Quotes & Sayings About Camera And Pictures
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Top Camera And Pictures Quotes

I seem to walk in the world as two people. The normal everyday-me is as preoccupied, unobservant and oblivious to visual clues as I ever was. Then there is the photographer-me, the one who has a camera in hand and a specific project in mind, and then the world suddenly jumps to life with potential pictures, as if a switch had been thrown in my brain and a different person is looking out of the same eyes. — Bill Jay

I've always had two principles throughout all my life in motion-pictures: never do before the camera what you would not do at home and never do at home what you would not do before the camera. — Evelyn Waugh

Sanguine: You mind if I take pictures? Brought my own camera and everythin'
Valkyrie: Knock yourself out
Sanguine: Thanks
Valkyrie: No, really, run head first into a wall and knock yourself out — Derek Landy

I have a nice car, a Mercedes. And then I have an old El Camino truck that I'm crazy about. I like to get in that truck and go up in the hills near where I live, in Vegas, and take my camera. That, to me, is Heaven, being out in nature, taking pictures of the wildlife. — B.B. King

The camera is an eye that sees and records the lives of filthy people. Its pictures are hung in museums and published in thick books that future generations can see how horrible life was. — David Shrigley

This camera works like photosynthesis. It is as if you were Xeroxing your own face. The pictures have such physicality: their surface is like fine leather, stained from chemicals. Each one has a body and is more than an image. — Julian Schnabel

In the parlor was a huge camera on wheels like the ones used in public parks, and the backdrop of a marine twilight, painted with homemade paints, and the walls papered with pictures of children at memorable moments: the first Communion, the bunny costume, the happy birthday. Year after year, during contemplative pauses on afternoons of chess, Dr. Urbino had seen the gradual covering over of the walls, and he had often thought with a shudder of sorrow that in the gallery of casual portraits lay the germ of the future of the city, governed and corrupted by those unknown children, where note even the ashes of his glory would remain. — Gabriel Garcia Marquez

Pictures are much harder to do than the theater ... You're at the mercy of the camera angles and the piecemeal technique. — Sydney Greenstreet

Unfortunately, I'm not one of those people who take pictures, you know, carry a camera. Because if I did I'd have stack's and stack's and stack's of different act's. I got a lot here - I know what I done. — Edwin Starr

So can I take pictures of you sometime? ... Not here. Not like this. At this abandoned building I just discovered by the beach. At sunset. I have an idea.' He peeks around the side of the camera. 'And not with your clothes on. Only fair.' His eyes are bright as the devil's. 'Say yes. — Jandy Nelson

I dream
for an absentee and oft maligned
device - the accident-maker,
the soul-taker, my camera;
its factory guaranteed
third eye, without which I am duly dim
and memory denied. No pictures
for my contrived Arbus to declare,
excepting some stitch of Sexton
manages these sentences
of despair. — Kristen Henderson

What I do love is the traveling ... and getting paid for it! I like being in front of a camera ... It's an outlet. It's fun! If you look through my photo album, they are all modeling poses. My mom was a young mom, so she took tons of pictures of me. — Crystal Lowe

I just use [the camera]. I just pick it up like an axe when I've got to chop down a tree. I pick up a camera and go out and shoot the pictures I have to shoot. — Edward Ruscha

Hello, Bradley,' said Mom. She'd regained her composure after my outburst, and now raised her camera. 'Stand close.'
'No, Mom,' I said. 'No pictures.'
'But you're friend's here now,' she said, waving us together. 'Smile!'
'I don't need a picture with-' the flash snapped '-another guy. That's great, Mom, thank you. Send that one to Dad and tell him we're going steady. — Dan Wells

He had a face made for magazine covers. Could someone say GQ model? That razor sharp jaw and those angular features caught the light just right. If she'd had a camera she wouldn't mind snapping a few pictures. And those lips ... she stopped. She didn't know him, and something told her she shouldn't get to know him. — Kate Evangelista

My eyes has been my camera taking pictures of the world and my songs has been my messages that I tried to scatter across the back sides and along the steps of the fire escapes and on the window sills and through the dark halls ... — Woody Guthrie

Seeing is itself touched with elegy. Reality seems to press its light into us, it is happening, but that's not the way things are. The eye can process only so many images per second, taking in sights the way a camera takes a series of stills. The reality we see is the sketchpad comics we made as kids, me and my brothers and sister. Draw a stickman taking a step on one page, and on the next draw that same figure, only his foot is slightly further ahead, and again on the next page, draw this figure, but with his foot on the ground. Flip through them quickly, and he appears to walk. That's the mechanics of the eye, too. We think we are seeing life as it happens, but pictures are missing. Moments disappear between the stills and make up our unwitnessed lives. To see is to miss things. Loss is always with us. — Ryan Knighton

I live in Nashville, and I love to sing. When I'm on stage, I feel like a performer for sure. I know people are looking at me and taking pictures and singing along, and that part's wonderful, but I do live in Nashville. I live the most boring life away from what you see me on camera doing. — Carrie Underwood

I have pictures of my daughter, in the hospital, at three seconds, six seconds, nine seconds, and then fifteen seconds, 'cause dumbass couldn't get the camera ready fast enough. Yeah, ha ha ha. She wrote that in the photo album. — Christopher Titus

He nods, looking through the pictures on the screen on the back of his camera. Some relationships can only exist as memories. But unlike ephemeral digital images that can be sorted and deleted, we can't erase the past. We have to learn to live with all the images that are stored in love's archive, memories tagged good and bad. No Photoshopping. Accept the negative before moving forward. — Shannon Mullen

There is something about this process, and about the whole 8 x 10 [camera] business, that takes it out of the arena of the snapshot, even though, of course, I'm always desperate for that feeling. I wanted those family pictures to look effortless. I wanted them to look like snapshots. And some of them did. — Sally Mann

I have a license," says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he's been there for years. Somehow, that black eye only makes him more desirable. "And you are . . . ?" asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer. — David Arnold

I have a genuine philosophy. I do not want to make negative pictures about people, and so I do everything I can to help make them feel comfortable in front of the camera. That is what is going to control your picture, because you are alone if your subject is not with you. And that's the simple answer to getting a good picture. — Douglas Kirkland

I always carry a camera because it is so important to me to take pictures and document all the incredible things and places I have been able to see through this experience. — Karlie Kloss

The photographs of space taken by our astronauts have been published all over the place. But the eye is a much more dynamic mechanism than any camera or pictures. It's a more exciting view in person than looking at the photographs. Of course, I personally am sick and tired of hearing people talk like that: I want to see it myself! — Burt Rutan

Photographs don't discriminate between the living and the dead. In the fragments of time and shards of light that compose them, everyone is equal. Now you see us; now you don't. It doesn't matter whether you look through a camera lens and press the shutter. It doesn't even matter whether you open your eyes or close them. The pictures are always there. And so are the people in them. — Robert Goddard

In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst. — Peter Greenaway

We should take pictures!" Elise said.
"Anyone got a camera?" Celeste asked. "I;m a pro at this."
"Mason does!" Kross shouted. "Come here for a minute," she said to a maid, waving her over encouragingly.
"Hold on," I said, grabbing some paper. "Okay, okay. 'Your Highest of Highnesses, the ladies of the Elite require, immediately, the least fancy of your cameras for. . .'"
Kriss giggled, and Celeste shook her head.
"Oh! A study in feminine diplomacy," Elise added.
"Is that a real thing?" Kross asked.
Celeste tossed her hair. "Who cares?"
Maybe twenty minutes later, Maxon knocked on the door and pushed it open an inch. "Can I come in?"
Kross ran over. "No. We just want the camera." And she snatched it from his hand and closed the door in his face.
Celeste fell on the floor, laughing.
"What are you doing in there?" he called. But we were all too busy doubling over to answer. — Kiera Cass

More people would recognise me in Kingston, but it's rare to go on the road and not get recognised by someone. The problem now is everyone has a camera in their pocket, on their cell phone - at the airport it's difficult to get from point A to point B without taking half an hour because there are so many people taking pictures. — Damian Marley

For me in my twenties, working in Hollywood was confusing in that the differences between what was fiction and what was nonfiction seemed to blur in my mind. Everything became a visual memory for me. I carried my Leica camera, giving opportunity to take pictures from my view. — John Van Hamersveld

When I look at pictures I have made, I have forgotten what I saw in front of the camera and respond only to what I am seeing in the photographs. — Minor White

When I buy a Nikon camera, I have no tolerance for the instructions. I'm ready to make some mistakes using it and get some bad pictures back until I've figured it out for myself. — Sean Penn

I think the equipment you use has a real, visible influence on the character of your photography. You're going to work differently, and make different kinds of pictures, if you have to set up a view camera on a tripod than if you're Lee Friedlander with handheld 35 mm rangefinder. But fundamentally, vision is not about which camera or how many megapixels you have, it's about what you find important. It's all about ideas. — Keith Carter

After many months of writing, it occured to me that it might be possible to photograph, in the flesh, what I was attempting to capture in words. I bought a Rolleiflex camera and began to take pictures of objects or structures that were used and abused by human hands — Wright Morris

You should always be taking pictures, if not with a camera then with your mind. Memories you capture on purpose are always more vivid than the ones you pick up by accident. — Isaac Marion

Let's go into the woods and take some pictures," you said. "I found this old camera."
"Let go!" you screamed. "Let go of me!"
"You have to let go," the counselor told me. "Let go of what you're holding inside."
I can touch the picture but it's not your face.
I can touch the screen but it's not your face.
Let go. — David Levithan

My sympathies go out to the young performers today because they are under a microscope in a way I wasn't. Now everybody's got a camera phone and can record at will or take pictures of you. It's just a different world. I don't know how I would have fared back then. — Ricky Schroder

At the other end of the room, Grandma had the lid up on Larry Lipinski. She was standing one foot on a folding chair, one foot on the edge of the casket, and she was taking pictures with a disposable camera. — Janet Evanovich

When the novice photographer starts taking pictures, he carries his camera about and shoots everything that interests him. There comes a time when he must crystallize his ideas and set off in an particular direction. He must learn that shooting for the sake of shooting is dull and unprofitable. — Alexey Brodovitch

I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part ... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture. — Beat Streuli

One time the power went out in my house and I had to use the flash on my camera to see my way around. I made a sandwich and took fifty pictures of my face. The neighbors thought there was lightning in my house. — Steven Wright

What are memories but photo images from the mind? Isn't the human mind so much like a camera, saving pictures every now and then? — Priyanka Naik

I don't use an exposure meter. My personal advice is: Spend the money you would put into such an instrument for film. Buy yards of film, miles of it. Buy all the film you can get your hands on. And then experiment with it.That is the only way to be successful in photography. Test, try, experiment, feel your way along. It is the experience, not technique, which counts in camera work first of all. If you get the feel of photography, you can take fifteen pictures while one of your opponents is trying out his exposure meter. — Alfred Eisenstaedt

I don't roam around with a camera and never did. I took pictures in spurts, for my books, for some assignments or on special occasions. Like people who take out their cameras for Christmas and birthdays. Each time, like them, probably, I feel it's the first time and as if I would have to relearn the moves. Luckily, it comes pretty fast, like riding a bike. — William Klein

You see the suffering of children all the time nowadays. Wars and famines are played out before us in our living rooms, and almost every week there are pictures of children who have been through unimaginable loss and horror. Mostly they look very calm. You see them looking into the camera, directly at the lens, and knowing what they have been through you expect to see terror or grief in their eyes, yet so often there's no visible emotion at all. They look so blank it would be easy to imagine that they weren't feeling much.
And though I do not for a moment equate what I went through with the suffering of those children, I do remember feeling as they look. I remember Matt talking to me
others as well, but mostly Matt
and I remember the enormous effort required even to hear what he said. I was so swamped by unmanageable emotions that I couldn't feel a thing. It was like being at the bottom of the sea. — Mary Lawson

Often as a poet I find that I am somewhat outside an experience I want to hold onto, consciously taking mental notes or writing them down in my journal - for fear that I will forget. It's not unlike being on a trip and taking pictures, your face behind a camera the whole time - the entire experience mediated by a lens. — Natasha Trethewey

It seems positively unnatural to travel without taking a camera along ... The very activity of taking pictures is soothing and assuages general feelings of disorientation that are likely to be exacerbated by travel. — Susan Sontag

Trying to think more outside the box is like taking a picture with a camera, the more you do it, the more you learn about different positions and angles. The more you take pictures, the more you learn that you can change the camera distance range or change the speeds, and different amounts of light let in. Likewise, the camera speed is the same as allowing yourself time for outside ideas and thoughts to flow. — Wes Adamson

Probably the hardest thing in the world for a man is the simple observation and acceptance of what is. Always we warp our pictures with what we hoped, expected, or were afraid of. In Russia we saw many things that did not agree with what we had expected, and for this reason it is very good to have photographs, because a camera has no preconceptions, it simply sets down what it sees. — John Steinbeck

We have seen amazing, creative and interactive pictures from camera owners, and I'm looking forward to the Lytro camera being available in Australia. — Ren Ng

Photography is a very forgiving medium. Anybody that can afford film and a camera can make pictures. — Todd Walker

He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera. — Jhumpa Lahiri

But now the train had finally begun to move, and Albie had switched the fearless truth-telling eye of his camera lens from his untied laces to the walls of the tunnels under east London, because you can never have enough pictures of dirty concrete. — David Nicholls

Ever wondered why front camera of cellphones makes people look better while the rear camera makes them look how they are?
Because when you click picture using front camera, you see yourself on screen, and that's how you should look at yourself, a better version of yourself.
Whereas, the rear camera shows how other's see you. With your flaws and qualities. No added layer to hide or enhance your ownself. This is how you should learn to overcome your flaws and better your qualities. — Crestless Wave

The most refined skills of color printing, the intricate techniques of wide-angle photography, provide us pictures of trivia bigger and more real than life. We forget that we see trivia and notice only that the reproduction is so good. Man fulfils his dream and by photographic magic produces a precise image of the Grand Canyon. The result is not that he adores nature or beauty the more. Instead he adores his camera - and himself. — Daniel J. Boorstin

At age four I was a camera. I took pictures with my eyes. I framed my photo within my vision and blinked my eyes to snap the shutter of my memory. Since that time, I've been impersonating inanimate objects at every opportunity. — Sophia Amoruso

I'm no part time dilettante photographer, unlike the bartenders, shoe salesmen, floorwalkers plumbers, barbers, grocery clerks and chiropractors whose great hobby is their camera. All their friends rave about what wonderful pictures they take. If they're so good, why don't they take pictures full - time, for a living, and make floor walking, chiropractics, etc., their hobby? But everyone wants to play it safe. They're afraid to give up their pay checks and their security they might miss a meal. — Weegee

Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light. — Leonard Nimoy

Anyone who looks for life can find it ... and they don't need to photograph ashcans. The average camera fan reminds me of Pollyanna, with a lollypop in one hand and a camera in the other. You can't be a Nice Nelly and take news pictures. — Weegee

When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume - and it's like a play. — Graciela Iturbide

To the oft-asked question, What camera or lens do you use? I can only reply I couldn't tell to save my soul - it is enough for me to know that I have something that will make pictures and that it is in working order. — Edward S. Curtis

Using a camera appeases the anxiety which the work-driven feel about not working when they are on vacation and supposed to be having fun. They have something to do that is like a friendly imitation of work: they can take pictures. — Susan Sontag

Sexuality, eroticism and desire are important for all of us. But that is also the contradiction. How can we speak about pictures and, for example, say no to this way of representing a woman's body? It's also a camera-and-object problem, of who is really guiding the camera. — Pipilotti Rist

I would literally sit at home and have my friends take pictures of me on my little Canon camera that my mom gave me for Christmas. — Kendall Jenner

If the guy behind the camera is not good, the pictures are bad. It's still you, and it's the same lines and everything, but it doesn't work. — Vincent Cassel

We're so distracted, we're missing out own lives. The parent who records his kid's dance recital or first steps or graduation is so busy trying to capture the moment--to create a thing that proves that they were there--they miss out on actually living and enjoying the moment.
I've done this before with my camera. I have jockeyed for position, bumping elbows with other parents so I could get into the best spot to look through the viewfinder of my SLR to capture the moment of my daughter's dance recital. Five-year-old Phoebe was so cute in her little sailor outfit, tapping away. And I got some great pictures. It's just that while I remember getting the pictures, I do not recall the moment. So much of the time we don't trust ourselves to experience our world without stuff. Things so often don't enhance our lives, but are barriers to fully living our lives. — Dave Bruno

1915. The year itself looks sepia and soiled-muddied like its pictures. In the snapshots everyone at first seems timid-lost-irresolute. Boys and men squinting at the camera. — Timothy Findley

Every industry has standards. For example, the motion picture camera, there are 2 or 3 film formats with a number of brackets and number of speed, a shooting speed that is standard. If we didn't have that, then some motion pictures will play back too slowly, and people would talk very slowly, and it will be bizarre. — Jeffrey Zeldman

Being on the road, the Internet enables me to interact with people in some way. It's not so much interacting with my fans - it's about doing something with what I have. I have my camera and I have my computer, and if I have some spare time, rather than watching some mindless bullshit pop-idol program on TV, why not show people my pictures and try and discuss things that I feel are important? — Lily Allen

! discovered photography completely by chance. My wife is an architect; when we were young and living in Paris, she bought a camera to take pictures of buildings. For the first time, I looked through a lens - and photography immediately started to invade my life. — Sebastiao Salgado

Success is like a camera. Focus and concentrate on the objective. See your most important goal image for success, and ignore distracting details. Develop your pictures. If they don't turn out, keep at it. Take more shots and be persistent. Focus on making success clearly happen. Visualize optimum success and use perseverance. — Mark LaMoure

Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life. — Leonard Nimoy

You don't have to pose your camera. The pictures are there, and you just take them. The truth is the best picture, the best propaganda. (On the Spanish Civil War, 1937) — Robert Capa

I carry a disposable camera. It takes me back to my childhood, when you had to develop your film and wait to see what pictures you got. — Christa B. Allen

I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once. — Danny Clinch

When I was in eighth grade, I used a self-timing camera to take nude pictures of myself in various stages of erection. I then exchanged my biology teacher's slides with the images. The teacher, in a state of panic, kept rapidly pressing the 'next' button. It was like a pornographic flip-book. That was the last straw in a very heavy pile of straws. I was expelled, and I ended up transferring mid-year from boarding school to a public school near home. — Dani Alexander

It was Ernie Haller, who had photographed Bette Davis in Jezebel and Vivien Leigh in Gone with the Wind, who was solely responsible for the visuals in Mildred Pierce, said Crawford. "Ernie was at the rehearsals. And so was Mr. [Anton] de Grot, who did the sets. I recall seeing Ernie's copy of the script and it was filled with notations and diagrams. I asked him if these were for special lights and he said, 'No, they're for special shadows.' Now, that threw me. I was a little apprehensive. I was used to the look of Metro, where everything, including the war pictures, was filmed in blazing white lights. Even if a person was dying there was no darkness. But when I saw the rushes of Mildred Pierce I realized what Ernie was doing. The shadows and half-lights, the way the sets were lit, together with the unusual angles of the camera, added considerably to the psychology of my character and to the mood and psychology of the film. And that, my dear, is film noir." "Mildred — Shaun Considine

There is something strikingly different about the quality of photographs of that time. It has nothing to do with age or colour, or the feel of paper ... In modern family photographs the camera pretends to circulate like a friend, clicking its shutters at those moments when its subjects have disarranged themselves to present to it those postures which they would like to think of as informal. But in pictures of that time, the camera is still a public and alien eye, faced with which people feel bound either to challenge the intrusion by striking postures of defiant hilarity, or else to compose their faces, and straighten their shoulders, not always formally, but usually with just that hint of stiffness which suggests a public face. — Amitav Ghosh

Once a photographer is convinced that the camera can lie and that, strictly speaking, the vast majority of photographs are camera lies, inasmuch as they tell only part of a story or tell it in distorted form, half the battle is won. Once he has conceded that photography is not a naturalistic medium of rendition and that striving for naturalism in a photograph is futile, he can turn his attention to using a camera to make more effective pictures. — Andreas Feininger

It was from him, and from this picture in particular, that Henri Cartier-Bresson had developed the ideal of the decisive moment. Photography seemed to me, as I stood there in the white gallery with its rows of pictures and its press of murmuring spectators, an uncanny art like no other. One moment, in all of history, was captured, but the moments before and after it disappeared into the onrush of time; only that selected moment itself was privileged, saved, for no other reason than its having been picked out by the camera's eye. — Teju Cole

I've tried plenty of telephones. I tried to get into the Samsung Galaxy and the Blackberry, but the iPhone is just too easy to use. The camera takes clear pictures and the phone itself looks great. Like all Apple products, it kind of just makes sense. — Avicii

Personally, I didn't take a single photograph while I was there, but that's not all that unusual for me. I suppose my aversion to snapping pictures may have something to do with shaky hands and blurry results, but there's another reason: The act of lifting up the camera and positioning it between me and the object of my interest separates me from the experience. — Michael J. Fox

First, the newcomers are eager to come in front of the camera, and later they are like, 'No, sorry, sorry, no pictures'. What is this? I say fame is a very dangerous and bitter thing. — Boman Irani

One day I saw something very strange, people walking around who looked like they had come directly from the grave, their skin was so pale. Mzungus. They carried a black machine that flashed bright when they pointed it at me. I screamed. I thought the machine was going to harm me, and so I fled. Later I learned it was a camera. Its flash and their voices terrified me. We didn't see them often, less than once in a year. But whenever I saw them, I ran and hid.
I had many ideas about them; first, I did not expect them to be smart, because they loved to take pictures of silly things like chickens on the street, shanties, and other things that were not interesting. Second, since I had seen a kid touching their skin and shouting, "How are you?," for many years I believed the name for all white people was "How are you?" I touched their skin as well and found it soft, but I was surprised and a bit disappointed because I thought touching it would leave a mark on my skin too. — Kennedy Odede

I step closer to him and put my hand on his arm.
If he flinches slightly - if my heart contracts - I ignore it.
I'm not disgusting. I'm his daughter.
'But, Daddy? Here's what they mean to ME. They're an act of hate. They're vengeance against me, from someone I never treated badly. They're UNDESERVED. And even if they were deserved, what does that mean, exactly. That if someone takes naked pictures of me, I'm a bad person, so they get the right to call me slut on the Internet? Are you trying to tell me that just because I didn't stop Nate from aiming his camera, I deserve whatever happens to me, forever? I deserved this attack because I asked for it? Do you hear how ugly that is?'
"I never said you asked for it." He sounds different, his voice choked and unsettled.
'Yeah. You did. — Robin York

Success is like a camera. Just focus and concentrate on the objective. See what is your most important goal image for success, and ignore distracting details. Develop your pictures. If they don't turn out, keep at it. Take more shots and be persistent. Focus on making success clearly happen. Use perseverance. — Mark LaMoure

The fact is that the camera is literal if anything, which gives it something in common with a thermometer ... Often the tension that exists between the pictorial content of a photograph and its record of reality is the picture's true beauty. There is sleight of hand in photography ... you make the viewer think he's seeing everything while at the same time you make him realize he's not. I try to make my pictures seem reasonable and then, at the last minute, pull the rug from beneath the viewer's feet, very gently so there's a little thrill. — John Loengard

You can say what you want about me. You can yell at me with a video camera and be TMZ. You can follow me around and take pictures all you want. I don't care. — Ben Affleck

My first pictures are from 1972, and my first proper camera dates back to 1973. During the first year I used my father's camera. It had a flash on it, which I don't like, but I didn't know anything about photography back then, so it was just what I did. — Anton Corbijn

It's such an awkward, strange thing that was concocted, to have auditions. Back in the old days, you'd just have a screen test, and they'd say, 'Oh, you seem natural in front of the camera,' and you'd just go do 10 pictures for Paramount or whatever. — Vinessa Shaw

Most screenplays, most motion pictures, owe much more to the screenplay. Ingmar Bergman has such an economy of language, so little language in his piece, it is so visual, his moods are introduced and buttressed by camera rather than by word or character. But again, that's unique. — Rod Serling

Neither camera, nor lens, nor film determine the quality of pictures; it is the visual perception of the man behind the mechanism which brings them to life. Art contains the allied ideas of making and begetting, of being master of one's craft and able to create. Without these properties no art exists and no photographic art can come into being — Helmut Gernsheim

And in more than half the pictures, she isn't looking at the camera; she's looking at him. Not the way I would look at Ben Parish, all squishy around the eyes. She looks at Evan fiercely, like, This here? It's mine — Rick Yancey

At age 12 I had an obsession with Kubrick's A Clockwork Orange and then proceeded to watch all the other Kubrick films I could including a doc called Stanley Kubrick: A Life in Pictures in which it was revealed to me that he started as a photographer ... I got a camera sometime shortly after, but spent many years just photographing flowers in my neighborhood. — Anton Yelchin

Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour. — Edward Weston

Today, the paparazzi are not just photographers: everyone has a cell phone with a camera. If they see an actor, they click pictures to show it to their friends or have it on their phones and, as an actor, I don't see anything wrong with it. Having said that, there is a limit that has been crossed, but there is nothing right or wrong. — Ranbir Kapoor

I was very camera shy. People like hot girls, so I put my music to hot girls and it just became a trend. The whole 'enigmatic artist' thing, I just ran with it. No one could find pictures of me. — The Weeknd

The first thing I did with my very first camera was climb Mt. Fuji. Climbing Mt. Fuji is a lesson in determination and moderation. It would be fair to ask if I took the moderation part to heart. But it certainly was a lesson in respecting your camera. If I was going to live with this thing, I was going to have to think about what that meant. There were not going to be any pictures without it. — Annie Leibovitz

I'm always taking pictures and travelling with a camera and have so many photos that I've done a book. — Norman Reedus

At our best and most fortunate we make pictures because of what stands before our camera, to honor what is greater and more interesting than we are. We never accomplish this perfectly, though in return we are given something perfect
a sense of inclusion. Our subject thus redefines us, and is part of the biography by which we want to be known. — Robert Adams