more fun if it didn't mean quite so much, if I weren't forced to analyze where I've been and where I'm going. — Emily Giffin

Nina stared at the woman who had raised her and saw the truth at last.
Her mother was a lioness. A warrior. A woman who'd chosen a life of hell for herself because she wanted to give up and didn't know how.
And with that small understanding came another, bigger one. Nina suddenly saw her own life in focus. All these years, she'd been traveling the world over, looking for her own truth in other woman's lives.
But it was here all along, at home with the one woman she's never even tried to understand. No wonder Nina had never felt finished, never wanted to publish her photographs of the woman. Her quest had always been leading up to this moment, this understanding. She's been hiding behind the camera, looking through the glass, trying to find herself. But how could she? How could any woman know her own story until she knew her mother's? — Kristin Hannah

When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can. — D.H. Lawrence

I like the film camera better because the film is still one hundred times better than any digital image at the moment. So, there are certain movies that you can't really do digitally. — Vilmos Zsigmond

I create other worlds, magical never-never lands where the camera is my weapon and the battles I fight are with the elements. i stretch the laws of the mind and displace people from their realities to capture a side of them they didn't even know they had. Photography has the ability to freeze people in this time and space - no matter what happens after that moment, it cannot change - they are exactly how i want them to be. — Tyler Shields

As I have practiced it, photography produces pleasure by simplicity. I see something special and show it to the camera. A picture is produced. The moment is held until someone sees it. Then it is theirs. — Sam Abell

Photography is unlike any other art form. In the other arts there is always a continuous interplay between the artist and his art. He has the painting or sculpture before him. What we have tried to do is to provide a medium for "artistic expression" to anyone with only a reasonable amount of time. By giving him a camera system with which he need only control his selection of focus, composition and lighting, we free him to select the moment and to criticize immediately what he has done. We enable him to see what else he wants to do on the basis of what he has just learned. — Edwin Land

I had rescued the moment by using my camera and in that way had found how to stop time and hold it. No one could take that image away from me because I owned it. — Alice Sebold

It was a scene I was really looking forward to, and one that I embraced, and when we were filming it, George got closer and closer and closer with that camera - he was practically up my nose for the final shot. So I knew it was a moment that I had to do my best to get right. — Ian McDiarmid

You know, the Chinese don't like to be photographed because they believe that a part of their life is being taken away by the photographer. And in a way, they're right. The photographer is trying to get the prettiest moment of a life in his camera. — Bert Stern

The plane touches down on very rough ground: its wheelbarrow wheels bounce and one set of wings rises alarmingly while the other dips. Now the Masai and the plane are converging. It's a magnificent shot: the Masai run, run, run, run; because of the optics it is dreamlike. The little plane bounces, shudders, slews and finally makes lasting contact with the ground. At exactly the right moment, as the plane comes to a halt, the Masai warriors, in a highly agitated state, reach the plane, and the camera closes on the pilot, whose face as he removes his leather flying helmet and goggles, appears just above the bobbing red ochre composition of plaited hair and fat-shone bodies. It is Mel Gibson, with a grave expression, which can't quite suppress his unruly Aussieness. — Justin Cartwright

Pages were always supposed to be off-camera - we were supposed to be invisible. But I had a moment where I saw a kid who was ready to flip himself out of the balcony, so I ran down and grabbed him and put him back in his seat. I remember the stage manager taking me aside and saying, "Can you please never do that again? I know you were saving his life, but we have you in the shot." — Anne Sweeney

I suspect it is for one's self-interest that one looks at one's surroundings and one's self. This search is personally born and is indeed my reason and motive for making photographs. The camera is not merely a reflecting pool and the photographs are not exactly the mirror, mirror on the wall that speaks with a twisted tongue. Witness is borne and puzzles come together at the photographic moment which is very simple and complete. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain. — Lee Friedlander

I can go back to my very first movie, Thirteen, and think about that exact moment when I saw Nikki Reed and Evan Rachel Wood do their chemistry read audition together. It just came alive. I was filming it with a video camera and I was like, "I know I can make a good movie now." — Catherine Hardwicke

As you warm to the ideas expressed in Total Recall, you find yourself reaching for your digital camera to record the moment just gone by. — Donna Dubinsky

I needed to get a grip. Or a camera to memorialize this moment, because I bet I could make a money from a video of him. I could make a fortune ... As long as he didn't open his mouth. — Jennifer L. Armentrout

Strange, how such a small realization can affect everyone's life forever. In movies there is always a carefully staged moment - a big crescendo of music, close- ups of the actors' faces, the camera slowly pulling away to let all this sink in for the viewer ... but, in real life, most all of the extraordinary things happen with no more loudness than a whisper. — Silas House

In our yearbook, there is a picture of me and Miah - sitting in Central Park - Miah has his lips poked out and is about to kiss me on my cheek. And I'm looking straight into the camera laughing. Two and half years have passed, and still, this is how I remember us. This is how I will always remember us. And I know when I look at that picture, when I think back to those few months with Miah, that I did not miss the moment. — Jacqueline Woodson

Mouth to continue, Haymitch plummets off the stage and knocks himself unconscious. He's disgusting, but I'm grateful. With every camera gleefully trained on him, I have just enough time to release the small, choked sound in my throat and compose myself. I put my hands behind my back and stare into the distance. I can see the hills I climbed this morning with Gale. For a moment, I yearn for something ... the idea of us leaving the district ... making our way in the woods ... but I know I was right about not running off. Because who else would have volunteered for Prim? Haymitch is whisked away on a stretcher, and Effie Trinket is trying to get the ball rolling again. What an — Suzanne Collins

The creative act lasts but a brief moment, a lightning instant of give-and-take, just long enough for you to level the camera and to trap the fleeting prey in your little box. — Henri Cartier-Bresson

But the moment you use an ordinary camera, you are not seeing the picture, remember, meaning, you had to remember what you've taken. Now you could see it of course, with a digital thing, but remember in 1982 you couldn't. — David Hockney

Think for a moment about the process that humans have used to record events throughout history. The first evidence we know of is paintings on cave walls. A little further along in time, after many intermediate steps, we see the development of writing. In the more recent past, we see the invention of the camera, audio recording devices, and ultimately video. The manner in which humans have recorded history (and to a lesser extent our own lives) has evolved. We've come a long way. Consider the implications of time. Much of the technology we take for granted today was pure science fiction 50-100 years ago, a dream 200 years ago, and inconceivable 500 years ago. Using these groupings of viewpoints, we can project into the future and categorize the possibilities. In — Todd William

He reached the ground floor and flung the door open, fleeing into the street. He glanced back and saw that she wasn't following, so he slowed to a halt. His pulse raced. The entranceway was dark, the door swinging slowly closed. Movement to his left caught his attention: the camera on the corner of the building that covered the resident's parking. It swivelled to point directly at him, and he stared at it for a moment, suddenly doubtful it was a closed-circuit system after all.

He ran for his car, and the camera followed. — A. Ashley Straker

It was from him, and from this picture in particular, that Henri Cartier-Bresson had developed the ideal of the decisive moment. Photography seemed to me, as I stood there in the white gallery with its rows of pictures and its press of murmuring spectators, an uncanny art like no other. One moment, in all of history, was captured, but the moments before and after it disappeared into the onrush of time; only that selected moment itself was privileged, saved, for no other reason than its having been picked out by the camera's eye. — Teju Cole

I always think of childhood as the inarticulate moment, and you have your little camera. You were filming it, recording it, you just didn't know how to speak it. — Eileen Myles

Writers and actors have some creative ground in common, and so when you're writing a scene and hoping to convey a mood it's not the worst idea to try to put that mood into your headspace -- feel it, if only a little. I'm not saying you have to kill a kitten or punch your mother to feel something -- I just mean, stir up the memory of certain emotions if not the emotion itself. Same way an actor might think about a sad moment to conjure tears on-camera. 23. — Chuck Wendig

On television, you have an intimate moment with the camera. In theater, you are making something live with people there. My brain doesn't understand that you don't get another take ever. I'm finally learning on TV that you can do something over if you make a mistake. — Kirsten Vangsness

You know what capitalism produces. According to Marx and Engels."
"Its own grave-diggers," he said.
"But these are not the grave-diggers. This is the free market itself. These people are a fantasy generated by the market. They don't exist outside the market. There is nowhere they can go to be on the outside. There is no outside."
The camera tracked a cop chasing a young man through the crowd, an image that seemed to exist at some drifting distance from the moment.
"The market culture is total. It breeds these men and women. They are necessary to the system they despise. They give it energy and definition. They are market-driven. They are traded on the markets of the world. This is why they exist, to invigorate and perpetuate the system. — Don DeLillo

When I cannot get that moment of truth where you feel yourself opening up like a flower, I absolutely loathe the bloody camera. I can just feel this black hole eyeing me, sucking me in, and I feel like smashing it to smithereens. — Nastassja Kinski

In case you haven't heard, my girlfriends and I have declared the summer of 2012 as the best summer ever. The best way to document said 'best summer ever' is with a good ol' disposable camera. Smile, click, move on! Nobody gets pic approval, and there's no time wasted gathering around the camera to analyze a moment that just happened. — Candice Accola

The way we see things is constantly changing. At the moment the way we see things has been left a lot to the camera. That shouldn't necessarily be. — David Hockney

But let's speak of art for a moment. Yes, art. I know a gentleman who makes excellent portraits. This gentleman is a camera. — Tristan Tzara

Just as a fisherman cannot catch fish unless his line is in the water, a wildlife photographer cannot shoot great wildlife images unless he or she is out there with camera in hand and the knowledge of what to do then the 'magnificent moment' occurs. — George H. Harrison

He'd never need a camera to remember this, and damn if he ever wanted anyone but him to see her like she was at this moment. — Kelly Moran

To photograph is to hold one's breath, when all faculties converge to capture fleeting reality. It's at that precise moment that mastering an image becomes a great physical and intellectual joy. — Henri Cartier-Bresson