Camera Man Quotes & Sayings

Give me a problem, I'll give you a solution. I just love living. That's a feeling you can't fake. I'm glad every single day. I think that even the camera can feel that I'm a happy man. — Will Smith

The photograph showed a young couple smiling at the camera. The man didn't look much older than seventeen or eighteen, with light-coloured hair and delicate, aristocratic features. The woman may have been a bit younger, one or two years at the most. She had pale skin and a finely chiselled face framed by
short black hair. She looked drunk with happiness. The man had his arm round her waist, and she seemed to be whispering something to him in a teasing way. The image conveyed a warmth that drew a smile from me, as if I had recognized two old friends in those strangers. — Carlos Ruiz Zafon

As Mike Bickle said to me, there is a spiritual battle going on in the world, and he believes that in America marriage between a man and a woman will become illegal. He believes there will be a war. He believes it'll begin in schools and the Christian kids will rise up and slay the non-Christian kids. This was an on-camera interview! — Roger Ross Williams

His drawings were not originals then, only copies. He must have been doing them as a sort of retirement hobby, he was an incurable amateur and enthusiast; if he'd become hooked (on these rock paintings) he would have combed the area for them, collecting them with his camera, pestering experts by letter whenever he found one; an old man's delusion of usefulness. — Margaret Atwood

I think people of all occupations, whether it's the camera - puller or the man who's doing the catering, they can identify with Rambo's frustrations, with the veteran's frustrations. — Sylvester Stallone

I am not going to be dictated to by the size of the camera. I use everything from an 8 x 10 to a 35-mm. But I don't use these modern cameras which break down all the time ! — Man Ray

No one knows who I am and no-one cares. I could jump in front of a camera man and he'd just tell me to get out of the way. — Eve Hewson

There is a camera is between a man and a woman. — Nobuyoshi Araki

I met him in the language lab. In a lull between lab sections, I was editing tapes for freshman German when this shuffling man of hair came in. Possibly twenty, or forty; possibly student, or faculty, Trotskyite or Amish farmer, human or animal; a theif lumbering out of a camera shop, laden with lenses and light meters; a bear who after a terrible and violent struggle ate a photographer. This beast approached me. — John Irving

Only in the problem play is there any real drama, because drama is no mere setting up of the camera to nature: it is the presentation in parable of the conflict between Man's will and his environment: in a word, of problem. — George Bernard Shaw

More and more are turning to photography as a medium of expression as well as communication. The leavening of aesthetic approaches continues. While it is too soon to define the characteristic of the photographic style today, one common denominator, rooted in tradition, seems in the ascendancy. The direct use of the camera for what it can do best, and that is the revelation, interpretation, and discovery of the world of man and of nature. The greatest challenge to the photographer is to express the inner significance through the outward form. — Beaumont Newhall

I just got another kitten, you know. Found another trademark. It's quite embarrassing I missed it."
"Nine cats? They can send you to prison for that."
He pushed his glasses back on his nose. "I'm calling him Murad, after the cigarettes."
"Never heard of them."
"They're an obsolete Turkish brand, popular in the 1910s and '20s. Murad means 'desire' in Arabic. The only brand that ever appears in a Cordova film is Murad. There's not one Marlboro, Camel, or Virginia Slim. It goes further. If the Murad cigarette is focused upon by the camera in any Cordova film. The very next person who appears on-screen has been devastatingly targeted. In other words, the gods will have drawn a great big X across his shoulder blades and taped an invisible sign there that reads FUCKED. His life will henceforth never be the same. — Marisha Pessl

He leaned forward to inspect her closer. "Is that all hair?"
... Sudden, overwhelming panic clawed up Cress's throat. With a squeak, she ducked out of view of the camera and scrambled beneath the desk. Her back struck the wall with a thud that rattled her teeth. She crouched there, skin burning hot and pulse thundering as she took in the room before her - the room that he was now seeing too, with the rumpled bedcovers and the mustached man on all the screens telling her to grab her imaginary partner and swing them around.
"Wha - where'd she go?" Thorne's voice came to her through the screen.
"Honestly, Thorne." A girl. Linh Cinder? "Do you ever think before you speak?"
"What? What did I say?"
" 'Is that all hair?' "
"Did you see it? It was like a cross between a magpie nest and ball of yarn after it's been mauled by a cheetah."
A beat. Then, "A cheetah?"
"It was the first big cat that came to mind. — Marissa Meyer

Being just an actor, sometimes people are like, "Hey, man, we don't wanna see you no more, in front of the camera," and I don't want that. — Jamie Foxx

She said the man in the gabardine suit was a spy
I said 'Be careful his bowtie is really a camera' — Paul Simon

To be honest, I don't see myself acting forever. I just can't imagine myself being a 70-year-old man fighting for roles. I would love to do small parts in my friends' movies or things that I'm directing myself. I do envision myself behind the camera as I get a little bit older. — Dave Franco

The camera cannot leave the man, but the man can leave the camera. It's in the style of documentary where you make an agreement between a camera and a man and say, "I'm going to film you now." — Tobias Lindholm

Five members of the heretical sect of Quakers have been arrested," he says, smiling blandly, "and more arrests are anticipated." Two of the Quakers appear onscreen, a man and a woman. They look terrified, but they're trying to preserve some dignity in front of the camera. The man has a large dark mark on his forehead; the woman's veil has been torn off, and her hair falls in strands over her face. Both of them are about fifty. — Margaret Atwood

You know, every time it comes, every time that light comes on or every time that camera comes on, every time that microphone comes on, the Mac Man seek and destroy. — Bernie Mac

Photography has fooled the world. There's no more convincing fraud. Its images are nothing but the expression of the invisible man working behind the camera. They are not reality, they form part of the language of culture. — Edmundo Desnoes

It never occurs to us that looking for the definition, origin, and nature of consciousness
within the content of consciousness itself is the equivalent of searching
a movie for a view of the camera man. — William Tedford

Probably the hardest thing in the world for a man is the simple observation and acceptance of what is. Always we warp our pictures with what we hoped, expected, or were afraid of. In Russia we saw many things that did not agree with what we had expected, and for this reason it is very good to have photographs, because a camera has no preconceptions, it simply sets down what it sees. — John Steinbeck

The most refined skills of color printing, the intricate techniques of wide-angle photography, provide us pictures of trivia bigger and more real than life. We forget that we see trivia and notice only that the reproduction is so good. Man fulfils his dream and by photographic magic produces a precise image of the Grand Canyon. The result is not that he adores nature or beauty the more. Instead he adores his camera - and himself. — Daniel J. Boorstin

My friends love this idea of me as half man, half camera. — Giles Duley

The first man-made satellite to orbit the earth was named Sputnik. The first living creature in space was Laika. The first rocket to the Moon carried a red flag. The first photograph of the far side of the Moon was made with a Soviet camera. If a man orbits the earth this year his name will be Ivan. — John F. Kennedy

Eddie had come to understand that what a man saw and what actually existed in the natural world often were contradictory. The human eye was not capable of true sight, for it was constrained by its own humanness, clouded by regret, and opinion, and faith. Whatever was witnessed in the real world was unknowable in real time. It was the eye of the camera that captured the world as it truly was. — Alice Hoffman

I have the instinctive reaction of a Western man when confronted with sublimely incomprehensible. I grab my camera and start to photograph it — Douglas Adams

There was something else that [Christopher] Reeve told me privately, off camera, and it made me grin. While he was lying in the hospital, just becoming conscious with tubes connected to all parts of his body, a doctor in a white coat came in and with a Russian accent, commanded: "Turn over!"
Are you nuts? Reeve thought.
I said: 'Turn over!'" the doctor repeated.
As Reeve was about to answer "the imbecile", he realized there was something familiar about the man in the white coat. He wasn't a doctor at all. He was Reeve's old buddy from acting school at Julliard, Robin Williams. Reeve waited for a breath, and almost choked with laughter. He realized, he told me, "If I can laugh, I can live. — Barbara Walters

The camera need not be a cold mechanical device. Like the pen, it is as good as the man who uses it. It can be the extension of mind and heart ... — John Steinbeck

But it was fantasy, and she knew it. It was her fantasy, and the fantasy of everyone else who would look at her and at her pictures; and it would stop being real the moment the man with the camera stopped clicking. — Umair Naeem

Any other man would have accepted defeat, put the camera away and made a quick retreat, but he was a Bradford as well as a Marine, which meant that he was going to aggravate the shit out of her for the sheer pleasure of it. — R.L. Mathewson

I don't consider an actor a star if he's paid $20 million and grimaces in front of the camera and has a stunt man stand in for him. They may be fine actors, but they're not role models. The real stars are wearing body armor in 130-degree heat ... They're getting shot at and they don't have any stunt doubles standing in for them. — Ben Stein

With my book 'How to Remodel a Man,' I was on Oprah, Fox News, the Early Show, and Good Morning America. Oprah was the best - an hour long segment. TV is so short; you answer a few questions, and then it's over. It feels like a hit-and-run with a camera. — Bruce Cameron

He's a very funny and very nice man. When you read the script, you want to stick with it. But when you're with Eddie Murphy you've got to improvise. He's always making jokes and making me crack up when the camera's on. — Raven-Symone

At least Lars was curious about the appeal of jazz to black folk; for most observers, such ponderation is akin to contemplating why gorillas like bananas. The attractiveness of jazz to the nonblack is well documented in publicly funded documentaries where experts speak of jazz in the past tense. They look authoritatively into the camera and ingratiate themselves with the Man by saying things like, "White people were hearing something in jazz that says something deeply about their experience. I'm not sure that it would have been this way if we were not a country of immigrants ... so many people felt kind of displaced ... I think that was part of its amazing appeal, was how it spoke to feeling out of sort and out of joint and maladjusted."
What hogwash. Does my fondness for classical music make me well adjusted? Besides, people who are really fucked up don't turn to jazz; they turn to heroin, opium, whiskey, and Vonnegut. — Paul Beatty

This question was fired at me by one Ulf Bronner, an assistant director, in his mid-thirties perhaps, and a strikingly ill-dressed man. Still, he was not dressed as shabbily as the cameramen; through my recent work for and with broadcasting companies I have discovered that they are the scruffiest-looking individuals in any form of employment, outdone only by press photographers. I have no idea why it should be thus, but as far as I can make out press photographers seem to wear the ragged cast-offs of television cameramen. Perhaps they imagine that nobody will ever see them, because after all the camera is in front of their faces. Whenever I come across an unflattering picture of someone in a magazine - they may be grimacing or similar - I frequently wonder what the photographer must have looked like. This Bronner fellow was better dressed than that, but not much. — Timur Vermes

When I have had such men before my camera my whole soul has endeavored to do its duty towards them in recording faithfully the greatness of the inner as well as the features of the outer man. The photograph thus taken has been almost the embodiment of a prayer. — Julia Margaret Cameron

Instead, he gave her that cocky grin. "Shall we go see an advisor then and give him a concussion or two?" She laughed at his overexuberant tone. "Absolutely." She gestured with her thumb toward the surveillance camera that was mounted high on the wall over her head. "Provided the crew of lackwits allow us to leave that is." "I heard that," Hauk said over the intercom. "Didn't anyone ever tell you to be respectful of the man who holds the key to the lock on your cage?" She scoffed. "Qillaq, Hauk. I was taught to kick him in the groin or the teeth until he handed it over." Caillen — Sherrilyn Kenyon

When I see someone filming me, I don't usually think, 'No, man, don't put this up online!' I'd think, 'Hey man, you don't get to go to shows very often, put down the camera and enjoy it!' I love going to theatre and to shows so much. — Bo Burnham

I was brought up Catholic and we show my mom, my mother, my sister and then I take pains to explain on camera, that there were years after that where I wasn't really religious. I certainly wasn't a Catholic anymore, but I still lived with some mythical man in my head. I didn't really put a name to a face, but I just knew that if I was in trouble or scared I would go, 'Oh God, please help me get out of this one.' — Bill Maher

When he says "Skins or blankets?" it will take you a moment to realized that he's asking which you want to sleep under. And in your hesitation he'll decide that he wants to see your skin wrapped in the big black moose hide. He carried it, he'll say, soaking wet and heavier than a dead man, across the tundra for two - was it hours or days or weeks? But the payoff, now, will be to see it fall across one of your white breasts. It's December, and your skin is never really warm, so you will pull the bulk of it around you and pose for him, pose for his camera, without having to narrate this moose's death. — Pam Houston

In 1978 I decided not to work with Man Ray as an act of self-discipline. I didn't want to rely on him. Man Ray hated not working, though. He would come into my studio, see me drawing or working on photographs, and just slump down at my feet with a big sigh. Fortunately for both of us the year ended. Polaroid had invented a new camera, the twenty-by-twenty-four, and I was invited to Cambridge, Mass., to experiment with it. Naturally, I took Man Ray and we were working again. — William Wegman

Come on, Caulder, come on, baby! By now she jumped up and down like the kids in the stands. Five, four, three ... She grabbed her other camera. The buzzer rang and Caulder's body lingered against the side of the bull. He was hung up and he tried to get his hand free. The bull still bucked and twisted, jumped and dropped. Velia grabbed her video camera. If she missed a shot like this, she'd probably be fired by the man himself. — Mary J. McCoy-Dressel

I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do. — Lena Olin

I think it's good for an actor to bounce between stuff on camera and stuff in theatre. If I could do half and half every year I would be a very, very happy man. — Richard Madden

THE MAN WITH A MOVIE CAMERA(1929) the 'honesty' of documentary as compared with fiction film, the 'perfection' of the cinematic eye compared with human eye. — Steven Jay Schneider

It was in Bethlehem, actually, that Yonatan found his Arab, a handsome man who used his first wish for peace. His name was Munir; he was fat with a big white mustache. Superphotogenic. It was moving, the way he said it. Yoni knew even as he was filming that this guy would be his promo for sure.
Either him or that Russian. The one with the faded tattoos that Yoni had met in Jaffa. The one that looked straight into the camera and said, if he ever found a talking goldfish, he wouldn't ask of it a single thing. He'd just stick it on a shelf in a big glass jar and talk to him all day, it didn't matter about what. Maybe sports, maybe politics, whatever a goldfish was interested in chatting about.
Anything, the Russian said, not to be alone. — Etgar Keret

For the obvious reason that nature - unadulterated and unimproved by man - is simply chaos. In fact, the camera proves that nature is crude and lacking in arrangement ... — Edward Weston

I am a man of very many anxieties but doing strange things with the camera is not one of them. — Lars Von Trier

The camera is one of the most frightening of modern weapons, particularly to people who have been in warfare, who have been bombed and shelled for at the back of a bombing run is invariably a photograph. In the back of ruined towns, and cities, and factories, there is aerial mapping, or spy mapping, usually with a camera. Therefore the camera is a feared instrument, and a man with a camera is suspected and watched wherever he goes ... In the minds of most people today the camera is the forerunner of destruction, and it is suspected, and rightly so. — John Steinbeck

I tried to take a selfie or ten. Lame, maybe, but I hadn't posted to IG in a few days now and since I actually make money from my account for posting things like my outfits, then it's something I can't really neglect, demons or not. "What are you doing?" Jay asks, leaning across the roof of the car and watching me curiously. I chuck the duffel bag a few feet from me to get it out of the shot and try another angle, holding the iPhone far above my head. A lone scraggly-haired man in his pajamas exits his room, heading to the vending machine. He looks at me like I have a screw loose. Whatever. He probably takes dick pics so he should know all about getting the right angle. — Karina Halle

Life is a Curious Thing. Winter turns to spring and Parvaneh passes her driving test. Of teaches Adrian how to change tires. The kid may have bought a Toyota, but that doesn't mean he's entirely beyond help, Ove explains to Sonja when he visits her one Sunday in April. The he shows her some photographs of Parvaneh's little boy. Four months old and as fat as a seal pup. Patrick has tried to force one of those cell phone camera things on Ove, but he doesn't trust them. So he walks around with a thick wad of paper copies inside his wallet instead, held together by a rubber band. Shows everyone he meets. Even the people who work at the florist's, — Fredrik Backman

When van Gogh paints sunflowers, he reveals, or achieves, the vivid relation between himself, as man, and the sunflower, as sunflower, at that quick moment of time. His painting does not represent the sunflower itself. We shall never know what the sunflower itself is. And the camera will visualize the sunflower far more perfectly than van Gogh can. — D.H. Lawrence

On deck, he encountered another young man, Thomas Sumner, of Atherton, England, who also had a camera. (Sumner bore no relation to Cunard's New York manager, Charles Sumner.) Both hoped to take photographs of the harbor. The day was cool and gray - "rather dull," as Sumner put it - and this caused the two to wonder what exposures to use. They fell to talking about photography. — Erik Larson

A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph. — Man Ray

I saw a man walk into my camera viewfinder from the left. He took a pistol out of his holster and raised it. I had no idea he would shoot. It was common to hold a pistol to the head of prisoners during questioning. So I prepared to make that picture - the threat, the interrogation. But it didn't happen. The man just pulled a pistol out of his holster, raised it to the VC's head and shot him in the temple. I made a picture at the same time. (On his 1968 photograph of the summary street corner execution of prisoner Nguyen Van Lem by South Vietnam's police chief, Lt. Col. Nguyen Ngoc Loan.) — Eddie Adams

For many years I had an impression of my golf swing, which was that I vividly resembled Tom Weiskopf in the takeaway and Dave Marr on the downswing. Unfortunately, there came a day when I was invited to have my golf swing filmed via a video camera. Something I will never do again. When it was played back, what I saw - what you would have seen - was not Weiskopf and Marr but a man simultaneously climbing into a sweater and falling out of a tree. — Alistair Cooke

And because they had mass, they became simpler," said Beatty. "Once, books appealed to a few people, here, there, everywhere. They could afford to be different. The world was roomy. But then the world got full of eyes and elbows and mouths. Double, triple, quadruple population. Films and radios, magazines, books leveled down to a sort of paste pudding norm, do you follow me?" "I think so." Beatty peered at the smoke pattern he had put out on the air. "Picture it. Nineteenth-century man with his horses, dogs, carts, slow motion. Then, in the twentieth century, speed up your camera. Books cut shorter. Condensations. Digests, Tabloids. Everything boils down to the gag, the snap ending." "Snap ending." Mildred nodded. "Classics cut to fit fifteen-minute radio shows, then cut again to fill a two-minute book column, winding up at last as a ten- or twelve-line dictionary resume. — Ray Bradbury

I am a camera with its shutter open, quite passive, recording, not thinking. Recording the man shaving at the window opposite and the woman in the kimono washing her hair. Some day, all this will have to be developed, carefully printed, fixed. — Christopher Isherwood

They took 3-D digital photographs of my entire body. I had to pose stark naked, assuming a kind of Spider-Man position. After a minute, one of the technicians pointed to my genitals and said, Um, we're not getting enough data there ... It wasn't what you think. It turns out that the fancy digital camera doesn't pick up dark areas too well, and they were having trouble because of the hair down there. I actually had to spray on this highlighter stuff. (On having digital photos taken for the invisible man role in the film Hollow Man) — Kevin Bacon

What do you want me to do?" Ned asked with some apprehension.
The bearded man smiled, and the video shifted to another recording. The man looked serious now, leaning into the camera, and he said:
"You must take control of this ship. — Bryan M. Laszlo

Well, that should do it," the man replied. "Oh, and I did put a small camera in your office, just to square things up. It's hidden, so you won't have to worry about somebody spotting it. — Diana Palmer

My camera, my intentions stopped no man from falling. Nor did they aid him after he had fallen. It could be said that photographs be damned for they bind no wounds. Yet, I reasoned, if my photographs could cause compassionate horror within the viewer, they might also prod the conscience of that viewer into taking action. — W. Eugene Smith

I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man. — Bun B.

A man with a camera was always suspected of being a spy. Moreover, the Jews did not want to be photographed, due to a misunderstanding of the prohibition against making graven images (photography had not been invented when the Torah was written!). I was forced to use a hidden camera ... — Roman Vishniac

The camera never lies, man. I've learned that. If you allow it, it will see right through you, which is kind of cool. — Ramon Rodriguez

I've stabbed a man to death. Had sex with a stranger on camera. My soul was stained black with so many crimes, but I couldn't bear to watch him die. Maybe that made me a coward, worse than Vinny. He had been sadistic. I had been selfish. — Lana Sky

Living in a time of the increasing struggle of the mechanization of man, photography has become another example of this paradoxical problem of how to humanize, how to overcome a machine on which we are thoroughly dependent ... the camera ... — Ernst Haas

There are sexual things that I do that aren't for a man. I feel empowered sometimes by being sexy and being comfortable enough to be sexy on camera - a lot of woman [sic] struggle with that. But, there are some days that I don't want anyone to see me. I'm just a regular girl. Some days, I'm super-strong; some days, I'm super-insecure. But, I don't really identify with any particular label. I just speak my truth, and if people like it, they like it, and if they bash it, they bash it. — Nicki Minaj

Man Ray ... loved games and absolutely knew about the camera. It is interesting to note that, although I used him in only about 10 percent of the photographs and videotapes, most people think of him as omnipresent in my work. It irked me sometimes to be known only as the guy with the dog, but on the other hand it was a thrill to have a famous dog. — William Wegman

I feel as though the camera is almost a kind of voyeur in Mr. Bean's life, and you just watch this bizarre man going about his life in the way that he wants to. — Rowan Atkinson

Poems 1959-2009_

I turn into the man they photograph.
I think I'll ask him for his autograph.
He's older than I am and more distinguished.
The beauty of the boy has been extinguished.
He smiles a lot and then not.
Hauteur is the new hot.
He tilts his nose up and looks imperious.
He wants to make sure he looks serious.
He smiles at the photographer but not
The camera. He thinks cold is the look that's hot.
You know the poems. It's an experience.
The way that Shylock is a Shakespearience.
A Jew found frozen on the mountain at the howling summit,
Immortally preserved singing to the dying planet from it. — Frederick Seidel

Once there was a man who filmed his vacation./He went flying down the river in his boat/with his video camera to his eye, making/a moving picture of the moving river/ ... [At the end of his vacation,]/With a flick of the switch, there it would be./But he would not be in it. He would never be in it. — Wendell Berry

When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof. — Leos Carax

I shall never forget the African torture victim, a young man no older than I was at the time, who had become mentally ill after all he had endured in his homeland. He trembled uncontrollably as he spoke into a video camera about the brutality inflicted upon him. He was a foot taller than I was, and seemed as fragile as a child. I was given the job of escorting him back to the Underground Station afterwards, and this man whose life had been shattered by cruelty took my hand with exquisite courtesy, and wished me future happiness. — J.K. Rowling

It takes minutes to play, but 'Unmanned' sticks with you for long after the credits roll. As a part of a two-man team for an unarmed drone, you experience one day in the life of this man who's tired of staring through the camera of a drone flying around the Middle East and keeping his finger on the trigger. — Rob Manuel

Jerusalem - a divided city, where demonstrations for and against various issues occur regularly. One day, during an Orthodox demonstration against autopsies, I happened to click a few frames while a young man pushed his hamsa (spread hand) into my camera, which is seen by some as 'the evil eye.' As it happened, it was the tail end of my roll of film and the image is actually a double exposure. This taught me that in spite of your careful framing, chance occurrences create the most interesting images. — Micha Bar-Am

I watched a lot of movies from all over the world. The Russians were very good at editing. They were specialists in editing. The Man with a Camera, if you know that movie, is incredible. I still don't understand how it works. It's a movie with no script, no actors and still it works. It's really good. It's really about editing. — Michel Hazanavicius

There is a tradition of television which isn't dross and stands up. Betjeman's programmes, which were made for 2/6d with one man and a cine camera, were amazing to watch because he was such a great talker. — Jonathan Meades

I don't like to put too much effort into things. I find that once you get involved with special effects it is no longer about what is happening in front of the camera and I really want to concentrate on what is happening in front of the camera, like the man apparently peeing on the surface of the screen. — Steve McQueen

Cautious as a camera-man engaged in shooting a family of fourteen lions — Stella Gibbons

Neither camera, nor lens, nor film determine the quality of pictures; it is the visual perception of the man behind the mechanism which brings them to life. Art contains the allied ideas of making and begetting, of being master of one's craft and able to create. Without these properties no art exists and no photographic art can come into being — Helmut Gernsheim

You know what capitalism produces. According to Marx and Engels."
"Its own grave-diggers," he said.
"But these are not the grave-diggers. This is the free market itself. These people are a fantasy generated by the market. They don't exist outside the market. There is nowhere they can go to be on the outside. There is no outside."
The camera tracked a cop chasing a young man through the crowd, an image that seemed to exist at some drifting distance from the moment.
"The market culture is total. It breeds these men and women. They are necessary to the system they despise. They give it energy and definition. They are market-driven. They are traded on the markets of the world. This is why they exist, to invigorate and perpetuate the system. — Don DeLillo

She says, "I'll swear by the rose tattooed on my ass, that old man raped me."
Here, the funeral parade stops. At this point, Comrade Snarky is a victim among victims. The rest of us - just her supporting cast.
Mrs. Clark, leading us, she looks back and says, "He what?"
And from behind his camera, Agent Tattletale says, "Me, too. He raped me first."
Saint Gut-Free says, "Well what the hell ... He poked me, too."
As if poor skinny Saint Gut-Free had enough ass left to poke.
And Mrs. Clark says, "This is not funny. Not in the least."
"Tough," the Matchmaker tells her. "It's wasn't funny, either, when you raped me."
Shaking his ponytail, the Duke of Vandals tells the Matchmaker, "You couldn't pay to get raped. — Chuck Palahniuk

I got five kids, and my oldest is a documentary film maker and camera man, and still photographer. — Beau Bridges