Quotes & Sayings About Byzantine Art

Across the broken apses and shattered naves of a hundred ruined Byzantine churches, the same smooth, cold, neo-classical faces of the saints and apostles stare down like a gallery of deaf mutes; and through this thundering silence the everyday reality of life in the Byzantine provinces remains persistently difficult to visualise. The sacred and aristocratic nature of Byzantine art means that we have very little idea of what the early Byzantine peasant or shopkeeper looked like; we have even less idea of what he thought, what he longed for, what he loved or what he hated.
Yet through the pages of The Spiritual Meadow one can come closer to the ordinary Byzantine than is possible through virtually any other single source.

Dalrymple, William (2012-06-21). From the Holy Mountain: A Journey in the Shadow of Byzantium (Text Only) (Kindle Location 248). HarperCollins Publishers. Kindle Edition. — William Dalrymple

If the European grows accustomed not to rule, a generation and a half will be sufficient to bring the old continent, and the whole world along with it, into mortal inertia, intellectual sterility, universal barbarism. It is only the illusion of rule, and the discipline of responsibility which it entails, that can keep Western minds in tension. Science, art, technique, and all the rest live on the tonic atmosphere created by the consciousness of authority. If this is lacking, the European will gradually become degraded. Minds will no longer have the radical faith in themselves which impels them, energetic, daring, tenacious, towards the capture of great new ideas in every order of life. The European will inevitably become a day-to-day man. Incapable of creative, specialized effort, he will always be falling back on yesterday, on custom, on routine. He will turn into a commonplace, conventional, empty creature, like the Greeks of the decadence and those of the Byzantine epoch. — Jose Ortega Y Gasset

Getting dressed for a woman is an art form, surreal, vaguely abstract, figurative and byzantine. When you undress a woman you enter her subconscious kingdom, her scents, her secrets and her fantasy. — Chloe Thurlow

There is nothing in the Quran or early Muslim religious literature to suggest an iconoclastic attitude. Grabar has argued that Muslim calligraphy and vegetal arts were most likely a pragmatic adaptation to the need for a new imperial-Islamic emblem distinct from the Byzantine and Sasanian portraits of emperors. The use of vegetal designs and writing was prior to any religious theory about them. Once adopted, they became the norm for Islamic public art. Theories about Islamic iconoclasm were developed later. — Ira M. Lapidus

In times like ours, where the growing complexity of life leaves us barely the time to read the newspapers, where the map of Europehas endured profound rearrangements and is perhaps on the brink of enduring yet others, where so many threatening and new problems appear everywhere, you will admit it may be demanded of a writer that he be more than a fine wit who makes us forget in idle and byzantine discussions on the merits of pure form ... — Marcel Proust