Bridge To Haven Quotes & Sayings

So many people talk about the Golden Gate bridge, but I would bet they haven't seen the new Sava River Bridge. It has long metal ropes suspending it, like a gigantic angel's harp waiting for god's fingers to reach down and pluck the first chords, to send a vibration of relief and love into the heart of Belgrade. — Poppet

Nearly all Americans have ancestors who braved the oceans-liberty-loving risk takers in search of an ideal-the largest voluntary migrations in recorded history. Across the Pacific, across the Atlantic, they came from every point on the compass-many passing beneath the Statue of Liberty-with fear and vision, with sorrow and adventure, fleeing tyranny or terror, seeking haven, and all seeking hope ... Immigration is not just a link to America's past; it's also a bridge to America's future. — George H. W. Bush

The truth that writers secretly harbor is that all books are failures. We try to do something that can't be done. Words. Is that all we rely on? Smudgy ink marks on a page? Pallid wisps and blotches? Text as scaffolding trying to hold up worlds? Actually, no, it's not all we rely on. What's worse is our reliance on the reader. A writer is forever locked in an interdependent relationship. It's like building a bridge from opposite sides of a river - our flimsy words and their frail, overreaching imaginations. The bridge will never meet in the middle. It's not possible. Sometimes you haven't even decided on the same river. The Gateway Arch in Saint Louis missed in the middle by a matter of inches the first time around. They tried again and made it. Writers know we never will. — Julianna Baggott

I'm surprised she hasn't started cursing yet from hearing me."
"Oh, but she has," Vincent said. "I overheard her."
Carmine turned to Haven. "What did you say?"
She didn't respond, and he sighed. "Come on, you can say it. Was it fuck? Because I say fuck a lot. Motherfucker? Shit? Asshole?"
"I think that's plenty," Vincent said, pinching the bridge of his nose. "The word doesn't matter, but if you insist on knowing, she said 'damn'."
"Oh, just damn? Not even goddamn? — J.M. Darhower

I don't know if I'd call it a crush," he finally said. "It's more like, I haven't been able to stop thinking about you for the past five days. When I'm in a band meeting ... " He kissed her eyebrow. "When I'm onstage." He kissed the bridge of her nose. "When I'm trying to bloody fall asleep at night, that's the worst. And the best. — Ophelia London

God ... " I choked on the word. "I know we haven't talked much in the past few years. Hell, I told you I hated you when Tye took his own life." I cursed again and pinched the bridge of my nose. "I don't even care about myself anymore, just promise me she'll be okay. If I don't make it ... if you take me, just let Kiersten be okay. She can't go down that road - I don't care if you have to punish me, God. If she's going to suffer, give me her pain instead. If her heart's going to break, break mine for hers. Please, God ... please. — Rachel Van Dyken

A player's first move isn't necessarily the truest or clearest view of that person I'll get, but it's often the most naked, because it takes a while to situate yourself within an imaginary landscape. When you respond to the initial subscriber packet with your opening move - when you come to the bridge - you haven't had a chance to get much sense of the game's rhythms, so you're awkward, halting, more likely to overplay your hand. The open path at the overpass gives way to grand schemes, huge, multipart responses, whole narratives from within the canvas newly forming inside the player's imagination. I keep myself out of it; I interpret and react, like a flowchart responding flatly to a person who's asking it how to live. — John Darnielle