Quotes & Sayings About British Literature
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Top British Literature Quotes

Nothing could be more inappropriate to American literature than its English source since the Americans are not British in sensibility. — Wallace Stevens

I did my BA in English lit, and hated the restriction - I'd always read more in translation than not; coming from a working-class background, what I knew of as British literature - the writers who made big prize lists and/or were stocked in WH Smith, Doncaster's only bookshop until I was 17 - seemed incredibly, alienatingly middle-class. Then in 2009, just after the financial crash, I graduated with no more specific skill than 'can analyse a bit of poetry'. — Deborah Smith

Vain, silly creature. Made for loving? Yes, but she'll have no lover, for I don't want her and she'll see no other. — Jean Rhys

As an undergraduate I majored in British and American literature at Rice University. — David Eagleman

One of the effects of indoctrination, of passing into the anglo-centrism of British West Indian culture, is that you believe absolutely in the hegemony of the King's English and in the proper forms of expression. Or else your writing is not literature; it is folklore, or worse. And folklore can never be art. Read some poetry by West Indian writers
some, not all
and you will see what I mean. The reader has to dissect anglican stanza after anglican stanza for Caribbean truth, and may never find it. The anglican ideal
Milton, Wordsworth, Keats
was held before us with an assurance that we were unable, and would never be able, to achieve such excellence. We crouched outside the cave. — Michelle Cliff

The tall, thin serious man strode in, his dark cloak billowing so dramatically it threatened to extinguish the lamp flame with its draught. He advanced like a malevolent shadow consuming the dim orange light, filling the room with a presence almost more than human. — Gregory Figg

I nearly fell asleep over Dickens in English. Mind you, he's snoozeworthy at the best of times. — Jo Walton

I admire American literature, both contemporary and classic - 'Moby-Dick' is just about the best book in the world - and I admire British literature for its insistence on dealing with social class. It may have been an influence. — Per Petterson

Actually, I'm frequently described as the UK's only translator of Korean literature, but even that isn't accurate - Agnita Tennant is UK-based, Janet Poole is British though lives in Toronto, Brother Anthony was born here though is now a naturalised Korean citizen. There's also Chi-young Kim and Sora Kim-Russell, who are younger and do fiction for commercial houses. — Deborah Smith

I had the impression from reading English literature that British women were great beauties, and I only had seen Julie Christie, and she was gorgeous and sexy. I don't know whether it was just my taste, but when I got to London, I went two years without seeing a truly attractive woman. A lot of near misses. — Walter Kirn

I went to a British Council event a while back and there were lots of German professors of literature. About half of them were convinced I had a German sense of humour and the other half were sure it was British. They are probably still arguing about it now. — Tibor Fischer

I had passed through the entire British education system studying literature, culminating in three years of reading English at Oxford, and they'd never told me about something as basic as the importance of point of view in fiction! — Philip Pullman

The fallacy is one of the fifty fallacies that come from the modern madness for biological or bodily metaphors. It is convenient to speak of the Social Organism, just as it is convenient to speak of the British Lion. But Britain is no more an organism than Britain is a lion. The moment we begin to give a nation the unity and simplicity of an animal, we begin to think wildly. Because every man is a biped, fifty men are not a centipede. This has produced, for instance, the gaping absurdity of perpetually talking about "young nations" and "dying nations," as if a nation had a fixed and physical span of life. Thus people will say that Spain has entered a final senility; they might as well say that Spain is losing all her teeth. Or people will say that Canada should soon produce a literature; which is like saying that Canada must soon grow a new moustache. — G.K. Chesterton

Dickens' London was a place of the mind, but it was also a real place. Much of what we take today to be the marvellous imaginings of a visionary novelist turn out on inspection to be the reportage of a great observer. — Judith Flanders

[T]he only luxury he allows himself is buying books, paperback books, mostly novels, American novels, British novels, foreign novels in translation, but in the end books are not luxuries so much as necessities, and reading is an addiction he has no wish to be cured of. — Paul Auster

It was not until 1948 that Cambridge University stopped requiring a knowledge of classical (ancient) Greek as a prerequisite for admission. This requirement was based not only on the intrinsic merits of ancient Greek literature and philosophy. Knowledge of Greek was a screening device to keep out the less affluent, who attended British state schools, where Greek was less likely to be taught than in private schools. — Norman F. Cantor

For the British after 1857, the Indian Muslim became an almost subhuman creature, to be classified in unembarrassedly racist imperial literature alongside such other despised and subject specimens, such as Irish Catholics or 'the Wandering Jew'. — William Dalrymple

Men call you fayre, and you doe credit it,
For that your self ye daily such doe see:
But the trew fayre, that is the gentle wit,
And vertuous mind, is much more praysd of me.
For all the rest, how ever fayre it be,
Shall turne to nought and loose that glorious hew:
But onely that is permanent and free
From frayle corruption, that doth flesh ensew.
That is true beautie: that doth argue you
To be divine and borne of heavenly seed:
Deriv'd from that fayre Spirit, from whom al true
And perfect beauty did at first proceed.
He onely fayre, and what he fayre hath made,
All other fayre lyke flowres untymely fade. — Edmund Spenser

In fiction, I have been on a Zweig kick. In England over December, I noticed that many British newspapers' year-end recommenders were praising the Pushkin Press for reissuing several works by Stefan Zweig, a brilliant Austrian writer whose work brings to mind that of his compatriot Joseph Roth ... these fictions are a treat of prewar European literature — Sylvia Brownrigg

Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev. — Tom Stoppard

The great British Library
an immense collection of volumes of all ages and languages, many of which are now forgotten, and most of which are seldom read: one of these sequestered pools of obsolete literature to which modern authors repair, and draw buckets full of classic lore, or pure English, undefiled wherewith to swell their own scanty rills of thought. — Washington Irving

More than any other contemporary British playwright, Tom Stoppard populates his plays
from Rosencrantz and Guildenstern Are Dead to The Invention of Love (his portrait of the poet and scholar A. E. Housman)
with characters from life and literature. But one cannot always tell the difference between those who are real and those who are imaginary. — Mel Gussow

Dr. Watson's summary list of Sherlock Holmes's strengths and weaknesses:
1. Knowledge of Literature: Nil.
2. Knowledge of Philosophy: Nil.
3. Knowledge of Astronomy: Nil.
4. Knowledge of Politics: Feeble.
5. Knowledge of Botany: Variable. Well up in belladonna, opium, and poisons generally. Knows nothing of practical gardening.
6. Knowledge of Geology: Practical but limited. Tells at a glance different soils from each other. After walks has shown me splashes upon his trousers, and told me by their colour and consistence in what part of London he had received them.
7. Knowledge of Chemistry: Profound.
8. Knowledge of Anatomy: Accurate but unsystematic.
9. Knowledge of Sensational Literature: Immense. He appears to know every detail of every horror perpetrated in the century.
10. Plays the violin well.
11. Is an expert singlestick player, boxer, and swordsman.
12. Has a good practical knowledge of British law. — Arthur Conan Doyle

Gower is the first English writer to use "history" as an English word. He regularly rhymes the term with "memory," for to his way of thinking history and memory are correlative. That is, without history, there can be no memory; and without memory, there can be no history. But the point of historical knowledge is not to enable people to live in the past, or even to understand the past in the way we would expect a modern historian to proceed; rather, it is to enable people to live more vitally in the present. — Russell A. Peck

You've clearly been charged with hiring a jack-of-all-trades. And Dr. Auden is that mythical creature you seek: fully qualified to teach British and American literature, women's studies, composition, creative writing, intermediate parasailing, advanced sword swallowing, and subcategories and permutations of the above. — Julie Schumacher

She remembered the way the damp, coarse sand had clumped to her legs and hands, and burrowed beneath her nails and into the folds of her clothes, and she had wondered why the British children in her storybooks were always excited about going to the beach - just as now she wondered why the light from the lighthouse seemed to be coming from the landward side of the expressway. "I thought a lighthouse is out at sea. — Yu-Mei Balasingamchow

Although the disappearance of the true wildwood [in the British Isles] occurred in the Neolithic period, before humanity began to record its own history, creation myths in almost all cultures look fabulously back to a forested earth. In the ancient Sumerian epic of Gilgamesh, the quest-story which begins world literature, Gilgamesh sets out on his journey from Uruk to the Cedar Mountains, where he has been charged to slay the Huwawa, the guardian of the forest. The Roman empire also defined itself against the forests in which its capital city was first established, and out of which its founders, the wolf-suckled twins, emerged. It was the Roman Empire which would proceed to destroy the dense forests of the ancient world. — Robert Macfarlane

Oh, it must be wonderful to be educated. What does it feel like?'
'It's like having an operation,' said Treece. 'You don't know you've had it until long after it's over. — Malcolm Bradbury

I've always been a quitter. I quit the Boy Scouts, the glee club, the marching band. Gave up my paper route, turned my back on the church, stuffed the basketball team. I dropped out of college, sidestepped the army with a 4-F on the grounds of mental instability, went back to school, made a go of it, entered a Ph.D. program in nineteenth-century British literature, sat in the front row, took notes assiduously, bought a pair of horn-rims, and quit on the eve of my comprehensive exams. I got married, separated, divorced. Quit smoking, quit jogging, quit eating red meat. I quit jobs: digging graves, pumping gas, selling insurance, showing pornographic films in an art theater in Boston. When I was nineteen I made frantic love to a pinch-faced, sack-bosomed girl I'd known from high school. She got pregnant. I quit town. — T.C. Boyle