Brown And Wood Quotes & Sayings

Then Cheery Littlebottom had arrived in Ankh-Morpork and had seen that there were men out there who did not wear chain mail or leather underwear, but did wear interesting colors and exciting makeup, and these men were called "women."
And in the little bullet head the thought had arisen: "Why not me?"
Now she was being denounced in cellars and dwarf bars across the city as the first dwarf in Ankh-Morpork to wear a skirt. It was hard-wearing brown leather and as objectively erotic as a piece of wood but, as some older dwarfs would point out, somewhere under there were his knees*
*They couldn't bring themselves to utter the word "her. — Terry Pratchett

Marcie looked at the ugly thing and took a minute to rearrange her mental picture of the family gathered around the wood-burning stove, replacing the quaint, charming piece in her imagination with this big, brown metal beast, which would heat their home but not burn little fingers. It would be like a large, beloved dog of some hideous mixed breed, that fit right into their family and served its purpose so well that no one noticed or cared what it looked like. — Karen Jones Gowen

She was only the faint violet whiff and dead leaf echo of the nymphet I had rolled myself upon with such cries in the past; an echo on the brink of a russet ravine, with a far wood under a white sky, and brown leaves choking the brook, and one last cricket in the crisp weeds. — Vladimir Nabokov

And close at hand, the basket stood With nuts from brown October's wood. And close at hand, the basket stood With nuts from brown October's wood. — John Greenleaf Whittier

How is the birdhouse coming along, Charlie Brown?"
"Well, I'm a lousy carpenter, I can't nail straight, I can't saw straight and I always split the wood ... I'm nervous, I lack confidence, I'm stupid, I have poor taste and absolutely no sense of design ... So, all things considered, it's coming along okay! — Charles M. Schulz

We see the illusion of individual predilection being maintained, for example, in the array of different styles of iPhone cases available to us. We wonder which of the provided range of colourful or sophisticated sheaths best communicates to the world our unique character. Thus we lean towards the wood effect, or the Batman one (ironically sported, of course), or the vintage Union Jack. Meanwhile, it is much harder to honestly ask ourselves whether our lives would be improved were we not to be attached to our devices quite as umbilically, and how much misery they bring us alongside the various conveniences and amusements. Whether we might be more authentically ourselves if, with a pioneering and curious spirit, we occasionally left them at home. It — Derren Brown

They [her eyes] were big and warm and full of light, like the sun shining on brown pools in the wood. — Willa Cather

In the Twoleg nests around them, lights began to appear in the dark holes in the walls. Lionblaze heard a Twoleg shouting angrily, but the dogs went on barking and pounding at the fence. His belly lurched when he saw that the small brown-and-white dog had stuck its head through the gap and the wood around it was starting to splinter. The dark tabby she-cat darted forward and slashed her claws at the dog's nose. Yelping, it pulled back. — Erin Hunter

What do you call yourself?" the Fawn said at last. Such a soft sweet voice it had!
"I wish I knew!" thought poor Alice. She answered, rather sadly, "Nothing, just now."
"Think again," it said: "that won't do."
Alice thought, but nothing came of it. "Please, would you tell me what you call yourself?" she said timidly, "I think that might help a little."
"I'll tell you, if you'll come a little further on," the Fawn said. "I can't remember here."
So they walked on together through the wood, Alice with her arms clasped lovingly round the soft neck of the Fawn, till they came out into another open field, and here the Fawn gave a sudden bound into the air, and shook itself free from Alice's arms. "I'm a Fawn!" it cried out in a voice of delight. "And dear me, you're a human child!" A sudden look of alarm came into its beautiful brown eyes, and in another moment it had darted away at full speed. — Lewis Carroll

The creature had nut-brown skin mixed with patches of ash. It was human-sized and formed, but its skin looked like the bark of an old, old tree. About the same height as Donna, it was spindly with arms and legs that were all joints and angles. Its face was narrow and pointed, with hair on top of its head like thick moss and narrow black eyes that glinted even in the dim light of the room. The thing's body was clothed in lichen and moss, with vines twining around its sharp limbs. The creature opened its lipless mouth, a dark slash across its twisted face.

Donna's mind flashed back to the party and the shadow she'd seen sliding through the darkness outside Xan's house. She hadn't been imagining things, after all.

The wood elves had returned to the city. — Karen Mahoney

There, on the far side of of the Atlantic, would be Maine, but despite the shared ocean, her island and this one were worlds apart. Where Inishmaan was gray and brown, its fragile man-made soil supporting only the hardiest of low-growing plants, the fertile Quinnipeague invited tall pines in droves, not to mention vegetables, flowers, and improbable, irrepressible herbs. Lifting her head, eyes closed now, she breathed in the damp Irish air and the bit of wood smoke that drifted on the cold ocean wind. Quinnipeague smelled of wood smoke, too, since early mornings there could be chilly, even in summer. But the wood smoke would clear by noon, giving way to the smell of lavender, balsam, and grass. If the winds were from the west, there would be fry smells from the Chowder House; if from the south, the earthiness of the clam flats; if from the northeast, the purity of sweet salt air. — Barbara Delinsky

Chapter 3, The Dark Forest ... The sound of flowing water echoed in the distance and then the path converged upon a creek full of fast, rippling, white water cascading over brown and red colored rocks. Moss dangled across the pathway and swung back and forth as the trespassers moved under the green vegetation. Bright yellow fingers of sunlight attempted to filter through the dense tundra to touch the moist earth until finally, the appendages of light disappeared completely. "Come children, this way," called Mrs. Beetle leading her group over a moldy, moss-laden, wood bridge. — M.K. McDaniel

Just look at the Chinese characters used for the names of the days of the week. Color-wise, Monday (Moon) would be yellow. Tuesday (Fire) is red. Wednesday (Water) is blue. Thursday (Wood) is green. Friday (Gold) would be gold, Saturday (Earth) would be light brown. sunday (Sun) would be white. — Nagaru Tanigawa

Oh, get off the cross!" V shouted when I shared my thoughts with her on the phone. "We need the wood! — Cupcake Brown

If she'd been quizzed as to His Grace's eye color, she would've had to reply simply that they were dark. Which they were. Very dark, nearly black, but not quite. The Duke of Wakefield's eyes were a deep, rich brown, like coffee newly brewed, like walnut wood oiled and polished, like seal fur shining in the light, and even though they were rather lovely to look at, they were as cold as iron in winter. One touch and her very soul might freeze. — Elizabeth Hoyt

The Tote End (a large and foreboding terrace at Eastville) itself was demolished in the nineties. Sadly a monstrous Ikea store now stands in it's place. Where once tribes of youths performed their rites of passage and bodily fluids flowed in the name of love, hate and pride; Justin and Kate bicker over which wood flooring they should choose. It fucking kills me. — Chris Brown

One day Cunegonde, while walking near the castle, in a little wood which they called a park, saw between the bushes, Dr. Pangloss giving a lesson in experimental natural philosophy to her mother's chamber-maid, a little brown wench, very pretty and very docile. As Miss Cunegonde had a great disposition for the sciences, she breathlessly observed the repeated experiments of which she was a witness; she clearly perceived the force of the Doctor's reasons, the effects, and the causes; she turned back greatly flurried, quite pensive, and filled with the desire to be learned; dreaming that she might well be a sufficient reason for young Candide, and he for her. — Voltaire

In the dewy wood tinselled with bewildering moonlight, the bumbling, tumbling babies of the fairy creche trip over the hem of her dress, which is no more nor less than the margin of the wood itself; they stumble in the tangled grass as they play with the coneys, the quick brown fox-cubs, the russet fieldmice and the wee scraps of grey voles, blind velvet Mole and striped Brock with his questing snout - all the denizens of the woodland are her embroiderings, and the birds flutter round her head, settle on her shoulders and make their nests in her great abundance of disordered hair, in which are plaited poppies and ears of wheat. — Angela Carter

He leans back in his chair, the brown of his T-shirt complementary against the dark wood. — Anyta Sunday

Come in." The kid turned and walked toward the house. "I'll help you if I can." He paused, his brown eyes turned toward Stacy who now stood open-mouthed. "But you'll have to do something for me in return."
I frowned. "Like what?"
"Hide me from my mother," he said. His eyes were shiny with fresh tears.
I snorted. "Do you mean your mother, the beauty queen?"
"No," he said softly. His face suddenly seemed older. "I mean my mother, the monster. — K.D. Wood

Fire What makes a fire burn is space between the logs, a breathing space. Too much of a good thing, too many logs packed in too tight can douse the flames almost as surely as a pail of water would. So building fires requires attention to the spaces in between, as much as the wood. When we are able to build open spaces in the same way we have learned to pile on the logs, then we can come to see how it is fuel, and absence of the fuel together, that make fire possible. We only need lay a log lightly from time to time. A fire grows simply because the space is there, with openings in which the flame that knows just how it wants to burn can find its way. 12 Judy Brown — Peter Scazzero

Smoke poured from every chimney, for the day was cold. The thought of all those coal-grates and wood-stoves made me wary of fire, for these buildings were little more than tinder and brown paper, putting on airs of architecture. — Robert Charles Wilson

Thank you to the crows that amass on Vancouver evenings and fly home to the darkness of Burnaby Mountain. Thank you to the brilliance of wet moss and lichen. Thank you to the rays of golden brown light slanting in the cool of a green lake. Thank you to the shoals of glinting fish. Thank you to the sweet gems of salmonberries. Thank you to the decaying leaves for their rich brown smell. Thank you to the slugs and wood lice beneath the leaves. Thank you to to my plant friends who keep me company as I write. I am deeply grateful to share this cycle with you. — Hiromi Goto

Still, he'd have to eat something and the dark brown goo that half filled the tin was the only available food in this vicinity that didn't have at least six legs. He didn't even think about eating mutton. You couldn't, when it was looking at you so pathetically. He poked the goo with the stick. It gripped the wood like glue. "Gerroff!" A blob eventually came loose. Rincewind tasted it, gingerly. It was just possible that if you mixed yeasty beer and vegetables together you'd get - No, what you got was salty-tasting beery brown gunk. Odd, though ... It was kind of horrible, but nevertheless Rincewind found himself having another taste. — Terry Pratchett

The keeping of lists was for November an exercise kin to repeating of a rosary. She considered it neither obsessive nor compulsive, but a ritual, an essential ordering of the world into tall, thin jars containing perfect nouns. Enough nouns connected one to the other create a verb, and verbs had created everything, had skittered across the face of the void like pebbles across a frozen pond. She had not created a verb herself, but the cherry-wood cabinet in the hall contained book after book, jar after jar, vessel upon vessel, all brown as branches, and she had faith. — Catherynne M Valente

THERE IS A LOVELY LITTLE horror story about the peasant who started through the haunted wood - the wood that was, people said, inhabited by devils who took any mortal who came their way. But the peasant thought, as he walked slowly along:
I am a good man and have done no wrong. If devils can harm me, then there isn't any justice.
A voice behind him said, There isn't. — Fredric Brown

Lily knew what he meant. She loved places that people had forgotten, like the old gas station rotting on the edge of the forest in Pelt, all gray wood and brown metal. She liked to walk there sometimes and imagine that during tempests the king of the forest, dry leaves swirling around his motorcycle, would skid to a halt and demand unleaded gas from shadowy attendants while a mossy-faced knight sat in his sidecar. — M T Anderson

But at some point in her passage, the trees began to change. They stretched taller, and the soft, pale bark darkened, roughened. She put her hand to a tree and touched the lichen growing dark green upon brown, and it felt like old cork, dry and crumbling. Here the sun mellowed, took on the cast of late afternoon, and the shadows seemed to fall a bit longer; the forest had sunk into a deeper silence, magnifying what sounds did arise. The sudden, quick crash of a fox bounding through the brush was as loud as the slam of a great wooden door. — Malinda Lo

The clean clear colours were in my head. But one day as I looked at the brown burned wood of the Shanty, I thought 'I can paint one of those dismal-coloured paintings like the men. I think
just for fun I will try - all low-toned and dreary with the tree besides the door.' In my next show, 'The Shanty' went up. The men seemed to approve of it. They seemed to think that maybe I
was beginning to paint ... that was my only low-toned dismal-coloured painting. — Georgia O'Keeffe

Cedar groaned and picked up her spoon with her bright blue fingers. While the rest of her was the fiery brown of the cedar wood she'd been carved from, her fingers were covered in blue paint up to her knuckles. You could tell a lot about Cedar's current art projects by the color of her fingers. She didn't mind getting messy. She just sanded the paint off. — Shannon Hale

O Caledonia! stern and wild, Meet nurse for a poetic child! Land of brown heath and shaggy wood; Land of the mountain and the flood! — Walter Scott

For dinner Jade microwaves some Stars-n-Flags. They're addictive. They put sugar in the sauce and sugar in the meat nuggets. I think also caffeine. Someone told me the brown streaks in the Flags are caffeine. We have like five bowls each.
After dinner the babies get fussy and Min puts a mush of ice cream and Hershey's syrup in their bottles and we watch The Worst That Could Happen, a half hour computer simulation of tragedies that have never actually occurred but theoretically could. A kid gets hit by a train and flies into a zoo, where he's eaten by wolves. A man cuts his hand off chopping wood and while he's wandering around screaming for help is picked up by a tornado and dropped on a preschool during recess and lands on a pregnant teacher. — George Saunders