Camera Is Quotes & Sayings

Your camera is the best critic there is. Critics never see as much as the camera does. It is more perceptive than the human eye. — Douglas Sirk

You have to separate artistic ability from ethnic origin. Not only am I not black, I am also not a woman, therefore how can I direct women? I am also only 42, therefore how can I direct someone who's 60? So you see where the argument ends up? If you take it to its logical conclusion, I would have to walk around and point a video camera at myself. And who the hell is interested in that? — Gavin Hood

What very often happens when people make films about rich people, the camera is quite mesmerised by the opulence and quite theatrical in fact. — Tilda Swinton

The trick to being a good actor is getting so involved in your character that the camera disappears, the 50 bored guys eating doughnuts disappear, friends disappear. To get to that point when you don't have to think about it, you're just acting and reacting in those circumstances. — Val Kilmer

A photocopier is a camera in its own right. I was fortunate to grow up in the time and culture that I did. I was allowed to develop an awareness that the art that really moves me is actually based on an original image. — Wolfgang Tillmans

The camera is just a machine, which records with impressive and as a rule very cruel faithfulness. — James Agee

I have a nice car, a Mercedes. And then I have an old El Camino truck that I'm crazy about. I like to get in that truck and go up in the hills near where I live, in Vegas, and take my camera. That, to me, is Heaven, being out in nature, taking pictures of the wildlife. — B.B. King

Film, television, and working with a camera is such an intimate art form that if a camera is right on you, and I've got your face filling the screen, you have to be real. If you do anything that is fake, you're not going to get away with it, because the camera is right there, and the story is being told in a very real way. — Paul Feig

This camera works like photosynthesis. It is as if you were Xeroxing your own face. The pictures have such physicality: their surface is like fine leather, stained from chemicals. Each one has a body and is more than an image. — Julian Schnabel

Photographs are perhaps the most mysterious of all the objects that make up, and thicken, the environment we recognize as modern. Photographs really are experience captured, and the camera is the ideal arm of consciousness in its acquisitive mood. — Susan Sontag

No combination of Time and Luck could have produced a camera that excellent, not even if the quantity of time had been 1,000,000,000,000 years! How is that for an unsolved mystery? — Kurt Vonnegut

Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child. — Norman Mailer

In the theater, you're so much more in charge as an actor. For better or for worse, you know what the audience is seeing. But you can be acting your socks off on film, and then you see the movie, and the camera is on the other actor, or they've cut out the lines you thought were significant, or they've adjusted the plot. So much of it is out of your control. — Susan Sarandon

Kaushik, what about a picture?" my father suggested. I shook my head. I had left my camera, my father's old Yashica, at school. "But you always have it with you." That look of irritated disappointment, the one that had appeared the day my mother died and was missing now that he'd married Chitra, passed briefly across my father's face. "I forgot it," I said. It was true, I did always have the camera with me. Even on quiet weekends when I came home and my father and I saw no one I would bring it, taking it with me on walks. This time I had left it behind, knowing that I would not want to document anything. "I don't understand," my father said. "Neither do I," I replied. "You haven't wanted a picture of anything in years." "That's not true." "It is." We were stating facts and at the same time arguing, an argument whose depths only he and I could fully comprehend. — Jhumpa Lahiri

My dream is to walk around the world. A smallish backpack, all essentials neatly in place. A camera. A notebook. A traveling paint set. A hat. Good shoes. A nice pleated (green?) skirt for the occasional seaside hotel afternoon dance. — Maira Kalman

I'm not one of these actresses like, 'Okay, where's the camera? Is it here? Is it here?' I don't even ask the questions because I don't really want to know. I like not performing for a camera but giving it my best every single time whether you're close or whether you're far. — Halle Berry

I do voiceovers, but being on-camera and selling something? I wasn't really interested. And then I thought, well, wait a minute. Everybody's selling something. When you turn on the tube ... And then if you go to Europe or Asia, everyone is selling something. All the guys that don't want to be seen selling something here are selling something there. So I thought what the hell? — John Slattery

I do very little on-camera acting, so within a phrase as a voice actor you have to know how to convey when someone is 95 years old or 19 years old ... When I was the lead singer of the California Raisins commercials there was a traditional actor there as well and he would do all these body movements without saying anything because he was "acting." And the only acting the microphone picked up on was silence. — Jim Cummings

The thing about producing is that the pressure is off of being in front of the camera, and being critiqued and judged in that way, but there are other pressures producing. — Sean Hayes

He regarded us with dark, evaluating eyes. "This can't be good."
"I'll go first," Dabria began, sucking in a rattling breath.
"Not even close," I shot back. I faced Patch directly, cutting Dabria out of the conversation. "She kissed you! And Dante, who's been tailing you, by the way, caught it on camera. Imagine my surprise when that's what I got an eyeful of earlier tonight. Did you even think to tell me?"
"I told her I kissed you, and that you pushed me away," Dabria protested shrilly.
"What are you still doing here?" I exploded at Dabria. "This is between me and Patch. Leave already!"
"What are you doing here?" Patch echoed to Dabria, his tone sharpening.
"I - broke in," she sputtered. "I was scared. I couldn't sleep. I can't stop thinking about Hanoth and the other Nephilim."
"You have got to be kidding me," I said. — Becca Fitzpatrick

I don't particularly care about photographic authorship. Whether an astronaut who doesn't even have a viewfinder makes an image, a robotic camera, a military photographer, or Mike Light really doesn't matter. What matters is the context of the final photograph and the meaning it generates within that context. — Michael Light

You think the only thing looking at you is this steel thing, but behind the camera is this living, breathing person operating the camera whose job it is to watch you. — Uzo Aduba

Like my maestro, Juan Ribero, she believed that photography and painting are not competing arts but basically different: the painter interpets reality, and the camera captures it. In the former everything is fiction, while the second is the sum of the real plus the sensibility of the photographer. Ribero never allowed me sentimental or exhibitionist tricks-none of this arranging objects or models to look like paintings. He was the enemy of artificial compostion; he did not let me manipulate negatives or prints, and in general he scorned effects of spots or diffuse lighting: he wanted the honest and simple image, although clear in the most minute details. — Isabel Allende

I have to show who I am, play with the crowd, play with the camera. When people come to a race, part of it is the anticipation, "What is he going to do?" — Usain Bolt

You usually get one or the other, you get someone who knows how to tell a story but they don't necessarily know about light and camera and rhythm, or you get someone who can make beautiful images but they can't necessarily tell a great story. He[Mark Webb] does both and I think he's going to be one of the film-makers that our time is remembered for. — Joseph Gordon-Levitt

I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize. — Jamie Foxx

I think as he gets older, Quentin [Tarantino] is growing more and more into his directorial side, but the writer in him won't stop the pen. I don't think he deserved a directing nod. Like I said, it's beautifully shot - it's cinematography, obviously, deserves a nomination - but he's not the camera man. — Bun B.

The truth is I've always been a Christian. What's amazing, is that the flaws that come with Christianity are really weird, because mine have a microphone and a camera attached to them. Most people don't have to live under that microscope. — Steve Harvey

The TV camera has no shutter. It does not deal with aspects or facets of objects in high resolution. It is a means of direct pick-up by the electrical groping over surfaces. — Marshall McLuhan

A film is never really good unless the camera is an eye in the head of a poet. — Orson Welles

[My advice to a beginning photographer is] sit down with a pencil and paper and think about what your life is about. What you are about. Don't even take a camera into your hands before you figure that out. — Tina Barney

People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually. — David Wenham

Bizarrely, on movie sets, they don't really dig it when you look in the camera, which is a bizarre fact. — John Krasinski

It was Ernie Haller, who had photographed Bette Davis in Jezebel and Vivien Leigh in Gone with the Wind, who was solely responsible for the visuals in Mildred Pierce, said Crawford. "Ernie was at the rehearsals. And so was Mr. [Anton] de Grot, who did the sets. I recall seeing Ernie's copy of the script and it was filled with notations and diagrams. I asked him if these were for special lights and he said, 'No, they're for special shadows.' Now, that threw me. I was a little apprehensive. I was used to the look of Metro, where everything, including the war pictures, was filmed in blazing white lights. Even if a person was dying there was no darkness. But when I saw the rushes of Mildred Pierce I realized what Ernie was doing. The shadows and half-lights, the way the sets were lit, together with the unusual angles of the camera, added considerably to the psychology of my character and to the mood and psychology of the film. And that, my dear, is film noir." "Mildred — Shaun Considine

I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing. — Dario Argento

In Paranoid Park there is this Punk girl that keeps looking straight into The camera when she speaks, It's like she's speaking to us. — James Franco

You know, the Chinese don't like to be photographed because they believe that a part of their life is being taken away by the photographer. And in a way, they're right. The photographer is trying to get the prettiest moment of a life in his camera. — Bert Stern

The camera is the eye of history. — Mathew Brady

Life is so fast it's a camera flash — Janice Hardy

Sometimes I take the watch, or I take the shoes, but usually the souvenir is to take the life you had with those directors, or the crew - the camera person, the lighting person. When you finish a film it's like a little death. You had a family for a bit, and you finish the movie and you probably will never see each other again. — Jean Reno

Photography is unlike any other art form. In the other arts there is always a continuous interplay between the artist and his art. He has the painting or sculpture before him. What we have tried to do is to provide a medium for "artistic expression" to anyone with only a reasonable amount of time. By giving him a camera system with which he need only control his selection of focus, composition and lighting, we free him to select the moment and to criticize immediately what he has done. We enable him to see what else he wants to do on the basis of what he has just learned. — Edwin Land

I think that if you can convey a kind of a complexity, a mystery, a truth in stillness, that, to me, is really worth striving for, and I totally agree with Michael Fassbender in that less is more. If it's going on inside you, the camera will find it. — Gabriel Byrne

Really good portraiture is a two-way street where someone is throwing little gems out and you're grabbing them. Very few people have a 100 percent fluency in being able to do to do this - this kind of magical reaction with a camera. — Albert Watson

When technology is no longer novel, videos need more substance to impel viewers to watch, engage, and share, and we've already reached that point with camera drones. — Eric Cheng

When I look out [the window] at the big houses on either side of the road, it's obvious we've entered the rich side of town. Poor people don't post signs like NO TRESPASSING, PRIVATE DRIVE, PRIVATE PROPERTY, MONITORED BY CAMERA SURVEILLANCE. I should know because I've been poor my entire life, and the only person I know who ever posted a sign like these is my friend ... and he actually stole the sign off a rich guy's yard. — Simone Elkeles

Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there. — Alfonso Gomez-Rejon

The camera is a fluid way of encountering that other reality — Jerry Uelsmann

Real life is all beginnings. Days, weeks, children, journeys, marriages, inventions. Even a murder is the beginning of a criminal. Perhaps even a spree. Everything is prologue. Every story has a stutter. It just keeps starting and starting until you decide to shut the camera off. Half the time you don't even realise that what you're choosing for breakfast is the beginning of a story that won't pan out till you're sixty and staring at the pastry that made you a widower. No, love, in real life you can get all the way to death and never have finished one single story. Or never even get one so much as half-begun. — Catherynne M Valente

The reason some people see the world so differently from others is that the human brain doesn't just take a picture of the external world like a camera; it is constantly interpreting and processing the information it receives. — Shawn Achor

Eight years ago, if I wanted to do a YouTube video, I broke out my camera and filmed everything myself and learned how to edit and kind of become a one-woman studio. But we're living in an era now, thanks to ICON, where any creator who is online, they can create in their own space. — Michelle Phan

My philosophy is that I'm an artist. I perform an art not with a paint brush or a camera. I perform with bodily movement. Instead of exhibiting my art in a museum or a book or on canvas, I exhibit my art in front of the multitudes. — Steve Prefontaine

The camera is as much a part of my everyday life as talking or eating or sex. — Nan Goldin

We've got a nation of people who have one eye looking out for the next speed camera, another looking for a speed limit sign and another looking at the speedometer - which is a bit of a shame, when you only have two eyes. — Paul Smith

Photography is painting with light! The blurs, the spots, those are errors! But the errors are part of it, they give it poetry and turn it into painting. And for that you need as bad a camera as possible! If you want to be famous, you have to do whatever you're doing worse than anyone else in the whole world. — Miroslav Tichy

The best tourist is one without a camera — Kamand Kojouri

A good browser, apps, good camera, and fast networking in your smartphone is just expected today. — Thorsten Heins

Spontaneity is great when the opportunity is there, but what I'm really saying is you need to trust yourself. Instead of checking and rechecking your camera and the lighting and everything else, just set it up once and trust that you've done it right. Then focus more on capturing the emotion of the photo and less on how technically perfect its composition will be. — Nicola Sinclair

One of the secrets of being a great photographic model, as it is for a great film actor, is that you let the camera in. It's an intimacy that the model or actor creates with the lens, that then transmits itself to the viewer. — Mary Harron

Working on camera is a different ballgame in the sense that it's far more intimate work, but the basics and the foundations of being able to create something that isn't necessarily your own instincts - is a character that you have inside your head - whether you're talking about television or film or theater, that still has to be the grounding work. — Rose Leslie

I will never lose anything that an audience will miss.I turned things that were scripted as effects into in-camera stuff, which is sexier. — Adam Shankman

My urge to photograph is activated by an almost biological instinct for preservation from disorder. The camera is a mechanical apparatus that extends my natural ability and desire for meaningful organization. I need it to survive. — Arthur Tress

Butte was once a grand city. To me, that city is like one big stage for Edward Hopper. You could put your camera anywhere, and you felt you were looking at his paintings. — Wim Wenders

I suspect it is for one's self-interest that one looks at one's surroundings and one's self. This search is personally born and is indeed my reason and motive for making photographs. The camera is not merely a reflecting pool and the photographs are not exactly the mirror, mirror on the wall that speaks with a twisted tongue. Witness is borne and puzzles come together at the photographic moment which is very simple and complete. The mind-finger presses the release on the silly machine and it stops time and holds what its jaws can encompass and what the light will stain. — Lee Friedlander

The camera is, in a sense, both a way to get close, and to break free. It is a testimony to independence as well as a new way to relate to the world — Elinor Carucci

Well, getting behind the camera is something I've always wanted to get involved with. Ever since I was doing movies like 'Zathura' I was very interested in all the different jobs on set and kind of soaking all the information up like a sponge. — Josh Hutcherson

Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures. — Andreas Feininger

The fact is that the camera is literal if anything, which gives it something in common with a thermometer ... Often the tension that exists between the pictorial content of a photograph and its record of reality is the picture's true beauty. There is sleight of hand in photography ... you make the viewer think he's seeing everything while at the same time you make him realize he's not. I try to make my pictures seem reasonable and then, at the last minute, pull the rug from beneath the viewer's feet, very gently so there's a little thrill. — John Loengard

We all experience it. Those moments when we gasp and say, Oh, look at that. Maybe it's nothing more than the way a shadow glides across a face, but in that split second, when you realize something truly remarkable is happening and disappearing right in front of you, if you can pass a camera before your eye, you'll tear a piece of time out of the whole, and in a breath, rescue it and give it new meaning. — Joel Meyerowitz

Strange, how such a small realization can affect everyone's life forever. In movies there is always a carefully staged moment - a big crescendo of music, close- ups of the actors' faces, the camera slowly pulling away to let all this sink in for the viewer ... but, in real life, most all of the extraordinary things happen with no more loudness than a whisper. — Silas House

To have an opportunity to get in front of a camera every single day is just priceless because it gets you closer and closer to being less self-consciousness in front of it and really being human and really making choices and standing by them. — Katie Lowes

The ending shot of 'Queen Christina' with Greta Garbo is amazing. She's at the head of the ship, and she's been through so much, and the camera gets so close to her face. That really sticks out for me. — James Gray

It helps so much being on location. It's like the difference between performing for the rectangle of the camera versus a world being created and then the camera finds things within that. There's a huge difference in that, because what it takes away is performance. You don't feel like performing. You're just kind of doing it. You're existing. — Christian Bale

The camera is one of the greatest liars of our time. — John Gunther

Modeling teaches you to be completely conscious of the camera. Acting is being totally unconscious of it. — Phoebe Cates

In the theater you rehearse in order to do the performance. And in the movies the rehearsal and the performance are kind of the same thing. You're figuring it out and hopefully the camera is pointed at you when you're doing it. — Christopher Walken

The camera never lies, man. I've learned that. If you allow it, it will see right through you, which is kind of cool. — Ramon Rodriguez

I like the idea of having a film that is choreographic in all its aspects, not only in the dancing scenes, but also in the way the camera and the characters move in order to have that feeling that it's always musical. — Pascal Chaumeil

What then is the difference between film and theatre? Or should one not rather ask: what are the differences? Let us be content wi th the reply that the screen has two dimensions and the stage three, that the screen presents photographs and the stage living actors. All the subtler differences stem from these. The camera can show us all sorts of things
from close-ups of insects to panoramas of prairies
which the stage cannot even suggest, and it can move from one to another with much more dexterity than any conceivable stage. The stage, on the other hand, can be revealed in the unsurpassable beauty of three-dimensional shapes, and the stage actor establishes between himself and his audience a contact real as electricity. — Eric Bentley

All too frequently the amateur will purchase a fine modern camera and proceed to use it for making the most elementary simple snapshots. This surely is like playing 'Chopsticks' on a concert grand piano. — Sam Haskins

Before the invention of photography, significant moments in the flow of our lives would be like rocks placed in a stream: impediments that demonstrated but didn't diminish the volume of the flow and around which accrued the debris of memory, rich in sight, smell, taste, and sound. No snapshot can do what the attractive mnemonic impediment can: when we outsource that work to the camera, our ability to remember is diminished and what memories we have are impoverished. — Sally Mann

There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper ... In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face. — Amitav Ghosh

My college degree was in theater. But the real reason, if I have any success in that milieu, so to speak, is because I spent a lot of years directing, I spent a lot of years behind the camera. — Alton Brown

One of my favorite things to do is be in front of the camera and act. — Angie Everhart

I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties ... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam. — Horst Faas

The celebrity culture demands a camera-ready-at-all-times look or else the photo is circulated in a demeaning headline. — Zoe Cassavetes

There is an aggression implicit in every use of the camera. — Susan Sontag

The hand of the painter is incurably mechanical: his technique is incurably artificial ... The camera ... is so utterly unmechanical. — George Bernard Shaw

The play is the source, it is orchestrated with words. In a movie, you are not dealing with as much as that. There are machines and wires. When you're acting for a camera, it keeps taking and never giving back. — Al Pacino

She is bending over her child. She can't leave her. The
child is laid out in state on a table. She wants to take one more photograph of the child, probably the last. In life, the child would never sit still for a photograph. She says to herself, "I'm going to get the camera," as if saying to the child, "Don't move. — Lydia Davis

They got a lot of kids now whose uniforms are so tight, especially the pants, that they cannot bend over to pick up ground balls. And they don't want to bend over in television games because in that way there is no way their face can get on the camera. — Casey Stengel

My personal interest in ordinary people is unlimited, but I am fascinated by the challenge of portraying true greatness adequately with my camera. — Yousuf Karsh

Human vision is untrustworthy, subjective and selective. Camera vision is total and non - objective. — Andreas Feininger

When I'm acting, I have zero control, and it's the scariest thing anyone can do in that field because, you know, your face is always the one that's out there in front of the camera, and any number of things can happen to you once you've done your work. It can be edited badly, it can be distributed badly, or it can not be distributed at all. And I've certainly experienced that; every actor has. — Amber Tamblyn

I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on? — Dean Israelite

On 'Y Tu Mama Tambien,' we started exploring shots that are longer, where the camera is moving around the actors, and there are no cuts, and you feel like you're there. — Emmanuel Lubezki

Mormonism has this great cheesy aesthetic - when you watch their videos, it's almost as if they're about to flash a smile at the camera and burst into song. Mormon cheesiness is so close to musical cheesiness. — Matt Stone

Writing is like a camera. You see the world from a different lens. — Robert Ahaness

Shigure: "What's in the camera? Huh? Huh? What is it?"
Hatori: "Quiet, you hack. — Natsuki Takaya

One of the things about working for an old school studio like Warner Bros. is that there is an institutional culture and institutional memory, in terms of production design, camera work, and directors who understand how to do this kind of thing. — Bruno Heller

The plane touches down on very rough ground: its wheelbarrow wheels bounce and one set of wings rises alarmingly while the other dips. Now the Masai and the plane are converging. It's a magnificent shot: the Masai run, run, run, run; because of the optics it is dreamlike. The little plane bounces, shudders, slews and finally makes lasting contact with the ground. At exactly the right moment, as the plane comes to a halt, the Masai warriors, in a highly agitated state, reach the plane, and the camera closes on the pilot, whose face as he removes his leather flying helmet and goggles, appears just above the bobbing red ochre composition of plaited hair and fat-shone bodies. It is Mel Gibson, with a grave expression, which can't quite suppress his unruly Aussieness. — Justin Cartwright