Brueghel Quotes & Sayings

Of course, the camera is a far more objective and trustworthy witness than a human being. We know that a Brueghel or Goya or James Ensor can have visions or hallucinations, but it is generally admitted that a camera can photograph only what is actually there, standing in the real world before its lens. — Hannah Hoch

Teamwork Makes The Dream Work — Carl

I can't honestly say where the inspiration for my work came from. I think it came from reading. It came from texts, from Nietzsche, Schopenhauer, it came from, you know, Jean-Paul Sartre. These are the ideas that got me worked up and inspired. It wasn't so much the visual things that inspired me. Although, of course, there were plenty of painters in history that I admired all the way from Brueghel to Goya, to Picasso - because everything visual stimulates me. — Lebbeus Woods

He turned the Corner onto Third Street and went up the block to Cup O'Joe. "Hey, Jack," said Marc, the barista, as he approached the Counter. "Latte?"
"Mmm ... nah. Gimme a large Mocha with a shot of hazelnut, skim, no Whip."
"Okay." He rung up the sale. "By yourself tonight?"
"My better half is home asleep. Just got back from a two-week trip."
"Well, tell him I've got some 'regular goddamn coffee' here with his Name on it," Marc said, winking. — Jane Seville

I've had so many influences and sources of inspiration as an illustrator that it is impossible to name just one. I loved Aubrey Beardsley when I was a student, and then Edmund Dulac and other Golden Age illustrators made a big impact, as well as Victorian painters like Richard Dadd and Edward Burne-Jones. My long-term heroes though are Albretch Durer, Brueghel, Hieronymous Bosch, Jan Van Eyck, Leonardo, Botticelli, Rembrandt, Turner and Degas. What most of them have in common is brilliant draughtsmanship and a strong linear or graphic quality. Most are also printmakers. The one I keep going back to and who fascinates me the most is JMW Turner, the greatest watercolourist. — Alan Lee

It was not my aim to paint about the Negro in America in terms of propaganda. It is to depict the life of my people as I know it, passionately and dispassionately as Brueghel. — Romare Bearden

I don't represent a group, a trend or a political party, but rather everyone. — Amr Moussa

Sherlock: You're exaggerating. It didn't happen that often. (in relation to Irene Adler's texts) John: 57 times in the run up to Christmas. Your pocket was moaning more than Mrs Hudson. Sherlock: Thank you for that mental image. — Guy Adams

In Brueghel's Icarus, for instance: how everything turns away Quite leisurely from the disaster, the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green water, And the expensive ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on. — W. H. Auden

Obviously, the core of Eve's temptation was she wanted to be like God, knowing good and evil. But we can't ignore the fact that the serpent used food as a tool in the process. If the very downfall of humanity was caused when Eve surrendered to a temptation to eat something she wasn't supposed to eat, I do think our struggles with food are important to God. — Lysa TerKeurst

I got in a fight one time with a really big guy, and he said, 'I'm going to mop the floor with your face.' I said, 'You'll be sorry.' He said, 'Oh, yeah? Why?' I said, 'Well, you won't be able to get into the corners very well.' — Emo Philips

The most successful men have used seeming failures as stepping stones to better things. — Grenville Kleiser

He was going to think about her and think about her until she disappeared. — Ethan Canin

Men trust their ears less than their eyes. — Herodotus

Norman Rockwell, the Brueghel of the 20th century bourgeoisie, the Holbein of Jell-O ads and magazine covers; by common assent, the most American artist of all. — Jerry Adler

Twenty years ago many chemists would have defended the theory of bond arms as a satisfactory explanation because they had become accustomed to thinking of it as unique and as ultimate. — Henry Margenau

I've become like one of those people I hate, the sort who go to the museum and, instead of looking at the magnificent Brueghel, take a picture of it, reducing it from art to proof. It's not "Look what Brueghel did, painted this masterpiece" but "Look what I did, went to Rotterdam and stood in front of a Brueghel painting! — David Sedaris