Broadstreet Homes Quotes & Sayings

1. Cop-outs. People who have no goals and do not commit. 2. Holdouts. People who don't know if they can reach their goals, so they're afraid to commit. 3. Dropouts. People who start toward a goal but quit when the going gets tough. 4. All-outs. People who set goals, commit to them, and pay the price to reach — John C. Maxwell

Writing was something I always liked, but it wasn't a career until I was laid off from my executive position in my 30s. I started a website because I was bored, unemployed and angry. — Jen Lancaster

Since I've turned 50, I've had the best roles of my life, and I've got married. Everyone said that wasn't possible because there are no men, but I've done it. I think it's just going to get better. — Lesley Nicol

In the cottage, two old women stared, envy and hope mixing in their faces, at a tall, handsome woman with black hair and dark eyes and red, red lips. — Neil Gaiman

Remember that 'plumber in space' is not such a bad setup for a story. — Stephen King

It is the sign of a dull mind to dwell upon the cares of the body, to prolong exercise, eating and drinking and other bodily functions. These things are best done by the way; all your attention must be given to the mind. — Epictetus

Honestly, you can't manage expectations. It has nothing to do with you. It has everything to do with everyone else. And everyone else is going to have expectations, and all you can do is do your job and do your best and be true to yourself. — Erin Davie

Even when our intentions are noble and our efforts sincere, even when we dedicate our lives to the service of others, the corrosive pressure of frantic over-activity can nonetheless cause suffering in ourselves and others. A "successful" life can become a violent enterprise. — Wayne Muller

The worst evil that you can do, psychologically, is to laugh at yourself. That means spitting in your own face. — Ayn Rand

God is interested in how you relate to Him — Sunday Adelaja

There are, however, composers whose music can only be heard in a chromatic sense. George Perle, for example, wrote pieces that you might think of as leaning in a tonal direction but it's very hard to register a pitch as, say, the sixth degree of a scale, whereas in much of my music I think that's often relatively easy to do. — Paul Lansky